Mixed Race Studies

Mixed Up: ‘Being white-passing has definitely entitled me to privileges’

METRO.co.uk
2019-04-17

Natalie Morris, Senior lifestyle Writer

(Picture by Jerry Syder for Metro.co.uk)

Siobhan Lawless is a writer. She is Jamaican and Irish, with east and south Asian elements thrown in for good measure.

‘My mum is second generation Jamaican and my dad second generation Irish – although my great grandparents on my mum’s side are also part Indian and Chinese,’ Siobhan tells Metro.co.uk.

‘On dad’s side, nana is from Longford and grandpa was from County Galway in Ireland. On mum’s, grandma and grandad are from St Catherine’s and St Elizabeth, parish towns in Jamaica.

‘Both sides of my family came from large households and farming backgrounds. They came to England as immigrants in their teens and early twenties, hoping Britain would open up more opportunities for their children – even though this move came with its own challenges.’…

…For so many mixed-race people, where you fit in the world depends on how other people perceive you. For Siobhan, her lighter skin places her closer to whiteness, but there are complications alongside the privilege….

Read the entire article here.

Mixed Up: ‘You don’t get to tell me that I’m not really black’

METRO.co.uk
2019-03-27

Natalie Morris, Senior lifestyle Writer

Kristian has never lived in any country for more than five years. (Picture by Jerry Syder for Metro.co.uk)

Kristian Foged has never lived in one country for more than five consecutive years. With influences from Uganda, Denmark and The Seychelles, his cultural experience couldn’t be more varied.

‘“Where are you from?” has always been a complicated question for me,’ Kristian tells Metro.co.uk.

‘My mix is firstly one of ethnicity, with my mom being from The Seychelles and my dad from Denmark. But it is also a mixed heritage and cultural upbringing.

‘While my mom’s side of the family is fully Seychellois, my grandparents emigrated from The Seychelles to Uganda when they were young, which meant my mom was actually born in Uganda and has spent her whole life there.

‘On the other side of the world, my dad was born in Denmark, and became an engineer because he wanted a job he could do anywhere. Eventually, he ended up in Uganda and met my mom.

‘Since my first four or five years in Uganda, I have moved back and forth between Uganda, Denmark and Greenland, before finally moving to study at university in England in 2010.

‘My moving around as a kid has actually meant I have never lived in any country for more than five years in a row. In fact, if I make it past this summer, London will be my new record!’

Being mixed-race is important to Kristian. The transiency of his upbringing made fitting in a constant battle, but it also generated a strong desire to form a solid sense of identity. No matter where in the world he moved, that sense of self could come with him…

Read the entire article here.

The Day I Became Black

Soho Playhouse
15 Vandam Street
New York, New York 10013
Telephone: (212) 691-1555
2019-04-12 through 2019-04-19

Bi-racial comedian Bill Posley grew up happily identifying as both black and white. But at age 10, he learned the world does, in fact, judge a book by its color and, even though he’s half white, he’s labeled 100% black. Does a young comedian have to get rid of his whiteness in order to be the color he’s “supposed” to be? Hear Posley weigh in on the modern-day conversation about race from a unique perspective.

For more information, click here.

Hapas: The Overlooked Minority Racial Group

Honolulu Civil Beat
2019-04-04

Cameron Deptula

Mixed-race identity has always been in question, and the situation isn’t getting any better.

Stuck between a rock and a hard place. Unwelcomed. Invalidated both racially and culturally. These phrases can be used to sum up the experience of being “hapa” in the age of modern racial politics.

Stuck between a rock and a hard place. Unwelcomed. Invalidated both racially and culturally. These phrases can be used to sum up the experience of being “hapa” in the age of modern racial politics…

Read the entire article here.

Mixed Up: ‘Racism made me feel sub-human. I used to pretend to be anything but black’

METRO.co.uk
2019-03-20

Natalie Morris, Senior lifestyle Writer

(Picture by Jerry Syder for Metro.co.uk)

Welcome to Mixed Up, a series that aims to elevate the under-heard narratives of mixed-race people…

…Billie Dee Gianfrancesco is half white and half black Caribbean.

She spent her childhood hating and denying her blackness, until a total breakdown in her mid 20s forced her to reassess her identity.

‘My mother was born in Hackney in London, my grandmother was a part of the Windrush generation and came to London from Dominica to be an NHS nurse,’ Billie tells Metro.co.uk.

‘We aren’t sure who my grandfather is or where he came from, but DNA tests show that he was black and that he probably came from somewhere in the Caribbean.

‘My father is white Australian, and I was born in Sydney. My parents divorced when I was five and I moved to Norfolk in the UK in 1998 when I was eight, with my mother, Italian-Australian step-dad, and younger sister.

‘I spent my entire life, up until the last few years, really struggling with my identity.’…

Read the entire article here.

Mixed Up: ‘I have been accepted by black people and distanced by white people’

METRO.co.uk
2019-03-13

Natalie Morris, Senior lifestyle Writer

(Picture by Jerry Syder for Metro.co.uk)

…Elliott Reid is an osteopath with English and Jamaican heritage. He doesn’t believe in the concept of race – he sees it as nothing more than a social construct.

‘Specifically, I descend from the Maroons, the freedom fighters of Jamaica who resided in the eastern mountains of the island,’ explains Elliott.

‘My family names are chiselled into the Emancipation War Monument in Sam Sharpe Square in Montego bay; a monument to all those who fought in the greatest fight for freedom in the British Caribbean, as 60,000 Africans fought the English on Christmas Day, 1831…

Read the entire article here.

Nina Li Coomes

Speaking of Marvels: interviews about chapbooks, novellas, and books of assorted lengths
2018-03-26

William Woolfitt, Editor

“how does one carry oneself in the between?”

haircut poems (dancing girl press, 2017)

Could you tell us a bit about your growing up and your path to becoming a writer?

I was born in Nagoya, Japan and moved with my family to the United States on January 1, 2000. Most of my writing is informed by the “between” of existing as both Japanese and American, existing in both of these places, even the literal travel it takes to get from one place to the next. I’m not sure what led me to start writing exactly. Perhaps it’s genetic. My mother has told me before that she wanted to be a writer as a child, and my father told my sister and I what he would call “verbal stories” for much of our time growing up. There’s something about growing up shuttling from one country to another though that impresses upon you just how temporary or fleeting something might be. In many ways, I think my writing comes from a place of urgency, of wanting to note everything in case it fades…

…Which poem in your chapbook has the most meaningful back story to you? What’s the back story?

Perhaps not a backstory, but the poem “yesterday” draws from a couple snapshots. The preoccupation with red and red lips in particular comes from something I once heard at a Mixed Race Studies Conference about how after the war, in US occupied Japan, comfort women wore red lipsticks to signal their availability to American GIs. As you may know, comfort women were employed by the Japanese government in Korea, the Philippines, and even in Japan where certain women were designated a sexual buffer for soldiers, whether they were Japanese soldiers or American ones. I think this is a very shameful, condemnable part of history that needs to be better acknowledged. I also think a lot about how mixed-race children after the war were primarily borne of this violence, and what it means to come from violent histories, and how one might reconcile ore reclaim them…

Read the entire interview here.

What Miyazaki’s Heroines Taught Me About My Mixed-Race Identity

Catapult
2017-10-16

Nina Coomes

“Miyazaki tells us something about bodies in flux: There is no easy answer; only the conflict, the question.”

One summer day when I was nine, I climbed into a hair stylist’s chair and asked them to cut my hair to my ears. Until that point, I’d always had a head of long hair tumbling over my shoulder, useful for coquettish tossing when I imagined myself as Snow White or Cinderella. I had never worn short hair, had never wanted it; I’d always thrived on girliness that fed into my obsession with imitating what I perceived to be the ultra-feminine Disney princess archetype. But that summer, sitting in a chair too tall for me, I asked the friendly lady with the scissors to take it all. After a moment of thought, I told her, “Short—like a princess raised by wolves.”

I was referencing San, from Hayao Miyazaki’s Mononoke-hime or Princess Mononoke. In the film, San is a human girl left as a sacrifice to the gods of the mountain by her human parents, raised by the very god to whom she was sacrificed—Moro, a wolf-like Inu gami—and convinced, as a result, that she too is a wolf. When the viewer meets San for the first time, her small face is pressed to an open wound in her wolf-mother’s flesh. She turns her head toward the viewer, momentarily breaking the fourth wall, her face smeared in bright red. She spits a jet of blackening blood and rubs her fist along the edge of her chin, as if to wipe the stain of blood from her face. The utter humanness of this gesture, paired with her clear physical intimacy with the wolf-god, immediately casts her identity into conflict—a theme to be played over and over throughout the movie. Is San a wolf? Is she a girl? Is she neither, or both, or something in between?…

Read the entire article here.

haircut poems

Dancing Girl Press
2017

Nina Li Coomes

Nina Li Coomes is a Japanese and American writer, performer, producer and artist. She was born in Nagoya, raised in Chicago, and currently resides in Boston, MA. Her writing has appeared or is forthcoming in EATER, Catapult, The Collapsar, RHINO poetry, and The Margins, among other places.

Q&A with Natasha Díaz, Author of Color Me In

Underlined
2018-12-21

We love hearing from new voices in YA!

In Color Me In, debut Author Natasha Díaz pulls from her personal experience to create a powerful, relatable, coming-of-age novel. We can’t wait for this beauty to hit shelves on 8/20/19. Get to know Natasha Díaz in the Q&A below!

Color Me In is based on your personal experiences. What inspired you to tell this story? Can you tell us a little bit about your background?

I’m the only person on my mom’s side of the family who looks the way that I do, and as a result, I have witnessed blatant racism since I was a child; it just was never directed at me. So often I find that narratives about biracial/multiracial, white-passing characters delve deeply into their internal struggle but rarely touch on the privileges and colorism that are inherently tied to those of us who are mixed and also pass as white. What has been directed at me is an unending amount of microaggression, which led to debilitating self-doubt that I don’t have the right to claim myself entirely. Color Me In was my chance to write the book I never had growing up: a story that acknowledges the privileges of being white-passing without in any way detracting from the right that we as mixed-race people have to own our identities…

Read the entire interview here.