Mixed Race Studies

T Book Club: A Discussion on “Passing”

T Magazine
The New York Times
2021-03-10, 00:00Z (2021-03-09, 19:00 EST; 2021-03-09, 16:00 PST)
This event begins at 2021-03-09, 19:00 Eastern Standard Time for viewers in North America.

Join T’s book club, which focuses on classic works of American literature, for a conversation on Nella Larsen’s “Passing” led by the novelist Brit Bennett.

The third title selected for T Magazine’s book club, Nella Larsen’s “Passing” (1929) tells the story of two old friends, both Black women, who reunite in 1920s Harlem, despite the fact that one of them is living as a white person. Critically acclaimed at the time of its publication, the novel captures the social anxieties that plagued America during the Great Migration and remains a resonant portrait of a fractured nation.

On March 9, watch a virtual discussion of the book, featuring the novelist Brit Bennett in conversation with T features director Thessaly La Force, that will address questions from readers. And, in the weeks leading up to the event, look for articles on “Passing” at tmagazine.com. We hope you’ll read along — and R.S.V.P. above.

For more information, click here.

Free People of Color History Conversation (Zoom Virtual Event)

Cape Fear Museum
814 Market Street
Wilmington, North Carolina 28401
Friday, 2021-02-05, 17:00Z (12:00 EST)

Jan Davidson, Cape Fear Museum and Host

In 1860, 12 percent of the free people of color in slave states lived in North Carolina. Join UNCG professor Dr. Warren Milteer and Cape Fear Museum on Zoom for a conversation about the lives of free men, women, and children of color in our region. Dr. Milteer, who authored North Carolina’s Free People of Color, will discuss his work with Museum historian Dr. Jan Davidson.

Warren Eugene Milteer, Jr. is an assistant professor of history at the University of North Carolina at Greensboro. He received his Ph.D. from the University of North Carolina at Chapel Hill in 2014. His publications include two academic books, Beyond Slavery’s Shadow: Free People of Color in the South (forthcoming with UNC Press, 2021) and North Carolina’s Free People of Color, 1715-1885 (LSU Press, 2020), the independently published Hertford County, North Carolina’s Free People of Color (2016), as well as articles in the Journal of Social History and the North Carolina Historical Review. Milteer was the recipient of the Historical Society of North Carolina’s R. D. W. Connor Award in 2014 and 2016 for the best journal article in the North Carolina Historical Review…

For more information, click here. To join the conversation, click here.

Jackie Kay International Conference

Gylphi Contemporary Writers
February 2020

Liverpool, England, United Kingdom
2020-05-06
Contact: kay.conference@gylphi.co.uk

Organisers:

Natasha Alden, Senior Lecturer in Contemporary British Fiction
University of Aberystwyth, Aberystwyth, Wales, United Kingdom

Fiona Tolan, Senior Lecturer in English
Liverpool John Moores University, Liverpool, United Kingdom

Keynote speaker:

Deidre Osborne, Reader in English Literature and Drama
Goldsmiths, University of London

Jackie Kay is the author of some 30 works, including plays, poetry, prose (fiction and non-fiction), children’s literature, short stories and a ground-breaking novel. She has won or been shortlisted for over 20 literary awards and prizes, including the Guardian Fiction Prize, the inaugural Forward Prize for Poetry for a single poem, the Somerset Maugham Award and the Costa Poetry Award. She is the Scots Makar, professor of Creative Writing at Newcastle University, Chancellor of the University of Salford and a CBE.

Kay’s work is remarkable for its range of genres, its consistent reinvention of forms, and its marriage of intimate, domestic depictions of individual lives with broad political and philosophical themes. In works such as her breakthrough poetry collection, The Adoption Papers (1991), the novel Trumpet (1998) – a path-breaking depiction of trans identity – and the autobiographical Red Dust Road (2010), her publications explore identity, individuality and belonging, and love between family members, lovers and friends. Amongst many other questions, her works asks what Britishness is, what race means, what it is to love, and what gender is, and can be.

This international conference, the first on Kay’s work, brings together scholars from a wide range of literary and cultural studies. The British Council describe Kay as having, over the past two decades, ‘moved from marginal voice to national treasure.’ This conference will examine the work that has marked Kay’s shift from the margins to the centre, addressing a writer whose work has expanded the scope of British literature. We welcome papers on any topic related to Kay’s writing, including, but not limited to:

• Scottish national identity
• Autobiography and life writing
• Black British writing
• Trans identities
• Lesbian writing
• The family
• Adoption
• Scottish Women’s writing
• Black Scottish Writing
• The impact / legacy of Trumpet
• Intersections of form (such as music, poetry, fiction, music, dramatic voice)
• Landscape and place
• Love
• Humour
• The line between life and art

We welcome papers from any disciplines and theoretical perspectives, and from scholars at all career stages, especially ECRs. Please send a title and 300 word abstract for a 20-minute paper, as well as your name, any affiliation, and a 100-word professional biography, to kay.conference@gylphi.co.uk by 6 March 2020.

The conference is sponsored by Gylphi. Selected papers from the conference will be published as Jackie Kay: Critical Essays, with a foreword by Kay, as part of Gylphi’s Contemporary Writers: Critical Essays series (Series Editor: Dr Sarah Dillon).

For more information, click here.

Red Dust Road

National Theatre of Scotland
2019-08-10 through 2019-09-21

Elaine C. Smith and Sasha Frost

Based on the soul-searching memoir by Scots Makar Jackie Kay, adapted by Tanika Gupta, and directed by Dawn Walton.

“You are made up from a mixture of myth and gene. You are part fable, part porridge”

Growing up in 70s’ Scotland as the adopted mixed raced child of a Communist couple, young Jackie blossomed into an outspoken, talented poet. Then she decided to find her birth parents…

From Nairn to Lagos, Red Dust Road takes you on a journey full of heart, humour and deep emotions. Discover how we are shaped by the folk songs we hear as much as by the cells in our bodies.

Opening at the Edinburgh International Festival in August 2019, and at HOME, Manchester in September 2019

Touring to Macrobert Arts Centre, Stirling and Eden Court Theatre, Inverness in autumn 2019.

For more information, click here.

Soma Text: Living, Writing, and Staging Racial Hybridity

Wilfrid Laurier University Press
2019-06-30
295 pages
6 x 1 x 9 inches
ISBN13: 978-1-77112-240-5

Michelle La Flamme, Professor of English
University of the Fraser Valley, Abbotsford, British Columbia, Canada

Canada’s history is bicultural, Indigenous, and multilingual, and these characteristics have given risen to a number of strategies used by our writers to code racially mixed characters. This book examines contemporary Canadian literature and drama in order to tease out some of those strategies and the social and cultural factors that inform them.

Racially hybrid characters in literature have served a matrix of needs. They are used as shorthand for interracial desire, signifiers of taboo love, images of impurity, symbols of degeneration, and examples of beauty and genetic perfection. Their fates have been used to suggest the futility of marrying across racial lines, or the revelation of their “one drop” signals a climactic downfall. Other narratives suggest mixed-race bodies are foundational to colonization and signify contact between colonial and Indigenous bodies.

Author Michelle LaFlamme approaches racial hybridity with a cross-generic and cross-racial approach, unusual in the field of hybridity studies, by analyzing characters with different racial mixes in autobiographies, fiction, and drama. Her analysis privileges literary texts and the voices of artists rather than sociological explanations of the mixed-race experience. The book suggests that the hyper-visualization of mixed-race bodies in mono-racial contexts creates a scopophilic interest in how those bodies look and perform race.

La Flamme’s term “soma text” draws attention to the constructed, performative aspects of this form of embodiment. The writers she examines witness that living in a racially hybrid and ambiguous body is a complex engagement that involves reading and decoding the body in sophisticated ways, involving both the multiracial body and the racialized gaze of the onlooker.

Hapa-Palooza: A Celebration of Mixed Roots, Arts and Ideas

Vancouver, British Columbia, Canada
2013-09-18, 2013-09-19, and 2013-09-21

Hapa-Palooza: A Vancouver Celebration of Mixed-Roots Arts and Ideas is a new cultural festival that celebrates the city’s identity as a place of hybridity, synergy and acceptance. A vibrant fusion of music, dance, literary, artistic and film performances, Hapa-Palooza places prominence on celebrating and stimulating awareness of mixed-roots identity, especially amongst youth.

For more information, click here.

Parenting in Multiracial Families

2013-01-20

My name is Chloe Jhangiani and I am a second year master’s social work student conducting research for my thesis at Smith College School for Social Work. I am recruiting multiracial adults with racial heritage from two or more racial groups to participate on a study about how their parents approached race and racism when they were children.  Through this study, I hope to better understand how multiracial individuals are helped to cope with the stressors of being a multiracial individual.  My hope is that this research can help inform parents, clinicians, and educators on the complexities of the multiracial experience.

The study takes approximately 20-30 minutes and involves answering a series of questions on a secure online survey site.  Answers to the survey questions are anonymous. Participation in this study is voluntary and you can withdraw at any time until you submit the survey. This study has been approved by the Smith College School for Social work Human Subjects Review Committee.

If you are interested please click on the link: http://fluidsurveys.com/s/surveys/parenting-multiracial-families/

Also, please feel free to share this link with other students or organizations you think might have interest in participating.

Please email me at multiracialresearch@gmail.com if you have any questions regarding participation or the survey itself. 
 
Thank you for your interest and participation,
 
Chloe Jhangiani
School for Social Work
Smith College, Northampton, Massachusetts

Obaloba, The Whale Island

Innovative Transmedia Productions
2012

Matteo Stanzani, Creative Director

‘OBALOBA, the whale island’, is an original project whose purpose is to educate and entertain children aged 4-8 through an innovative transmedia ecosystem made of: online and mobile community and videogames, web and tv cartoon animation series, interactive eBooks, live events, toys and a wide range of sustainable merchandising products.

Main Content

Obaloba, the Whale Island, is a community of super-cute creatures who live in a lush, Hawaii-inspired, uncontaminated island on the back of a whale.

The creatures are created by mixing – in a magic blender – human DNA with animal and vegetal elements from Nature. They’re hundreds and counting, and each one has a unique personality and attitude, like you and me.

The stories of Obaloba, the whale island, unfold through the adventures of the one-of-a-kind characters who live in peace and joy, foster love for diversity and embrace the value of individuality. But, to maintain their community, they are forced to outsmart a super villain who wants to seize the magic-blender to turn them into all-identical – and therefore controllable – creatures…

For more information, click here.

Evoking the Mulatto: Exploring Black Mixed Identity in the 21st Century

2012

Lindsay C. Harris, Creator, Director, Artist & Lead Curator

Tida Tippapart, Producer and Co-Curator

Chelsea Rae Klein, Web Designer and Co-Curator

Evoking the Mulatto is a multiplatform narrative and visual art project examining black mixed identity in the 21st century, through the lens of the history of racial classification in the United States.

Featuring filmed interviews with young artists and activists, photography, animation, and historical mappings, this video art project seeks to address a relevant contemporary issue by glimpsing at its chronicle. In an alleged post-race society, under governance of the first black (and mixed) president, the United States still criminalizes and demarcates black bodies, as made evident in the public realm by the recent death of Trayvon Martin and the extreme racial disproportionality in the criminal justice system (black men are over six times more likely to be incarcerated than white men). Even our current struggle over marriage equality is far too reminiscent of the fight to eradicate all miscegenation laws, which up until 1967, banned interracial marriage…

For more information, click here.

Dismantling the Race Myth

Kyoto International Conference Center
Kyoto, Japan
2012-12-15 through 2012-12-16

Poster (PDF, Japanese)

Institute for Research in Humanities, Kyoto University presents International Symposium.
 
“Race” still has social reality even though it has no biological reality. This symposium aims to dismantle the race myth by bringing together scholars in a wide range of disciplines from Japan and abroad. While race studies have hitherto been confined to trans-Atlantic experiences, we will shed lights on “invisibility,” “ambiguity,” and “in-between-ness” with special reference to Japanese and Asian experiences.

Schedule

• Saturday, December 15, 2012
  • Part I. Invisibility: Representation of Invisible Race
    • Takashi Fujitani (Toronto University) / Appearances Can Be Deceiving: Tennosei, Global Modernity, and the Anxieties of Ocular-centric Racism
    • Ayako Saito (Meiji Gakuin University) / Note on the Film Representation of the “Hisabetsu Burakumin”
    • Joong-Seop Kim (Gyeongsang National University) / The Formation of an Invisible Race: the case of the Korean “Paekjong”
    • Ariela Gross (University of Southern California) / Laws of Blood: The Science and Performance of Race in U.S. Courtrooms
    • Relay Talk and Poster Session by Junior Researchers
    • Social Hour
• Sunday, December 16, 2012
  • Part II. Knowledge: Co-production of Science and Society
    • Arnaud Nanta (Centre National de la Recherche Scientifique) / Critique on the Idea of “Race” in French Anthropology, 1930s-1940s
    • Wataru Kusaka (Kyoto University) / American Colonial Public Health and the Leprosy Patients’ Revolt: Discipline and Desire on Culion Island, Philippines
    • Miho Ishii (Kyoto University) / Blood, Gifts, and “Community” in India: Betwixt and Between Marking and Anonymisation
    • Yasuko Takezawa (Kyoto University), Kazuto Kato (Osaka University), Hiroki Oota (Kitazato University) / Population Descriptors in Genetic Studies and Biomedicine
  • Part III. Hybridity: Beyond the Politics of “Blood”
    • Ryuichi Narita (Japan Women’s University) / Politics of “Mixed Race” in Modern Japan
    • Mika Ko (Rikkyo University) / Cinematic Representations of “Mixed-Race” People in 1930s Japanese Cinema: The Two Faces of Japan’s Modernity
    • Masako Kudo (Kyoto Women’s University) / Border-crossing and Identity Construction by Children of Japanese-Pakistani Marriage
    • Duncan Williams (University of Southern California) / Japan and Its Global Mixed Race History

This is part of a joint research project, a Japan-based Global Study of Racial Representations with Grants-in-Aid for Scientific Research (S). The organizers are grateful to Japan Society for the Promotion of Science for its sponsorship of this event. We are also thankful to Science Council of Japan for their support.

For more information, click here.