Mixed Race Studies

The Fluency of Light: Coming of Age in a Theater of Black and White

University of Iowa Press
April 2013
144 pages
5 ¾ x 9 ¼
Paper ISBN: 1-60938-160-2; 978-1-60938-160-8

Aisha Sabatini Sloan

In these intertwined essays on art, music, and identity, Aisha Sabatini Sloan, the daughter of African American and Italian American parents, examines the experience of her mixed-race identity. Embracing the far-ranging stimuli of her media-obsessed upbringing, she grasps at news clippings, visual fragments, and lyrics from past and present in order to weave together a world of sense.

Art in all forms guides the author toward understanding concepts like blackness, jazz, mortality, riots, space, time, self, and other without falling prey to the myth that all things must exist within a system of binaries. Recalling her awkward attempts at coolness during her childhood, Sabatini Sloan evokes Thelonious Monk’s stage persona as a metaphor for blackness. Through the conceptual art of Adrian Piper, the author is able to understand what is so quietly menacing about the sharp, clean lines of an art gallery where she works as an assistant. The result is a compelling meditation on identity and representation.

Divided To The Vein: A Journey into Race and Family

Houghton Mifflin Harcourt
1996
320 pages
Hardcover ISBN-10: 0151931070; ISBN-13: 978-0151931071

Scott Minerbrook

Scott Minerbrook’s parents hail from opposite ends of the cultural spectrum. His father was a pampered only child born into Chicago’s aspiring black bourgeoisie, while his mother was an idealistic girl from a large family of poor white Missouri farmers. Minerbrook grew up in the 1950s and ’60s, in a world that was fighting the grim realities of racial separatism and willful ignorance with the ideals of equality and integration. At home, his parents fought each other and a host of personal demons, even as they raised four boys, excelled in their careers, and moved from Chicago, to Manhattan’s Upper West Side, and finally to the leafy suburbs of Connecticut. Minerbrook completed his schooling at Harvard’s burgeoning African-American studies department and went on to raise a family of his own. But by the time he reached his late thirties, he was no longer satisfied with living an emotional half-life, rejecting and rejected by so much of his flesh and blood. He set out for his mother’s hometown in the Botheel of Missouri, determined to claim the white relatives who had refused to recognize his existence. Despite their desire to “keep things just as they are”, he knew that bringing down the daunting barrier called race was essential to his humanity and to theirs. In the course of his journey, Minerbrook takes a hard look at his upbringing and the lives of his parents. He digs deep to explore the meaning of family, the roots of identity, and the reasons why we lay so many basic human problems at the door of race. Lyrically written, painfully honest, psychologically and socially astute, this powerful memoir challenges us all to confront the divisive cult of race and to move beyond it.

Ten Thousand Sorrows

Bantam Books
2000
240 pages
Paperback ISBN-10: 0553812645; ISBN-13: 978-0553812640

Elizabeth Kim

‘I don’t know how old I was when I watched my mother’s murder, nor do I know how old I am today.’

The illegitimate daughter of a peasant and an American GI, Elizabeth Kim spent her early years as a social outcast in her village in the Korean countryside. Ostracized by their family and neighbours, she and her mother were regularly pelted with stones on their way home from the rice fields. Yet there was a tranquil happiness in the intense bond between mother and daughter. Until the day that Elizabeth’s grandfather and uncle came to punish her mother from the dishonour she had brought on the family, and executed her in front of her daughter.

Elizabeth was dumped in an orphanage in Seoul. After some time, she was lucky enough to be adopted by an American couple. But when she arrived in America she found herself once again surrounded by fanaticism and prejudice.

Elizabeth’s mother had always told her that life was made up of ten thousand joys as well as ten thousand sorrows, and, supported by her loving daughter, and by a return to her Buddhist faith, she finally found a way to savour those joys, as well as the courage to exorcise the demons of her past.

Soul to Soul: A Black Russian American Family 1865-1992

W. W. Norton & Company
1994
318 pages
Hardcover ISBN-10: 0393034046; ISBN-13: 978-0393034042
Paperback ISBN: ISBN 978-0-393-31155-6

Yelena Khanga (with Susan Jacoby)

As the Soviet Union crumbled in early 1991, a young Russian woman in search of her past found her way to Mississippi, to the rich cotton land where her great-grandfather, a former slave, had become the largest black landowner in Yazoo County. In this extraordinary memoir, we share the life and family legacy of the Khangas over four generations and three continents. 32 pages of photos.

Me: A Book of Remembrance

University Press of Mississippi
1997 (Originally published in 1915)
368 pages
Cloth ISBN: 0878059911 (9780878059911)
Paper ISBN: 087805992X (9780878059928)

Winnifred Eaton (1875-1954)

Afterword by:

Linda Trinh Moser, Professor of English
Missouri State University

A Chinese-Eurasian’s autobiographical novel tracing a woman’s dual quest for a writing career and romance

Ironically, Winnifred Eaton published most of her works under a Japanese-sounding name, Onoto Watanna, but she was of Chinese ancestry.

In Me: Book of Rembrance her narrator is called Nora Ascouth, but in the plot, as Nora journeys from her birthplace in Canada to the West Indies and to the United States, Eaton recounts her own early life and writing career. One of sixteen children, Nora leaves her destitute family in Quebec to earn a living. Only seventeen and with ten dollars in her pocket she sets sail for Jamaica and the chance to do newspaper work. Nora ends up in Chicago, moving from job to job, trying all along to sell stories she writes in her spare time. When she discovers that the man with whom she is in love is married, she moves to New York and gains achievement as a novelist. Against this nineteenth-century sensibility of Nora’s search for success and love, Eaton conveys the powerlessness of the typical young woman of the working class. Her autobiographical plotline discloses a remarkable secret, Eaton’s reticence about her own half-Chinese ancestry.

Despite the silence of the text, Me: A Book of Rembrance reveals turn-of-the-century views on race, gender, and class. In Jamaica Nora describes the racial inequities and disparities. Moreover, when she says, “I myself was dark and foreign-looking, but the blond type I adored,” she reveals the extent of her own internalized oppression. Although the author believes her own mixed ancestry precludes prejudice on her part, the text proves otherwise. Like other ethnic immigrants, Nora is indoctrinated into America’s Anglo preference.

The Last Plantation: Color, Conflict, and Identity: Reflections of a New World Black

Houghton Mifflin
1997-02-10
307 pages
Hardback ISBN-10: 0395771919; ISBN-13: 978-0395771914

Itabari Njeri

In the 1980s, when most Americans considered “black” a racial reference, many multiracial people began to see themselves as part of a heterogeneous ethnic group linked by history, culture, and blood—a distinction that has led to considerable conflict. Prompted by the comment “You look like an ordinary Negro to me,” Itabari Njeri, the author of the critically acclaimed memoir Every Good-Bye Ain’t Gone and a reporter for the Los Angeles Times, decided to take a look at her own family in order to explore racism within her community. What she discovered is disturbing. Referring to incidents in the news—the Rodney King beating, the black boycott of Korean grocers in Los Angeles, the killing of a black teenager by a Korean immigrant—as well as to her family, Njeri lays out with precision and power how limited racial definitions contribute to the psychological slavery that makes the mind the last plantation. She provides telling evidence that the recognition of a larger, multiracial identity—which would substantially define most Americans—we can challenge marginalizing concepts and the way in which the racial debate is now framed.

Chick

Bloodaxe Books
2013-01-24
64 pages
Paperback ISBN-10: 1852249609; ISBN-13: 978-1852249601

Hannah Lowe

Hannah Lowe’s first book of poems takes you on a journey round her father, a Chinese-black Jamaican migrant who disappeared at night to play cards or dice in London’s old East End to support his family, an unstable and dangerous existence that took its toll on his physical and mental health. ‘Chick’ was his gambling nickname. A shadowy figure in her childhood, Chick was only half known to her until she entered the night world of the old man as a young woman. The name is the key to poems concerned with Chick’s death, the secret history of his life in London, and her perceptions of him as a father. With London as their backdrop, Hannah Lowe’s deeply personal narrative poems are often filmic in effect and brimming with sensory detail in their evocations of childhood and coming-of-age, love and loss of love, grief and regret.

Dear Senator: A Memoir by the Daughter of Strom Thurmond

HarperCollins
2005
240 pages
Trimsize: 6 x 9
Trade Paperback ISBN: 9780060761424; ISBN10: 0060761423

Essie Mae Washington-Williams and William Stadiem

Breaking nearly eight decades of silence, Essie Mae Washington-Williams comes forward with a story of unique historical magnitude and incredible human drama. Her father, the late Strom Thurmond, was once the nation’s leading voice for racial segregation (one of his signature political achievements was his 24-hour filibuster against the Civil Rights Act of 1957, done in the name of saving the South from “mongrelization”). Her mother, however, was a black teenager named Carrie Butler who worked as a maid on the Thurmond family’s South Carolina plantation.

Set against the explosively changing times of the civil rights movement, this poignant memoir recalls how she struggled with the discrepancy between the father she knew—one who was financially generous, supportive of her education, even affectionate—and the Old Southern politician, railing against greater racial equality, who refused to acknowledge her publicly. From her richly told narrative, as well as the letters she and Thurmond wrote to each other over the years, emerges a nuanced, fascinating portrait of a father who counseled his daughter about her dreams and goals, and supported her in reaching them–but who was unwilling to break with the values of his Dixiecrat constituents.

With elegance, dignity, and candor, Washington-Williams gives us a chapter of American history as it has never been written before—told in a voice that will be heard and cherished by future generations.

War Baby/Love Child: Mixed Race Asian American Art

University of Washington Press
January 2013
304 pages
63 illustrations, 44 in color, maps
7 x 10 in.
ISBN: 978-0-295-99225-9

Edited by

Laura Kina, Associate Professor Art, Media and Design and Director Asian American Studies
DePaul University

Wei Ming Dariotis, Associate Professor Asian American Studies
San Francisco State University

Cover art by Mequitta Ahuja

War Baby/Love Child examines hybrid Asian American identity through a collection of essays, artworks, and interviews at the intersection of critical mixed race studies and contemporary art. The book pairs artwork and interviews with nineteen emerging, mid-career, and established mixed race/mixed heritage Asian American artists, including Li-lan and Kip Fulbeck, with scholarly essays exploring such topics as Vietnamese Amerasians, Korean transracial adoptions, and multiethnic Hawai’i. As an increasingly ethnically ambiguous Asian American generation is coming of age in an era of “optional identity,” this collection brings together first-person perspectives and a wider scholarly context to shed light on changing Asian American cultures.

Visit the website here.

A Lot Like You: A Film by Eliaichi Kimaro

USA/Tanzania
2012
55 minutes/82 minutes

Eliachi Kimaro, Director

• (2012) WINNER, Audience Choice Award for Best Documentary: 35th Annual Asian American International Film Festival (New York)
• (2012) WINNER, Best Documentary: Female Eye Film Festival (Toronto)
• (2012) WINNER, Jury Prize for Best Documentary: 30th Annual San Francisco International Asian American Film Festival
• (2011) WINNER, Public Award for the Best Film Directed By a Woman of Color: African Diaspora International Film Festival (New York)
• (2011) WINNER, Jury Award for Best Documentary Feature: Montreal International Black Film Festival

Eliaichi Kimaro is a mixed-race, first-generation American with a Tanzanian father and Korean mother. When her retired father moves back to Tanzania, Eliaichi begins a project that evocatively examines the intricate fabric of multiracial identity, and grapples with the complex ties that children have to the cultures of their parents.
 
Kimaro decides to document her father’s path back to his family and Chagga culture. In the process, she struggles with her own relationship to Tanzania, and learns more about the heritage that she took for granted as a child. Yet as she talks to more family members, especially her aunts, she uncovers a cycle of violence that resonates with her work and life in the United States. When Kimaro speaks with her parents about the oppression her aunts face, she faces a jarring disconnect between immigrant generations on questions of patriarchy and violence.
 
“One reason this film works,” notes Tikkun Magazine, “is that Kimaro situates her own personal family history within a social, historical, and political context of African decolonization, transnational relations, race, class, and gender politics.” With poignant personal reflection and an engaging visual style, A Lot Like You draws the viewer into a journey that is filled with rich, multifaceted stories and history.