Mixed Race Studies

Trevor Noah Blasts Ben Carson for Claiming President Obama Was ‘Raised White’

The Daily Beast
2016-02-25

Matt Wilstein, Entertainment Writer

‘The Daily Show’ host hits back at the low-in-the-polls neurosurgeon for claiming Obama can’t relate to the ‘experience of black Americans.’

Believe it or not, Ben Carson is still running for president. And this week, he made some news by claiming in an interview that President Obama was “raised white” and therefore can’t identify with the “experience of black Americans.”

Trevor Noah isn’t having it. ”Like a glitched character on a video game, Ben Carson is just off facing the wrong direction,” The Daily Show host said Wednesday night. “Yeah, he is not attacking Trump or the other Republicans, but rather he’s chosen to attack President Obama. And it’s not for his policies and it’s not for his record. It’s for not being black enough.”

“So Ben Carson is saying that because Obama didn’t grow up poor, he didn’t grow up black,” Noah said after playing the clip of Carson’s comments. “That is such a bullshit argument. Being poor isn’t what makes you black.”…

Read the entire article here.

The True Story of the ‘Free State of Jones’

The Smithsonian Magazine
March 2016

Richard Grant; Photographs by William Widmer

A new Hollywood movie looks at the tale of the Mississippi farmer who led a revolt against the Confederacy

With two rat terriers trotting at his heels, and a long wooden staff in his hand, J.R. Gavin leads me through the woods to one of the old swamp hide-outs. A tall white man with a deep Southern drawl, Gavin has a stern presence, gracious manners and intense brooding eyes. At first I mistook him for a preacher, but he’s a retired electronic engineer who writes self-published novels about the rapture and apocalypse. One of them is titled Sal Batree, after the place he wants to show me.

On his property, Jones County’s J. R. Gavin points out a site that was a hide-out for Newt Knight. “The Confederates kept sending in troops to wipe out old Newt and his boys,” says Gavin, “but they’d just melt into the swamps.” (William Widmer)

I’m here in Jones County, Mississippi, to breathe in the historical vapors left by Newton Knight, a poor white farmer who led an extraordinary rebellion during the Civil War. With a company of like-minded white men in southeast Mississippi, he did what many Southerners now regard as unthinkable. He waged guerrilla war against the Confederacy and declared loyalty to the Union.

In the spring of 1864, the Knight Company overthrew the Confederate authorities in Jones County and raised the United States flag over the county courthouse in Ellisville. The county was known as the Free State of Jones, and some say it actually seceded from the Confederacy. This little-known, counterintuitive episode in American history has now been brought to the screen in Free State of Jones, directed by Gary Ross (Seabiscuit, The Hunger Games) and starring a grimy, scruffed-up Matthew McConaughey as Newton Knight.

As great-granddaughters of Newt and Rachel, Dorothy Knight Marsh, left, and Florence Knight Blaylock revere their past: “It’s a very unusual, complex family,” says Blaylock. (William Widmer)

…After the Civil War, Knight took up with his grandfather’s former slave Rachel; they had five children together. Knight also fathered nine children with his white wife, Serena, and the two families lived in different houses on the same 160-acre farm. After he and Serena separated—they never divorced—Newt Knight caused a scandal that still reverberates by entering a common-law marriage with Rachel and proudly claiming their mixed-race children.

The Knight Negroes, as these children were known, were shunned by whites and blacks alike. Unable to find marriage partners in the community, they started marrying their white cousins instead, with Newt’s encouragement. (Newt’s son Mat, for instance, married one of Rachel’s daughters by another man, and Newt’s daughter Molly married one of Rachel’s sons by another man.) An interracial community began to form near the small town of Soso, and continued to marry within itself…

Read the article here.

Visions of Obama in America’s Ghettos

The Nation
2016-02-12

Camilo José Vergara

“Obama es el Presidente, Obama es para todos.” Painting by Chuy Vasquez. Luis Meat Market, 42nd Place at South Vermont Avenue, Los Angeles, 2013. (Camilo Vergara)

From churches to gas stations.

Documenting the murals that decorate the walls of barbershops, restaurants, butcher shops, storefront churches and liquor stores in poor, minority communities has been a decades-long interest of mine. These examples of popular art employ a relatively small range of symbols, motifs, and iconic figures to remind people of their roots and aspirations. When Barack Obama was elected in 2008, I knew that his likeness would soon be featured in ghettos across the nation, and so I searched inner-city neighborhoods for his portraits and interviewed artists and neighborhood residents…

In African-American neighborhoods, President Obama is frequently depicted as a powerful man of action. Folk portraits of him express pride that a black person was able to achieve the presidency, something few believed possible. He is often accompanied by such symbols of American power as the eagle and the American flag…

Read the entire article here.

#LookingForMezclas

Hugo Amsellem
Cali, Colombia
2016-02-11

Exploring the challenges of mingling identities with photos & stories of cool people I meet around the streets of the cities that I visit during my year-long travel…

For more information, click here.

This photo of Obama and a little visitor at a Black History Month celebration is remarkable

The Washington Post
2016-02-20

Janell Ross

Clark Reynolds, 3, is greeted by President Obama during a Black History Month Celebration held Feb.18, 2016, at the White House in Washington, D.C. (Pete Souza/White House)

For 3-year-old Clark Reynolds, Thursday began like most others.

Morning preparations gave way to hours at school and then a visit to his mother’s office to change into a suit and tie. Clark’s mother, Nichole Francis Reynolds, is a former congressional staffer who now works in the private sector. Friends had secured an invitation for Francis Reynolds and her son to the White House’s Black History Month celebration, the final gathering of its kind while the first black president remains in office. But Francis Reynolds had told Clark only that he had earned a special treat. He is, after all, only 3.

What Clark does know is the president’s name, his face when he sees Obama on TV and the sound of President Obama’s voice when it comes through the satellite radio in his dad’s car. Then, there’s Clark’s favorite book, the one that he almost always picks when it’s reading time. Clark has been through the “The White House Pop-Up Book” by Chuck Fischer so many times that, almost as soon as Clark and his mother walked onto the White House grounds Thursday, Clark knew where they were…

Read the entire article here.

Meet Team One Drop: Ben Affleck

Fanshen Cox
2016-02-10

One Drop of Love is a multimedia one-woman show exploring the intersections of race, class and gender – and in search of justice and love. The show is written and performed by Fanshen Cox DiGiovanni.

For more information, click here.

Valentine’s Day special! On love, race and history in Ghana

Africa is a Country
2016-02-14

Dan Magaziner, Associate Professor of History
Yale University

Despite colonial administrators’ attempts to sabotage their marriage plans, Brendan (a district commissioner) and Felicia Knight wed in 1945. Fifteen years later, Felicia staged a successful one-woman-protest in front of Flagstaff House to save her husband’s job during the Africanization of government service. On the grounds that he was married to a Ghanaian and raising their five children as Ghanaians, Kwame Nkrumah retained Brendan in government employ.

A couple months ago I was fortunate to read Carina Ray’s excellent new book Crossing The Color Line: Race Sex and the Contested Politics of Colonialism in Ghana on the history on interracial intimacy on the Gold Coast. I decided to interview her for AIAC and when our conversation moved from political economy and racism to political economy, racism and love, we figured – Valentine’s Day! So here it is: an AIAC take on love, critical politics included.

Why do you think that the history of interracial intimacy in the Gold Coast / Ghana important? What drew you to study it and to these stories in particular?

Let me answer the second question first. When I started the archival work that culminated in Crossing the Color Line, my intention was to write an altogether different book about multiracial people in colonial and post-independence Ghana. Much has been written about them in the context of the precolonial period as cultural, social, political, and linguistic intermediaries—the ubiquitous “middle(wo)men” of the trans-Atlantic trade, especially as it became almost exclusively focused on the slave trade. Hardly anything, however, has been written about this group during the period of formal colonial rule in British West Africa. So I set out to do just that, but quickly discovered that while the archive had much to say about interracial sexual relations in the Gold Coast, there was relative silence about their progeny…

Read the entire interview here.

Music does not discriminate | Chi Chi Nwanoku | TEDxEuston

TEDx Talks
2016-01-14

Chi Chi Nwanoku speaks at a 2015 TEDx event in London.

Chi-Chi Nwanoku MBE is the Founder, Artistic Director of Chineke!, Europe’s first classical orchestra of Black and Ethnic Minority musicians and is also the Principal Double bassist and founder of the Orchestra of the Age of Entertainment. Chi-chi is a professor of Double Bass History Studies at the Royal Academy of Music and was made a Fellow there in 1998.

Chi-chi gracefully opened the TEDxEuston 2015 stage. She declared we are all born musicians; everyone of us has a heartbeat connected to something. It was a privilege for the audience to hear her personal journey through her early introduction to music and her experiences as a black women in the classical music industry. She narrates how she is fighting the good fight to bring diversity to the classical world and encourages the audience to “Never be afraid of a challenge.”

Invisible Bridges: Life Along the Chinese-Russian Border

The New Yorker
2016-02-09

Peter Hessler

In the summer of 2014, Davide Monteleone, an Italian photographer who had lived in Moscow for more than a decade, began to travel to the Russian-Chinese border in search of something that felt real and reliable. “I had been covering the uprising in Ukraine, and then the civil war and the occupation of Crimea,” he told me. “I was disturbed by how hard it was to remain neutral when there was so much press attention. I felt like whatever I did was going to be used for propaganda. So I thought about doing something far away.” After the European Union and the United States levied sanctions against Russia, the country began signing high-profile gas and trade agreements with China. “There were a lot of articles in Russia about this new friendship between Russia and China,” Monteleone said. “So I figured, let’s go and see what’s going on. Is this relationship real?”

In Moscow, Monteleone had read about a new bridge across the Amur River that the Russians were supposedly building at the city of Blagoveshchensk. “But you go there and there is no bridge,” he said. “People in Moscow knew about this bridge, but the people in this place didn’t even know they were planning to build it.” In the regions around the phantom bridge, he noticed other things that were also missing. “On the Russian side, there’s no agriculture,” he said. “It’s forest and that’s it. You ask the Russians why they don’t grow anything, and they say, ‘The weather is not very good; you can’t grow anything.’ And then you cross to the Chinese side, and there are plantations everywhere! It’s only two hundred metres, so the climate must be the same.”…

…Over the past two centuries, there have been periodic tensions between Russia and China, including some serious border conflicts, and historically Russia has usually held the upper hand. But nowadays, at the personal level, Monteleone notices a different dynamic. “In a remote place like this, the Russians just wait for something that is going to happen, while the Chinese try to do something,” he said. This disparity seemed to shape the interpersonal dynamics of many Russian-Chinese couples that Monteleone met on his travels. In Blagoveshchensk, he spent time with a Chinese businesswoman who runs a small empire of Russian hotels and restaurants. Back in her hometown of Harbin, she has a husband and a child, but across the border she has acquired a kind of modern-day concubine—a Russian husband, along with another child. “I suspected that the Russian husband—it’s also for practical reasons,” Monteleone said. “Chinese cannot open companies in Russia if they don’t have a Russian partner.” He found it fascinating to watch them interact: “She was saying, ‘Go and get the car!’ ‘Bring me there!’ ‘Call this person!’ He was a husband, but at the same time he was an employee. She was speaking Russian, but in a strange accent.”

That was one of the few mixed couples that Monteleone encountered in which a Chinese woman was paired with a Russian man. “The combination is usually Chinese men and Russian women,” he said. This may be a result of simple demographics: in Russia, there are only eighty-seven men to every hundred women, whereas in China there are a hundred and six men to every hundred women. But, in Monteleone’s view, it’s also a convergence of different social and economic forces. “It’s because men die much sooner in these parts of Russia,” he said bluntly. “In this kind of remote region, there’s no jobs, no activities, no way to spend time, so the men just drink.” He continued, “And Russian women here seem to be much more responsible than men. I’m sorry to say it, but they’re the ones taking care of things.” On the southern side of the border, he noticed that language schools are full of young Russian women who seem dedicated to acquiring Mandarin, and perhaps a Chinese husband…

Read the entire article here.

Arcade Fire Exploited Haiti, and Almost No One Noticed

The Atlantic
2013-11-12

Hayden Higgins

Arcade Fire / JF Lalonde

The band has a deep, sincere relationship with the Caribbean nation. But even so, Reflektor’s marketing campaign has perpetuated stereotypes.

Months before Arcade Fire’s new album came out, I learned of its existence when social media pointed me to a website with some chalked, black and white patterns spelling out “Reflektor.” The designs seemed strange and foreign, and I was intrigued about what the music might sound like—not because I knew what the accompanying imagery meant, but precisely because I didn’t.

This, of course, was the intended effect. It turns out those designs were inspired by Haitian veve graffiti, used in syncretistic Vodoun practices to summon the Loa (angels or spirits, messengers to the deity). But presented out of context, to the typically unknowing fan like me, they connoted something else: mystery, exoticness, esotericism.

Reflektor itself—now released and at the top of the charts—and the rest of its marketing campaign went all-in on the Haitian tropes. During some promotional concerts the band donned Kanaval masks, coopting a symbol that holds multifaceted, complex meaning for Haitians during Carnival but that was reduced to flat shorthand for “party!” during a raucous SNL appearance. The music evokes similar stereotypes. In the song “Flashbulb Eyes,” glimmering marimbas will, for many listeners, conjure a specific idealization of the Caribbean (where Haiti is located), while singer Win Butler wails about cameras stealing souls. The band’s music used to feel interesting by virtue of its heart-on-sleeve confrontation with mortality; now, it borrows its edginess by leaning on preconceptions about a foreign region….

…This demonstrates that peoples’ stereotypes and assumptions operate independent of the appropriators’ own knowledge, however deep, of the culture they’re taking from. In this case, that knowledge is substantial. The band has a longstanding relationship with Haiti, starting with member Régine Chassagne’s ancestry (her parents fled the nation during the Duvalier horrors). They have been dedicated supporters of Partners in Health, which works to eradicate disease in Haiti. As Darville points out, though, audiences generally lack this context, and the onus is on the artist to recognize that fact…

Read the entire article here.