Mixed Race Studies

Joan Williams in Rose Parade after nearly 60 years, but some wonder why she wasn’t in broadcast

Pasadena Star-News
Pasadena, California
2015-01-01

Christina Gullickson, Reporter

Joan Williams, 82, right, rides the theme banner float Inspiring Stories, along Colorado Blvd. during the Rose Parade in Pasadena, California on January 1, 2015. (Photo by Leo Jarzomb/ Pasadena Star-News)

Joan Williams, the 82-year-old Pasadena, Calif., woman who was named “Miss Crown City” in 1957 and didn’t get to ride in the 1958 Rose Parade after word spread of her African-American ancestry, finally had her chance and was on the lead float in the Rose Parade on Thursday, Jan. 1, 2015. Some viewers were left wondering why Williams didn’t make it onto their TVs…

Read the entire article here.

Pasadena, Calif., Negro Queen Snubbed At Rose Bowl Festivities

Jet
1959-01-15
pages 50-51

Mayor J. Miller gifted Mrs. Williams at August ceremonies

For 26-year-old Mrs. Joan R. Williams, first Negro ever crowned queen in the Tournament of Roses’ 12-year history, Pasadena, California’s biggest event was anything but a bowl of roses. Although picked last August from a field of 15 to reign over Pasadena and ride on the city’s official float New Year’s Day, the petite mother of two was in fact a queen without a domain.

For when word spread that light-complexioned Mrs. Williams was a Negro, fellow employees in the municipal office where she works as an accountant-clerk suddenly stopped speaking to her. Mayor Jeth Miller, who crowned her at the city employees annual picnic, neither participated with her in later civic events nor rode with her in the Tournament of Roses parade.

And Mrs. Williams did not ride on a float, because the City of Pasadena neglected to include one in its own parade. Too many others were already entered, explained an official. She did not extend the city’s traditional welcome to the visiting Rose Bowl Queen because officials failed to introduce her. She did not occupy a special place of honor at the Rose Bowl football game, because there was none.

In fact, the only recognition Mrs. Williams received as queen were six free tickets—two for the reviewing stands along the parade route, two for the Coronation Ball and two for the game, where she and hubby, Robert, sat in the end zone as anonymously as other fans. Queenship had been an embarrassing affair both for her and her family, lamented Mrs. Williams. Said she at week’s end: “If I had to do it all over again, I would refuse the title.”

Pretty Mother Of 2 Is Pasadena Queen

Jet
1958-09-18
page 62

Association president Jack Barnes presents Mrs. Williams’ trophy.

In conservative, dignified Pasadena, Calif.,—a city whose traditional reserve is normally broken only once annually by the famed New Year’s Day “Tournament Of Roses“—a tawny-complexioned mother of two broke the tranquility ahead of schedule.

Mrs. Joan Roberta Williams, the first Negro chosen “Miss Crown City” in the 12-year history of the contest, will be the reigning beauty at official city ceremonies and will perform her first duty in November when she opens the Pasadena branch of Sears. Come New Year’s Day, she’ll grace the city’s float in the “Tournament of Roses” parade.

Bolstered by the faith of her sales representative husband, Bob, and armed with the double weapons of good looks and an engaging personality, Mrs. Williams overcame what she considered great odds—15 other pretty nominees—to capture the title.

“My husband was confident all the time, and because of him, I really wanted to win. He was so elated, he bought me a new wardrobe,” she smiled. A city-employed accountant-clerk, college-trained Mrs. Williams is one of a handful of Negro white collar workers employed by the city. Nominated by fellow employes, she was crowned at the annual Pasadena municipal picnic.

A Mestiza in the Borderlands: Margarita Cota-Cárdenas Puppet

Atlantis: Journal of the Spanish Association for Anglo-American Studies
Volume 34, Number 1 (June 2012)
pages 47-62

Ana María Manzanas Calvo
Department of American Literature and Culture
Universidad de Salamanca, Spain

The article explores the formal and conceptual complexities of a novella that has so far escaped wide critical attention even though it tackles similar issues to Anzaldúa’s Borderlands. Like Anzaldúa’s mestiza, Cota-Cárdenas’ narrator finds herself floundering in uncertain territory, for she has also discovered that she cannot hold concepts or ideas within rigid boundaries. That state of dissolution of traditional formations is what Cota-Cárdenas situates at the center of the narrative. Mestizaje in Puppet does not appear as a comfortable and privileged locus, but as a painful ideological repositioning, a third space or element that works against totalizing narratives. The article illustrates how Cota-Cárdenas foregrounds the powerful identitary revision Anzaldúa would carry out in Borderlands, and contributes to the understanding of the self, of culture and the nation from the point of view of borderland subjectivities.

Read the entire article here.

Why mixed-race comic was ‘born a crime’

Cable News Network (CNN)
2014-12-04

Jessica Ellis

Teo Kermeliotis

London (CNN) — When it comes to getting ready for a show, fast-rising South African comedian Trevor Noah has it all figured out.

“My ideal setting is I walk from the streets, backstage and straight onto the stage,” says Noah, who last year became the first African comedian to perform on Jay Leno’s The Tonight Show in the United States.

“Two minutes and I am on the stage. That way in my head I have gone from my world and then into a social setting with my friends. I want my audience to be my friends — that is when they will get the best comedy. If they see me as a performer, they won’t get the best show.”

At just 28 years old, Noah is already a big name in his country’s fledgling standup scene, as well as a cover star for Rolling Stone South Africa. But despite treating the audience as friends, he’s not afraid of provocative subject matter, with his latest show called “The Racist.”

he son of a black South African woman and a white Swiss man who met when interracial relationships were illegal in South Africa, Noah jokes that he was “born a crime.” On stage, he draws upon his particular life experiences to tackle thorny issues with his funny, and sometimes trenchant, punchlines…

Read the entire article here.

Ophelia DeVore-Mitchell (Born 1921): Teaching America that black was beautiful.

The Lives They Lived
The New York Times Magazine
2014-12-25

Touré

DeVore-Mitchell during her modeling days. Photograph by Rupert Callender from the DeVore family archive

One day in 1946, a black woman showed up at the Vogue School of Modeling in New York, seeking to learn the trade. Her arrival caused a stir. The nascent modeling industry was as deeply segregated as America was then, and she was turned away. At the time, the Vogue School of Modeling did not accept black women. Or so it thought.

Unknown to the school, one was already enrolled: Ophelia DeVore-Mitchell. And she had no idea that Vogue was unaware. “I thought they knew what I was,” DeVore-Mitchell would tell Ebony magazine years later. She had not lied to get in; she was so light-skinned that no one thought to ask. She passed inadvertently…

Read the entire article here.

Rose Parade 2015: Woman to ride float 60 years after she was denied because of African-American heritage

Pasadena Star-News
Pasadena, California
2014-12-27

Sarah Favot, Pasadena Star-News

Joan Williams, 82, of Pasadena, holding a portrait of herself wearing a crown from when she was selected as “Miss Crown City” by her colleagues in City Hall in 1958 and was supposed to ride on the city-sponsored Rose Parade float. When city officials found out she was black, they took that honor away saying, the city couldn’t afford a float that year. Now nearly 60 years later, Williams will ride on the opening banner float during the 2015 Rose Parade. Walt Mancini/Staff Photographer

PASADENA >> Nearly 60 years after she was promised a seat on a Rose Parade float, only to have that honor taken away when city officials found out she was African-American, Joan Williams will be seated at the head of the Rose Parade on New Year’s Day as it cruises down Colorado Boulevard.

Williams, 82, was named “Miss Crown City” in 1957, an honor bestowed upon one City Hall employee who would ride on a city-sponsored float during the Rose Parade on Jan. 1, 1958. The honor was like the Rose Queen title — Miss Crown City would attend numerous events leading up to the parade, representing the city.

Williams, then 27 years old and a mother of two young children, was thrilled.

“I was young and it was exciting,” Williams said.

A couple of months later, however, she experienced a grave disappointment, according to Jet Magazine.

Source: Jet Magazine

“For when word spread that light-complexioned Mrs. Williams was a Negro, fellow employees in the municipal office where she works as an accountant-clerk suddenly stopped speaking to her,” the magazine reported in January 1959. “And Mrs. Williams did not ride on a float, because the City of Pasadena neglected to include one in its own parade. Too many others were already entered, explained an official,” the article continued.

Williams said she never bought that reasoning. If the city didn’t have enough money, it wouldn’t have named a Miss Crown City months before the parade, she said. The city had even paid for a portrait of Williams in a gown, corsage and tiara.

Williams attended a city employees picnic at Brookside Park where a photographer from Jet wanted to take her picture with the mayor at the time. The mayor refused, she said.

“It was one of the first times, as an adult, I began to grow up and realize what racism is,” she said…

Read the entire article here.

Ophelia DeVore-Mitchell, 92, Dies; Redefined Beauty

The New York Times
2014-03-13

Margalit Fox

Ophelia DeVore-Mitchell Credit MARBL/Emory University, via Associated Press

Ophelia DeVore-Mitchell, a former model, agent, charm-school director and newspaper publisher who almost single-handedly opened the modeling profession to African-Americans, and in so doing expanded public understanding of what American beauty looks like, died on Feb. 28 in Manhattan. She was 92.

Her death was announced on March 6 on the floor of the House of Representatives by Sanford D. Bishop Jr., Democrat of Georgia. At her death, Mrs. DeVore-Mitchell was the publisher emeritus of The Columbus Times, a black newspaper in Columbus, Ga., which she ran from the 1970s until her retirement about five years ago.

Long before the phrase “Black is beautiful” gained currency in the 1960s, Mrs. DeVore-Mitchell was preaching that ethos by example.

In New York in the 1940s — an age when modeling schools, and modeling jobs, were overwhelmingly closed to blacks — she helped start the Grace del Marco Modeling Agency and later founded the Ophelia DeVore School of Self-Development and Modeling. The enterprises, which served minorities, endured for six decades…

…“Black has always been beautiful,” Mrs. DeVore-Mitchell once said. “But you had to hide it to be a model.”

In the late 1930s, when Mrs. DeVore-Mitchell began her career as one of the first black models in the United States, she found work partly by hiding her own heritage. But in her case, the hiding was done entirely through inadvertence.

Emma Ophelia DeVore was born on Aug. 12, 1921, in Edgefield, S.C., one of 10 children of John Walter DeVore, a building contractor, and the former Mary Emma Strother, a schoolteacher.

As a girl, Mrs. DeVore-Mitchell, whose family was of African, Cherokee, French and German descent, was educated in segregated Southern schools; she received additional instruction “in dancing, piano and all the other things in the arts that parents gave you to make you a lady,” as she told Ebony magazine in 2012…

…A beauty with wide-set eyes, Ophelia DeVore had begun modeling casually as a teenager. A few years later, seeking professional training, she enrolled in the Vogue School of Modeling in New York.

It was only toward the end of her studies there, when the school refused admission to another black candidate, that she realized it had mistaken her, with her light skin, for white.

“I didn’t know that they didn’t know,” Mrs. DeVore-Mitchell said in the Ebony interview. “I thought they knew what I was.”…

Read the entire obituary here.

Outspoken about Ferguson, Jesse Williams may be this generation’s Harry Belafonte

The Washington Post
2014-08-20

Soraya Nadia McDonald

Harry Belafonte, left. (NBC via AP) Jesse Williams, right. (Christian Alminana/AP)

There are many ways to get celebrity activism wrong when it comes to a situation like the one that has emerged in Ferguson, Mo.

Appearing to be uninformed is a huge no-no, as is calling for a plan when you don’t have one — sorry Nelly. But if one can offer fiery rhetoric absent sanctimony and full of razor-sharp opinions, well, people take notice.

Enter Jesse Williams, the actor who plays the hunky Dr. Jackson Avery on ABC’s “Grey’s Anatomy.” Williams appeared on CNN’s “State of the Union” Sunday. Clad in a hoodie, he may have looked like Facebook founder Mark Zuckerberg, but once he opened his mouth, he sounded like Harry Belafonte.

Yes, radical, Occupy Wall Street protester-supporting, Fidel Castro-befriending, Colin Powell and Condoleezza Rice-shunning Harry Belafonte.

“Police have been beating the hell out of black people for a very, very, very long time, before the advent of the video camera,” said Williams, who also spoke out after the deaths of Trayvon Martin and Jordan Davis. “And despite the advent of the video camera, there’s still an incredible trend of police brutality and killing in the street.”

So far, Williams, 33, seems best suited to continue the legacy of black Hollywood activism associated with Belafonte. In his memoir, “My Song,” Belafonte wrote, “I wasn’t an artist who’d become an activist. I was an activist who’d become an artist.”…

Read the entire article here.

Meet Afro-Latina Trailblazer, Crystal Roman, Founder of The Black Latina Movement

Boriqua Chicks: A Fresh, Urban, Afro-Latina Perspective
2014-11-19

Crystal Shaniece Roman, CEO & Founder of The Black Latina Movement, LLC has used her personal experience with identity to fuel several creative projects that recognize and celebrate Black Latinas. From theatrical productions to a web series, blog, and speaking engagements, she uses her acting and production talents to challenge stereotypes and create a space for Black Latinas on stage and in film.

Check out our recent conversation below!

I read that your parents are Puerto Rican: your mom Black and your dad white. How was your experience growing up?

My dad is what can be considered a White Latino. Both his parents were born and raised in Puerto Rico. My mom is a Black Latina, 2 times over in the sense that her father is Jamaican and her mom (my grandma) is an Afro-Puerto Rican, hence me saying a Black Latina twice over. Growing up was a blend of both worlds. My mom and dad made sure I was fully emerged in both cultures. There were occasional incidents of internalized racism from both sides of the family concerning hair, skin tone, etc., here and there, but my mom was quick to “set anyone straight” about that kind of nonsense around me, if and when it did occur. Other outright experiences often came from the world, outsiders.

When did you first begin identifying as a Black Latina? What inspired you to embrace this identification?

I knew I was a Black Latina from youth, but I hadn’t articulated it, in that way or used the term until 2008. Once I started to use it I felt so empowered and proud to have a title/label that I approved for myself, instead of using ones that were given to me. I was always taught to embrace myself, but I realized often times—especially in my industry—that many people were not familiar or comfortable with a “mixed” person. Moreover, those in positions of power wanted what is to be considered a “typical” look of a Black woman or Latina for most roles. So I was pushed to educate (myself) more on my identity, howl embrace it and how others like myself do as well…

Read the entire interview here.