Mixed Race Studies

The Palgrave International Handbook of Mixed Racial and Ethnic Classification

Palgrave Macmillan
2020-01-21
817 pages
16 b/w illustrations, 17 illustrations in colour
Hardcover ISBN: 978-3-030-22873-6
eBook ISBN: 978-3-030-22874-3
DOI: 10.1007/978-3-030-22874-3

Edited by:

Zarine L. Rocha, Managing Editor
Current Sociology and Asian Journal of Social Science

Peter J. Aspinall, Emeritus Reader in Population Health
University of Kent, United Kingdom

Highlights

• Shows how classification and collection processes around mixedness differ between countries and how measurement has been changing over time
• Provides a window into the radical global changes in the trend towards multiple racial/ethnic self-identification that has been a feature of the recent past
• The first and only handbook to directly address the classification of mixed race/ethnicity on a global scale
• Pays specific attention to both the standard classifications and the range of uses these are put to – including social surveys and administrative data – rather than just census forms and data

This handbook provides a global study of the classification of mixed race and ethnicity at the state level, bringing together a diverse range of country case studies from around the world.

The classification of race and ethnicity by the state is a common way to organize and make sense of populations in many countries, from the national census and birth and death records, to identity cards and household surveys. As populations have grown, diversified, and become increasingly transnational and mobile, single and mutually exclusive categories struggle to adequately capture the complexity of identities and heritages in multicultural societies. State motivations for classification vary widely, and have shifted over time, ranging from subjugation and exclusion to remediation and addressing inequalities. The chapters in this handbook illustrate how differing histories and contemporary realities have led states to count and classify mixedness in different ways, for different reasons.

This collection will serve as a key reference point on the international classification of mixed race and ethnicity for students and scholars across sociology, ethnic and racial studies, and public policy, as well as policy makers and practitioners.

Table of Contents

• Front Matter
• Introduction: Measuring Mixedness Around the World / Zarine L. Rocha, Peter J. Aspinall
• Race and Ethnicity Classification in British Colonial and Early Commonwealth Censuses / Anthony J. Christopher
• The Americas
  • Front Matter
  • Introduction: North and South America / Peter J. Aspinall, Zarine L. Rocha
  • The Canadian Census and Mixed Race: Tracking Mixed Race Through Ancestry, Visible Minority Status, and Métis Population Groups in Canada / Danielle Kwan-Lafond, Shannon Winterstein
  • Methods of Measuring Multiracial Americans / Melissa R. Herman
  • Mixed Race in Brazil: Classification, Quantification, and Identification / G. Reginald Daniel, Rafael J. Hernández
  • Mexico: Creating Mixed Ethnicity Citizens for the Mestizo Nation / Pablo Mateos
  • Boundless Heterogeneity: ‘Callaloo’ Complexity and the Measurement of Mixedness in Trinidad and Tobago / Sue Ann Barratt
  • Mixed race in Argentina: Concealing Mixture in the ‘White’ Nation / Lea Natalia Geler, Mariela Eva Rodríguez
  • Colombia: The Meaning and Measuring of Mixedness / Peter Wade
• Europe and the UK
  • Front Matter
  • Introduction: Europe and the United Kingdom / Peter J. Aspinall, Zarine L. Rocha
  • The Path to Official Recognition of ‘Mixedness’ in the United Kingdom / Peter J. Aspinall
  • Measuring Mixedness in Ireland: Constructing Sameness and Difference / Elaine Moriarty
  • The Identification of Mixed People in France: National Myth and Recognition of Family Migration Paths / Anne Unterreiner
  • Controversial Approaches to Measuring Mixed-Race in Belgium: The (In)Visibility of the Mixed-Race Population / Laura Odasso
  • The Weight of German History: Racial Blindness and Identification of People with a Migration Background / Anne Unterreiner
  • Mixed, Merged, and Split Ethnic Identities in the Russian Federation / Sergei V. Sokolovskiy
  • Mixedness as a Non-Existent Category in Slovenia / Mateja Sedmak
  • Mixed Identities in Italy: A Country in Denial / Angelica Pesarini, Guido Tintori
  • (Not) Measuring Mixedness in the Netherlands / Guno Jones, Betty de Hart
  • Mixed Race and Ethnicity in Sweden: A Sociological Analysis / Ioanna Blasko, Nikolay Zakharov
• Africa, the Middle East, and Central Asia and the Caucasus
  • Front Matter
  • Introduction: Africa, the Middle East, and Central Asia and the Caucasus / Zarine L. Rocha, Peter J. Aspinall
  • The Classification of South Africa’s Mixed-Heritage Peoples 1910–2011: A Century of Conflation, Contradiction, Containment, and Contention / George T. H. Ellison, Thea de Wet
  • The Immeasurability of Racial and Mixed Identity in Mauritius / Rosabelle Boswell
  • Neither/Nor: The Complex Attachments of Zimbabwe’s Coloureds / Kelly M. Nims
  • Measuring Mixedness in Zambia: Creating and Erasing Coloureds in Zambia’s Colonial and Post-colonial Census, 1921 to 2010 / Juliette Milner-Thornton
  • Racial and Ethnic Mobilization and Classification in Kenya / Babere Kerata Chacha, Wanjiku Chiuri, Kenneth O. Nyangena
  • Making the Invisible Visible: Experiences of Mixedness for Binational People in Morocco / Gwendolyn Gilliéron
  • Measuring Mixedness: A Case Study of the Kyrgyz Republic / Asel Myrzabekova
• Asia and the Pacific
  • Front Matter
  • Introduction: The Asia Pacific Region / Zarine L. Rocha, Peter J. Aspinall
  • Where You Feel You Belong: Classifying Ethnicity and Mixedness in New Zealand / Robert Didham, Zarine L. Rocha
  • Measuring Mixedness in Australia / Farida Fozdar, Catriona Stevens
  • Measuring Race, Mixed Race, and Multiracialism in Singapore / Zarine L. Rocha, Brenda S. A. Yeoh
  • Multiracial in Malaysia: Categories, Classification, and Campur in Contemporary Everyday Life / Geetha Reddy, Hema Preya Selvanathan
  • Anglo-Indians in Colonial India: Historical Demography, Categorization, and Identity / Uther Charlton-Stevens
  • Mixed Racial and Ethnic Classification in the Philippines / Megumi Hara, Jocelyn O. Celero
  • Vaevaeina o le toloa (Counting the Toloa): Counting Mixed Ethnicity in the Pacific, 1975–2014 / Patrick Broman, Polly Atatoa Carr, Byron Malaela Sotiata Seiuli
  • Measuring Mixed Race: ‘We the Half-Castes of Papua and New Guinea’ / Kirsten McGavin
  • Measuring Mixedness in China: A Study in Four Parts / Cathryn H. Clayton
  • Belonging Across Religion, Race, and Nation in Burma-Myanmar / Chie Ikeya
  • Recognition of Multiracial and Multiethnic Japanese: Historical Trends, Classification, and Ways Forward / Sayaka Osanami Törngren, Hyoue Okamura
• Back Matter

Beneath the Surface: A Transnational History of Skin Lighteners

Duke University Press
January 2020
368 pages
85 illustrations (incl. 39 in color)
Paper ISBN: 978-1-4780-0642-8
Cloth ISBN: 978-1-4780-0538-4

Lynn M. Thomas, Professor of History
University of Washington

For more than a century, skin lighteners have been an ubiquitous feature of global popular culture—embraced by consumers even as they were fiercely opposed by medical professionals, consumer health advocates, and antiracist thinkers and activists. In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond. Analyzing a wide range of archival, popular culture, and oral history sources, Thomas traces the changing meanings of skin color from precolonial times to the postcolonial present. From indigenous skin-brightening practices and the rapid spread of lighteners in South African consumer culture during the 1940s and 1950s to the growth of a billion-dollar global lightener industry, Thomas shows how the use of skin lighteners and experiences of skin color have been shaped by slavery, colonialism, and segregation, as well as consumer capitalism, visual media, notions of beauty, and protest politics. In teasing out lighteners’ layered history, Thomas theorizes skin as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.

Separated at birth: Was my mother given away because she looked white?

Stories
BBC News
2019-12-01

Vibeke Venema, Senior Broadcast Journalist

Nathan Romburgh

When a health emergency prompted Nathan Romburgh and his sisters to look into their family history, decades after the end of apartheid, they uncovered a closely guarded secret that made them question their own identity.

Cape Town, 29 September 1969 – at 10pm the city is rocked by a huge earthquake. Margaret Buirski is working as a First Aid nurse in the Alhambra cinema and, for once, her medical skills are really needed. A woman has fallen from the balcony and Margaret is tending to her injuries in the chaos.

A young man walks past, very drunk, and notices the nurse’s shapely legs. Despite his inebriation, he offers to drive the women to hospital. This is the start of the romance between Margaret and Derek Romburgh…

…”Then there was this big question – what would make someone give away only one of her twins? It just didn’t make sense,” says Nathan.

He soon formed a theory – it was based on photographs Alan had shared, which showed that Margaret was fairer than her sister Norma.

“My mother had olive skin, but she passed for white in apartheid South Africa,” says Nathan. “I don’t think Norma could have.”

Although Mary Francis, Nathan’s grandmother, was registered as “European”, she was in fact mixed-race. Mary’s father, James Francis, was British, and her mother, Christina, was of Malaysian origin, from the island of St Helena. Mary was the youngest of their six children…

Read the entire article here.

“How Does It Feel to Be Born a Problem?”

Contexts
First Published 2019-07-29
DOI: 10.1177/1536504219864959

Whitney N. Laster Pirtle, Assistant Professor of Sociology
University of California, Merced

Born a Crime: Stories from a South African Childhood by Trevor Noah, Spiegel & Grau, 2016, 304 pages

How does it feel to be a problem? W.E.B. Du Bois posed this question over a century ago to critique American institutions that constructed being American as White, and therefore, made being Black an inherent problem in White America. Du Bois’s question was also a demand: that we reflect on and critique a system of racial oppression that teaches those in subjugated positions that their very being is problematic.

Interestingly, this is also a question that Trevor Noah, South African comedian and host of Comedy Central’s award-winning newscast The Daily Show, engages in his highly acclaimed memoir, Born a Crime: Stories from a South African Childhood. Though Noah is not a trained sociologist, he uses the complexity and absurdity of his life to tease out numerous sociological concepts. Throughout his odyssey, he places issues of race and identity at the forefront. The most salient question is what does it mean to be born a problem?

The book begins with an excerpt from South Africa’s 1927 Immorality Act, which deemed any “European” person who had intercourse with a “native” person “guilty of an offence and liable on conviction to imprisonment.” It is no accident that Noah begins his memoir by citing this linchpin legislation that set in motion the apartheid regime in South Africa. During this period, distinct racial lines were drawn in order to enforce a rigid racial hierarchy privileging a small White ruling class and disadvantaging all others. If a society is to be structured along distinct racial lines, those lines cannot be blurred. As Noah puts it, “[b]ecause a mixed person embodies that rebuke to the logic of the systems, race-mixing becomes a crime worse than treason” (p. 21). Thus, when Noah’s African mother decided to have a child with a White Swiss-German man in 1984, their son’s birth was, in fact, a crime…

Read the entire review in HTML or PDF format.

Tanya Katerí Hernández

Writers Read
2018-08-09

Marshal Zeringue

Tanya Katerí Hernández is the Archibald R. Murray Professor of Law at Fordham University School of Law, where she co-directs the Center on Race, Law & Justice as its Head of Global and Comparative Law Programs and Initiatives.

Her new book is Multiracials and Civil Rights: Mixed-Race Stories of Discrimination.

Recently I asked Hernández about what she was reading. Her reply:

I have been re-reading Trevor Noah’s memoir Born a Crime: Stories from a South African Childhood, in anticipation of the film version that Lupita Nyongo is slated to star in portraying Noah’s mother. The book has a special resonance for me as a comparative-race law scholar whose personal background as a black-identified mixed-race Afro-Latina traveling the globe informs her insights about the (in)significance of the growth of racial mixture to the pursuit of racial equality whether it be in the US, South Africa, or Latin America. Noah’s story of being mixed-race during and after apartheid ended in South Africa is both a poignant and humorous read (as you would expect from the host of Comedy Central’s The Daily Show)…

Read the entire interview here.

Critical Mixed Race in Global Perspective

Journal of Intercultural Studies
Volume 38 (2018)
2018-08-01

• Introduction
  • Critical Mixed Race in Global Perspective: An Introduction / Erica Chito Childs
• Hierarchies of Mixing: Navigations and Negotiations
  • An Unwanted Weed: Children of Cross-region Unions Confront Intergenerational Stigma of Caste, Ethnicity and Religion / Reena Kukreja
  • Mixed Race Families in South Africa: Naming and Claiming a Location / Heather M. Dalmage
  • Negotiating the (Non)Negotiable: Connecting ‘Mixed-Race’ Identities to ‘Mixed-Race’ Families / Mengxi Pang
  • Linguistic Cultural Capital among Descendants of Mixed Couples in Catalonia, Spain: Realities and Inequalities / Dan Rodríguez-García, Miguel Solana-Solana, Anna Ortiz-Guitart & Joanna L. Freedman
  • ‘There is Nothing Wrong with Being a Mulatto’: Structural Discrimination and Racialised Belonging in Denmark / Mira C. Skadegård & Iben Jensen
  • Exceptionalism with Non-Validation: The Social Inconsistencies of Being Mixed Race in Australia / Stephanie B. Guy
• Mixed Matters Through a Wider Lens
  • Recognising Selves in Others: Situating Dougla Manoeuvrability as Shared Mixed-Race Ontology / Sue Ann Barratt & Aleah Ranjitsingh
  • What’s Love Got To Do With It? Emotional Authority and State Regulation of Interracial/national Couples in Ireland / Rebecca Chiyoko King-O’Riain
  • Re-viewing Race and Mixedness: Mixed Race in Asia and the Pacific / Zarine L. Rocha

Read or purchase this special issue here.

Voice Business presents Wirework

Tristan Bates Theatre
1A Tower St, Covent Garden
London, United Kingdom WC2H 9NP
Tuesday, 2018-07-03 through Saturday, 2018-07-07, 19:30 (Thurs & Sat Matinees 14:30)

A play about the unexpected relationship between Koos Malgas, a Cape Coloured shepherd and Helen Martins, a one-time actor and teacher, in the creation of the Owl House – an extraordinary environmental piece full of animated sculptures and pulsating light montages.

Set in the isolated landscape of the South African Karoo and inspired by images from pictures and postcards, their world becomes dominated by form and colour. In her struggle to find the ‘light’, Helen looks towards Mecca as Koos faces the reality of apartheid prejudice and survival.

BRITISH PREMIERE, first performed in South Africa, 2009

Supported by Arts Council England

CAST
Helen Elaine Wallace
Koos Kurt Kansley

CREATIVE
Director Jessica Higgs
Scenographer Declan Randall

Building new selves: identity, “Passing,” and intertextuality in Zoë Wicomb’s Playing in the Light

Safundi: The Journal of South African and American Studies
Published online: 2018-04-03
DOI: 10.1080/17533171.2018.1453977

David Hoegberg, Associate Professor of English; Africana Studies
Indiana University Purdue University, Indianapolis

This article examines Zoë Wicomb’s wide-ranging use of intertextuality in the novel Playing in the Light to explore the links between identity construction and postcolonial authorship. Focusing on the characters as intertextual agents, I argue that the three coloured women on whom the novel focuses – Helen, Marion, and Brenda – use texts in distinctive ways that illuminate their struggles to position themselves in South Africa’s complex and changing racial landscape. Racial “passing” is one form of a larger pattern in the novel of the use of citation and imitation to achieve specific ends. By embedding the citations of Helen and Marion within the citation-rich narrative of Brenda, Wicomb lays bare the mechanisms of identity construction within a work that stages and highlights its own intertextual practices.

Read or purchase the article here.

Lupita Nyong’o To Star In ‘Born A Crime’ Based On Trevor Noah’s Memoir

Deadline Hollywood
2018-02-21

Amanda N’Duka

REX/Shutterstock

EXCLUSIVE: Oscar winner Lupita Nyong’o, currently starring as Nakia in Disney/Marvel’s record-smashing, watershed hit Black Panther, has signed on to star in Born a Crime, the film adaptation of The Daily Show host Trevor Noah’s bestselling debut autobiography Born a Crime: Stories from a South African Childhood.

Nyong’o will play Noah’s mom, Patricia, who served as an important figure to her son in his formative years. She was shot in the head by his stepfather while returning from a church service in 2009, but survived.

Noah is producing the project through his Ark Angel Productions alongside Norman Aladjem, Derek Van Pelt and Sanaz Yamin of Mainstay Entertainment, and Nyong’o…

Read the entire article here.

What We Lose: A Striking Novel About Filial Grief

The Atlantic
2017-08-01

Amy Weiss-Meyer, Associate Editor

Zinzi Clemmons (Nina Subin)

Zinzi Clemmons’s debut tangles with familiar questions, using a propulsive experimentalism in lieu of linear narrative.

When Zinzi Clemmons was a graduate student at Columbia, at work on her MFA, her mother was diagnosed with breast cancer. Clemmons had been writing a novel with a more or less linear narrative structure. She moved back home to Philadelphia and kept writing, but differently now, taking notes and collecting fragments of text as she cared for her mother. “The only time and energy I could muster resulted in that very short form,” she said recently. “I just ended up keeping those pieces and stitching them together, and a fictional narrative arose.” The novel she had been working on no longer felt worth her while; she’d been trying to use it, she said, to “avoid what was going on with my mom.”

The new novel that emerged, What We Lose, is a startling, poignant debut, released to no shortage of fanfare (Vogue called it “the debut novel of the year”). It tells a story based loosely on the author’s own. The protagonist is Thandi, who, like Clemmons herself, is the daughter of a “coloured” South African mother and an African American father. Thandi, like Clemmons, was raised in a wealthy, mostly white suburb of Philadelphia. Thandi’s self-proclaimed status as a “strange in-betweener”—she has “light skin and foreign roots,” and feels neither fully black American nor fully African—is a defining preoccupation of her young adulthood. Her relationship with her mother is loving but difficult. And in the wake of her death, as Thandi unexpectedly confronts the possibility of becoming a parent herself, she struggles to come to terms with what her mother’s life was, and what hers should be…

Read the entire article here.