My Family’s Life Inside and Outside America’s Racial Categories

Posted in Articles, Autobiography, Family/Parenting, Media Archive, Passing, Philosophy, United States on 2019-09-18 00:39Z by Steven

My Family’s Life Inside and Outside America’s Racial Categories

The New York Times Magazine
2019-09-17

Thomas Chatterton Williams

Thomas Chatterton Williams at home in Paris this summer with his wife and children, from left, Marlow, Valentine and Saul.
Thomas Chatterton Williams at home in Paris this summer with his wife and children, from left, Marlow, Valentine and Saul.
Christopher Anderson/Magnum, for The New York Times

My father was raised under Jim Crow. My children could pass for white. Where does that leave me?

I left the cafeteria where my brother, Clarence, was racing the wooden kit car he built with the older Boy Scouts, and made my way down the long corridor to the restroom. The building was virtually empty on a Saturday and charged with that faint lawlessness of school not in session. When I finished, I fixed myself in the mirror and, on the way out, ran and leapt to swing from the high bar joining the metal stalls to the tiled wall. In third grade, this was hard to do, a feat of superior athleticism that I savored even in the absence of a witness. The bounce in my legs linked me with my favorite athletes. I wore my hair like them, too, shaved low on the sides and back and slightly higher on top with a laser-sharp part engraved on the left. As my feet thrust forward, the door shot open and B. stepped in. An eighth grader, the eldest of three freckled, blond, almost farcically preppy brothers — Irish Catholic but still WASPier than the sons of Italians, Poles and Ukrainians who formed the backbone of the student body at our parochial school — he watched me dismount. In his costume of boat shoes and Dockers, B. was far from an intimidating sight, but he was bigger than me, and he smiled at me strangely.

I made to pass him on the way out, but he blocked me, his smile turning menacing. “What?” I managed, confused. We’d been in school together for years without ever having exchanged a word. “Monkey,” he whispered, still smiling, and my whole body froze: I was being insulted — in an ugly way, I could sense from his expression more than from what was said — but I couldn’t fully grasp why. I’d been swinging like a monkey, it was true, but this was something else. I tried again to step around him, at a loss for words; he blocked my way again, looming over me, still with that smirk. “You little [expletive] monkey,” he repeated with deliberate calm, and to my astonishment I realized that, although I could not understand why, there was, however vague and out of place, suddenly the possibility of violence. Out of nothing more than instinct, I shoved past him with all the determination an 8-year-old can gather.

He let me go, but I could hear his laughter behind me as I made my way back to the cafeteria, my heart pumping staccato, my face singed with the heat of self-awareness, my inexperienced mind fumbling for the meaning behind what had just transpired. But I knew enough to know that I could not tell my father what happened. I could see his reaction — see him shoot from his leather desk chair where he spent a majority of weekends as well as weekdays bent over a book. “Let’s go,” he would say in a clipped tone, with that distant expression, as if he were looking at something else, not at me, and by that time he would already be at the hall closet throwing his dark gray overcoat around his broad shoulders, keys jangling in his strong hand.

If I had told him what that white boy said to me in the restroom, Pappy — as we called my father, in a nod to his Southern roots — would have descended into an indescribable fury, the memory of which can tense me up to this day. He would have lost a week of work and concentration — that was as certain as two and two is four. But I also knew that he would be shot through with pain, unable to sleep, up at his desk in the dark, transported to his past, agonizing over this awful proof of what he’d always suspected: that no matter how strong he was, he was not strong enough to shield — not fully — his sons from the psychological warfare of American racism that whispers obscenities at little boys when they find themselves alone…

Read the entire article here.

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Black Like Me: A Pittsburgh native’s memoir of racial identities lost and found

Posted in Articles, Autobiography, Book/Video Reviews, Media Archive, Passing, United States on 2019-09-11 01:09Z by Steven

Black Like Me: A Pittsburgh native’s memoir of racial identities lost and found

Pittsburgh Post-Gazette
2019-08-30

Bill O’Driscoll

Sarah Valentine, author of
Sarah Valentine

Of all the racist things people do, living out white privilege might be the most insidious. White privilege is not just the assumptions that get white people treated better by employers and loan officers. It’s also the mental architecture that permits white people to avoid thinking of themselves as “white” — even as whiteness is assumed as the norm, and everyone who lacks it as “other.” White privilege is most potent when it goes unconsidered.

It will be nearly impossible to avoid considering white privilege after reading “When I Was White: A Memoir.” Author Sarah Valentine is that rare person who has lived both with white privilege and without it, and her account is moving and analytically rigorous.

Literature has given us light-skinned blacks who “passed” as white, from famed critic Anatole Broyard to figures in the poetry of Pittsburgh-based poet Toi Derricotte. Ms. Valentine’s story is something else again. She was born in 1977, and grew up mostly in the North Hills, one of three children in a tightly knit Catholic family. Her parents were white, and so, therefore, was she — until she learned, at age 27, that her biological father, whom she never knew, was African American…

Read the entire article here.

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Reaching for the Moon: The Autobiography of NASA Mathematician Katherine Johnson

Posted in Autobiography, Books, Media Archive, Monographs, United States, Women on 2019-09-09 00:15Z by Steven

Reaching for the Moon: The Autobiography of NASA Mathematician Katherine Johnson

Atheneum Books for Young Readers (an imprint of Simon and Schuster)
2019-07-02
288 pages
Hardcover ISBN 13: 9781534440838
eBook ISBN 13: 9781534440852

Katherine Johnson

The inspiring autobiography of NASA mathematician Katherine Johnson, who helped launch Apollo 11.

Throughout Katherine Johnson’s extraordinary career, there hasn’t been a boundary she hasn’t broken through or a ceiling she hasn’t shattered. In the early 1950s, she joined the organization that would one day become NASA, and which had only just begun to hire black mathematicians. Her job there was to analyze data and calculate the complex equations needed for successful space flights. As a black woman in an era of brutal racism and sexism, Katherine faced daily challenges and often wasn’t taken seriously by the scientists and engineers she worked with. But her colleagues couldn’t ignore her obvious gifts—or her persistence. Soon she was computing the trajectory for Alan Shepard’s first flight and working on the Apollo 11 mission that landed the first men on the moon. Katherine’s life has been a succession of achievements, each one greater than the last.

Katherine Johnson’s story was made famous in the bestselling book and Oscar-nominated film Hidden Figures. Now in Reaching for the Moon she tells her own story for the first time, in a lively autobiography that will inspire young readers everywhere.

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Emma Dabiri on the Politics of Black Hair

Posted in Anthropology, Articles, Arts, Autobiography, Interviews, Media Archive, United Kingdom, Women on 2019-09-09 00:13Z by Steven

Emma Dabiri on the Politics of Black Hair

Sotheby’s
African Modern & Contemporary Art
2019-09-03

Mariko Finch, Deputy Editor, Deputy Director
London, United Kingdom

Emma Dabiri wearing Nigerian Yoruba suku braids

Emma Dabiri is a broadcaster, author and academic who recently published Don’t Touch My Hair — a book that charts the shifting cultural status of black hair from pre-colonial Africa through to Western pop culture and beyond. Ahead of the Modern & Contemporary African Art sale in London on 15 October, in which a number of works depicting traditional African hair are offered, we sat down with her to discuss the history of hairstyles.

Mariko Finch: When did you decide that you wanted to turn your research into a book?

Emma Dabiri: In around 2016. The conversation about black hair had been happening for a while at that stage but I was finding it often quite repetitive. There is so much more to engage with through hair, so I wanted to do that research. There is so much more to engage with through hair; social history, philosophy, metaphysics, mathematical expression, coding, maps…

This topic has recently made it to the mainstream media; through Beyoncé and Solange Knowles, Kim Kardashian and the issue of cultural appropriation. It is very timely to have that debate anchored in something historical.

I felt somewhat exasperated by the way people’s frustrations around cultural appropriation by celebrities were being disregarded and dismissed as just something very superficial; as if those weren’t valid or legitimate concerns. I wanted to provide the historical context for why this anger exists. Let me show that it’s not just vacuous, or petty policing of culture. There are like very strong historical antecedents as to why these emotions run so high…

Read the entire interview here.

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#ArtistatCB: Genevieve Gaignard on “Black is Beautiful”

Posted in Articles, Arts, Autobiography, Media Archive, Passing, United States, Videos on 2019-09-04 22:53Z by Steven

#ArtistatCB: Genevieve Gaignard on “Black is Beautiful”

Crystal Bridges Museum of Art
Bentonville, Arkansas
2019-03-13

Genevieve Gaignard

“I photograph myself to talk about how we navigate through the world and how others see us.”

Genevieve Gaignard is a Los Angeles-based artist whose work focuses on photographic self-portraiture, sculpture, and installation to explore race, femininity, class, and their various intersections. The daughter of a black father and white mother, Gaignard’s youth was marked by a strong sense of invisibility. Was her family white enough to be white? Black enough to be black? Gaignard interrogates notions of “passing” in an effort to address these questions…

Read the entire article here.

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Blackness and Whiteness

Posted in Articles, Autobiography, Family/Parenting, Identity Development/Psychology, Media Archive, United States on 2019-08-29 01:01Z by Steven

Blackness and Whiteness

Our Human Family: Conversations on achieving equality
2019-05-07

Emily Cashour
Oakland, California


The author and her mother

Growing up as mixed-race alongside my white mother

Growing up, I was unaccustomed to discussions about race. For most of my life, the color of my skin was something simple, a fact that became more or less apparent alongside the changing seasons. When it started to become impossible to ignore, as a young child, I pushed to downplay my color difference. I sat in the shade with my white cousins at the beach to prevent the sun from reaching me, complained with a gentle fierceness each time my mother took me to get my hair braided, said quiet “thank-yous” with no further explanation to people who gleefully oohed and ahhed at my beautiful tan.

As a teenager, I embraced wholeheartedly the idea of tan equaling beautiful, at least so far as in the context of tan being simply a new shade of whiteness, rather than brownness. I was a tan white person. At least, that is what everyone in my town assumed me to be, and rather than fight the simplicity of that label, I allowed it to begin defining me.

My mom, a white woman and single mother, was quiet during these years. If I had questions, she would answer them willingly, but quite honestly, I rarely ever asked her anything. Sometimes, when she took me to Baltimore, we drove home the long way, observing dilapidated neighborhoods and houses with wooden boards with holes in them where windows should’ve been. The sidewalks and the weeds in the place of gardens made these communities look tired, winded. It was clear that places like this were worlds away from where my mom and I lived; yet we were both keen outsiders, desperate for a deeper understanding. There’s something funny about an obviously white woman and an obviously brown child alone together, trying to find a community. On those trips to Baltimore, my mother and I had not quite identified our community yet…

Read the entire article here.

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Jackie Kay on putting her adoption on stage – and getting a pay rise for her successor

Posted in Articles, Arts, Autobiography, Interviews, Media Archive, United Kingdom on 2019-08-25 02:02Z by Steven

Jackie Kay on putting her adoption on stage – and getting a pay rise for her successor

The Guardian
2019-08-07

Peter Ross


‘I think it’s really scandalous to pay your national poet five grand’ … Kay in Glasgow. Photograph: Murdo MacLeod/The Guardian

When Scotland’s national poet travelled to Nigeria to ask her birth father if he ever thought of her, he said no. Does it hurt to put this on stage? And should the next ‘makar’ be on £30,000?

Before Jackie Kay was a writer, she was a character. “When you’re adopted,” she explains over lunch in a Glasgow cafe, “you come with a story.” Her adoptive mother Helen – fascinated by her possible origins – encouraged young Kay to speculate about her birth parents. It was known that her father was Nigerian, her mother a white woman from the Scottish Highlands. Were they, perhaps, torn apart by racial prejudice in 1960s Scotland?

There was tragic romance to that idea, and a fairytale quality in the notion that Kay, offspring of forbidden love, should come to live with John and Helen, two people who had plenty of love – not to mention songs and stories – to share. Little wonder that Kay has come to think of herself as a creature not only of genetics but of the imagination. As Scotland’s national poet writes in her beautiful memoir Red Dust Road, she is “part fable, part porridge”.

Red Dust Road, adapted for the stage by Tanika Gupta, is to be presented at the Edinburgh international festival. I catch some scenes in a National Theatre of Scotland rehearsal room: Stefan Adegbola and Sasha Frost are running through the moment when Kay, visiting Nigeria, meets her birth father Jonathan. “Did you ever think of me in all those years?” Frost asks. “No, of course not,” Adegbola replies. “Why would I? It was a long time ago.” This exchange feels brutal, but Kay looks on impassive. She lived it…

Read the entire interview here.

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After Years of Searching, I Finally Found My Black Indian Community

Posted in Anthropology, Articles, Autobiography, History, Media Archive, Native Americans/First Nation, United States on 2019-08-20 19:36Z by Steven

After Years of Searching, I Finally Found My Black Indian Community

Zora
2019-08-19

Shonda Buchanan, Literary Editor
Harriet Tubman Press

The blood of two peoples runs in us, and we want everyone to know we are still here

Dropping off a book at the Hampton Public Library, I glance at the counter and see a licorice-red flyer that says, “Come Join the Weyanoke Association: African Americans Honoring Our American Indian Heritage.” I look around. Is someone playing a joke on me?

In August 2004, my daughter and I moved to Hampton, Virginia, for my job at a Historically Black College. Our first year was hard and lonely, and we desperately missed our communities back in Los Angeles and in the Los Padres National Forest.

“I hate it here,” Afiya said at least once a week as she tried to make friends in the ninth grade. I tried to placate her with the proverbial “give it time” talks, but I had moved her away from her friends at 14, just as she was about to start high school. We had many “I hate it here” fights, but the truth was I was having a hard time finding my people, too. I missed the African American, African-centered communities, and the American Indian groups that had become my family over the years. This flyer seemed to be a sign: Little did I know I was about to find a space where both sides of my heritage combined…

Read the entire article here.

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Breaking the Ocean: A Memoir of Race, Rebellion, and Reconciliation

Posted in Autobiography, Biography, Books, Canada, Media Archive, Monographs, Social Justice on 2019-08-20 18:17Z by Steven

Breaking the Ocean: A Memoir of Race, Rebellion, and Reconciliation

House of Anansi Press
2019-08-20
280 pages
8.5 in × 5.5 in
Paperback ISBN: 9781487006471
Ebook ISBN: 9781487006488

Annahid Dashtgard

Cover of Breaking the Ocean

Annahid Dashtgard was born into a supportive mixed-race family in 1970s Iran. Then came the 1979 Islamic Revolution, which ushered in a powerful and orthodox religious regime. Her family was forced to flee their homeland, immigrating to a small town in Alberta, Canada. As a young girl, Dashtgard was bullied, shunned, and ostracized by both her peers at school and adults in the community. Home offered little respite as her parents were embroiled in their own struggles, exposing the sharp contrasts between her British mother and Persian father.

Determined to break free from her past, Dashtgard created a new identity for herself as a driven young woman who found strength through political activism, eventually becoming a leader in the anti–corporate globalization movement of the late 1990s. But her unhealed trauma was re-activated following the 9/11 terrorist attacks. Suffering burnout, Dashtgard checked out of her life and took the first steps towards personal healing, a journey that continues to this day.

Breaking the Ocean introduces a unique perspective on how racism and systemic discrimination result in emotional scarring and ongoing PTSD. It is a wake-up call to acknowledge our differences, offering new possibilities for healing and understanding through the revolutionary power of resilience. Dashtgard answers the universal questions of what it means to belong, what it takes to become whole, and ultimately what is required to create change in ourselves and in society.

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They Call Me “Negro”

Posted in Articles, Autobiography, Family/Parenting, Media Archive, Passing, United States on 2019-08-20 17:35Z by Steven

They Call Me “Negro”

Embrace Race: Raising A Brave Generation
2019-08-18

Dr. Ruth L. Baskerville

Picture
Early family photo in 1951. The author is on the bottom right.

In 1943 in Manhattan, NY, a 46-year old African- and Native-American man who was a renowned band director and jazz composer marries a 19-year old naive European-American woman of Jewish Ukrainian descent, who wants to sing professionally. I’m the second of five children.

At age four, I overhear Mommy telling her Mom she won’t leave Daddy and me in order to come back home with my whiter looking brother. Every year of our growing up, Mommy takes the whitest looking child to find new housing, and our unwanted family moves in the middle of the night. We’re in new schools, too.

There are no “Mulattos” in our neighborhoods, and I’m constantly asked, “Where are you from? I mean, what are you?” The questioners have distorted faces, uncomfortable with their ambivalence about my ethnicity. Even today, they need to fit me into a race category before they can utter their next sentence! “You’re Saudi – Moroccan – Indian – Spanish – Italian – definitely foreign!” I’m from New York!…

Read the entire article here.

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