Mixed Race Studies

Living Color: Fathers Talk to Their Bi-Racial Sons

NBC News
2015-01-14

Photographs by André Chung

Teaching lessons they never had to learn, fathers speak to their bi-racial sons about identity, perception, and dealing with law enforcement.

Mark Johnson-Lewis, 48, and his son, Tyler Lewis, 22, of Columbia, MD (André Chung/NBC News)

…Mark: You’re black in this world, and it doesn’t matter what you think of who you are, you have to be conscious of how others are going to see you. And when you bump up against the law, it’s probably not going to be the best experience because of how others see you.

Tyler: I want to become a police officer and it’s kind of something that I struggle with being a black man. There needs to be a change in mindset of the way people view law enforcement. And there needs to be a change in the way law enforcement views the average American. You know, not as a black American, not as a white American, but as a person, as a human being…

Benjamin Jancewicz, 31, with his son, Arion, 6, of Baltimore, MD. (André Chung/NBC News)

Benjamin: Regardless of how light he is, he’s still going to be, you know, with a lot of other people doing a lot of other things. And he needs to be prepared. And that just really worries me because, you know, as much of a perspective as I do have coming from a– a [diverse] culture, I still know that my own skin tone allows me to get away with a lot of other stuff…

View the entire photo-essay here.

What If Everything You Know About Race Is Wrong?

Texas Public Radio
San Antonio, Texas
2015-01-15

Jack Morgan, Arts and Culture Reporter

Fanshen Cox DiGiovanni

A one-woman show is coming to the Tobin Center and it’s probably unlike anything you’ve ever seen. It’s called “One Drop of Love.” starring Fanshen Cox DiGiovanni, produced by Ben Affleck and Matt Damon.

“How did you get mixed up with Ben Affleck and Matt Damon?” I asked.

(Laughs) “I think I met Matt when I was about 12 and Ben when we started high school together,” DiGiovanni told me. “And we did theater—we had a very wonderful theater program at Cambridge Rindge and Latin High School. And these two guys are such wonderful human beings.”

A year ago, DiGiovanni first produced this one-woman show for a Master of Fine Arts degree thesis performance.

“Ben came and saw my thesis performance and just said afterwards ‘I think this is really great and important and I’d like to help you get it to a wider audience.’”

Matt Damon also saw it and agreed with his friend. Thus DiGiovanni’s tour was conceived. So exactly what is One Drop of Love? It’s talking about one of this country’s most difficult subjects: race.

“I never know what kinds of experiences the people in the audience have had with race and racism,” DiGiovanni explains.

The whole show revolves around this premise.

“I start off the show as the character from a 1790 census, on which there were only three racial categories.”

In her show, she goes around her audience, linking audience members to one of those racial categories.

Walking through an audience, she names them: “Okay, white…black…mulatto…Chinese? Yes, hello…quadroon…no, I see you! An Indian…”

It’s one part history, one part performance art.

“There are people who look at me and shake their head and say ‘no, that’s not what I am!’ Which is very much the point, because that’s how the census was counted until 1970. A census worker would just go around and guess the race of the person they were looking at.”

She says race, in a sense, isn’t even real…

Read the entire article here. Listen to the interview (00:03:34) here.

One Drop of Love

Tobin Center for the Performing Arts
Carlos Alvarez Studio Theater
100 Auditorium Circle
San Antonio, Texas 78205
2015-01-17, 14:00 CST and 20:00 CST (Local Time)

BMW OF SAN ANTONIO SIGNATURE SERIES
“Amazing performance, staging, autobiography and artistry, and an amazing meditation on race and examination of America.” – Ben Affleck, 2013 Academy Award for Best Picture: Argo

“One Drop of Love is beautiful and brave. Cox DiGiovanni’s honesty, insight, dedication, and love are an inspiration. She takes us into the intimate places where family, race, love, and pain intertwine. In this sometimes searing, sometimes funny, and always smart play she shows us both the terrible things we do to those we love and a way forward to a better future.” – Paul Spickard, professor of history at University of California, Santa Barbara

How does our belief in ‘race’ affect our most intimate relationships? One Drop of Love is a solo performance exploring family, race, love and pain – and a path towards reconciliation. The show is produced by Ben Affleck, Matt Damon and the show’s writer/performer Fanshen Cox DiGiovanni.

For more information, click here.

Young Artists: Saya Woolfalk

W
November 2008

Timothy McCahill

For the last two years Saya Woolfalk has practically lived in No Place, the futuristic work she is creating through painting, sculpture and video. So it’s not surprising that when she talks about it, the line between fact and fiction seems a little fuzzy. More than just a plain old multimedia installation, No Place has its own inhabitants and culture. The bubbly 29-year-old delights in describing every nook and cranny. “I talk about it as if it could be real,” admits Woolfalk, who is completing a yearlong stint as an artist-in-residence at the Studio Museum in Harlem, where No Place was recently shown. “But I never forget that it’s another place.”

Woolfalk’s world is inhabited by half-human, half-plant figures called No Placeans, who in her paintings are portrayed roaming a psychedelic landscape reminiscent of Yellow Submarine. In one piece, they appear in front of a blue and yellow building surrounded by pink phalluses. As part of the project, Woolfalk filmed the No Placeans—played by the artist, her friends and colleagues—in the style of a documentary…

…Though the piece grew partly out of Woolfalk’s reflections on utopia, her influences also originate closer to home. Born in Japan to a Japanese mother and an African-American and white father, Woolfalk draws on Japanese anime and traditional African garments for many of her characters and costumes, blending cultures so that her work feels at once foreign and familiar. “Because I’m mixed race, I have this idea that to leave the conversation ambiguous is interesting,” she says…

Read the entire interview here.

Al Madrigal’s New Special ‘Half Like Me’ Is What Latinos Have Been Waiting For

The Huffington Post
2015-01-13

Ana Maria Benedetti

Al Madrigal goes on a journey of self-discovery… starting with how to pronounce his own name.

In his new one-hour special “Half Like Me,” premiering on Fusion on January 22, The Daily Show’s senior Latino correspondent travels across the U.S. to discover what it means to be half Mexican and half white.

“Being half has always been confusing,” Madrigal says in the preview for the special. “White people think you’re Mexican and Latinos give me shit about not being Latino enough.”…

Read the entire article here.

Women in TV 2015: Tracee Ellis Ross in ‘black-ish’

Elle
2015-01-08

Seth Plattner, Culture Editor

This article appears in the February 2015 issue of ELLE magazine.

Clones and copywriters. Journalists and sex scientists. Cult survivors and carnival acts. These actors fearlessly take on roles that are all over the map. So what do they have in common? A gift for delivering complex female characters who always leave us wanting just one more episode, please!

There are on-screen moms—and then there are Prime-Time Matriarchs. Thanks to Tracee Ellis Ross, Rainbow “Bow” Johnson of ABC’s Black-ish may just be the next Clair Huxtable or Marge Simpson. She first played the den-mother type in a group of four friends living in Los Angeles on UPN/The CW’s Girlfriends. On Black-ish, Ross, 42, is now lending that warmth (and many a sideways glance) to a traditional family setup and an audience of nearly 8 million viewers per week.

Bow is an anesthesiologist who, with her ad-man husband, Dre (Anthony Anderson), is raising four precocious kids in upper-class suburban L.A.—and has to constantly deal with Dre’s concern that their family isn’t adequately in touch with all that it means to be black. In exploring that issue through one family, Black-ish makes race not a thing by making it a thing. “In 1950, the black experience was specific,” says Ross, a former model who is the daughter of Diana Ross and Robert Ellis Silberstein. “But in this day and age, it isn’t. Race, culture, family, socioeconomics, tradition—we’re pulling from all those places to pull the whole conversation forward.”

Gugu Mbatha-Raw to Star Opposite Matthew McConaughey in Gary Ross’ ‘Free State of Jones’ (Exclusive)

The Wrap: Covering Hollywood
2014-01-06

Jeff Sneider, Film Reporter

Scott Stuber and Jon Kilik are producing the Civil War tale for Robert Simonds’ STX Entertainment

Hot off a pair of acclaimed performances in “Beyond the Lights” and “Belle,” Gugu Mbatha-Raw will star opposite Matthew McConaughey in Gary Ross’ Civil War movie “Free State of Jones,” TheWrap has learned.

Robert Simonds’ STX Entertainment is producing the $65 million movie and co-financing with foreign sales company IM Global. STX will handle domestic distribution, while IM Global will handle foreign rights. CAA brokered the domestic deal…

…Based on a true story, “Free State of Jones” will star McConaughey as Newton Knight and Mbatha-Raw as Rachel, a slave whose relationship with Knight played a central part in his life and in his armed rebellion against the Confederacy during the Civil War…

Read the entire article here.

Of Many Colors: Portraits of Multiracial Families

University of Massachusetts Press
1997-11-21
160 pages
0.5 x 8 x 10.5 inches
ISBN (paper): 978-1-55849-101-4
ISBN (cloth): 978-1-55849-100-7 (out of print)

Gigi Kaeser, Co-director
Family Diversity Projects, Inc., Amherst, Massachusetts

Peggy Gillespie, Co-director
Family Diversity Projects, Inc., Amherst, Massachusetts

Photographs by Gigi Kaeser. Interviews by Peggy Gillespie.

Based on an award-winning photo exhibit, this book documents the feelings and experiences of Americans who live in multiracial families. Of Many Colors tells the stories of thirty-nine families who have bridged the racial divide through interracial marriage or adoption. In these pages, parents and children speak candidly about their lives, their relationships, and the ways in which they have dealt with issues of race.

Although the number of mixed-race families in America is steadily rising, this trend remains controversial. For centuries, America has depended on distinct racial categories for its social, political, and economic organization. The current debate over the inclusion of a “multiracial” category on census forms illustrates the extent to which the deeply embedded construct of race continues to divide our society.

Transracial adoption has also generated fierce controversy and debate. As in the case of racial categories, the discussion of transracial adoption reflects ever-changing social standards. As recently as 1987, thirty-five states had laws prohibiting the adoption of black children by white families. In 1996, however, President Clinton signed a bill making it illegal to prohibit adoptions based on race.

The interviews in this book provide the reader with a clear understanding of how mixed-race families contradict stereotypes, challenge racism, and demonstrate that people of different races can indeed live together in harmony. Family members also have much to say about the most intimate form of integration, familial love, and this love is made visible in the superb photographs by Gigi Kaeser.

Racism And Redemption At The Tournament Of Roses Parade

Forbes
2014-12-31

Andrew Bender, Business Travel Blogger

Joan Williams holds the portrait from 1957, when she was Miss Crown City. On January 1, 2015, after 57 years, she will finally get to ride in the Tournament of Roses Parade. (Photo credit: Savannah Wood)

The theme of 2015′s Tournament of Roses Parade is “Inspiring Stories,” and the person leading it has a doozy: a tale of racism and redemption from a 57-year-old injustice involving the parade itself.

Riding on the first float in the 126th edition of this New Year’s Day tradition, before some 700,000 spectators in Pasadena, Calif. and an estimated 70 million television viewers, will be 82-year-old Joan Williams. She was first slated to ride in the parade in 1958 as Miss Crown City, but later denied the honor because she was African-American.

In 1957, Williams, her husband and two daughters had just moved to Pasadena (about 10 miles northeast of downtown Los Angeles), where she worked for the city’s Department of Water and Power. She didn’t even know there was a Miss Crown City – a Pasadena city employee who appeared at civic ceremonies and rode on the city’s Rose Parade float – until her colleagues had nominated her for the position…

Read the entire article here.

Woman rides in Rose Bowl parade almost 60 years after being snubbed because of her race

The Washington Post
2015-01-01

Diana Reese
Overland Park, Kansas

Racism “was a fact of life,” Joan Williams says about 1958, the year she was supposed to ride on a city-sponsored float in the Rose Parade of Pasadena. The 27-year-old account clerk had been named “Miss Crown City,” with all the attendant duties of ribbon-cuttings and appearances at official functions. The city even paid for Williams’ portrait to be painted while she was wearing a tiara, gown and corsage.

“It wasn’t anything I sought,” Williams told me Wednesday. “My name was submitted unbeknownst to me by someone I worked with.”

She was chosen by the judges to represent the city employees. For someone who’d grown up watching the world-famous parade, it was “a joyous occasion.” But she was so light-skinned no one suspected her African-American heritage until a reporter met her dark-skinned husband and children. That was a game-changer in the late 1950s.

As Jet magazine reported, “Mrs. Williams did not ride on a float, because the City of Pasadena neglected to include one in its own parade. Too many others were already entered, explained an official.”

“Once they learned I was African American, I wasn’t the person they wanted representing the city,” Williams said. “I sure didn’t dwell on it because I had a life to live. That was their problem, not my problem.”…

Read the entire article here.