Mixed Race Studies

National Identity, Citizenship, and Belonging: Afro-descendants in Spain and Catalonia – Agnes

The Afropean: Adventures in Afro Europe
2017-10-27

Abena Wariebi

The second excerpt from interviews taken from a Master’s thesis carried out by Abena Wariebi at the Universitat Pompeu Fabra in Barcelona, Spain.

Entitled “National Identity, Citizenship, and Belonging: Afro-descendants in Spain and Catalonia”, the thesis is an investigation of black identities in Barcelona, specifically exploring what it means to be black and Spanish, or black and Catalan.

These interviews represent a small part of the black community in Barcelona. This thesis is in no way conclusive or overall encompassing. It does not represent the views or opinions of all Afro-descendants in Barcelona or Spain. Nevertheless, these accounts are powerful, enriching, and demonstrate the unquestionable solidarity that exists within the diaspora.

Name: Agnes
Age: 20
Profession: Teacher and Photographer

Agnes, teacher and photographer

“I think my mum is the only person in the world who thinks I’m Spanish. Because when I go out on the street, when like a policeman comes and they see my passport or whatever they keep asking ‘oh but where are you from? This says Spain; this says you were born in Barcelona but where are you from? Where is your dad from? Where is your mum from? So, I feel like, I don’t want to be Spanish.

I really feel like I’m Cameroonian. And in a way my dad always tried to raise me to feel like I’m not Spanish, I’m Cameroonian.”…

Read the entire article here.

Being Black: Still a multi-front struggle

DW
2017-04-07

Theodor Wonja Michael

A particular excerpt of the DW documentary “Afro.Germany” went viral: the touching testimony of one of the oldest Afro-Germans born in Berlin. Here’s what can be learned from social media users’ hundreds of reactions.

“I am an African – I didn’t even know Cameroon and Togo were German colonies,” said one social media user, reacting to an online video clip about the life and times of Theodor Wonja Michael, one of Germany’s oldest contemporary witnesses.

The clip is an excerpt from “Afro.Germany,” a documentary project by Deutsche Welle, which aims to chronicle the diversity of Black experiences in Germany and challenge the historical amnesia surrounding Germany’s colonial past.

The video narrates Michael’s extraordinary experiences as a Black person in Germany.

Born in Berlin in 1925, Michael was forced to act in “human zoos” during his childhood. He survived the Nazi era and later became an actor and author…

…A further challenge: fluid identities

However, subsequent analysis by researchers such as E. P. Johnson, has drawn attention to the more troubling implications of Black identity politics.

Black pride can inadvertently promote the problematic notion of Black authenticity – that is to say, it can construct an image of the the “real Blacks” and the “real” Black experience, to which the individuals must conform and relate. This line of thinking can hinder efforts geared towards separating identity from race.

For example, one commentator insisted on referring to Michael as “mixed-race” and denounced the acceptance of “trans-racial crap.”

Race does not define us, but it does influence our experience of the world. Needless to say, “Black” includes a spectrum of peoples whose experience of race varies depending on the interaction of other factors, such as class, culture, gender, nationality, etc. For many people, race is not a black and white issue, but a multi-front struggle for inclusion in their “own” communities.

“My mother was French, my father was American […] Being light skinned, I fought blacks because I wasn’t dark enough. I fought whites because I was colored. Fought Spanish, Puerto Ricans because they said I was a ‘wanna be’ and fake,” said one commentator…

Read the entire article here.

Eve Rosenhaft and Robbie Aitken

The New Book Network
2017-02-04

Black Germany: The Making and Unmaking of a Diaspora Community, 1884-1960 (Cambridge University Press 2015)

“There were black Germans?”

My students are always surprised to learn that there were and are a community of African immigrants and Afro-Germans that dates back to the nineteenth century (and sometimes earlier), and that this community has at times had an influence on German culture, society, and racial thinking that belied its small size.

Germany’s role in colonizing Africa has received increased attention lately, with an exhibit on German colonialism appearing at the Deutsches Historisches Museum in October and recent headway on a deal for Germany to pay reparations to the descendants of Herero and Nama genocide victims in Namibia. In Black Germany: The Making and Unmaking of a Disapora Community, 1884-1960 (Cambridge University Press, 2015), Eve Rosenhaft and Robbie Aitken supply a part of the colonial story that gets even less attention than that of Germans in Africa: what about Africans in Germany? Focusing primarily on a community of West-African-born black Germans and their families, Rosenhaft and Aitken trace the groups evolution in the nineteenth century through its persecutions by the Nazi state and postwar existence.

Download the interview (00:25:27) here.

Emma: On Whether Irish Black People Are Woke, and on Changing “Foreign” Names

Dublin Inquirer
2017-10-25

Emma Dabiri

Illustration by Rob Mirolo

Do you think Irish black people are woke? What’s being woke? Is there any civil-rights movement? You’re mixed race, so are you black? Africa: would someone like yourself get the culture? What did you get culture-wise from your father’s side? Irish people come across as just trying to look for one person they can say… Yes, here is our black successful person, as opposed to uplift black Irish people in general […] In Dublin, Pavee Point has a centre. The LGBT community has Outhouse. Why do you think ethnic minorities don’t have such a place?

Cheeky! This is like 10 questions but I like ‘em, so let’s go. Let’s start with explaining “woke”. “Staying woke” refers to questioning the dominant paradigm, and occupying a state of awareness about structural oppressions.

The phrase “staying woke” has some early references in the 1960s, it was then further popularised in the 2008 song “Master Teacher” by Erykah Badu, but really caught on following the wave of protest after the 2014 shooting of Michael Brown in Ferguson and the subsequent rise of Black Lives Matter. In 2016, “woke” entered into the Oxford Dictionary…

…Am I black? Gosh you aren’t shying away from the big questions, now are ye? But yes, I identify as black. The thing is, despite being told I was black (and often not so politely) my whole damn life, and often being reminded that I wasn’t “really Irish”, my claiming of my blackness still elicits occasional cries of “But what about your ma?” or “You’re erasing your Irishness!” Blah blah di blah blah blah.

I think what we really need to look at is why a person with a white parent can identify as black, but why a person with a black parent can rarely, if ever, identify as white. We have to stop acting as though racial constructions are rational or ordered. They are not. I always say that you cannot be “half white”. You are either white or you’re not. And I’m not…

Read the entire article here.

Review: Identity in Passing: RACE-ING and E-RACE-ING in American and African American History

The Journal of African American History
Volume 101, No. 3, Summer 2016
pages 344-355
DOI: 10.5323/jafriamerhist.101.3.0344

Thomas J. Davis, Professor of History
Arizona State University, Tempe

• Marcia Alesan Dawkins, Clearly Invisible: Racial Passing and the Color of Cultural Identity. Waco, TX: Baylor University Press, 2012. Pp. 269. Cloth $49.95.
• Baz Dreisinger, Near Black: White to Black Passing in American Culture. Amherst: University of Massachusetts Press, 2008. Pp. 196. Paper $26.95.
• Mary Frances Berry, “We Are Who We Say We Are”: A Black Family’s Search for Home Across the Atlantic World. New York: Oxford University Press, 2015. Pp. 206. Paper $19.95.

Passing is a long-standing theme in American and African American history.¹ Indeed, because identity has been an ever-present element in history, passing has been an ever-present element in history generally. Distinguishing between and among groups and categorizing individual members has again and again prompted questions about who is who, about what exactly distinguishes one from another, and about who belongs where. But passing is about more than contested and oft-disputed categories. When it reaches to lived-experience, passing is about self and society, about individual image and imagining, about self-image and self-imagining, about social image and social change. Passing is about the scope, source, substance, and control of individual identity.

Despite its centrality, identity appears in historical narratives typically as a given, or at least as taken for granted. Except for persons cast as “others,” group labels conveniently cover flawed lines of distinction. Our focus concentrates on identity only when it becomes contested, when uncertainty or ambiguity raise doubts; when identity becomes an issue of power, when such questions as “who…

Read or purchase the article here.

We Are Who We Say We Are: A Black Family’s Search for Home Across the Atlantic World

Oxford University Press
2014-12-01
224 Pages
32 illustrations
5-1/2 x 8-1/4 inches
Paperback ISBN: 9780199978335

Mary Frances Berry, Geraldine R. Segal Professor of American Social Thought and Professor of History
University of Pennsylvania

This colored Creole story offers a unique historical lens through which to understand the issues of migration, immigration, passing, identity, and color-forces that still shape American society today. We Are Who We Say We Are provides a detailed, nuanced account of shifting forms of racial identification within an extended familial network and constrained by law and social reality.

Author Mary Frances Berry, a well-known expert in the field, focuses on the complexity and malleability of racial meanings within the US over generations. Colored Creoles, similar to other immigrants and refugees, passed back and forth in the Atlantic world. Color was the cause and consequence for migration and identity, splitting the community between dark and light. Color could also split families. Louis Antoine Snaer, a free man of color and an officer in the Union Army who passed back and forth across the color line, had several brothers and sisters. Some chose to “pass” and some decided to remain “colored,” even though they too, could have passed. This rich global history, beginning in Europe–with episodes in Haiti, Cuba, Louisiana, and California–emphasizes the diversity of the Atlantic World experience.

Contents

• Preface
• Chapter I: Becoming Colored Creole
• Chapter II: Becoming Americans
• Chapter III: Family Troubles
• Chapter IV: Fighting for Democracy
• Chapter V: Becoming “Negroes”
• Chapter VI: Opportunity and Tragedy in Iberia Parish
• Chapter VII: Mulattoes and Colored Creoles
• Chapter VIII: Just Americans
• Chapter IX: At Home or Away: We Are Who We Say We Are
• Epilogue: Becoming “Black”
• Notes

“Race, Identity, and the Boundaries of Blackness”

U.S. Embassy & Consulates In Germany
2017-11-07

Thomas Chatterton Williams, fellow at the American Academy Berlin, read from his thought-provoking essay “Black and Blue and Blond” published in the Virginia Quarterly Review and anthologized in The Best American Essays 2016 which is now the basis of a book project. With journalist Rose-Anne Clermont he pursued the question where race fits in the construction of modern identity. Both reflected upon their own biographies and what it means living in Germany, France and the U.S. as a mixed-race family. The mainly young high-school age audience engaged in a lively, well informed discussion on defining and questioning identity, challenging stereotypes and expanding our notions of family and community.

Read the entire article here.

Dr. Patton to speak in Germany

Branding Iron: The UW Student Newspaper Online
2017-11-15

Courtney Kudera

(Photo courtesy of Dr. Tracey Patton) A picture of Dr. Tracey Patton standing on the UW campus.

Designing Modern Families: International Perspectives of Intercountry and Transracial Adoptions; this is the conference UW professor, Dr. Tracey Patton, has been asked to speak at in Germany beginning Friday, Nov. 17.

Patton is the co-author, in coordination with Sally Schedlock, of the work “Gender, Whiteness & Power in Rodeo: Breaking Away from the Ties of Sexism & Racism.” Patton is also a professor of communication here at UW.

…Patton commented on her own history in relation to the conferences’ topic. She has familial experience on the topic at hand.

As a first generation American on her mother’s side, Patton described her German heritage and the involvement in interracial and international adoptions, which affected up to 5,000 German children born during or after WWII.

From here, her research has had a national and transnational focus, working on the particular topic of interracial coupling and mixed-race children after WWII…

Read the entire article here.

The Afro-Turks: Turkey’s Little-known Black Minority Reclaims Its Past

Haaretz
2017-10-26

Davide Lerner and Esra Whitehouse

An Afro-Turk farmer, Gungor Delibas, whose family is originally from Sudan, with a picture of her and her Turkish husband, in Haskoy, Turkey, October 2017. Davide Lerner

IZMIR, Turkey – Dotted along Turkey’s Aegean coastline are a smattering of villages that the country’s Afro-Turks call home.

“The first generation suffers, the second generation denies and the third generation questions,” reads the opening line of Mustafa Olpak’s book, the first and the last autobiographical and introspective study of Turkey’s dwindling black minority. Olpak coined the term Afro-Turk and founded the movement to help resurrect their identity, but the history of the estimated 1.3 million people who were forced into slavery and shipped from Africa to the territories controlled by the Ottoman Empire remains little more than a footnote of Turkish history.

While “the library of the Congress of the United States of America has over 600 personal accounts of African-American slaves, none could be found in Ottoman archives,” notes Turkish historian Hakan Erdem in his commentary to Olpak’s book. Before his death last year, Olpak had dreamed of delivering a copy of his book to former U.S. President Barack Obama, and had even traveled to Istanbul’s airport in a hopeless attempt to meet him as he landed for a state visit.

Today the number of Afro-Turks is estimated at only a few tens of thousands. Many still live in the villages of Haskoy, Yenicifler and Yenikoy, near Izmir, while some reside in rural areas around Ayvalik, Antalya and Adana, as well as in Istanbul. Most were first brought to Turkey to work as domestic servants or in the tobacco and cotton fields along the Aegean Sea; they settled near Izmir once they were freed. Although the slave trade was officially made illegal in 1857 following pressure from Britain and other European powers, it took until the beginning of the 20th century to eliminate the practice altogether and to liberate those who were owned by Ottoman families since before the slave trade was outlawed.

In Izmir, the state provided safe houses for former slaves as well as assistance to integrate them into the labor market; whole villages and neighborhoods inhabited by the Afro-Turks were dubbed “Arap” areas – the Turkish word for Arab, which is still used as slang to refer to black people…

Read the entire article here.

Provenance: A Novel

Creative Cache
2015-09-16
334 pages
5.2 x 0.8 x 8 inches
ISBN-13: 978-0991614325

Donna Drew Sawyer

• Winner of the 2017 Maryland Writers’ Association Annual Book Award for Historical Fiction
• Selected for the 2017 “Go On Girl Book Club” reading list
• Finalist for 2016 “Phillis Wheatley Award for First Fiction.”

Southern civility turns savage when Hank Whitaker’s dying words reveal the unimaginable. No one—not his socialite wife, Maggie, or young son, Lance—ever suspected the successful businessman, husband, and father they knew and loved was a black man passing for white. In 1931, in the segregated South, marriage between whites and blacks is illegal. Maggie is now a criminal facing jail. When Lance receives death threats to atone for his father’s betrayal, the family flees the U.S. for the racial freedom of Paris.

Still grieving Hank’s death and fearful of their uncertain future as Europe marches toward war, Lance and Maggie mourn the lives they loved but lost. As they struggle to create new lives and identities for themselves, they find a surprising community of artists and American expats that are on the same journey and show them a different way to live and to love. Provenance is a sweeping historical saga about love, betrayal, tragedy, triumph, passion, privilege and the universal desire for acceptance—regardless of who you are or where you’re from.