Mixed Race Studies

Play means to help people of mixed race find sense of belonging

MPR News
Minnesota Public Radio
2015-12-15

Marianne Combs, Arts and Culture Reporter

“Purple Cloud,” written by Jessica Huang and directed by Randy Reyes, looks at three generations of hapa, or mixed race, Chinese immigrants as they search to find a place where they belong. Courtesy Keri Pickett | Mu Performing Arts

“What are you?” It’s a question that people of mixed race get all the time.

“Purple Cloud,” a new play produced by Mu Performing Arts, explores what it means to be of mixed race. It’s inspired by playwright Jessica Huang’s own experiences growing up mixed race, and it tells the story of one family’s journey of self-discovery.

“For most of my life I had been struggling with feeling outside, because I’m not white and I’m not Chinese, and I didn’t really know where I belonged,” she explained. “But there was a theater director in town … and she saw me across the room and she pointed at me and said, ‘You — you’re hapa.’

“And I had no idea what that word meant.”…

Read or listen to the story here.

Crossing the Line: Multiracial Comedians

University of Michigan
Shapiro Undergraduate Library
919 South University Avenue
Screening Room 2160
Ann Arbor, Michigan 48109-1185
2016-01-21, 16:00-17:00 CST (Local Time)

Karen E Downing, Host Contact

This full-length documentary (2007, 59 mins.) analyzes how mixed-race comedians mediate multiracial identities and humor. Crossing lines of racial, ethnic, and cultural acceptability by their very existence, multiracial comedians reveal that meanings of race vary across ethnic combination, gender, place, and time.

The film features the experiences, perspectives, and performances of American comedians of more than one racial ancestry. The timeliness of multiracial comedians’ roles as crossracial mediators is underscored as they provide insight into controversies over how comedians express race (i.e., Michael Richards’ use of the N-word, Rosie O’Donnell’s slurs), and other debated meanings of race in an increasingly diverse society. Exploring these questions exposes the very nature of where pain and laughter come from in a racially divided world.

This is one of a year-long series of events that explore what it means to be multiracial in a monoracially conceived world.

This film will be followed by discussion. For more information, click here.

Sock and Buskin’s new production combines history and mysticism

The Brown Daily Herald
Providence, Rhode Island
2015-11-16

Jennifer Shook, Staff Writer

‘The Road Weeps, The Well Runs Dry’ examines journey of Black Seminoles to Oklahoma

In Sock and Buskin’s newest production “The Road Weeps, The Well Runs Dry,” legend and history come together to present a portrait of mid-19th-century life from a segment of the American population not usually depicted: the Black Seminoles, a group of black and Native American people.

Written by Marcus Gardley, assistant professor in playwriting, and directed by Kym Moore, associate professor of theatre arts and performance studies, “The Road Weeps, The Well Runs Dry” follows a community of Black Seminoles forced to relocate from Florida to Oklahoma on the Trail of Tears. There, they create a new community and culture that is entirely their own while struggling with their racial and cultural histories. The Black Seminoles also face continued rivalries both within their community and with the neighboring Creek tribe. While the play depicts the plight of the diverse Seminole community, it also incorporates a mystical undercurrent that allows for a more metaphorical interpretation of its larger themes…

Read the entire article here.

Third film festival

La Voz News: The voice of De Anza College since 1967
Cupertino, California
2015-10-22

Bojana Cvijic, Staff Writer

De Anza students saw the Lacey Schwartz’s film “Little White Lie” and had a discussion about race and identity issues during the Third Film Festival on Oct. 15 at Euphrat Museum.

Members of the Black Leadership Collective chose the film, discussion questions and overall theme for the festival.

“This is all the students work,” said Julie Lewis, Department Chair of African American Studies, advisor to the Black Leadership Collective, and coordinator for the festival.

The framework for the festival correlated with the Euphrat museum’s ongoing exhibition “Endangered” which also touches on social justice issues.

“Some of the themes that they’ll be talking about is identity, what does it mean to be of a particular identity, who makes those rules, in particular around race, which is a socially constructed concept yet has very real world and lasting implications,” Lewis said before the event….

Read the entire article here.

Maya Rudolph: ‘I’m not a woman in comedy. I’m a comedian’

The Guardian
2015-12-05

Tom Lamont

She’s been a Saturday Night Live regular for years, with her hilarious celebrity send-ups, and she hit the global bigtime as the bride in Bridesmaids. So why is Maya Rudolph now playing nasty?

Inside a hot studio, on a hot day in Los Angeles, Maya Rudolph is being photographed in a dress that’s luxurious and snazzy but doesn’t breathe so well. She manages her discomfort by changing voices and pulling faces – by slipping in and out of other people’s skins. Now she’s a 40s movie star, slurring vowels and giving sidelong glances. Now she’s Jamaican: “My hair is turning electric, mun.” For a while she’s Maya Rudolph – 43-year-old actor, comedian, Californian – and then she’s Texan, brassy… Beyoncé! “I need some more booty room in this dress.” As the shoot winds down, Rudolph lies on a sofa and silently channels Burt Reynolds. She says she has a particular image of Burt in mind, one from the 70s in which he posed nude for Cosmopolitan on a bearskin rug. Watching on from a corner of the studio, I call up the picture on my phone, for comparison. Nailed it…

…Rudolph had an uncommon upbringing. Her mother was the African American singer Minnie Riperton. In 1975, three years after Rudolph was born, Riperton had a worldwide hit with a ballad called Lovin’ You (“Is easy cause you’re beautiful”). Her father played guitar for his wife on the road, and the Rudolph-Ripertons would tour the country together. Some of Rudolph’s earliest memories are of watching her mother from the wings of shows, or of sleeping in creepy hotels. One year, she lost a tooth, when the family were gigging through casino territory, and she woke up to find a poker chip under her pillow…

Read the entire article here.

National Affairs: Who Would Be King

Time
1923-10-08

Word came to the U. S. that William Henry Ellis, who preferred to style himself Guillermo Enrique Eliseo, died in Mexico City. Mr. Ellis was one of the most remarkable men who ever acted as agent for the State Department. He was known chiefly for the famous incident in which he delivered a commercial Treaty from this country to King Menelik of Abyssinia. But his unusual history began much earlier.

He was born in Victoria, Tex., in 1864 and claimed to be of Cuban parentage, on account of which he used the Spanish form of…

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Keep It Simple at TEDxIndianapolis

The Indianapolis Star
2015-10-21

Leslie Bailey

“When asked how he created his masterpiece, Michelangelo said, ‘It was easy. You just chip away that which does not look like David.’ What if our lives are our masterpiece? What if we chipped away all that was unnecessary, all the clutter and the busyness, and focused on that which really mattered — our passions and our relationships.”

This is the “big idea” Maura Malloy will share when she takes the stage at TEDxIndianapolis on Tuesday. Malloy, 36, is among approximately 20 speakers who will present their ideas at the conference with the theme of “Keep It Simple.” Other speakers include a homeless advocate, an origami artist, a musician and a handful of professors…

…In her talk, Malloy will share her journey to a minimalist lifestyle, as well as tools on how everyone can create their own “masterpiece” life. For Malloy, the spark ignited during a semester studying in India during her sophomore year at the University of Notre Dame. She was allowed one 40-pound bag of belongings for the semester. “It opened my eyes to how little you need to be joyful, especially when it comes to children,” said Malloy, who is expecting her first child in November…

…Malloy, who grew up in South Bend, moved to New York City when she was 25 to pursue a career in acting. She ultimately turned to screenwriting, which she continued doing after moving back to Indiana with her husband, Rory Collins, 2012.

She currently has two projects in development with actress Tessa Thompson attached to both films. The first, “An Illuminated Life” [See: An Illuminated Life: Bella da Costa Greene’s Journey from Prejudice to Privilege] is a biopic about Belle da Costa Greene, an African-American woman who lived as a white woman while working as J.P. Morgan’s right-hand woman at the turn of the century. The other project, “Our Rebels,” is a smaller, independent film Malloy describes as a “platonic love story.”…

Read the entire article here.

Krotoa-Eva’s Suite: A performance by poet Toni Stuart

Goldsmiths University of London
New Cross
London, United Kingdom
Caribbean Studies Centre
Top Floor, Education Building
2015-12-03, 18:30-20:30Z

Join the Centre for Caribbean and Diaspora Studies and the Centre for Feminist Research for a performance by poet Toni Stuart and a ‘Stories are Medicine’ discussion circle.

Toni Stuart (@nomadpoet) is a poet, performer, festival organiser and educator from Cape Town, South Africa.

She’ll be performing poems from her collection in progress, Krotoa-Eva’s Suite – a cape jazz poem in three movements. This is the re-imagined story of Krotoa-Eva, a Khoi woman who played a pivotal role in South African history in the 17th Century, when the first European settlers arrived at Cape Town, as it is known today. The poems give voice to Krotoa-Eva’s “interior” life, and aim to offer a counter-narrative to the male, colonial perspectives through which her story has previously been told.

The performance will be followed by an informal discussion circle around the role of self-care and healing in our work as feminists. And, it will explore how stories and the creative arts might facilitate and support this practice.

For more information, click here.

‘We have a right to determine how our histories are told’: An interview with poet Toni Stuart

Goldsmiths University of London
News
2015-11-25

Sarah Cox

On Thursday 3 December the Centre for Caribbean and Diaspora Studies (CCDS) and Centre for Feminist Research host a spoken word performance by Toni Stuart: poet, festival organiser and educator, recently named on the South African Mail & Guardian’s list of inspiring young South Africans. Toni is also a Goldsmiths graduate, completing her MA Writer/Teacher with us this year as a 2014/2015 Chevening Scholar. We caught up with her to find out more about her work and Goldsmiths experience.

Toni was first introduced to Goldsmiths by friend and fellow poet Raymond Antrobus while he was studying for his MA Writer/Teacher here. Raymond was also taking part in our Spoken Word Educators Programme (SWEP), working with school children to develop their confidence, self expression, oral communication and literary skills.

Invited in to teach for the day at the school where Raymond was based, Toni got a taste for what being poet-in-residence was like and also learnt more about our MA – a course taught by the Departments of Educational Studies and English and Comparative Literature.

“It sounded like exactly what I wanted,” she says. “A course that allowed me to develop my creative writing and teaching practices simultaneously, with a specific focus on developing my own pedagogy and ‘poetry syllabus’. I don’t know of any other course like it in the world. And, the SWEP – started by Peter Kahn and now with Jacob Sam-La Rose as director – is the only one of its kind in the world as well.”

After her performance at Goldsmiths this December, Toni and her audience will be taking part in a discussion circle exploring the use of stories as medicine. As a 32-year old mixed heritage South African woman poet, she believes her work – and that of her generation – is to heal the wounds that they have inherited from their parents’ generation and from the past.

“Sometimes these wounds are apparent and we’re able to address them directly, other times they are unconsciously passed down through many generations,” she says. “My experience of working in the NGO sector in the past, and in the arts sector now, is that self-care is fundamental if we hope for our work to have a meaningful impact in our communities, and, that in order for our work to be sustainable we need to ensure we are taking care of ourselves first…

Read the entire interview here.

‘Black-ish’ Star Yara Shahidi Is a Role Model Off-Screen

The New York Times
2015-11-27

Hannah Seligson

Ms. Shahidi, 15, won the N.A.A.C.P. Image Award for outstanding supporting actress in a comedy series this year. Credit Emily Berl for The New York Times

“Life as a teenager can be down right chaotic,” the actress Yara Shahidi, 15, told an audience last month at Cipriani 42nd Street, where she was being honored by the Young Women’s Leadership Network. “We must also realize that it is up to us whether these years will feel like a melancholy struggle or an opportunity for growth or experiences of a lifetime.”

For Ms. Shahidi, it’s certainly the latter.

As the actress who plays Zoey, the smart but entitled daughter on ABC’s “Black-ish,” a situation comedy about a prosperous black family wrestling with racial issues, Ms. Shahidi certainly has a platform to be heard. But she has not stopped there.

When she’s not taping “Black-ish,” she is a full-time social activist, inspiring young women to excel academically, volunteering at medical clinics and starting her own mentoring club…

There are few African-American actresses her age who are having the kind of cultural and social impact that Ms. Shahidi is, both on and off screen. This year, she was nominated for a Teen Choice Award for best breakout star. She won a N.A.A.C.P. Image Award for outstanding supporting actress in a comedy series…

…Activism runs in her family. “I was raised by a bunch of humanitarians,” she said, referring to her African-American mother, Keri-Salter Shahidi, a commercial actress, and her Iranian father, Afshin Shahidi, a cinematographer. Her maternal grandfather was involved in the civil rights movement…

Read the entire article here.