Mixed Race Studies

Reaching for the Moon: The Autobiography of NASA Mathematician Katherine Johnson

Atheneum Books for Young Readers (an imprint of Simon and Schuster)
2019-07-02
288 pages
Hardcover ISBN 13: 9781534440838
eBook ISBN 13: 9781534440852

Katherine Johnson

The inspiring autobiography of NASA mathematician Katherine Johnson, who helped launch Apollo 11.

Throughout Katherine Johnson’s extraordinary career, there hasn’t been a boundary she hasn’t broken through or a ceiling she hasn’t shattered. In the early 1950s, she joined the organization that would one day become NASA, and which had only just begun to hire black mathematicians. Her job there was to analyze data and calculate the complex equations needed for successful space flights. As a black woman in an era of brutal racism and sexism, Katherine faced daily challenges and often wasn’t taken seriously by the scientists and engineers she worked with. But her colleagues couldn’t ignore her obvious gifts—or her persistence. Soon she was computing the trajectory for Alan Shepard’s first flight and working on the Apollo 11 mission that landed the first men on the moon. Katherine’s life has been a succession of achievements, each one greater than the last.

Katherine Johnson’s story was made famous in the bestselling book and Oscar-nominated film Hidden Figures. Now in Reaching for the Moon she tells her own story for the first time, in a lively autobiography that will inspire young readers everywhere.

Emma Dabiri on the Politics of Black Hair

Sotheby’s
African Modern & Contemporary Art
2019-09-03

Mariko Finch, Deputy Editor, Deputy Director
London, United Kingdom

Emma Dabiri is a broadcaster, author and academic who recently published Don’t Touch My Hair — a book that charts the shifting cultural status of black hair from pre-colonial Africa through to Western pop culture and beyond. Ahead of the Modern & Contemporary African Art sale in London on 15 October, in which a number of works depicting traditional African hair are offered, we sat down with her to discuss the history of hairstyles.

Mariko Finch: When did you decide that you wanted to turn your research into a book?

Emma Dabiri: In around 2016. The conversation about black hair had been happening for a while at that stage but I was finding it often quite repetitive. There is so much more to engage with through hair, so I wanted to do that research. There is so much more to engage with through hair; social history, philosophy, metaphysics, mathematical expression, coding, maps…

This topic has recently made it to the mainstream media; through Beyoncé and Solange Knowles, Kim Kardashian and the issue of cultural appropriation. It is very timely to have that debate anchored in something historical.

I felt somewhat exasperated by the way people’s frustrations around cultural appropriation by celebrities were being disregarded and dismissed as just something very superficial; as if those weren’t valid or legitimate concerns. I wanted to provide the historical context for why this anger exists. Let me show that it’s not just vacuous, or petty policing of culture. There are like very strong historical antecedents as to why these emotions run so high…

Read the entire interview here.

Race, power and intimacy in the intersubjective field: the intersection of racialised cultural complexes and personal complexes

The Journal of Analytical Psychology
Volume 64, Issue3 (June 2019)
pages 367-385
DOI: 10.1111/1468-5922.12503

Ruth Calland, Jungian Psychotherapist
London, United Kingdom

This paper presents work with a biracial young woman, in the context of a predominantly white Jungian training organisation. The patient’s relational difficulties and her struggle to integrate different aspects of her personality are understood in terms of the overlapping influences of developmental trauma, transgenerational trauma relating to the legacy of slavery in the Caribbean, conflictual racial identities, internalised racism, and the British black/white racial cultural complex. The author presents her understanding of an unfolding dynamic in the analytic relationship in which the black slave/white master schema was apparently reversed between them, with the white analyst becoming subservient to the black patient. The paper tracks the process through which trust was built alongside the development of this joint defence against intimacy ‐ which eventually had to be relinquished by both partners in the dyad. A white on black ‘rescue fantasy’, identified by the patient as a self‐serving part of her father’s personality, is explored in relation to the analytic relationship and the training context.

Read the entire article in HTML or PDF format.

A Real Negro Girl: Fredi Washington and the Politics of Performance during the New Negro Renaissance.

National Endowment for the Humanities
400 7th Street SW
Washington, D.C. 20506
Grant number: HB-263199-19
2019-08-14

Grantee: Laurie Avant Woodard, Assistant Professor of History
CUNY Research Foundation, City College (New York, New York)

Grant Period: 2019-09-01 through 2020-08-31
$60,000 USD (approved), $60,000 USD (awarded)

Research and writing a biography of Fredi Washington (1903-1994), a civil rights activist and a performing artist active in the Harlem Renaissance.

Focusing upon the life and career of performing artist and civil rights activist Fredi Washington, this project places an African American female performing artist at the center of the narrative of the New Negro Renaissance; illuminates the vital influence of performing artists on the movement; and demonstrates the ways in which Washington and the New Negro Renaissance are central components of the long civil rights narrative and our understanding of the African American quest for civil and human rights. The manuscript will consist of six chapters and a prologue and epilogue.

For more information, click here.

Investigating Identity

City Scene
Columbus, Ohio
2013-04-02

Cindy Gaillard

Exploration of womanhood inspires painter

To this day, a family secret has shaped Jesse Chandler’s work.

Her mother, Carlene Bochino, was African-American, but passed for white. It was the early 1960s and the stakes were high.

The secret was so buried that rumors and whispers swirled around Chandler’s home life, but the truth was never clear.

“She looked like Lena Horne,” says Chandler. “I missed it. I don’t know how I missed it.”…

Read the entire article here.

Embodied Resistance: Multiracial Identity, Gender, and the Body

Social Sciences
Volume 8, Issue 8 (August 2019)
Article 221
16 pages
DOI: 10.3390/socsci8080221

Gabrielle G. Gonzales
Department of Sociology
University of California Santa Barbara

This article explores the importance of the physical body in the development of gendered racial and ethnic identities through in-depth semi-structured interviews with 11 multiracial/multiethnic women. From a critical mixed race and critical feminist perspective, I argue that the development of an embodied and gendered multiracial and multiethnic identity is a path to questioning and resisting the dominant monoracial order in the United States. Interviews reveal that respondents develop these embodied identities both through understandings of themselves as gendered and raced subjects and through relationships with monoracial individuals. The process by which these women understand their physical bodies as multiracial subjects illustrates a critical embodied component of the social construction of race and ethnicity in the United States.

Read the entire article in HTML or PDF format.

In 1870, Henrietta Wood Sued for Reparations—and Won

Smithsonian Magazine
September 2019

W. Caleb McDaniel, Associate Professor of History
Rice University, Houston, Texas

No image of Henrietta Wood survives today, but her story is recorded in court filings, including the verdict slip above. (Illustration by Cliff Alejandro; Source material: W. Caleb McDaniel; New York Public Library (3))

The $2,500 verdict, the largest ever of its kind, offers evidence of the generational impact such awards can have

On April 17, 1878, twelve white jurors entered a federal courtroom in Cincinnati, Ohio, to deliver the verdict in a now-forgotten lawsuit about American slavery. The plaintiff was Henrietta Wood, described by a reporter at the time as “a spectacled negro woman, apparently sixty years old.” The defendant was Zebulon Ward, a white man who had enslaved Wood 25 years before. She was suing him for $20,000 in reparations.

Two days earlier, the jury had watched as Wood took the stand; her son, Arthur, who lived in Chicago, was in the courtroom. Born into bondage in Kentucky, Wood testified, she had been granted her freedom in Cincinnati in 1848, but five years later she was kidnapped by Ward, who sold her, and she ended up enslaved on a Texas plantation until after the Civil War. She finally returned to Cincinnati in 1869, a free woman. She had not forgotten Ward and sued him the following year.

The trial began only after eight years of litigation, leaving Wood to wonder if she would ever get justice. Now, she watched nervously as the 12 jurors returned to their seats. Finally, they announced a verdict that few expected: “We, the Jury in the above entitled cause, do find for the plaintiff and assess her damages in the premises at Two thousand five hundred dollars.”

Though a fraction of what Wood had asked for, the amount would be worth nearly $65,000 today. It remains the largest known sum ever granted by a U.S. court in restitution for slavery…

But Wood’s name never made it into the history books. When she died in 1912, her suit was already forgotten by all except her son. Today, it remains virtually unknown, even as reparations for slavery are once again in the headlines.

I first learned of Wood from two interviews she gave to reporters in the 1870s. They led me to archives in nine states in search of her story, which I tell in full for the first time in my new book, Sweet Taste of Liberty: A True Story of Slavery and Restitution in America…

Read the entire article here.

Effa Manley

Ebbets Field Flannels
2019

Joe Swide

c. 1938. Wonderful image of Effa in a dress and wearing a Newark Eagles ball cap while being instructed on how to hold a bat by one of her players.

The most powerful woman in baseball

In the summer of 1947, the most powerful woman in baseball received a call from Bill Veeck, the owner of the Cleveland Indians. Veeck had spent the last five years scouting the Negro Leagues for the right ballplayer to integrate the American League and shortly after the Brooklyn Dodgers of the National League had broken baseball’s color line by acquiring Jackie Robinson from the Kansas City Monarchs, Veeck set his eyes on Larry Doby of the Newark Eagles. However, whereas the Dodgers managed to acquire Robinson without paying a cent to the Monarchs, Veeck found himself in a very different sort of negotiation with the owner of the Eagles, Effa Manley.

Manley was born into a biracial family in Philadelphia in 1897. Her mother was a white seamstress who was married to a black man but had an affair with her white employer, leading many to believe that he was Manley’s biological father. In any case, Manley was raised in a predominantly black community with a biracial identity like that of her siblings, and her ability to pass as either black or white enabled her to navigate both sides of the country’s racial divide…

Read the entire article here.

Sweet Taste of Liberty: A True Story of Slavery and Restitution in America

Oxford University Press
2019-08-05
288 Pages
28 b/w images, 2 maps
6-1/8 x 9¼ inches
Hardcover ISBN: 9780190846992

W. Caleb McDaniel, Associate Professor of History
Rice University, Houston, Texas

• The epic, unique, and haunting story an enslaved woman and her quest for justice
• Incorporates recent scholarship on slavery, reparations, and the ongoing connection between slavery and incarceration of black Americans
• McDaniel received a Public Scholar fellowship from the National Endowment for the Humanities that enabled him to write this book

Born into slavery, Henrietta Wood was taken to Cincinnati and legally freed in 1848. In 1853, a Kentucky deputy sheriff named Zebulon Ward colluded with Wood’s employer, abducted her, and sold her back into bondage. She remained enslaved throughout the Civil War, giving birth to a son in Mississippi and never forgetting who had put her in this position.

By 1869, Wood had obtained her freedom for a second time and returned to Cincinnati, where she sued Ward for damages in 1870. Astonishingly, after eight years of litigation, Wood won her case: in 1878, a Federal jury awarded her $2,500. The decision stuck on appeal. More important than the amount, though the largest ever awarded by an American court in restitution for slavery, was the fact that any money was awarded at all. By the time the case was decided, Ward had become a wealthy businessman and a pioneer of convict leasing in the South. Wood’s son later became a prominent Chicago lawyer, and she went on to live until 1912.

McDaniel’s book is an epic tale of a black woman who survived slavery twice and who achieved more than merely a moral victory over one of her oppressors. Above all, A Sweet Taste of Liberty is a portrait of an extraordinary individual as well as a searing reminder of the lessons of her story, which establish beyond question the connections between slavery and the prison system that rose in its place.

Viola Desmond: Her Life and Times

Roseway Publishing (an imprint of Fernwood Publishing)
October 2018
128 pages
Paperback ISBN: 9781773631233
Kindle ISBN: 9781773631257
ePub ISBN: 9781773631240

Graham Reynolds, Professor Emeritus and the Viola Desmond Chair in Social Justice
Cape Breton University, Sydney, Nova Scotia, Canada

with Wanda Robson

Teacher’s Guide for Viola Desmond: Her Life and Times

Many Canadians know that Viola Desmond is the first Black, non-royal woman to be featured on Canadian currency. But fewer know the details of Viola Desmond’s life and legacy. In 1946, Desmond was arrested for refusing to give up her seat in a whites-only section of a movie theatre in New Glasgow, Nova Scotia. Her singular act of courage was a catalyst in the struggle for racial equality that eventually ended segregation in Nova Scotia.

Authors Graham Reynolds and Wanda Robson (Viola’s sister) look beyond the theatre incident and provide new insights into her life. They detail not only her act of courage in resisting the practice of racial segregation in Canada, but also her extraordinary achievement as a pioneer African Canadian businesswoman. In spite of the widespread racial barriers that existed in Canada during most of the twentieth century, Viola Desmond became the pre-eminent Black beauty culturist in Canada, establishing the first Black beauty studio in Halifax and the Desmond School of Beauty Culture. She also created her own line of beauty products.

Accessible, concise and timely, this book tells the incredible, important story of Viola Desmond, considered by many to be Canada’s Rosa Parks.