Mixed Race Studies

Genetic Consequences of the Transatlantic Slave Trade in the Americas

The American Journal of Human Genetics
Published: 2020-07-23
37 pages
DOI:10.1016/j.ajhg.2020.06.012

Steven J. Micheletti
23andMe, Inc., Sunnyvale, California

Kasia Bryc
23andMe, Inc., Sunnyvale, California

Samantha G. Ancona Esselmann
23andMe, Inc., Sunnyvale, California

William A. Freyman
23andMe, Inc., Sunnyvale, California

Meghan E. Moreno
23andMe, Inc., Sunnyvale, California

G. David Poznik
23andMe, Inc., Sunnyvale, California

Anjali J. Shastri
23andMe, Inc., Sunnyvale, California

23andMe Research Team
23andMe, Inc., Sunnyvale, California

Sandra Beleza
University of Leicester, Leicester, United Kingdom

Joanna L. Mountain
23andMe, Inc., Sunnyvale, California

GettyImages

According to historical records of transatlantic slavery, traders forcibly deported an estimated 12.5 million people from ports along the Atlantic coastline of Africa between the 16th and 19th centuries, with global impacts reaching to the present day, more than a century and a half after slavery’s abolition. Such records have fueled a broad understanding of the forced migration from Africa to the Americas yet remain underexplored in concert with genetic data. Here, we analyzed genotype array data from 50,281 research participants, which—combined with historical shipping documents—illustrate that the current genetic landscape of the Americas is largely concordant with expectations derived from documentation of slave voyages. For instance, genetic connections between people in slave trading regions of Africa and disembarkation regions of the Americas generally mirror the proportion of individuals forcibly moved between those regions. While some discordances can be explained by additional records of deportations within the Americas, other discordances yield insights into variable survival rates and timing of arrival of enslaved people from specific regions of Africa. Furthermore, the greater contribution of African women to the gene pool compared to African men varies across the Americas, consistent with literature documenting regional differences in slavery practices. This investigation of the transatlantic slave trade, which is broad in scope in terms of both datasets and analyses, establishes genetic links between individuals in the Americas and populations across Atlantic Africa, yielding a more comprehensive understanding of the African roots of peoples of the Americas.

Figure 1 Location of Individuals and Cohorts Arrows highlight the general direction of the triangular trade routes between continents during the transatlantic slave trade. Pie charts indicate the documented number of enslaved people embarking out of regions of Africa (∼12.5 million total) and disembarking in regions of the Americas (∼10.5 million total) between 1515 and 1865. Representatives of regions of the Americas and Europe indicated that they each have four grandparents born within the same country or US state. Representatives of Atlantic Africa either indicated four grandparents born within or historical ties to a country. Points indicate the ∼16,000 unique grandparental geo-coordinates provided by participants. ∗Cape Verde is an Atlantic African island country that, in the 15th century, was colonized by the Portuguese and inhabited primarily by enslaved people from Senegambia.

Read the entire article in HTML or PDF format.

In Irish orphanages, being ‘coloured’ was a defect. I wish Mam had lived to see Black Lives Matter

The Irish Times
2020-07-04

Jess Kavanagh

Jess Kavanagh with Lorraine Maher of I Am Irish

Black Irish Lives: Multiculturalism is seen as new. But Ireland has generations of mixed-race people

I’m not a fan of weddings, but I made sure not to miss my cousin Jamie’s big day. Jamie and I always got along; racially ambiguous like myself, he looks more indigenous Latin American via Dublin 3 but is actually southeast Asian-Italian. After the wedding another cousin, annoyed at her lack of an invitation to the dinner, is spitting some low-grade venom as I roll a cigarette. I tune in at the worst moment.

“I don’t know why anyone ever told you your grandfather was a doctor. He was a sailor – and everyone knew that.”

I’m taken aback. I don’t react. If you’ve experienced racism you know this moment: a surreal outburst, wildly out of context. It happens so quickly you tend to be left feeling only confusion and mild amusement. The rage creeps in hours, maybe days later.

My biological grandfather was a Nigerian medical student and my biological grandmother was a nurse when they met. The story of their affair changes. Until I was in my 20s I was told he was a student at the Royal College of Surgeons in Ireland when they met, but that has shifted at times to them meeting in the UK. My mother was adopted as a newborn from a religious-run institution in Blackrock, Co Dublin, and my aunts and uncles – Nigerian-Irish, Indian-Irish, Filipino-Italian and North African-Irish – were also adopted as babies…

Read the entire article here.

That Hair

Tin House
2020-03-17
163 pages
Paperback ISBN: 978-1-947793-41-5
eBook ISBN: 978-1-947793-50-7

Djaimilia Pereira de Almeida
Translated by Eric M. B. Becker

“The story of my curly hair,” says Mila, the narrator of Djaimilia Pereira de Almeida’s autobiographically inspired tragicomedy, “intersects with the story of at least two countries and, by extension, the indirect story of the relations among several continents: a geopolitics.” Mila is the Luanda-born daughter of a black Angolan mother and a white Portuguese father. She arrives in Lisbon at the tender age of three, and feels like an outsider from the jump. Through the lens of young Mila’s indomitably curly hair, her story interweaves memories of childhood and adolescence, family lore spanning four generations, and present-day reflections on the internal and external tensions of a European and African identity. In layered, intricately constructed prose, That Hair enriches and deepens a global conversation, challenging in necessary ways our understanding of racism, feminism, and the double inheritance of colonialism, not yet fifty years removed from Angola’s independence. It’s the story of coming of age as a black woman in a nation at the edge of Europe that is also rapidly changing, of being considered an outsider in one’s own country, and the impossibility of “returning” to a homeland one doesn’t in fact know.

That Hair

Escaping Blackness

New York Review of Books
2020-03-26

Darryl Pinckney

Thomas Chatterton Williams, New York City, 2019 Dominique Nabokov

Self-Portrait in Black and White: Unlearning Race
by Thomas Chatterton Williams
Norton, 174 pp., $25.95

The black individual passing for white in nineteenth- and twentieth-century American fiction by white writers is usually a woman, and usually when the truth emerges, the purity of the white race is saved. However, in An Imperative Duty (1891) by William Dean Howells, a Boston girl is ashamed to find out that legally she is colored, but her white suitor marries her anyway and takes her off to a life in Italy. In the beginning of Charles Chesnutt’s The House Behind the Cedars (1900), a “high-bred” black man in North Carolina returns to his hometown to ask his sister to take his dead white wife’s place and bring up his son. A young aristocrat she meets in her new white life proposes marriage, but soon learns the truth of her origins. Literary convention, in the form of a fever, kills her. The white suitor realizes too late that love conquers all. He promises to keep the brother’s secret.

The secret was as radical as Chesnutt could get. From a North Carolina family of “free issue” blacks—meaning emancipated since colonial times—Chesnutt had blond hair and blue eyes. He wouldn’t pass for white, because if he became famous then he chanced someone appearing from his past. He preferred to pursue reputation as a black man. Chesnutt had cousins who crossed the color line and he never told on them, viewing passing as an act of “self-preservation,” a private solution to the race problem. The big escape from being black was an American tradition. Three of Sally Hemings’s six children ended up living as white people.

The nameless narrator of James Weldon Johnson’s novel The Autobiography of an Ex-Colored Man (1912), a widower and a father, says little about his life as a white man. He is interested instead in his past as a black person, his life with different classes of black people, his wanderings around Europe as a young musician. When he returned to the United States and went on a folk song–collecting tour of the South, he witnessed a lynching—a black man being burned alive. Terrified, he got himself across the color line. He didn’t want to belong to a racial group so utterly without power…

…Thomas Chatterton Williams, who belongs to the hip-hop generation of multiculturalism and diversity, is willing to risk being a throwback in his memoir/essay Self-Portrait in Black and White: Unlearning Race. To speculate on the racial future, he goes back to the days when the black individual who could do so took the side exit from segregated life to personal freedom. He deals with passing for white, class privilege, and his hopes for the possibilities of race transcendence, knowing perfectly well that because he is light-skinned he can contemplate racial identity as being provisional, voluntary, situational, and fluid…

Read the entire review here.

Black/white mixed-race experiences of race and racism in Poland

Ethnic and Racial Studies
Published online 2020-02-25
DOI: 10.1080/01419870.2020.1729390

Bolaji Balogun
School of Sociology and Social Policy
University of Leeds, Leeds, United Kingdom

Remi Joseph-Salisbury, Presidential Fellow in Ethinicty and Inequalities
University of Manchester, Manchester, United Kingdom

Whilst literature on race and ethnicity in Poland is growing, it has yet to fully grapple with the diverse range of racial identities in Poland. Simultaneously, despite calls for Critical Mixed Race Studies (CMRS) to develop into a more global field, there remains a paucity of literature focusing on racial mixedness in Central and Eastern Europe (CEE), and no substantive consideration of the lived experiences of mixed-race people in Poland. Taking these absences as our entry point, we bring Critical Mixed Race Studies into conversation with pieces of literature on race and ethnicity in Poland in order to extend the theoretical and empirical terrain of both fields. Drawing upon data from interviews conducted with black/white mixed-race people in Poland, this article casts light on the lives of this nascent group, and specifically on their experiences of racism and exclusion in a society imagined as homogenously white.

Read or purchase the entire article here.

The Palgrave International Handbook of Mixed Racial and Ethnic Classification

Palgrave Macmillan
2020-01-21
817 pages
16 b/w illustrations, 17 illustrations in colour
Hardcover ISBN: 978-3-030-22873-6
eBook ISBN: 978-3-030-22874-3
DOI: 10.1007/978-3-030-22874-3

Edited by:

Zarine L. Rocha, Managing Editor
Current Sociology and Asian Journal of Social Science

Peter J. Aspinall, Emeritus Reader in Population Health
University of Kent, United Kingdom

Highlights

• Shows how classification and collection processes around mixedness differ between countries and how measurement has been changing over time
• Provides a window into the radical global changes in the trend towards multiple racial/ethnic self-identification that has been a feature of the recent past
• The first and only handbook to directly address the classification of mixed race/ethnicity on a global scale
• Pays specific attention to both the standard classifications and the range of uses these are put to – including social surveys and administrative data – rather than just census forms and data

This handbook provides a global study of the classification of mixed race and ethnicity at the state level, bringing together a diverse range of country case studies from around the world.

The classification of race and ethnicity by the state is a common way to organize and make sense of populations in many countries, from the national census and birth and death records, to identity cards and household surveys. As populations have grown, diversified, and become increasingly transnational and mobile, single and mutually exclusive categories struggle to adequately capture the complexity of identities and heritages in multicultural societies. State motivations for classification vary widely, and have shifted over time, ranging from subjugation and exclusion to remediation and addressing inequalities. The chapters in this handbook illustrate how differing histories and contemporary realities have led states to count and classify mixedness in different ways, for different reasons.

This collection will serve as a key reference point on the international classification of mixed race and ethnicity for students and scholars across sociology, ethnic and racial studies, and public policy, as well as policy makers and practitioners.

Table of Contents

• Front Matter
• Introduction: Measuring Mixedness Around the World / Zarine L. Rocha, Peter J. Aspinall
• Race and Ethnicity Classification in British Colonial and Early Commonwealth Censuses / Anthony J. Christopher
• The Americas
  • Front Matter
  • Introduction: North and South America / Peter J. Aspinall, Zarine L. Rocha
  • The Canadian Census and Mixed Race: Tracking Mixed Race Through Ancestry, Visible Minority Status, and Métis Population Groups in Canada / Danielle Kwan-Lafond, Shannon Winterstein
  • Methods of Measuring Multiracial Americans / Melissa R. Herman
  • Mixed Race in Brazil: Classification, Quantification, and Identification / G. Reginald Daniel, Rafael J. Hernández
  • Mexico: Creating Mixed Ethnicity Citizens for the Mestizo Nation / Pablo Mateos
  • Boundless Heterogeneity: ‘Callaloo’ Complexity and the Measurement of Mixedness in Trinidad and Tobago / Sue Ann Barratt
  • Mixed race in Argentina: Concealing Mixture in the ‘White’ Nation / Lea Natalia Geler, Mariela Eva Rodríguez
  • Colombia: The Meaning and Measuring of Mixedness / Peter Wade
• Europe and the UK
  • Front Matter
  • Introduction: Europe and the United Kingdom / Peter J. Aspinall, Zarine L. Rocha
  • The Path to Official Recognition of ‘Mixedness’ in the United Kingdom / Peter J. Aspinall
  • Measuring Mixedness in Ireland: Constructing Sameness and Difference / Elaine Moriarty
  • The Identification of Mixed People in France: National Myth and Recognition of Family Migration Paths / Anne Unterreiner
  • Controversial Approaches to Measuring Mixed-Race in Belgium: The (In)Visibility of the Mixed-Race Population / Laura Odasso
  • The Weight of German History: Racial Blindness and Identification of People with a Migration Background / Anne Unterreiner
  • Mixed, Merged, and Split Ethnic Identities in the Russian Federation / Sergei V. Sokolovskiy
  • Mixedness as a Non-Existent Category in Slovenia / Mateja Sedmak
  • Mixed Identities in Italy: A Country in Denial / Angelica Pesarini, Guido Tintori
  • (Not) Measuring Mixedness in the Netherlands / Guno Jones, Betty de Hart
  • Mixed Race and Ethnicity in Sweden: A Sociological Analysis / Ioanna Blasko, Nikolay Zakharov
• Africa, the Middle East, and Central Asia and the Caucasus
  • Front Matter
  • Introduction: Africa, the Middle East, and Central Asia and the Caucasus / Zarine L. Rocha, Peter J. Aspinall
  • The Classification of South Africa’s Mixed-Heritage Peoples 1910–2011: A Century of Conflation, Contradiction, Containment, and Contention / George T. H. Ellison, Thea de Wet
  • The Immeasurability of Racial and Mixed Identity in Mauritius / Rosabelle Boswell
  • Neither/Nor: The Complex Attachments of Zimbabwe’s Coloureds / Kelly M. Nims
  • Measuring Mixedness in Zambia: Creating and Erasing Coloureds in Zambia’s Colonial and Post-colonial Census, 1921 to 2010 / Juliette Milner-Thornton
  • Racial and Ethnic Mobilization and Classification in Kenya / Babere Kerata Chacha, Wanjiku Chiuri, Kenneth O. Nyangena
  • Making the Invisible Visible: Experiences of Mixedness for Binational People in Morocco / Gwendolyn Gilliéron
  • Measuring Mixedness: A Case Study of the Kyrgyz Republic / Asel Myrzabekova
• Asia and the Pacific
  • Front Matter
  • Introduction: The Asia Pacific Region / Zarine L. Rocha, Peter J. Aspinall
  • Where You Feel You Belong: Classifying Ethnicity and Mixedness in New Zealand / Robert Didham, Zarine L. Rocha
  • Measuring Mixedness in Australia / Farida Fozdar, Catriona Stevens
  • Measuring Race, Mixed Race, and Multiracialism in Singapore / Zarine L. Rocha, Brenda S. A. Yeoh
  • Multiracial in Malaysia: Categories, Classification, and Campur in Contemporary Everyday Life / Geetha Reddy, Hema Preya Selvanathan
  • Anglo-Indians in Colonial India: Historical Demography, Categorization, and Identity / Uther Charlton-Stevens
  • Mixed Racial and Ethnic Classification in the Philippines / Megumi Hara, Jocelyn O. Celero
  • Vaevaeina o le toloa (Counting the Toloa): Counting Mixed Ethnicity in the Pacific, 1975–2014 / Patrick Broman, Polly Atatoa Carr, Byron Malaela Sotiata Seiuli
  • Measuring Mixed Race: ‘We the Half-Castes of Papua and New Guinea’ / Kirsten McGavin
  • Measuring Mixedness in China: A Study in Four Parts / Cathryn H. Clayton
  • Belonging Across Religion, Race, and Nation in Burma-Myanmar / Chie Ikeya
  • Recognition of Multiracial and Multiethnic Japanese: Historical Trends, Classification, and Ways Forward / Sayaka Osanami Törngren, Hyoue Okamura
• Back Matter

We European Jews never passed as white

The Times of Israel
2020-01-09

Rivka Hellendall, Graduate Student of English Literature and Jewish Studies
University of Amsterdam

Rivka Hellendall

In the last two decades, American Ashkenazi Jews have returned to the question of their Otherness, or, put more crudely, to the question of whether Ashkenazi Jews are White, “white-passing”, or something else entirely. A quick Google search entry of “are Jews white” yields roughly 89 million results, including news articles, op-eds, and even academic tomes. The fact that Karen Brodkin named her 243-page 1998 study on the topic “How Jews Became White Folks and what that Says about Race in America” speaks volumes. Apparently, there was a large enough body of Jews at the time who never suffered anti-Semitism in person for Brodkin to make this title a viable one. A large enough number of American Jews who had never, for example, been denied housing or religious rights, equal opportunity employment (i.e. suffered job discrimination), or experienced insults, social exclusion, threats, and physical violence because of their Jewishness. Sadly, those times have changed since…

Read the entire article here.

Growing up Irish and Black: ‘It was the attention my hair provoked – it wasn’t good attention’

TheJournal.ie
2019-06-09

Aoife Barry

Emma Dabiri speaks to us about her first book, Don’t Touch My Hair.

“One of the first rhymes I heard was: “Eeny meeeny miny moe. Catch a nigger by da toe.” Who, or what in the hell was “nigger”, I wondered? I soon learned… Irishness is synonymous with whiteness, it seemed. Whiteness is “pure” and doesn’t extend to brown girls, even those who can trace their Irish ancestry back to the 10th century.” —Emma Dabiri

GROWING UP IN Ireland, Emma Dabiri’s skin and hair were a topic of discussion for strangers. In the mostly white Ireland of the 1980s, a girl like Dabiri (whose father is Nigerian and mother is Irish) with brown skin was a subject of interest – and people didn’t care whether it might bother her to have her appearance so openly scrutinised.

Dabiri now lives in London, where she is a lecturer in African Studies at SOAS University of London, as well as a PHd student. Inspired by her own changing relationship with her appearance, she has written a book, Don’t Touch My Hair, which interrogates the topic of hair and its relationship with not just the individual, but with society, culture and African history.

While the book begins with the story of Dabiri’s childhood, it moves into a space where she discusses everything from how people treat the offspring of Kim Kardashian and Beyoncé to the cultural significance of the cornrow. It’s a fascinating must-read that reflects not just the changes that have taken place in Irish society, but the changes that still must take place.

The book shows that while today’s Ireland may be more multicultural than the Ireland Dabiri grew up in, that does not mean society treats people of different skin colours – or hair textures – the same…

Read the entire article here.

Latin Blackness in Parisian Visual Culture, 1852-1932

Bloomsbury
2019-02-21
232 pages
9 colour and 37 bw illus
229 x 152 mm
Hardback 9781501332357

Lyneise E. Williams, Associate Professor of Art History
University of North Carolina

Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term ‘Latinize’ is introduced to connect France’s early 19th-century endeavors to create “Latin America,” an expansion of the French empire into the Latin-language based Spanish and Portuguese Americas, to its perception of this population.

Latin-American elites traveler to Paris in the 1840s from their newly independent nations were denigrated in representations rather than depicted as equals in a developing global economy. Darkened skin, etched onto images of Latin Americans of European descent mitigated their ability to claim the privileges of their ancestral heritage. Whitened skin, among other codes, imposed on turn-of-the-20th-century Black Latin Americans in Paris tempered their Blackness and rendered them relatively assimilatable compared to colonial Africans, Blacks from the Caribbean, and African Americans.

After identifying mid-to-late 19th-century Latinizing codes, the study focuses on shifts in latinizing visuality between 1890-1933 in three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans executed by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925-1933.

Table of contents

• List of Illustrations
• Acknowledgements
• Introduction
  • The Term “Latin American”
  • Why Paris?
  • Much More Than Primitivism
  • Reduced to Latin Americans
  • Parisian Figurations of Blackness from the Mid-Nineteenth to the Early Twentieth Century
  • Overview of the Study
• Chapter 1: Playing Up Blackness and Indianness; Downplaying Europeanness
  • Editing Francisco Laso: Racializing Spanish and Portuguese Americans
  • Performing Rastaquerismo
  • Justified by Anthropology: Quatrefages, Hamy, and the Casta Paintings
  • Latin American Self-Representation
  • The Shifting Rastaquouère
  • Maintaining Anthropological Interpretations in the Early Twentieth Century
  • Conclusion
• Chapter 2: Chocolat the Clown: Not Just Black
  • Chocolat and Footit: Partners in Contrast
  • The Auguste Chocolat
  • The Give and Take of Chocolat and Footit
  • Chocolat and Footit at the Nouveau Cirque
  • Chocolat as Brand Image
  • Beneath the Surface
  • Chocolat as Mixed Animal
  • Chocolat the Contaminant
  • Impure Chocolat(e)
  • Chocolat, That Special Ingredient: The Racially Mixed Object of Desire
  • Complicating Notions of Minstrelsy
  • Lip Interventions
  • Representations Through Clothing
  • Sexualizing Black Dandies
  • Assimilating the Latin
  • Beyond the Circus
  • Chocolat, Object of Gay Desire
  • Chocolat and the Elite and the Virile
  • Conclusion
• Chapter 3: Alfonso Teofilo Brown: Agency and Impositions of Blackness and Europeanness
  • Sport and the Imagined Ideal Male Body
  • Black Boxers in Turn-of-the-Century France
  • Gangly Brown
  • The Purity and Hybridity of Gangly Brown
  • Brown the Gentleman
  • Images of Black Difference
  • Brown the Philanthropist
  • Conclusion
• Chapter 4: Figari’s Blacks: Negotiating French and Southern Cone Blackness
  • Figari and Paris
  • Contested Whiteness and the Black Body
  • Conceptualizing Regional Identity
  • Through the Anthropological Gaze
  • Candombe as Framing Device
  • Gender and Race in Candombe
  • Objects as Markers
  • Figari as “Naïf” Painter
  • Increasing Latin American Presence in Paris
  • Perceptions of Black Uruguayans
  • Figari’s Evolution in Paris
  • Contradictions and Contrasts between Figari’s Paintings and Written Work
  • Conclusion
• Coda
• Select Bibliography

Two new stamps mark 50 years of Thin Lizzy

The Journal.ie
2019-10-07

Sean Murray

Queues formed at the GPO earlier for fans to get their hands on the new stamps.

AN POST HAS today launched two new stamps to mark fifty years of legendary Irish rock band Thin Lizzy.

Phil Lynott’s daughters Sarah and Cathleen, his grandchildren and ex-wife Caroline were on hand to unveil the new stamps earlier today.

An Post said that queues formed at the GPO in Dublin today with fans snapping up the collector’s items.

One of them features a portrait of Lynott himself by artist Jim Fitzpatrick while the other features the album artwork from Black Rose…

Read the entire article here.