Mixed Race Studies

The Accidental City: Improvising New Orleans

Harvard University Press
March 2012
448 pages
Hardcover ISBN: 9780674059870
6-1/8 x 9-1/4 inches
19 halftones, 2 maps

Lawrence N. Powell, Professor of History
Tulane University

This is the story of a city that shouldn’t exist. In the seventeenth century, what is now America’s most beguiling metropolis was nothing more than a swamp: prone to flooding, infested with snakes, battered by hurricanes. But through the intense imperial rivalries of Spain, France, and England, and the ambitious, entrepreneurial merchants and settlers from four continents who risked their lives to succeed in colonial America, this unpromising site became a crossroads for the whole Atlantic world.

Lawrence N. Powell, a decades-long resident and observer of New Orleans, gives us the full sweep of the city’s history from its founding through Louisiana statehood in 1812. We see the Crescent City evolve from a French village, to an African market town, to a Spanish fortress, and finally to an Anglo-American center of trade and commerce. We hear and feel the mix of peoples, religions, and languages from four continents that make the place electric—and always on the verge of unraveling. The Accidental City is the story of land-jobbing schemes, stock market crashes, and nonstop squabbles over status, power, and position, with enough rogues, smugglers, and self-fashioners to fill a picaresque novel.

Powell’s tale underscores the fluidity and contingency of the past, revealing a place where people made their own history. This is a city, and a history, marked by challenges and perpetual shifts in shape and direction, like the sinuous river on which it is perched.

Table of Contents

• 1. An Impossible River
• 2. A Landjobbing Scheme
• 3. Utopian by Design
• 4. Improvising a City
• 5. Changing of the Guard
• 6. In Contraband We Trust
• 7. A Creole City
• 8. Slavery and the Struggle for Mastery
• 9. The Slaves Remake Themselves
• 10. A New People, a New Racial Order
• 11. The American Gateway
• Epilogue
• Notes
• Acknowledgments
• Index

Norbert Rillieux and a Revolution in Sugar Processing

American Chemical Society
National Historic Chemical Landmarks: Norbert Rillieux and a Revolution in Sugar Processing
2002

Judah Ginsberg

Portrait of Norbert Rillieux (undated).

Dedicated April 18, 2002 at Dillard University in New Orleans, Louisiana

Norbert Rillieux: Chemist and Engineer

The birth record on file in New Orleans City Hall is spare: “Norbert Rillieux, quadroon libre, [free quadroon] natural son of Vincent Rillieux and Constance Vivant. Born March 17, 1806. Baptized in St. Louis Cathedral by Pere Antoine.”

Vincent Rillieux was an inventor himself who designed a steam-operated press for baling cotton. He appears to have had a long relationship with Constance Vivant, “a free woman of color,” and one of their sons, Norbert, became what is now called a chemical engineer. The use of the father’s surname and the baptism in New Orleans’ cathedral indicate the paternity was publicly acknowledged.

As a boy the precocious Norbert showed an interest in engineering, and his father sent him to France for his education. By the age of 24, Rillieux was an instructor in applied mechanics at the Ecole Centrale in Paris. Around 1830, Rillieux published a series of papers on steam engines and steam power.

While in France, Rillieux began working on the multiple effect evaporator. As George Meade, a sugar expert, wrote in 1946: “The great scientific contribution which Rillieux made was in his recognition of the steam economies which can be effected by repeated use of the latent heat in the steam and vapors.” What Rillieux did, and what became the basis for all modern industrial evaporation, was to harness the energy of vapors rising from the boiling sugar cane syrup and pass those vapors through several chambers, leaving in the end sugar crystals.

Rillieux’s evaporator was a safer, cheaper, and more efficient way of evaporating sugar cane juice than the method then in use, the Jamaica train. In this system, teams of slaves ladled boiling sugar juice from one open kettle to another. The resulting sugar tended to be of low quality since the heat in the kettles could not be regulated, and much sugar was lost in the process of transferring juice from kettle to kettle.

Some Louisiana sugar planters quickly understood the significance of Rillieux’s invention, and he returned to New Orleans in the early 1830s, years that coincided with a sugar boom. Rillieux tinkered with his invention over the next decade, and in 1843 he was hired to install an evaporator on Judah Benjamin’s Bellechasse Plantation. Benjamin, a Jewish lawyer who later served as secretary of war in the Confederacy, became Rillieux’s staunchest supporter in Louisiana sugar circles. Benjamin wrote in 1846 that sugar produced with the Rillieux apparatus was superb, the equal of “the best double-refined sugar of our northern refineries.”

The success of his evaporator apparently made Rillieux, according to a contemporary, “the most sought after engineer in Louisiana,” and he acquired a large fortune. But while his invention no doubt enriched sugar planters, Rillieux was still, under the law, “a person of color” who might visit sugar plantations to install his evaporator but who could not sleep in the plantation house. (Nor, for that matter, could a man of Rillieux’s accomplishments be expected to stay in slave quarters. Some planters, it appears, provided Rillieux with a special house with slave servants while he visited as “a consultant.”). As the Civil War approached, the status of free blacks deteriorated with the imposition of new restrictions on their ability to move about the streets of New Orleans and other draconian laws.

It was about this time that Rillieux moved back to France. Race relations may have played a part in his decision. At one point, Rillieux became incensed when one of his applications for a patent was denied initially because authorities mistakenly believed he was a slave and thus not a citizen of the United States. The declining profitability of the sugar industry in Louisiana also may have been a factor. In any event, in Paris, Rillieux developed a passion for Egypt. In 1880, a visiting Louisiana sugar planter found Rillieux deciphering hieroglyphics at the Bibliotheque Nationale. Rillieux died in 1894 and was buried in the famed Paris cemetery of Pere Lachaise. His wife, Emily Cuckow, lived comfortably for another eighteen years…

…Neither slave nor free

Americans pouring into the newly purchased Louisiana Territory encountered a social caste virtually unknown in the Eastern seaboard States: gens de couleur libre, free people of color. In the early years of the nineteenth century, free blacks comprised 25 percent of the population of New Orleans, far higher than in most other areas of the American South, where nearly all blacks were slaves.

The number of free blacks in New Orleans was due in part to the French and Spanish heritage of Louisiana. Both France and Spain had lenient manumission policies and both encouraged slaves to purchase their freedom. But the majority of free blacks resulted from sexual relations between white men and black women. One Spanish bishop lamented, “a good many inhabitants live almost publicly with colored concubines” and they consider the issue of such liaisons “as their natural children.” Finally, the ranks of the gens de couleur libre swelled in the early years of American control of New Orleans with the influx of thousands of light-skinned freemen fleeing the internecine warfare in the new black Republic of Haiti.

In the eighteenth century, Louisiana free blacks enjoyed a higher social status and had more rights than the small free black population of the English colonies. Their condition would deteriorate under American control, but it remained true that free blacks maintained a privileged status in the antebellum years. As late as 1856, the Louisiana Supreme Court ruled that under Louisiana law there is “all the difference between a free man of color and a slave, that there is between a white man and a slave.” Indeed, a few free blacks even belonged to the planter class, owning slaves themselves…

Read the entire article here.

In 1850 the mulattoes and others of mixed blood formed about eighty percent of Louisiana’s total free Negro population.” Some of them came from stable families which had been free for generations,” But almost all had their origins in some extramarital union (by this time perhaps quite far removed) between a white man and a black woman. The beginnings of this long-established practice dated back to the early eighteenth century when Louisiana was first being settled by the French. The small group of early settlers consisted mostly of those “in the pay of … the King” and especially garrison soldiers. Among the hardships faced by these men in their pioneering work of founding a colony was a scarcity of women. They solved the problem, according to the French Governor Bienville, by running “in the woods after Indian girls.”

Laura Foner, “The Free People of Color In Louisiana and St. Domingue: A Comparative Portrait of Two Three-Caste Slave Societies,” Journal of Social History, Volume 3, Number 3 (1970): 408.

Ownership, Entrepreneurship, and Identity: The Gens de Couleur Libres and the Architecture of Antebellum New Orleans, 1830-1850

Graham Foundation
Chicago, Illinois
2011

The recipient of the 2011 Carter Manny Award for doctoral dissertation writing is Tara Dudley, The University of Texas at Austin, School of Architecture
 
This dissertation examines the architectural activities of New Orleans’s gens de couleur libres or free people of color, their influence on the physical growth of New Orleans, and the implications—historical, cultural, and economic—of their contributions to nineteenth-century American architecture as builders, developers, and property owners. A unique group of people building in a specific time and place, the activities of gens de couleur libres builders and patrons set standards within and without predominantly black Creole communities. Their activities informed the types of economic endeavors suitable for black Creoles and allowed the persistence of Francophone culture in the wake of Americanization. This dissertation utilizes as case studies the Dolliole and Soulié families who were active in the building trades in the antebellum era, emphasizing their socioeconomic backgrounds as a tool to understanding their professional motivations and the creation of a specific ethnic and architectural identity in antebellum New Orleans.
 
Tara Dudley, a native of Lafayette, Louisiana, lives in Uhland, Texas, with her husband David and two toddlers, Zoya and Aria. Dudley’s specializations are nineteenth-century architecture and interior design, and historic preservation. Her research interests include material culture, gender studies, and African-American architectural history. Dudley received her BA in Art History from Princeton University and her MS in Historic Preservation from the University of Texas at Austin. She has interned at Cooper-Hewitt National Design Museum, the Metropolitan Museum of Art, and at Shadows-on-the-Teche. She is an architectural historian at Hardy-Heck-Moore, Inc., a cultural resource management firm based in Austin, Texas.

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Investing in Citizenship: Free Men of Color of Color and the case against Citizens Bank ~ Antebellum Louisiana

University of New Orleans
December 2011
58 pages

Hannah J. Francis

A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in History

Despite the popularity of free people of color in New Orleans as a research topic, the history of free people of color remains misunderstood. The prevailing view of free people of color is that of people who: engaged in plaçage, attended quadroon balls, were desperately dependent upon the dominant population, and were uninterested or afraid to garner rights for themselves. Contemporary historians have endeavored to amend this stereotypical perception; this study aims to be a part of the trend of revisionist history through an in-depth analysis of the co-plaintiffs in Boisdoré and Goulé, f.p.c., v. Citizens Bank and their case. Because Boisdoré and Goulé sue at critical time in New Orleans history, three decades after the Louisiana Purchase during the American transformation of New Orleans, their case epitomizes the era in which it occurs. In bringing suit, Boisdoré and Goulé attempted to thwart some of those forth coming changes.

Table of Contents

• Abstract
• Investing in Citizenship: Free Men of Color of Color and the case against Citizens Bank ~ Antebellum Louisiana
  • Historiography of Citizens Bank and Free People of Color
  • Historical Scholarship of Free People of Color in New Orleans
  • Francois Boisdoré and John Goulé as Free People of Color in New Orleans
  • Citizens Bank
  • Boisdoré and Goulé’s Legal Counsel: Judah Benjamin and Christian Roselius
  • Boisdoré and Goulé v. Citizens Bank
  • Implications of the Case
  • Changes in Nineteenth Century New Orleans
• Bibliography
• Vita

Read the entire thesis here.

Creole New Orleans: Race and Americanization

LSU Press
September 1992
352 pages
6.00 x 9.00 inches
Paperback ISBN: 9780807117743

Edited by:

Arnold R. Hirsch, University Research Professor of History
University of New Orleans

Joseph Logsdon

This collection of six original essays explores the peculiar ethnic composition and history of New Orleans, which the authors persuasively argue is unique among American cities. The focus of Creole New Orleans is on the development of a colonial Franco-African culture in the city, the ways that culture was influenced by the arrival of later immigrants, and the processes that led to the eventual dominance of the Anglo-American community.

Essays in the book’s first section focus not only on the formation of the curiously blended Franco-African culture but also on how that culture, once established, resisted change and allowed New Orleans to develop along French and African creole lines until the early nineteenth century. Jerah Johnson explores the motives and objectives of Louisiana’s French founders, giving that issue the most searching analysis it has yet received. Gwendolyn Midlo Hall, in her account of the origins of New Orleans’ free black population, offers a new approach to the early history of Africans in colonial Louisiana.

The second part of the book focuses on the challenge of incorporating New Orleans into the United States. As Paul F. LaChance points out, the French immigrants who arrived after the Louisiana Purchase slowed the Americanization process by preserving the city’s creole culture. Joesph Tregle then presents a clear, concise account of the clash that occurred between white creoles and the many white Americans who during the 1800s migrated to the city. His analysis demonstrates how race finally brought an accommodation between the white creole and American leaders.

The third section centers on the evolution of the city’s race relations during the nineteenth and twentieth centuries. Joseph Logsdon and Caryn Cossé Bell begin by tracing the ethno-cultural fault line that divided black Americans and creole through Reconstruction and the emergence of Jim Crow. Arnold R. Hirsch pursues the themes discerned by Logsdon and Bell from the turn of the century to the 1980s, examining the transformation of the city’s racial politics.

Collectively, these essays fill a major void in Louisiana history while making a significant contribution to the history of urbanization, ethnicity, and race relations. The book will serve as a cornerstone for future study of the history of New Orleans.

Table of Contents

• Part I: The French and African Founders
  • Introduction
  • 1. Colonial New Orleans: A Fragment of the Eighteenth-Century French Ethos; Jerah Hohnson
  • 2. The Formation of Afro-Creole Culture; Gwendolyn Midlo Hall
• Part II: The American Challenge
  • Introduction
  • 3. The Foreign French; Paul F. Lachance
  • 4. Creoles and Americans; Joseph G. Tregle, Jr.
• Part III: Franco-Africans and African Americans
  • Introduction
  • 5. The Americanization of Black New Orleans, 1850-1900; Joseph Logsdon and Caryn Cossé Bell
  • 6. Simply a Matter of Black and White: The Transformation of Race and Politics in Twentieth-Century New Orleans; Arnold R. Hirsch
• Contributors
• Index

Historian Unmasks Quadroon Myth

New Wave
Tulane University News
2011-08-17

Carol J. Schlueter

Historian Emily Clark has been here before, plowing through New Orleans archival documents from the early 1800s, handwritten in French. Her latest search has unveiled truths about a group of women that Clark says history has maligned: free women of color.

“I want to bring them to the attention of history again,” says Clark, an associate professor who holds the Clement Chambers Benenson Professorship in American Colonial History at Tulane.

Funding from a state Awards to Louisiana Artists and Scholars (ATLAS) grant has allowed Clark to extend a sabbatical and work on a new book, The Strange History of the American Quadroon.

Myths abound about “quadroon balls” in early-19th-century New Orleans in which quadroons—described by Clark as “a name for any woman who seemed to be of mixed race”—were presented to groups of white men. With marriages between the two groups forbidden, what supposedly resulted was plaçage, a contractual living-together arrangement.

But when Clark went looking in the archives, she found something else…

Read the entire article here.

The Invisible Line: Three American Families and the Secret Journey from Black to White

The Penguin Press
2011-02-17
416 pages
6.14 x 9.25in
Hardcover ISBN: 9781594202827

Daniel J. Sharfstein, Professor of Law
Vanderbilt University, Nashville, Tennessee

Winner of the 2012 J. Anthony Lukas Book Prize

In America, race is a riddle. The stories we tell about our past have calcified into the fiction that we are neatly divided into black or white. It is only with the widespread availability of DNA testing and the boom in genealogical research that the frequency with which individuals and entire families crossed the color line has become clear.

In this sweeping history, Daniel J. Sharfstein unravels the stories of three families who represent the complexity of race in America and force us to rethink our basic assumptions about who we are. The Gibsons were wealthy landowners in the South Carolina backcountry who became white in the 1760s, ascending to the heights of the Southern elite and ultimately to the U.S. Senate. The Spencers were hardscrabble farmers in the hills of Eastern Kentucky, joining an isolated Appalachian community in the 1840s and for the better part of a century hovering on the line between white and black. The Walls were fixtures of the rising black middle class in post-Civil War Washington, D.C., only to give up everything they had fought for to become white at the dawn of the twentieth century. Together, their interwoven and intersecting stories uncover a forgotten America in which the rules of race were something to be believed but not necessarily obeyed.

Defining their identities first as people of color and later as whites, these families provide a lens for understanding how people thought about and experienced race and how these ideas and experiences evolved-how the very meaning of black and white changed-over time. Cutting through centuries of myth, amnesia, and poisonous racial politics, The Invisible Line will change the way we talk about race, racism, and civil rights.

Three American families’ stories…

The Gibsons
The Gibsons were among the first free people of color in seventeenth-century Virginia, most of whom were free because their mothers were English and by law slavery followed the status of the mother. In the early l700s, as Virginia’s laws made it increasingly difficult for free blacks to own property and earn a living, the Gibsons left the colony for the southern frontier. When the Gibsons reached South Carolina in the 1730s, the colonial assembly worried.that they had come to organize a slave revolt. But after personally interviewing the family, the colonial governor granted them hundreds of acres of land in a Welsh and Scots-Irish community. After one generation they were neither black nor white-they were planters. In the nineteenth century, they rose to the heights of the Southern aristocracy. They sent their sons to Yale and had vast holdings of land and slaves near Vicksburg, Mississippi, Lexington, Kentucky, and Terrebonne Parish, Louisiana. Gibsons were rebel officers, powerful opponents of Reconstruction, and leaders of the New South.’ One became a United States Senator from Louisiana.

The Spencers
The Spencers’ story begins in the Appalachian Mountains. In an area that had more slaves and more free blacks than anywhere else in eastern Kentucky-largely because of a bustling salt mining industry there in the early 1800s-two free men of color began having children with a pair of white sisters who had recently moved from South Carolina. Shortly before one man, George Freeman, was prosecuted for interracial sex, the other man, Jordan Spencer-possibly Freeman’s brother or son-moved with his family one hundred miles deeper into the mountains. Even though he was visibly dark-skinned, his new community in Johnson County, Kentucky, decided that he could be white. His family hovered on the line between black and white for the rest of the century, farming and logging in a mountain hollow before heading into the coal mines.

The Walls
The Walls trace their roots to a wealthy plantation owner in Rockingham, North Carolina. Stephen Wall never married, but he had children with three of his slaves, In the 1830s and 1 840s, he freed his children and sent them to Ohio to be raised by radical Quaker abolitionists. He bought land for them, generously supported their education at places like Oberlin College, and willed them a lot of money. No one knows why. He kept their mothers in bondage. The children became ardent abolitionists and served in the Union Army and Freedmen’s Bureau. After the War, several moved to Washington, D.C., where they fought for civil rights and women’s rights and raised their families to expect nothing less than equality. But as Reconstruction gave way to Jim Crow, their children disappeared into the white world.

An Odd Sense of Color

Toulouse Street: Odd Bits of Life in New Orleans
2012-03-24

Mark Folse

OK, I just have to say it: it was Odd that three of the four panelists on the Tennessee Williams Festival panel New Orleans Free People of Color were white. The garrulous playwright John Guare tried to steal the show and not in a good way, and managed to annoy mystery writer Barbara Hambly when she disagreed with him but wouldn’t stop talking long enough to let her say her piece. Guare put his hand on the back of her chair at some point and it was funny to see Hambly leaning away from him to the point of tipping over.

Guare is the author of a successful Broadway play A Free Man of Color, Hanbly has penned a dozen mysteries featuring the Creole private detective Benjamin January, and the panel was rounded out by Daniel Sharfstein, author of The Invisible Line: A Secret History of Race in America and Gregory Osborne, a child of the Creole diaspora to Los Angeles in the post-World War II period and an expert on the subject who manages the archives at the New Orleans public library.

Sharfstein and Osborne thankfully stole the show away from Guare. Sharfstein’s book drew out of a a stint of volunteer work in South Africa where he met a Black woman who had been registered as Colored (of mixed race) by a census taken who was a friend of the woman’s father. He recounted a fascinating tale of a couple prosecuted f under South Carolina’s miscegenation laws, a charge from which they were exonerated after the state’s Supreme Court ruled that it was impossible to determine if the woman’s grandfather had himself been pure Black, which would have made her an octaroon and invalidated the marriage…

Read the entire article here.

Fashioning and Refashioning Marie Laveau in American Memory and Imagination

Florida State University
2009
201 pages

Tatia Jacobson Jordan

A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy

Fashioning and Refashioning Marie Laveau in American Memory and Imagination follows the life and literary presence of the legendary figure, Marie Laveau. This female spiritualist lived in antebellum Louisiana from 1801-1881. After her death, her legend has continued to grow as evidenced by her presence in contemporary print and pop culture and the tens of thousands of visitors to her grave in New Orleans every year. Here, I contextualize Laveau in a pre-Civil war America by looking at the African American female in print and visual culture. I trace the beginnings of several tropes in literature that ultimately affect the relevancy of the Laveau figure as she appears and reappears in literature beginning with Zora Neale Hurston’s inclusion of Laveau in Mules and Men. I offer close readings of the appearance of these tropes in Hurston’s Their Eyes Were Watching God, interrogate her connection to Caribbean lore in Tell My Horse, and show the evolution of this figure in several of Hurston’s short stories. I then offer close readings of the refiguring of Laveau in Robert Tallant’s works, Ishmael Reed’s novel The Last Days of Louisiana Red, and Jewell Parker Rhodes’s Marie Laveau trilogy. I intervene with contemporary scholarship by suggesting that novels like Corregidora by Gayl Jones, Mama Day by Gloria Naylor, and The Salt Eaters by Toni Cade Bambara draw not on a general conjure figure, as previously thought, but instead implicitly refashion feminist heroines that resemble Marie Laveau, characters with a circum-Atlantic consciousness that arise from Hurston’s literary legacy.

TABLE OF CONTENTS

• List of Figures
• Abstract
• INTRODUCTION: “Looking for the Join”: Positioning Laveau Lore in American Studies
• CHAPTER ONE: Historical Context: Nineteenth- and Early Twentieth-Century Print Culture and Literature
• CHAPTER TWO: “That’s what the old ones said in ancient times and we talk it again”: The Retelling of Laveau in Hurston’s Canon
• CHAPTER THREE: “Dismissing” Laveau: Male Authorship in the Laveau Canon
• CHAPTER FOUR: Glimpses of the Ghost: Hurston’s Legacy in Gloria Naylor, Toni Cade Barnbara, and Gayl Jones
• CHAPTER FIVE: Hearing Voodoo, Writing Voodoo: Cultural Memory in Jewell Parker Rhodes’s Marie Laveau Trilogy
• CHAPTER SIX: Coda
• Appendix
• References
• Biographical Sketch

LIST OF FIGURES

• Figure 1: “Marie Laveau,” 1920s; Franck Schneider after George Catlin Courtesy of the Louisiana State Museum
• Figure 2: The Original Cover of Chesnutt’s The Conjure Woman, 1899
• Figure 3: “This is a white man’s government,”from Harper’s Weekly, 1868; Library of Congress
• Figure 4: “‘Well, Missy! Heah we is!'”1913; Library of Congress
• Figure 5: “Jinnoowine Johnson ticket. ‘Carrying the war into Africa,”‘ 1836; Library of Congress
• Figure 6: “An Affecting Scene in Kentucky,” 1836; Library of Congress
• Figure 7: “Children on the Lawn at Brookhill (Nanny Hiding Behind the Children) Courtesy of the Valentine Richmond Historical Center
• Figure 8: Racist Mammy Postcard 1, 1900; Library of Congress
• Figure 9: Racist Mammy Postcard 2, 1900; Library of Congress
• Figure 10: “Mr. T. Rice as the original Jim Crow,” 1832; Sheet Music Cover Illustration
• Figure 11: Zora Neale Hurston in the Caribbean; Library of Congress
• Figure 12: Hurston’s Ft. Pierce Chronicle Column circa 1958
• Figure 13: Cover of Fire!! Literary Magazine, 1926
• Figure 14: “Voodoo Painting/’ Courtesy of the Robert Tallant Photograph Collection, Louisiana Division, New Orleans Public Library
• Figure 15: “Marie Laveau,”2007, Courtesy of Artist Holly Sarre

Read the entire dissertation here.