Mixed Race Studies

Difference of a Different Kind: Jewish Constructions of Race During the Long Eighteenth Century

University of Pennsylvania Press
2014
280 pages
6 x 9
12 illus.
Cloth ISBN: 978-0-8122-4609-4
Ebook ISBN: 978-0-8122-0970-9

Iris Idelson-Shein, Alexander von Humboldt Research Fellow
Martin Buber Professur für Jüdische Religionsphilosophie
Goethe University, Frankfurt am Main

European Jews, argues Iris Idelson-Shein, occupied a particular place in the development of modern racial discourse during the late seventeenth and early eighteenth centuries. Simultaneously inhabitants and outsiders in Europe, considered both foreign and familiar, Jews adopted a complex perspective on otherness and race. Often themselves the objects of anthropological scrutiny, they internalized, adapted, and revised the emerging discourse of racial difference to meet their own ends.

Difference of a Different Kind explores Jewish perceptions and representations of otherness during the formative period in the history of racial thought. Drawing on a wide range of sources, including philosophical and scientific works, halakhic literature, and folktales, Idelson-Shein unfolds the myriad ways in which eighteenth-century Jews imagined the “exotic Other” and how the evolving discourse of racial difference played into the construction of their own identities. Difference of a Different Kind offers an invaluable view into the ways new religious, cultural, and racial identities were imagined and formed at the outset of modernity.

Table of Contents

• Note on Translations and Transliterations
• Introduction
• 1. An East Indian Encounter: Rape and Infanticide in the Memoirs of Glikl Bas Leib
• 2. “And Let him Speak”: Noble and Ignoble Savages in Yehudah Horowitz’s Amudey beyt Yehudah
• 3. Whitewashing Jewish Darkness: Baruch Lindau and the “Species” of Man
• 4. Fantasies of Acculturation: Campe’s Savages in the Service of the Haskalah
• Epilogue. A Terrible Tale: Some Final Thoughts on Jews and Race
• Notes
• Bibliography
• Index
• Acknowledgments

Racist Hysteria to Pragmatic Rapprochement? The German Debate about Rhenish ‘Occupation Children’, 1920–30

Contemporary European History
Volume 22, Issue 2, May 2013
pages 155-180
DOI: 10.1017/S0960777313000039

Julia Roos, Associate Professor of History
Indiana University, Bloomington

This essay revisits 1920s German debates over the illegitimate children of the Rhineland occupation to examine hitherto neglected fluctuations in the relationship between nationalism and racism in Weimar Germany. During the early 1920s, nationalist anxieties focused on the alleged racial ‘threats’ emanating from the mixed-race children of colonial French soldiers. After 1927, plans for the forced sterilisation and deportation of the mixed-race children were dropped; simultaneously, officials began to support German mothers’ paternity suits against French soldiers. This hitherto neglected shift in German attitudes towards the ‘Rhineland bastards’ sheds new light on the role of debates over gender and the family in the process of Franco–German rapprochement. It also enhances our understanding of the contradictory political potentials of popularised foreign policy discourses about women’s and children’s victimisation emerging from World War I.

Three Very Rare Generations

The New York Times
1992-12-13

Eric Foner, DeWitt Clinton Professor of History
Columbia University

Soul To Soul: A Black Russian American Family 1865-1992. By Yelena Khanga with Susan Jacoby. Illustrated. 318 pp. New York: W. W. Norton & Company. $22.95.

AMONG its other consequences, the demise of the Soviet Union has released an emigration of foreign-born leftists and their descendants. Along with Spanish Loyalists and exiled third-world socialists now returning to their countries of origin, this little-noticed diaspora includes Yelena Khanga, the granddaughter of a black American who had moved to the Soviet Union in 1931, along with his Polish-Jewish-American wife. “Soul to Soul: A Black Russian American Family 1865-1992” tells the remarkable story of Ms. Khanga’s family, shedding light into unfamiliar corners of both the Soviet and American pasts. Its title derives from a Russian expression for close friendship. In an American context, it also suggests encounters among blacks, and the book’s most interesting chapters recount the story of the black side of Ms. Khanga’s family tree.

Her great-grandfather, Hilliard Golden, born a slave, served on the board of supervisors in Yazoo County, Miss., during Reconstruction, and managed to become one of the areas’s largest black landowners (Ms. Khanga is not sure how). The restoration of white supremacy abruptly ended his political career, but Golden clung tenaciously to his property until 1909, when, like many other farmers in the New South, he succumbed to debt and lost his land…

…In 1931, with 15 other Americans — black agricultural specialists and their families — Ms. Khanga’s grandparents sailed for the Soviet Union to help develop cotton cultivation in Uzbekistan. The poverty and backwardness of the region, where polygamy still flourished, reinforced the Goldens’ sense of socialist mission. When their daughter, Lily, was born, they decided to remain in the Soviet Union “because they did not want to raise a racially mixed child in America.” The agricultural experiments succeeded, and Stalin then decreed that Uzbekistan should concentrate exclusively on cotton, transforming the area, ironically, into a one-crop economy bearing some resemblance to the South of Golden’s youth…

Read the entire review here.

Call for Papers: “Mixed Race in Scandinavia”

The Journal of Critical Mixed Race Studies
e-ISSN: 2325-4521
September 2015

G. Reginald Daniel, Editor in Chief and Professor of Sociology
University of California, Santa Barbara

JCMRS encourages established and emerging scholars to submit articles in response to the annual call of papers. The journal is currently inviting submissions on the topic of global mixed race, particularly in terms of populations, experiences, and concerns outside the United States. Articles will be considered for publication based on their contribution to important and current discussions in critical mixed race studies, and their scholarly competence and originality. The primary criterion for selection will be the quality of the paper, not its connection to the CMRS conference theme.

The journal is transracial, transdisciplinary, and transnational in scope. It places the concept of mixed race at the critical center of focus such that multiracial individuals become subjects of historical, social, and cultural processes rather than simply objects of analysis. This involves the study of racial consciousness among racially mixed people, the world in which they live, and the ideological forces that inform their identity and experience.

JCMRS also stresses the critical analysis of the institutionalization of social, cultural, and political structures based on dominant conceptions of race. JCMRS acknowledges that the concept of race invokes biologically-based human characteristics, but the selection of specific human features for the purposes of racial signification is a constantly changing sociohistorical process. Accordingly, the journal emphasizes the constructed nature of race and the notion that racial categories are unstable and decentered structures of sociocultural meanings that are continuously being created, inhabited, contested, transformed, and destroyed. Finally, JCMRS underscores the mutability of race and the porosity of racial boundaries in order to critique local and global systemic injustices rooted in processes of racialization and social stratification based on race, as well as the interlocking nature of racial phenomena with sex, gender, sexuality, class, and other categories of difference.

Submission Deadline: Open

Submission Guidelines: Article manuscripts should range between 15-30 double-spaced pages, Times New Roman 12-point font, including notes and works cited, must follow the Chicago Manual of Style, and include an abstract (not to exceed 250 words). Papers will not be reviewed unless they follow the exact formatting of the submission guidelines.

Visit our website for complete submission guidelines and to submit an article: http://escholarship.org/uc/ucsb_soc_jcmrs.

Please address all inquiries to: socjcmrs@soc.ucsb.edu.

Othello’s Daughter

The New Yorker
2013-07-29

Alex Ross, Music Critic

Aldridge, circa 1865, and his daughter Luranah, a singer, in an undated image. Credit Photographs by Billy Rose Theatre Division / The New York Public Library for the Performing Arts; Mccormick Library of Special Collections / Northwestern University Library

The rich legacy of Ira Aldridge, the pioneering black Shakespearean.

In 1896, a thirty-six-year-old opera singer named Luranah Aldridge travelled to Germany to prepare for performances of Wagner’s “Ring of the Nibelung,” at the Bayreuth Festival. Dozens of young singers had made such a journey before her: thirteen years after Wagner’s death, Bayreuth had become a summit of the operatic world. Aldridge, though, was of mixed race: an English native, she was the daughter of an African-American and a Swede. The casting of a nonwhite performer in Wagner’s Nordic-Teutonic saga might have been expected to arouse opposition, given the notorious racism of the composer and many of his followers, yet an advance guide to the 1896 festival treats Aldridge simply as a promising novelty:

A name that may well ring strangely in the ears of even the most observant art lovers is that of Luranah Aldridge, who will sing one of the eight Valkyries. Of Luranah Aldridge one cannot say that she did not come from far off, as she hails—from Africa. She is the daughter of the African tragedian Ira Aldridge and studied singing in Germany, England and France, and has appeared with great success in operas and concerts outside of Germany. She is praised as the possessor of a true contralto voice with a wide range. In the course of the festival there will be an opportunity to put these statements to the test.

The singer fell sick during rehearsals and did not perform that summer. Despite encouragement from Cosima Wagner, the composer’s widow, Aldridge faded from view. A few reference works mention her; otherwise, she has vanished from the historical record…

Read the entire article here.

Amanda Aldridge, Teacher and Composer: A Life in Music

Journal of Singing
January 2010
ISSN: 10867732

Joyce Andrews, Adjunct Instructor of Music
Ripon College, Ripon, Wisconsin

Aldridge was a remarkable person who devoted her lifetime to music, enriching the musical culture of Great Britain through her multi-talents as composer (published under the nom de plume “Montague Ring”) and as teacher, singer, and pianist. She mentored and inspired many young musicians and became a central figure in the black community in London.

ALTHOUGH THE NAME OF MONTAGUE RING is not familiar to most musicians today, this London composer wrote music that was extremely popular in Europe in the early twentieth century. Major music publishing firms published numerous songs in London by Ring between the years 1907 and 1925. Written predominantly in a romantic parlor song style fashionable in that day, Montague Ring’s songs for voice and piano numbered almost thirty, although the composer’s output included various compositions for other instruments that also gained considerable recognition.

A bit of investigation into this little known composer with the distinguished-sounding British high society name reveals a surprise – that Montague Ring was merely the pseudonym adopted by Afro-British female composer Amanda Ira Aldridge, born Amanda Christina Elizabeth Aldridge (1866-1956). Although reasons vary as to why composers opt to publish under a name other than their own, in Amanda Aldridge’s case, it may well be that her chosen pseudonym allowed her a degree of separation between her varied career pursuits. Amanda Aldridge was an active, accomplished musician during her long career and gained public attention through the various “hats” she wore as concert singer, piano accompanist, and voice teacher, as well as the composer Montague Ring. Particularly impressive is the musical circle in which she traveled in London as well as her vocal pedigree – she was an early pupil of Jenny Lind (famously known as the “Swedish Nightingale”) at the Royal College of Music in London. Aldridge is also attributed with providing voice instruction to some of the most acclaimed artists of the twentieth century, including African American singers Roland Hayes, Marian Anderson, and Paul Robeson. The accomplishment of so many careers was certainly inspired, and reinforced, by an additional significant detail about Amanda Aldridge she was the daughter of one of the most acclaimed tragedians of his time in Europe, the African American actor Ira Aldridge…

Read the entire article here.

Cedric Dover, the Anglo-Indian Who Sought Worldwide Solidarity With Racial Minorities

The Wire
2015-08-10

Elisabeth Engel, Research Fellow
German Historical Institute, Washington, D.C.

Slate, Nico, The Prism of Race: W.E.B. Du Bois, Langston Hughes, Paul Robeson, and the Colored World of Cedric Dover (New York: Palgrave Macmillan, 2014)

The scholarship that takes up W.E.B. Du Bois’s thesis that “the problem of the twentieth century is the problem of the colour line – the relation of the darker to the lighter races of men in Asia and Africa, in America and the islands of the sea” fills libraries around the globe.

Ever since the African-American leader defined the concept in Souls of Black Folk in 1903, it figured prominently in research on the United States and the transnational contexts of Western imperialism. Nico Slate, a historian at Carnegie Mellon University, is no exception. His research on social movements in the United States and India has long explored how black Americans and colonial subjects advanced their struggles against white supremacy. His most recent book, The Prism of Race: W.E.B. Du Bois, Langston Hughes, Paul Robeson, and the Colored World of Cedric Dover, makes the case that this struggle did not just pose the problem of race, but also that of colour.

The story of the 20th century that unfolds from the perspective of people defined as coloured is the subject of Slate’s account. He traces it through the lens of Cedric Dover (1904–1961), an Anglo-Indian biologist, who dedicated his work to the study of race and his political ambition to the movement toward Afro-Asian solidarity. Dover was born in colonial Calcutta, one year after Du Bois’s historic prediction. Slate shows that Dover was one of those “men in Asia and Africa,” whose libraries were filled with Du Bois’s and other African Americans’ writings. Precisely, Dover’s personal library, comprising his writings and reading, is Slate’s main primary source…

Read the entire review here.

Half-white, half-Asian, but no less Irish

The Irish Examiner
Dublin, Ireland
2015-08-15

Dean Van Nguyen

Half white, half Asian Dubliner Dean Van Nguyen speaks to other mixed-race Irish people in their twenties and thirties about growing up in a primarily white culture, being subjected to racist taunts, and coming to terms with their own sense of self.

Who am I? It’s a simple question, but one we as human beings frequently ask ourselves – it defines our sense of self identity, from childhood right throughout our lives, and can play a major role in shaping the people we become.

When it comes to self-concept, there are some obvious factors that we know from an early age just by examining our circumstances.

For generations of people born in Ireland, many of the key questions seemed pre-answered: You were Irish. You were white. You were Christian.

As African-American comedian Reginald D. Hunter joked at a Vicar Street gig in 2011, Ireland is “where they make white people”.

While the country is becoming ever more pluralist as we get deeper into the 21st century, for those of mixed-race now in their twenties and thirties, the answers to these questions of self-identity have been less simple…

Read the entire article here.

Notable Black and Mixed Race men in Renaissance Europe

Bino & Fino: Embracing My Child’s Black African Identity
2015-07-23

Maria Tumolo

We are thrilled to bring you our very first guest post from children’s author Maria Tumolo. She is also writes a blog called Tiger Tales which explores parenting as an expat mixed heritage family.

During my time at university many moons ago, I was intrigued by the ‘cross-pollution’ of cultures between Europe and Africa during the Renaissance age. It seemed to me that Europe gained more from the encounter than some historians would readily admit. It’s known that scholars travelled to Egypt to study. (Yes, Egypt is on the African continent.) For example it recorded that the Greek Astronomer and Mathematician, Sosigenes of Alexandria, advised Julius Caesar to adopt ‘the modification of the 365-day Egyptian solar calendar but with an extra day every fourth year (leap year). This came into effect in 45 BC.’ Other notable Greek Scholars who travelled and studied in Egypt were Plato and Pythagoras. However, I was curious to know more about the African presence in Europe during the Renaissance. It’s known that not all the black people in Europe during this time were not slaves. While searching the internet, I came across a review of an art exhibition that was run back in 2012, at the Walters Art Museum in Baltimore. It was entitled Revealing the African Presence in Renaissance Europe. I was fascinated by lives and stories of the individuals it featured. I didn’t want too long a blog post. Therefore, I’ll focus on three male historical figures, Black and Mixed Race. I present to you: Alessandro de’ Medici, Antonio Nsaku Manuel Vunda, and St. Benedict of Palermo…

Read the entire article here.

How to Unlearn History | Ella Achola | TEDxCoventGardenWomen

TEDx Talks
2015-07-21

Ella Achola, Founder
Ain’t I A Woman Collective

From awkward school encounters to groan-inducingly offensive questions, Ella finds herself at the intersections of identity, and shares her big idea for bringing ourselves into the stories we tell.

Ella Achola is a writer and founder of the Ain’t I A Woman Collective. Born in Berlin, Ella founded the Collective as an opportunity to engage with her Afro-German heritage and extend the conversation about Europe’s black diaspora beyond the UK.