Mixed Race Studies

The Invention of Hispanics

Latino USA
2015-05-22

Hosts:

Marlon Bishop, Producer

Camilo Vargas, Producer

Guest:

G. Cristina Mora, Assistant Professor of Sociology
University of California, Berkeley

Before 1970, the US Census Bureau classified Mexican, Cuban and Puerto Rican immigrants as whites. Each community of Latin American origin would go by their nationality and by the region where they lived in the United States. But all that changed in the seventies, as activists began lobbying the US Census Bureau to create a broad, national category that included all these communities. The result was the creation of the term “Hispanic”, first introduced in the US Census in 1970.

Then it was up to Spanish-language media to get the word out. The network that would later become Univision released this series of ads calling on “Hispanics” to fill out the 1980 Census. The ads feature “Hispanic” sports stars and… Big Bird:…

By the 1990s, Univision was creating the images and sounds associated to Hispanics in the US. The 1990 Census ads feature the likes of Tito Puente and Celia Cruz telling Hispanics to fill out el censo:…

Read the preview here. Listen to the story here.

Novelist Mat Johnson Explores The ‘Optical Illusion’ Of Being Biracial

Weekend Edition Sunday
National Public Radio
2015-05-24

Growing up in Philadelphia, Mat Johnson lived mostly with his mother in a black neighborhood. The son of an African-American mother and an Irish-American father, his skin was so light that he might have passed for white. But being biracial meant only one thing back in the ’70s: “Um, it meant: black,” Johnson says with a laugh. “There wasn’t a lot of ambiguity there. I didn’t hear the world biracial or didn’t think of myself as biracial. And when I did hear that, I reacted to it defensively. I thought it was just black people of mixed heritage who were just trying to run away from blackness.”

Johnson was born three years after Loving Day — the historic 1967 Supreme Court decision which made interracial marriage legal. His new novel, Loving Day, is a funny, sometimes absurd look at what it means to be mixed race in this country.

These days, Johnson has a more nuanced way to describe his racial identity. He says he is a mixed person of African-American descent. But he also uses another, more loaded word, to describe himself: mulatto…

Read the entire article here. Download the interview here. Read the transcript here.

Expats Find Brazil’s Reputation For Race-Blindness Is Undone By Reality

Parallels: Many Stories, One World
National Public Radio
2015-05-22

Lourdes Garcia-Navarro, South America Correspondent

There is a joke among Brazilians that a Brazilian passport is the most coveted on the black market because no matter what your background — Asian, African or European — you can fit in here. But the reality is very different.

I’m sitting in café with two women who don’t want their names used because of the sensitivity of the topic. One is from the Caribbean; her husband is an expat executive.

“I was expecting to be the average-looking Brazilian; Brazil as you see on the media is not what I experienced when I arrived,” she tells me.

As is the case for many people from the Caribbean basin, she self-identifies as multiracial. The island where she is from has a mixture of races and ethnicities, so she was excited to move to Brazil, which has been touted as one of the most racially harmonious places in the world.

“When I arrived, I was shocked to realize there is a big difference between races and colors, and what is expected — what is your role, basically — based on your skin color,” she says…

Read the entire article here. Download the story here. Read the transcript here.

Being ‘Mixed Race’: Kira Lea Dargin and Annina Chirade

BBC World Service
The Conversation
2015-05-11

Kim Chakanetsa, Presenter

Left: Kira Lea Dargin. Credit: Claire Mahjoub, SSH. Right: Annina Chirade. Credit: Adu Lalouschek

Kira Lea Dargin’s parents met at church. Her mother is white from a Russian family who emigrated to Australia in the 1950s, and her father is Aboriginal Australian. Being “mixed” Kira says, means constantly having to explain how you came about or how your family manages to blend. Having come through some difficult times as a teenager Kira now happily identifies with both of her cultural backgrounds. As the director of ‘Aboriginal Model Management Australia‘, her mission is to help broaden how Australian beauty is defined.

Annina Chirade describes herself as Ghanaian Austrian. She is the founder and editor of Rooted In magazine. When she was growing up, between London and Vienna, people would often question whether she was related to her fair, straight-haired mother. After many years obsessively straightening her own “kinky, curly, Afro-” hair as a teenager, she found her own style – inspired by the confident styles of black female singers like Erykah Badu. Annina says that when you are ‘mixed-race’ people make assumptions about your identity and consider it to be “up for debate”, but she is clear that “whiteness is not something I’m a part of.”

Listen to the interview here. Download the episode (00:26:55) here.

Brian Bantum on Redeeming Mulatto

Homebrewed Christianity
2014-08-17

Bo Sanders

Brian Bantum teaches theology at Seattle Pacific University out in the mighty Northwest. This spring when he and Callid were both at the Christian Leadership Forum of FTE they sat down to talk about Brian’s book Redeeming Mulatto: A Theology of Race and Christian Hybridity. Because they are in a hotel lobby there a bit of background noise, but it is such a terrific interview that you’ll want to listen all the way through anyway If you want to followup on this conversation another great resource is this video of Brian giving a talk called “The Church Cannot be About Multiculturalism” at Quest Church‘s annual day conference on Faith & Race. Bantum is on twitter as well…

Listen to the interview here.

First Listen: Alabama Shakes, ‘Sound & Color’

First Listen
National Public Radio
2015-04-12

Ann Powers, NPR Music Critic

The Alabama Shakes’ new album, Sound & Color, comes out April 21. Brantley Gutierrez/Courtesy of the artist

In the six years I’ve lived in the region, I’ve developed a mantra: Southern freaks are the best freaks. For me, the word “freak” can be both positive and downright spiritual. It describes serious individualists who are tolerant of others whose own paths may diverge from their own; people whose ways of thinking connect to form an antidote to the deep conventionality that often surrounds them. Southern freaks, like the four young musicians in Alabama Shakes, face multiple challenges: not only the love of tradition (and defensive attitude about it) that their neighbors nurture, but also the prejudices of those who live elsewhere and expect Southerners to be somehow limited by their native surroundings. Southern freaks are the best freaks because they have the resilience to flourish in a home that can feel foreign, while also recognizing that legacies can’t be simply processed. They must be lived, confronted and altered from within.

Brittany Howard expresses this more fancifully in “Gemini,” the first song the band recorded for its boundary-leaping second album, Sound & Color. “On a planet not so far away, we were born together,” she sings, maybe to her lost sister, a lover or a best friend, in a voice that contains shadows of Richmond, Virginia‘s son, D’Angelo. Howard’s imagined pair washes up in Athens, Alabama, “suckled on the honey of the Tennessee,” whose wet banks are both adorned with the flower whose name she’s playing with and rife with the snakes she mentions in the next verse. The dream Howard spins in “Gemini” could have come from the pen of South Carolina native Dorothy Allison. The thick, expansive bed of druggy funk the band creates to convey it recalls the deepest experiments of Denton, Texas, native Sly Stone. The resonance the band achieves with the help of producer Blake Mills turns the track into serious funk: something George Clinton, born in North Carolina and now living in Tallahassee, would enjoy…

Read the article here. Listen to the story here.

The Family Secret in the Mirror

The Brian Lehrer Show
WNYC 93.9 FM
New York, New York
Monday, 2015-03-23

Brian Lehrer, Host

Lacey Schwartz wins the documentary section prize for her documentary work-in-progress, ‘Outside The Box’ at the TAA Awards during the 5th Annual Tribeca Film Festival. (Mat Szwajkos/Getty)

Raised as a white Jewish kid in Woodstock, New York, filmmaker Lacey Schwartz tells the story of her discovery that she is in fact bi-racial and doesn’t just take after her father’s Sicilian ancestor. In her documentary “Little White Lie,” she discusses the effect of the lies and the truth about her family and identity.

Download the episode here.

Lacey Schwartz Unearths Family Secrets in ‘Little White Lie’

KCRW 89.9 MHz FM
Santa Monica, California
2015-04-13

Kim Masters, Host

Kaitlin Parker, Producer

Lacey Schwartz grew up thinking she was white. When her college labeled her a black student based on a photograph, she knew she had to get some explanations from her family. Those conversations formed the foundation of her new PBS documentary Little White Lie. She shares how she convinced her parents to talk about tough topics on camera and why documentaries like hers are in danger of being pushed out of primetime on some PBS stations.

Listen to the episode (00:29:07) here. Download the episode here.

The Remix: Dr. Yaba Blay on Colorism, Kendrick Lamar & Trevor Noah

The Remix with Dr. James Peterson
WHYY 90.9 FM
Philadelphia, Pennsylvania
2015-04-01

James Braxton Peterson, Host and Associate professor of English
Lehigh University, Lehigh, Pennsylvania

Comedy Central has named South African comedian Trevor Noah to helm “The Daily Show” when John Stewart departs later this year. It took slightly less than 24 hours for Noah to come under attack for remarks he made on Twitter that some perceived as anti-semitic and misogynistic. We can’t predict how Noah will weather the controversy, but Dr. James Peterson says he’s not surprised, because comics seem to consistently run into trouble for offensive remarks on Twitter.

“The Remix” is more interested in the fact that Comedy Central has appointed two men of color to lead their two most popular time slots (Larry Wilmore’s “The Nightly Show” replaced “The Colbert Report“) and the ways that might affect the nation’s daily consumption of news and news satire.

Peterson welcomes scholar, teacher and activist Dr. Yaba Blay to “The Remix” to discuss colorism, segregation within the African-American community, and cultural expressions of whiteness. The two also take a look at Blay’s book, “(1)ne Drop: Shifting the Lens on Race,” and her initiation into the Yoruba religion.

After a brief hiatus, “Props” is back, and this time, Kendrick Lamar gets some praise for taking risks on his new album “To Pimp a Butterfly.”

Listen to the episode here.

Accessing the Crossing Borders, Bridging Generations Oral History Collection through the Digital Humanities

Brooklyn Historical Society Blog
Brooklyn Historical Society
Brooklyn, New York
2015-03-23

Julia Lipkins

I’m pleased to announce that the Crossing Borders, Bridging Generations (CBBG) oral history collection is now open for research! From 2011 to 2014, a team of oral historians sponsored by BHS conducted interviews with mixed-heritage people and families in Brooklyn. CBBG narrators and interviewers explored the themes of cultural hybridity, race, ethnicity and identity formation in the United States. The complete collection of over 100 oral history interviews is available for use in the Othmer Library and a portion of the contents are accessible online at the CBBG website.

An exciting feature of the CBBG website is a new digital humanities application known as OHMS, or the Oral History Metadata Synchronizer. OHMS, developed by oral history wunderkind Doug Boyd and his team at the University of Kentucky Libraries, tackles an inherent challenge in oral history archives, i.e. accessing the oral history via the recording manifestation vs. transcript manifestation. While the audio recording provides the richness and context of the narrator’s voice, the transcript offers researchers the capacity to conduct keyword searches throughout the interview. OHMS solves this dilemma by marrying the audio recording to the transcript, thereby making both manifestations of the interview searchable…

For more information, click here.