Mixed Race Studies

Blaxican: The Revolutionary Identity of Black Mexicans

teleSUR
2015-07-29

“The Afro-Latino term felt like home. There was finally a term that described what all of this was. It was a group of people who felt like I was feeling. I was finally able to identify with a group of people and it was a relief.”

Walter Thompson-Hernandez shares with teleSUR English the often-forgotten faces and stories of Black Mexicans, or Blaxicans, in the United States.

Walter Thompson-Hernandez often sees a reflection of himself in the stories his camera captures. Boldly staring into the lens of his camera, Black Mexican, or Blaxican, men and women slowly unveil a bit of themselves to him.

“I ethnically identify as Afro-Mexican. Racially, I embrace my Blackness as here in LA that is typically how I am read and what my experience is,” reads one of the photo stories now available on Instagram gallery known as “Blaxicans of Los Angeles.”

“The identity of Afro-Mexican acknowledges my African roots as well as the land we live on, though claimed by America, belongs historically to indigenous Mexican peoples.”

As the child of an African-American father and a non-black Mexican mother, the stories resonate with Thompson-Hernandez who started the Instagram page as an academic research project for the University of South Carolina, but found himself personally drawn to the project to understand the complexities of race and ethnicity in a country that often sees both as one and the same thing…

Read the entire article here.

Tais Araujo: Fighting Brazil’s Racism Takes More Than A Hashtag

teleSUR
2015-11-18

Leopoldo Duarte

Taís Araújo‬’s profile picture on her Twitter account. | Photo: Twitter, @taisdeverdade

Most Brazilians take pride in living in a “racial democracy.” According to them Brazil is supposedly a country that evaded racism through the amicable blending of its native, African and European inhabitants. But an event earlier this month is once again challenging this myth, when popular Black Brazilian actress Taís Araujo gained media coverage because of a series of racist comments made on her Facebook page.

Twitter user @LeonaDivaa shares screenshots of the racist commentary on Tais’ fanpage. Dozens of social media users compared the actress to a “monkey” and a zoo animal, while making sexually derogatory comments and taunting her for her skin color and natural hair.

Tais left the highly offensive comments on her Facebook account, deciding to publicize and take legal actions against the racist insults rather than erase them. In Brazil, for the last 20 years racism has been a non-bailable offense, however most offenders rarely face punishment.

Brazilians, in response, seemed to be taken aback by the rampant and open attacks against the actress, who has been called “Brazil’s Beyonce.” What followed evidently was an outpouring of solidarity on social media, using the hashtag #SomosTodosTais (or #WeAreAllTais) Brazilians started an online campaign, which was widely reported in the Brazilian and international press.

“I still can’t handle the fact that racism is still alive in such a mixed country such as ours. #SomosTodosTaís” 

…But while, hashtags like (#WeAreAllAFamousWrongedBlackPerson) have become popular recently, many Black activists in Brazil have voiced their discontent with these campaigns.

Most Afro-Brazilian social activists were thrilled Taís decided to publicize every step of her legal process—images of her leaving a precinct after making a testimony made headlines and stirred emotions—but activists are also at odds with how most (white) Brazilians only address racism when a celebrity is involved.

Famous Afro-Brazilian activist and blogger, Stephanie Ribeiro, went as far as writing an article entitled: “Please Stop Individualizing Racism.“…

…Brazilians have been taught that we live in “racial democracy”. According to this belief, Brazil evaded racism through amicable blending of its three primary peoples, Africans, Europeans, and Indigenous Americans. This myth is rooted in the book, The Masters and the Slaves, by sociologist Gilberto Freyre in 1933. Freyre argued that racial hierarchy was abolished with slavery, despite the fact that Brazil was the last colony to formerly free its slaves…

Read the entire article here.

Love and hate: interracial couples speak out about the racism they’ve faced

The Guardian
2015-11-26

Nell Frizzell

‘I asked them to share any negative comments they’d overheard about themselves.’ All photographs by Donna Pinckley

A couple stand by a flower bed. Her arm is wrapped about his waist like a rose climbing a tree. He rests his cheek on the top of her head. They stare down the lens, their bodies pressed together from thigh to neck in the late afternoon sun. “They are disgusting”, reads a handwritten caption below the image – as jarring as a rock to a toe.

This shot is one of US photographer Donna Pinckley’s ongoing series Sticks and Stones, which pairs interracial couples with the abuse they’ve received, sometimes directly, sometimes overheard. A southern girl at heart (she tells me that she could never move further north than Little Rock, Arkansas, where she lives), Pinckley works in black and white and the couples she depicts include a wide range of ethnicities and sexualities…

Read the entire article and view the photographs here.

Pop Culture Happy Hour: A Conversation With Trevor Noah

Monkey See: Pop-Culture News And Analysis From NPR
National Public Radio
2015-11-27

Linda Holmes, Host
Monkey See Blog

Linda Holmes and Trevor Noah talk during NPR’s Weekend In Washington event on October 31. (Paul Morigi/AP Images for NPR)

It’s Thanksgiving week, and Team PCHH [Pop Culture Happy Hour] is enjoying some downtime, which makes it a perfect moment to bring you a special show. On Oct. 31 — a few hours before our live show with Fred Armisen — I sat down for a chat here in Washington with Trevor Noah, who was then about a month into his gig as the host of The Daily Show.

(I should also add that he had his appendix out four days later, so who knows? Maybe this was the very last interview for which his appendix was present.)

Noah has a really interesting story, not only because he’s been famous for longer than a lot of Americans realized when he took over for Jon Stewart, but also because in that time, he’s had a lot of chances to reflect for a guy who’s only 31…

Read the introduction here. Listen to the story here (00:55:42). Download the story here.

Misty Copeland Is Helping To Bring Dance Lessons To Rwandan Kids

The Huffington Post
2015-11-25

Rahel Gebreyes, Editor, HuffPost Live

The dancer just returned from Kigali, Rwanda, where shared her love of dance with children in the city.

Ballerina Misty Copeland has made a name for herself breaking barriers for black dancers in the United States, and she’s taking her passion abroad to do the same in Rwanda.

This month, Copeland teamed up with MindLeaps, a nonprofit organization that brings dance instruction, vocational training and academics to the children of developing countries. Copeland traveled to Rwanda to launch the MindLeaps Girls Program and documented her journey via YouTube and Instagram.

Living Room – March 26, 2010

Living Room
94.1 KPFA
Berkeley, California
2010-03-26

LIVING ROOM Friday 26 March 2010 Healthcare eternal battle; Blended Nation. Healthcare insurance reform has passed—sort of; yet more hurdles continue to be erected. We look at reality. PLUS: the reality of race, as a blend, not an absolute. With host Kris Welch, noon to one.

Guests:

Ellen Shaffer, co-dir Center for Policy Analysis
Prof. Robt. Schapiro, Emory University School of Law
Enzo Pastore, health policy specialist, Progressive States Network
Michael Lighty, California Nurses Association

Mike Tauber, Pamela Singh, co-authors “Blended Nation: Portraits and Interviews of Mixed-Race America”

Listen to the episode here. Download the episode here.

First Look at Ruth Negga and Joel Edgerton in ‘The Loving Story’ (Based on Anti-Miscegenation Case)

Shadow and Act: On Cinema Of The African Diaspora
2015-11-20

Tambay A. Obenson

Ruth Negga and Joel Edgerton as Mildred and Richard Loving, on the set of the movie “Loving,” being shot in Richmond, Va. (Ben Rothstein/Big Beach Films via AP)

Three years ago, director Nancy Buirski’s feature documentary, “The Loving Story,” was released. It follows the real-life story of Richard and Mildred Loving, an interracial couple living in the state of Virginia where interracial coupling was illegal, and their struggles, including the US Supreme Court case named after them – Loving vs Virginia (1967); the landmark civil rights case in which the United States Supreme Court, in a unanimous decision, declared Virginia’s anti-miscegenation statute, unconstitutional, overturning existing laws and bringing an official end to all race-based restrictions on marriage in the United States.

Persecuted by a local sheriff, the Lovings were found guilty of violating Virginia’s law against interracial marriage and forced to leave the state. But Mildred Loving chose to fight. She wrote a letter to Attorney General Robert F. Kennedy asking for help. He referred her to the ACLU and two young attorneys took the case.

Richard and Mildred Loving

In 1958, they went to Washington, D.C. – where interracial marriage was legal – to get married. But when they returned home, they were arrested, jailed and banished from the state for 25 years for violating the state’s so-called Racial Integrity Act…

Read the entire article here.

“Evoking the Mulatto” Screening + Panel Discussion

The National Black Programming Consortium
2015-11-19

Tune in Thursday, November 19, 2015 from 6:30 PM to 8:00 PM ET for a back-to-back screening of all four episodes from “Evoking the Mulatto,” a transmedia project about 21st-century mixed black identity. A discussion will follow with Judy Pryor-Ramirez, director of Civic Engagement & Social Justice at the New School; Lise Funderburg, author of “Black, White, Other” and the 2013 National Geographic article “The Changing Face of America“; plus “Evoking the Mulatto” interviewee Giovanna Fischer and the project’s creator, Lindsay Harris.

View the entire presentation (01:35:55) here.

Interview with Filmmaker Adu Lalouschek

Rooted In Magazine
2015-10-13

Annina Chirade

Adu Lalouschek is a 21-year-old filmmaker from London and recent graduate of the London College of Communication [University of the Arts]. Whilst studying Film and Television at University, Adu met fellow course mate Alex Wondergem, “I first remember meeting Alex when he was drumming on his lap in a seminar, he saw me and he said ‘Hey brother, where are you from?’”. It was then that they both found they were of mixed-Ghanaian descent, but they began their initial creative partnership as musicians; Alex played the drums whilst Adu was on the guitar. This soon transitioned into a film partnership that would see them co-directing and co-producing, “Our first film was a narrative film based on the Tottenham Riots which we made in 2012. But, my real passion came when we started making our documentaries in West Africa and I could see how our films were part of the changing landscape.”

Alex spent the majority of his life in Accra, whereas Adu grew up in London. They have two distinct visions which they are able to combine to create engaging work. In their second year of study, they came up with the idea for the In the Life series, where they portray interesting personal stories in Ghana. Their first in the series was Scrap Metal Men (2014), in which they followed two scrap workers in Agblogboshie – formerly the world’s largest e-waste dump. The second, Ga Fishermen (2015) documents the fast-disappearing traditions of the Ga fisherman in Accra; it premiered at BAFTA student screening and was shown at Chale Wote 2015. The third, and most recent, is Warrior’s Gym (2015) in which they capture the personal triumph of one of Ghana’s strongest men – Warrior. Both Ga Fishermen and Warrior’s Gym will be available to view at 1:54 from the 15th to 18th of October.

Aside from his films with Alex, Adu has also taken recent trips to Roses, Spain and Nsukka, Nigeria; there he spent time photographing and filming subjects. In this interview he will sharing snapshots from his travels, and films with Alex.

Annina: How does your heritage inform the stories and work you choose to do?

Adu: I’m Ghanaian and also Austrian, but first and foremost, I’m a Londoner. Alex and I are both mixed-race, and it’s obvious from our appearance when we walk around Ghana, that we’re not fully Ghanaian – we acknowledge that. Our main focus was to not make poverty-chic documentaries. We wanted to make documentaries in Accra, Ghana and not allow people to view Africa as a homogeneous place. We approached it in different ways. In our first documentary Scrap Metal Men, we didn’t have any talking head shots because we thought that was really cliché. We always made sure we filmed from a lower angle, because we didn’t want to be looking down on our subjects. By incorporating different techniques we found a way to place our feet in the documentary world – it was experimental in that sense. Our voice came through precisely because we didn’t want to dictate to the viewer. We showed some text to give context at the beginning and the end of the documentary, but we really let the viewer inform themselves through the narrative and the characters that we portrayed…

Read the entire article here.

An African King in Bolivia

The New York Times
2015-11-17

David Gonzalez, Side Street Columnist; Lens Blog Co-Editor

King Don Julio Pinedo being helped by his son, Rolando Pinedo, the prince, into a royal cloak. Queen Angelica oversees the details of her husband’s royal dress. Don Julio is shy and does not feel comfortable dressing as a king. (Susana Giron)

Tucked away in an isolated part of Bolivia, there is a royal family whose existence is as surprising as it is humble. Despite his title, King Don Julio I and his wife live in a small apartment atop a small store in Mururata, Bolivia, where he farms coca leaves and other crops.

Yet this modest monarch can trace his lineage to West Africa, where his ancestor Prince Uchicho was enslaved in 1820 and taken by the Spaniards to work in the silver mines of the region. That era gave rise to the country’s Afro-Bolivian population, which sustained the tradition, which was largely ceremonial, said Susana Giron, a Spanish photographer who was intrigued by the life of the current king, who was born 73 years ago as Julio Pinedo…

…Ms. Giron said that a historian who purchased the old hacienda — where the Pinedos had taken the names of the slave owners — learned about the royal connection to Africa and set about to find an heir. His efforts, she said, led him to Julio Pinedo, who was named king in 1992.

“He is a symbolic figure,” she said. “For the Afro-Bolivians, he is important because he gives them a cultural identity. It shows they are a people descended from Africa. It is about their history and culture.”

The history of Africans in Latin America has been coming more and more to the fore in recent years. In Bolivia, it was not until recently that they were even counted in the national census, with their 2012 population pegged at some 23,000 in a country of 10 million. They still face discrimination and socioeconomic obstacles…

Read the entire article and view the slide show here.