Mixed Race Studies

Ronnie: Tasmanian Songman

Magabala Books
January 2009
164 pages
240 x 165
Paperback ISBN: 9781921248108

Helen Gee and Ronnie Summers

Musician, storyteller and craftsman, Ronnie Summers recalls the freedom of growing up on Cape Barren Island and how the island’s music shaped his life. He draws on a childhood working the muttonbird islands, a ‘kangaroo court’ prison term as a bewildered teenager, and then turning to alcohol after the death of his baby son. Born an ‘Islander’—not Aboriginal, not white—Ronnie Summers was without race. This story documents his struggle for a place in his own country and echoes that of the Tasmanian Aboriginal community. Includes a CD featuring Cape Barren Island music—a unique blend of Cajun, blues, country and folk.

Racism as a Determinant of Health: A Systematic Review and Meta-Analysis

PLOS ONE
2015-09-23
48 pages
DOI: 10.1371/journal.pone.0138511

Yin Paradies, Professor
Alfred Deakin Institute for Citizenship and Globalization, Faculty of Arts and Education
Deakin University, Melbourne, Victoria, Australia

Jehonathan Ben
Alfred Deakin Institute for Citizenship and Globalization, Faculty of Arts and Education
Deakin University, Melbourne, Victoria, Australia

Amanuel Elias
Alfred Deakin Institute for Citizenship and Globalization, Faculty of Arts and Education
Deakin University, Melbourne, Victoria, Australia

Nida Denson
School of Social Sciences and Psychology
University of Western Sydney, Sydney, New South Wales, Australia

Naomi Priest, Senior Research Fellow in child public health and health inequalities
Australian Centre for Applied Social Research Methods
Australian National University, Canberra, Australian Capital Territory, Australia

Alex Pieterse
Division of Counseling Psychology
University at Albany, State University of New York

Arpana Gupta
Oppenheimer Center for Neurobiology of Stress, David Geffen School of Medicine
University of California, Los Angeles

Margaret Kelaher
Centre for Health Policy Programs and Economics, Melbourne School of Population and Global Health
University of Melbourne, Melbourne, Victoria, Australia

Gilbert Gee
Department of Community Health Sciences
University of California, Los Angeles, Fielding School of Public Health, Los Angeles, California

Despite a growing body of epidemiological evidence in recent years documenting the health impacts of racism, the cumulative evidence base has yet to be synthesized in a comprehensive meta-analysis focused specifically on racism as a determinant of health. This meta-analysis reviewed the literature focusing on the relationship between reported racism and mental and physical health outcomes. Data from 293 studies reported in 333 articles published between 1983 and 2013, and conducted predominately in the U.S., were analysed using random effects models and mean weighted effect sizes. Racism was associated with poorer mental health (negative mental health: r = -.23, 95% CI [-.24,-.21], k = 227; positive mental health: r = -.13, 95% CI [-.16,-.10], k = 113), including depression, anxiety, psychological stress and various other outcomes. Racism was also associated with poorer general health (r = -.13 (95% CI [-.18,-.09], k = 30), and poorer physical health (r = -.09, 95% CI [-.12,-.06], k = 50). Moderation effects were found for some outcomes with regard to study and exposure characteristics. Effect sizes of racism on mental health were stronger in cross-sectional compared with longitudinal data and in non-representative samples compared with representative samples. Age, sex, birthplace and education level did not moderate the effects of racism on health. Ethnicity significantly moderated the effect of racism on negative mental health and physical health: the association between racism and negative mental health was significantly stronger for Asian American and Latino(a) American participants compared with African American participants, and the association between racism and physical health was significantly stronger for Latino(a) American participants compared with African American participants. Protocol PROSPERO registration number: CRD42013005464.

Read the entire article here.

The Awesome Unordinary: Meet Marawa, The Celebrity Hula-Hooper

Chic Rebellion
2015-09-22

Jazzi Johnson

As children, we’re told to go after our dreams and not to let anyone deter us from whatever it may be… Well, can you imagine being 18 years old and telling your parents that you dream of hula-hooping for a living? That’s precisely what Marawa Ibrahim did.

Ibrahim, better known as Marawa the Amazing, is a record-breaking hula-hooper! She currently holds the Guinness world record for 160 hoops at once, and is known for roller-skating and hooping in high heels as part of her act. A natural born nomad, she was born to a Somalian father and an Australian mother. Inspired by the art of gymnasium, she took to Olga Korbut, Josephine Baker, and Delores Van Cartier to name a few.

Destined to live a world of her own making, Marawa enrolled in NICA- the National Institute of Circus Arts Australia– and earned her Bachelor of Circus Arts. Although she specialized in swinging trapeze, she always knew that hula-hoops was where her future lie…

Read the entire article here.

Is Hawaii a Racial Paradise?

Zócalo Public Square
2015-09-15

Rudy P. Guevarra, Jr., Associate Professor of Asian Pacific American Studies
Arizona State University

Nitasha Sharma, Associate Professor of African-American Studies and Asian-American Studies
Northwestern University, Evanston, Illinois

David A. Swanson, Professor of Sociology
University of California, Riverside

Lee A. Tonouchi (“Da Pidgin Guerilla”)
Hawaii

Roderick Labrador, Associate Professor of Ethnic Studies
University of Hawaii, Mānoa (also Director of the UCLA Hawaii Travel Study Program)

Maile Arvin, Assistant Professor of Ethnic Studies
University of California, Riverside

Races, Ethnicities, and Cultures Mix More Freely Than Elsewhere in the U.S., But There Are Limits to the Aloha Spirit

Early in the 2008 film Forgetting Sarah Marshall, Jason Segal, playing a guy who travels to Hawaii to get over a breakup, drunkenly pours out his feelings to two people in his hotel, a newlywed man and a bartender. The new husband encourages Segal to think there’s still hope for the relationship, but the bartender, Dwayne, has no sympathy for Segal’s sadness.

“You’ve gotta move on,” Dwayne says. “It’s that easy, I promise you it is. I lived in South Central. South Central. And I hated it. So I moved to Oahu. Now I can name you over 200 different kinds of fish!” He starts naming them.

The scene is hilarious, but it also hints at one of America’s fundamental Gordian knots—race—and the various ways we’ve tried to untie it. The story uses Los Angeles’ “South Central” neighborhood as a code word for a place where gangs are divided along color lines, racial tensions can erupt in violence, and residents feel stuck in the cycle. The implication is that Dwayne, who’s black, escaped all that by coming to Hawaii. He puts forth Hawaii as a paradise—a place where the only thing he has to worry about is learning how to pronounce Humuhumunukunukuapua`a.

Hawaii is one of America’s most diverse and happiest states. Some would contend people get along better here than almost anywhere else. But tossing different groups together also means there are frictions—ones that perhaps are too often are obscured by the sunshine and ukuleles in tourist guides.

So what’s the actual nature of racial relations in Hawaii? And what can the rest of us learn from it? In advance of the “What It Means to Be American” event “What Can Hawaii Teach America About Race?,” we asked a variety of experts on and off the islands that same question…

Read the entire article here.

Children of the Occupation: Japan’s Untold Story by Walter Hamilton (review)

The Journal of the History of Childhood and Youth
Volume 7, Number 3, Fall 2014
pages 565-567
DOI: 10.1353/hcy.2014.0047

Owen Griffiths

Hamilton, Walter, Children of the Occupation: Japan’s Untold Story (Sydney: NewSouth Books, 2012)

What if you felt like you didn’t belong to the society in which you were born and raised? This is the question Walter Hamilton explores in his powerful book about mixed-race children born during the occupation of Japan. Drawing on his long experience living in Japan as a correspondent for the Australian Broadcast Company (ABC), Hamilton weaves personal testimonials into a broader tale about race discrimination in the modern era. He focuses on cases drawn from Kure in southwestern Honshu (the “Kure kids”), which was the center of the British Commonwealth Occupation Force (BCOF) that included a large contingent of Australian troops. This is not just an Australian story, however. Hamilton reminds us that people from many different societies and cultures recoiled in “horror and pity” at the consequences of race mixing, including the Japanese, whose “racial intolerance was fully matched in the nations it fought against” (3).

This story is a tragedy on multiple levels, punctuated by poignant moments of survival, perseverance, and, occasionally, triumph. Japan’s defeat and subsequent seven-year occupation brought the impoverished Japanese, especially women, face to face with thousands of foreign troops, all bigger, healthier, and richer than most Japanese could have dreamed of at the time. The interactions that followed took many forms from rape and prostitution to workplace relationships and chance romance. The offspring of these encounters were the konketsuji (mixed-race children) or ainoko (half-caste or hybrid), boys and girls struggling to survive at the margins of a society already fractured by war, defeat, and occupation. These children were rejected by their communities and often their own families because they looked different, because they were impure. They also suffered the “sins” of their mothers, whom society often ostracized as prostitutes regardless of the true nature of their relationships with foreigners. Abandonment by both mothers and fathers was not uncommon, with reluctant relatives often stepping into the breach to care for them.

Karumi and Joji, the first two Kure kids we meet, exemplified this marginalization. Never knowing their fathers and abandoned by their mothers, the cousins were raised in poverty first by their aged great-grandmother and then separated when Joji was sent to Hawaii for adoption. After a time with her uncle and abusive aunt, Karumi was reunited with her great-grandmother, under whose care she thrived. At school she was a constant target for abuse. An Australian couple adopted her when she was eleven, but she never spoke of her adoption experience. Karumi nonetheless made a career for herself in nursing, married, and raised three children. Tragedy was close by, however. Her husband’s death in an accident left her a widow in her early forties with three kids to feed. She did remarry and continued to develop her career skills. Her comments, when looking back on her first husband’s death, exemplify the hardships of the mixed-race kid. “Remember what you went through as a child,” she said to herself. “Just try to think: ‘This [her husband’s death] ain’t nothing’” (246).

The mixed-race stigma forced on the Kure kids and their counterparts in Japan and elsewhere is a tragic legacy of our obsession with blood purity and skin color. It seems that everyone who came into contact with the so-called scientific racism of nineteenth-century Europe either adopted the concept wholesale or found at least some of it amenable to their own indigenous ideas. A long war filled with race hate intensified these prejudices, which then carried over into occupation policies like non-fraternization and bans on mixed-race marriage. The attitudes of the governments involved in the occupation, Japan’s included, more than matched those of the occupation authorities. They alternated between non-recognition of the children’s existence to prohibitions against immigration and adoption. Australia was particularly harsh in this regard, banning interracial marriage and immigration until after the peace treaty with Japan was signed in 1951, and then only under limited conditions. Some soldiers left Japan unaware they had fathered children. Others abandoned mother and child to their fate. Still others, however, sought to marry and bring their new families back to their homes but were thwarted by…

Not Your Post-Racial Future: Why Interracial Families Need to Talk About Race

ARMED
2015-05-17

Sophie Steains

I have this memory that’s been troubling me for a while.

I was 18 and out in Kings Cross for the night. As I was waiting to order at the bar, a man came up and offered to buy me a drink. He was in his early 30s or so, white, built. He told me it was his birthday and that he wanted to celebrate. I knew he was coming on to me, but I was young and naïve, so I let him do it. Anyway, the lady at the bar made up this special blue birthday cocktail for him. She set it on fire, everyone around us cheered. I couldn’t help but join in on the celebration too. But then, as the man motioned to pay, I noticed a photograph tucked into the front pocket of his wallet. It was a young, beautiful Asian woman holding a Eurasian baby. My blood ran cold…

…Growing up half-Okinawan and half-white Australian has left me with a lot of these unanswered questions. It’s led me to the belief that our society just isn’t equipped to discuss mixed-race, despite the fact that I’m seeing mixed-race faces everywhere I look today. Despite the fact that mixed-race people existed on this land well before white people were even a blip on the radar. Watching Japanese-Canadian Jeff Chiba Stearns’ documentary “One Big Hapa Family,” I was struck by how much his own reflections mirrored my own:

“After thinking back on some bizarre identity related experiences that I had growing up mixed, I started to wonder if interracial couples ever considered how their marriages might affect their children? I got the sense that my relatives never discussed multiracial identity with their kids. I mean, not once growing up did I tell my parents that I experienced cultural confusion.”

Often when mixed-race identities are discussed today, they are conflated with this idea of our “post-racial future.” A future where race is no longer an issue and everyone looks like Halle Berry. The kinds of people who seem to be the most vocal about mixed-race are the people who claim that, “Everyone is a bit mixed-race” or “I don’t see race, we are beyond it” etc. There is this belief that Love and its mixed-race children will help break down the barriers that have been so doggedly safe-guarded for the past several hundred years. Parents of mixed-race children often believe this too, I’ve heard it coming from their mouths many times…

Read the entire article here.

Respecting and Celebrating Black Writing and Storytelling presented by Dr Anita Heiss

Flinders University
182 Victoria Square
Adelaide, South Australia, Australia
2015-07-09, 18:00-19:00 ACDT (Local Time)

Anita Heiss

A NAIDOC Week event co-hosted by Yunggorendi First Nations Centre with the School of Humanities and Creative Arts

Anita will address staff, students and members of the community for NAIDOC Week around this year’s theme: We all Stand on Sacred Ground: Learn, Respect and Celebrate.

This seminar will discuss the ways in which Aboriginal authors across genres write about concepts of space, respect for place and connection to country, and why we should be celebrating this new Australian literature…

For more information, click here.

Crowe’s ‘whitewashing’ sparks criticism from advocates

BBC News
2015-06-07

Elena Boffetta, BBC Washington

Hollywood’s reliance on bankable – and often white – actors has led to another round of sharp criticism of filmmakers for “whitewashing” roles where race and ethnicity play a part.

In Aloha, Cameron Crowe’s latest film, Emma Stone, a American actress with blonde hair and green eyes, was cast as Allison Ng – a junior fighter pilot who was part-Chinese, part-Hawaiian and part-Swedish.

Soon after the release, there was an uproar of criticism from social media against Crowe’s casting choice.

Both Asians and non-Asians asked why they didn’t pick an Asian actress to play a character who is part-Asian.

One advocacy group called Aloha “a whitewashed film” that failed to portray the ethnical diversity of Hawaii.

The Media Action Network for Asian Americans (MANAA) noted 60% of Hawaii’s population is Asian-American Pacific Islanders and 30% Caucasian, a fact not reflected in the film.

Crowe apologised on his website but said he based the Ng character on a real-life redheaded Hawaiian who felt compelled to constantly over-explain her unlikely ethnicity.

“I can understand what Crowe said about his intention that he based his character on someone that didn’t look Asian but identified with the culture but you could have casted someone who was part Hawaiian,” Guy Aoki, the founding president of MANAA, said.

“Whitewashing” casting differs from “colour-blind casting,” where a role is cast when factors of race or ethnicity are irrelevant to the character or plot…

…Hollywood has been accused of whitewashing Asians for decades…

Read the entire article here.

Mixed Race in Australia and the region

University of Western Australia (UWA)
2015-06-08 through 2015-06-10

Conveners: Farida Fozdar

People of ‘mixed race’ are often seen as marginal individuals managing cultural and psychological tensions, or alternatively valorised as the vanguard of an integrated, post-racial, cosmopolitan world (Edwards et al. 2012). Such dichotomies ignore the complex lived reality of being mixed – ranging from ‘passing’, to constructing multiracial identities, to embracing a cultural identity not necessarily reflected in one’s appearance (see Perkins, 2007; Paradies, 2006; Song and Aspinall, 2012; Jones, 2011). Mixed identities are not singular and fixed, but multiple and fluid (Nandi & Platt 2012; Tilbury, 2007; Paradies, 2006), often characterised by ‘ordinariness’ (Caballero, 2012). The lived experience of being ‘mixed’ is strongly influenced by political and social context (Luke and Luke, 1999). While a growing body of research exists on ‘mixed race’, more productive approaches are needed to investigate the cultural production of ‘mixedness’.

Perhaps surprisingly, Australia and the region lag behind the rest of the world in research on ‘mixed race’. There has been little public debate about the place of ‘mixed race’ in Australia and New Zealand (see Fozdar and Perkins, 2014). The subject does rate a hearing in Australia, however, in regard to people of mixed Aboriginal descent (Andrew Bolt style) (see Paradies, 2006). The social and political contexts of mixed race in Australia, New Zealand and the region offer complex histories of colonisation and migration, making this region an important counterpoint to the large bodies of research undertaken in the UK and US.

We invite papers on mixed race in Australia and surrounding countries, with a particular focus on mixed race across the life course (Csizmadia, 2012), the health and development of young people and families; cross-country comparison, and transgenerational effects. We are keen to include papers on mixed race of all types.

Invited speakers include:

• Prof Rosalind Edwards (Southampton)
• Dr Chamion Caballero (LSE)
• Prof Yin Paradies (Deakin)
• Prof David Trigger (UQ)
• Dr Kirsten McGavin (UQ)

View the program guide here.

Being ‘Mixed Race’: Kira Lea Dargin and Annina Chirade

BBC World Service
The Conversation
2015-05-11

Kim Chakanetsa, Presenter

Left: Kira Lea Dargin. Credit: Claire Mahjoub, SSH. Right: Annina Chirade. Credit: Adu Lalouschek

Kira Lea Dargin’s parents met at church. Her mother is white from a Russian family who emigrated to Australia in the 1950s, and her father is Aboriginal Australian. Being “mixed” Kira says, means constantly having to explain how you came about or how your family manages to blend. Having come through some difficult times as a teenager Kira now happily identifies with both of her cultural backgrounds. As the director of ‘Aboriginal Model Management Australia‘, her mission is to help broaden how Australian beauty is defined.

Annina Chirade describes herself as Ghanaian Austrian. She is the founder and editor of Rooted In magazine. When she was growing up, between London and Vienna, people would often question whether she was related to her fair, straight-haired mother. After many years obsessively straightening her own “kinky, curly, Afro-” hair as a teenager, she found her own style – inspired by the confident styles of black female singers like Erykah Badu. Annina says that when you are ‘mixed-race’ people make assumptions about your identity and consider it to be “up for debate”, but she is clear that “whiteness is not something I’m a part of.”

Listen to the interview here. Download the episode (00:26:55) here.