Mixed Race Studies

ArtsBlast: One resonating drop of Fanshen

Examiner.com
2014-10-29

Jennifer Haaland

One conversation with Fanshen Cox DiGiovanni was all it took. After her Examiner interview yesterday, filled with embracing words and vibrant kindness, it was clear that a whole lot more than One Drop of Love is coming to the Phoenix Valley and gracing the Mesa Arts Center stage this weekend.

“The crowd can’t just sit back and watch. Everyone is involved in this story,” said Cox DiGiovanni of the inclusive environment the show exudes. “I’ll be playing lots of characters, sometimes coming out into the house, talking to and asking questions of the audience.”

Ben Affleck and Matt Damon are notable among the show’s past participants. As producers of Cox DiGiovanni’s One Drop of Love, a dynamic multimedia live, solo performance that explores how race has been constructed in the United States, they too were deeply affected by the message conveyed…

Read the entire article here.

M.I.X.E.D: Multidisciplinary.Intersectional.Xchanging.Empowering.Dialogues Art Show Call for Entries

2014-08-29

M.I.X.E.D. is a 100% volunteer run event & art show created in order to make space for progressive discussion around mixed-race identity and our many other intersecting identities. To learn more about “intersectionality”, please visit: http://mixed-me.ca/intersectionality

This year’s event will take place on Saturday May 2nd, 2015. The accompanying art show will take place May 1, 2015 -May 8th, 2015. The opening reception will take place May 1st, 2015.

• Visual art due date: November 3rd, 2014
• Facilitator due date: November 3rd, 2014
• Performance art due date: January 16th, 2015

Submission guidelines can be found here.

Today’s Irish Dancers Step Away From Stereotype

Code Switch: Frontiers of Race, Culture and Ethnicity
National Public Radio
2014-10-27

S. J. Velasquez

Julia O’Rourke (center) wins the 2014 World Irish Dancing Championships. Here, she poses with the top five performers in her age group. Jimmy McNulty/FeisPix

When Riverdance debuted 20 years ago, Irish step dancers — whether citizens of Ireland or any other country — looked, well, stereotypically Irish. The red-haired, freckle-faced lass doing a jumpy jig still comes to mind for many. But the All Ireland Dancing Championships, currently underway in Dublin, will show how that image no longer reflects the reality.

Take the current Irish dance “it” girl, Julia O’Rourke. She was born in New York, and has Filipino and Irish ancestry. At age 15, she is a two-time world champion and star of the Irish dance documentary Jig. That film follows dancers from around the world who are training for and traveling to the 2010 World Irish Dancing Championships.

“I really hope that I helped change that stereotype,” O’Rourke says. “[Ethnicity] really doesn’t matter anymore. It’s how you dance.” She points to the success of her friend and dance classmate Melanie Valdes, whose father is Cuban-American. “There have been so many dancers to join the community who are only part Irish or not Irish at all,” O’Rourke says, “and they’ve really made an impact.”

“I don’t think the judges even react to it anymore,” says Valdes, who has also swept titles at major competitions, capturing gold at the world championships twice. “It’s all about the dancing.”

For the most part, O’Rourke agrees, insisting that she has never been treated badly because of what she looks like. If anything, it has helped. “Because my look is different, my face doesn’t look like a typical Irish girl, it might pop out a little more to the judges,” she explains.

But diversity wasn’t always so welcome…

…Brown Skin, Spray Tans And Hot Pink Shorts

Now, some members of the Irish dance community see a distinctive look as an advantage. Drew Lovejoy, a now retired two-time world champion, is biracial and identifies as African-American. Nineteen-year-old Lovejoy, known for sporting hot pink shirts in competition, says his unique appearance gave him confidence on stage because it set him apart. He jokes that his skin tone allows him to pull off a different color palette completely…

Read the entire article here.

Portlander Damaris Webb explores racial gray areas in ‘The Box Marked Black’

The Oregonian
Portland, Oregon
2013-02-16

Marty Hughley

When it came time for Damaris Webb to apply for college, her father encouraged her to check the box on application forms indicating “black” as her racial origin. For long enough in his family’s history, being black had made life difficult. But maybe in this circumstance, by the 1980s, it would be an advantage instead.

But she thought differently.

“I argued that I should mark ‘other,’ because that’s what I was,” Webb says in her solo theater piece “The Box Marked Black,” which opened last weekend at Ethos/IFCC. “Not that I was ashamed to be black. But I thought if I got into college for being black, when I showed up they’d be disappointed.”

Depending on what you believe about race and classifications thereof, Webb is black. Or white. Or both. Or either. Or other…

Read the entire article here.

One Drop: Drexel professor’s new book explores what determines blackness

The Philadelphia Inquirer
2013-11-26

UNLESS YOU want an earful, don’t get Drexel University professor Yaba Blay talking about colorism. She sees examples of discrimination based on skin color everywhere – from drug stores that stock skin-bleaching creams to the online chatter that erupts when photos surface of Beyonce and Jay Z’s daughter, Blue Ivy.

“[People say], why doesn’t Beyonce comb that baby’s hair?” Blay said. “You would rather put an entire pack of barrettes on that baby’s hair?”

“I hate that,” I murmured.

“I hate it more,” she shot back. “[People] expect her to look like her mama. . . . She’s 2.”

And don’t bring up the subject of Kanye West, who once famously referred to biracial women as “mutts.”

“Kanye’s choosing Kim [Kardashian] is not about Kim. It’s about Kanye,” said Blay, author of a new book called (1)ne Drop: Shifting the Lens on Race. “He’s obsessed with her. It has to do with what her being on his arm says about him.”

Yeah, Blay went there.

And, let me tell you, the codirector of the Africana Studies program doesn’t hold back in that new book of hers, either. It deals with America’s biggest third-rail issue: race. That subject hasn’t gotten any less explosive since America elected its first black president.

The book is provocative right from its title, taken from the slavery-era notion that if you had one drop of black blood, you were considered black.

Plus, here’s a darker-hued woman writing about the racial experiences of lighter-skinned people, many of whom identify as black or mixed race. That’s an incredibly touchy topic among some black folk because of historical social stratification based on skin color that grants higher status to lighter-hued blacks.

The subject was explored in depth in a documentary called “Dark Girls” that aired recently on the Oprah Winfrey Network.

(1)ne Drop is sort of the reverse…

Read the entire article here.

“The Box Marked Black” is coming to Willamette University Oct. 24-25

Willamette University News
Salem, Oregon
2014-10-02

What does it mean to be black? Is it the shade of your skin or the kink in your hair? Is it learned?

These questions are explored in “The Box Marked Black: Tales from a Halfrican American growing up Mulatto. With sock puppets!” Written and performed by Damaris Webb and directed by Debra Disbrow, the play is debuting at Willamette University Oct. 24-25.

“In exploring the story of my blackness and unpacking my personal relationship to identity, race and culture, it quickly became clear that the best form for this exploration was as a solo piece,” Webb says. “Hopefully, telling my story will create space for others to unpack and breathe around their own varied identities.”

With only Jenny Willis from “The Jeffersons” as a guide, Webb’s narrative uses direct storytelling, modern dance, song and puppetry to share the perspectives of both sides of her interracial family…

For more information, click here.

Performance added for one-woman play at Willamette U.

The Salem Statesman-Journal
Salem, Oregon
2014-10-13

Tom Mayhall Rastrelli, Fine Arts & Culture Writer

Damaris Webb will debut her one-woman play “The Box Marked Black: Tales from a Halfrican American growing up Mulatto. With sock puppets!” at 7:30 p.m. Oct. 24 and 25 at M. Lee Pelton Theatre, Willamette University, 900 State St. According to the box office, the performance Oct. 24 is sold out, but the recently-added performance Oct. 25 has many tickets available.

Using Jenny Willis from “The Jeffersons” as a guide, Webb will narrate her experience of living in an interracial family with storytelling, dance, song and puppetry. The play asks what it means to be black, but it’s themes of abandonment, belonging, fear and acceptance, are universal.

“Hopefully, telling my story will create space for others to unpack and breathe around their own varied identities,” Webb said…

Read the entire article here.

Snap! Space presents Zun Lee

Snap! Orlando
1013 E. Colonial Drive
Orlando, Florida 32803
Saturday, October 25, 2014 14:00-16:00 EDT (Local Time)

Join us for an afternoon artist talk and book signing with photographer Zun Lee.

Zun will be joining us from Toronto and discuss his series ‘Father Figure’ and sign copies of his newly released book Father Figure – Exploring Alternate Notions of Black Fatherhood (September 19, 2014.) Zun’s book release party at the Bronx Documentary Center was so highly anticipated that crowds lined the street surrounding the building around the block to get in. This afternoon at Snap! Space is not to be missed.

Over the course of three years photographer Zun Lee has masterfully attempted to change the perception of the African American father through the lens of his camera. This collection of photographs in the new book is an immersive approach to his remarkable photo documentary project. “Scenes that can stand on their own and humanize the black experience without demanding perfection or respectability,” says Lee were filmed with so much care—vivid images of loving parental relationships that are able to engross any spectator into a family story that is tough to believe. An added revelation: the photographer himself grew up feeling a sense of loss due to his own father’s choice to abandon his family.

Lee, a Toronto-based physician and now self-described street photographer, was born in Germany to what he thought was both a Korean mother and father. As a boy he learned the truth: his black father left his mother upon learning she was pregnant. Lee’s search for compassion led him to families in urban areas of Chicago, New York City, and home to Toronto. Says Lee: “There’s been considerable backlash and confusion regarding why black fatherhood stereotypes are a problem at all, why the special focus on only black fathers, and people who simply refuse to believe that black men can be capable, affectionate loving fathers, period. I appreciate both sides of the collective commentary, because it exemplifies why these images and a broader conversation are needed.”

For more information, click here.

Albert Chong: “The Photomosaics: Works on Paper, Wood, and Stone”, on view through November 1, 2014

Counterpath
613 22nd Street
Denver, Colorado 80205
(303) 953-2692
2014-10-03 through 2014-11-01

“Angela” (2011) by Albert Chong

Opening Friday, October 3, 2014, at 7 p.m., and on view through November 1, 2014, Counterpath is excited to host an exhibit of recent work by Albert Chong, “The Photomosaics: Works on Paper, Wood, and Stone.” The work consists of image transfers onto gridded ceramic or stone tiles that combine to make up a larger image. Included are blatantly political portraits of presidents George W. Bush and Barack Obama, made from portraits of thousands of dead soldiers, to a portrait of activist and former Black Panther Party member Angela Davis, her iconic afro consisting of thousands of portraits of African American women with processed hair. Photomosaics have the mass and presence of sculpture and the transmissive abilities of photography.

For more information, click here.

Hapa changes name to Association of Multiracial People at Tufts to reflect new goals

The Tufts Daily
Medford, Massachusetts
2014-10-14

Yuki Zaninovich, Contributing Writer

For the Association of Multiracial People at Tufts (AMPT), there is a lot in a name. AMPT, formerly known as Tufts Hapa, aims to create a community for students who identify as persons of mixed heritage. Though the name change may seem subtle to some, it now better reflects the target demographic of the group, according to Co-President Zoe Uvin.

According to Uvin, a senior, “hapa” means “half” in Native Hawaiian and is often used to refer to people who identify as a mix of two races. However, this choice of terminology made it seem like the club had a limited scope of interest.

“The term ‘Hapa’ has the connotation of being half-Asian, so I think the name change definitely reflected our priorities much more,” Uvin said. “We’re an association, not a political group or movement of any kind, and we wanted any person who is multiracial, or feels that their family or community makes their identity multiracial, to feel welcomed to join us.”

The name change has been favorably received, according to treasurer Rachel Steindler, a sophomore…

Read the entire article here.