Mixed Race Studies

How do we prevent another Jessica Krug or Rachel Dolezal? Here are some solutions!

YouTube
2020-09-05

Dr. Chi [Chinyere K. Osuji], Assistant Professor of Sociology
Rutgers, The State University of New Jersey, Camden

What the video (00:15:11) here.

On Jessica Krug and Mixed Race Identity

Medium
2020-09-08

Josephine

The revelation in fall 2020 that Jessica Krug, a white American woman, just like Rachel Dolezal before her, spent years holding herself out as Black and Black Latina woman made us all cringe. Krug took pains to make her skin appear bronzed, she dressed in form-fitting clothing, and kept her hair dyed dark black, adding in curly or wavy texture for good measure. We all remember Dolezal’s kinky textured blonde hair and braids that gave her a distinctly ‘mixed race’ look. These women hogged the limelight and took employment and community outreach opportunities from Black women.

Their masquerade has prompted a conversation within the Black and Latinx communities around colorism: the way that light-skinned, mixed race, and white-passing Black women seem to get opportunities that are not available to dark-skinned Black women.

As long as I can remember, American movies with a Black man as the protagonist invariably had him fall in love with a Black woman who appeared mixed race. As a mixed race woman, I noticed this, and I could see how unfair it was: the subtle message was that I would be accepted as beautiful in the black community. Looking back, I see how those same films and series made dark-skinned women question their worth.

Remember Dorothy Dandridge’s ‘exotic’ beauty? We wonder why black women feel pressure to straighten their hair and lighten their skin, but in popular culture, we have all been conditioned to see light-skinned women as the only presentable face of black womanhood. The use of mixed race women as the face of blackness has long left out the majority of Black women who have a beauty that is not contingent on detectable quantum of white blood…

Read the entire article here.

White GWU professor admits she falsely claimed Black identity

The Washington Post
2020-09-03

Lauren Lumpkin and Susan Svrluga

A George Washington University history professor falsely claimed a Black identity throughout her life, she admitted Thursday. (Jonathan Newton/The Washington Post)

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Jessica A. Krug, an associate professor at George Washington University, said she’s claimed a Black identity throughout her career.

A history professor at George Washington University admitted in a blog post to claiming a Black identity, despite being White.

Jessica A. Krug said she has deceived friends and colleagues by falsely claiming several identities, including “North African Blackness, then US rooted Blackness, then Caribbean rooted Bronx Blackness,” she wrote in a blog post on Medium. Krug, whose areas of expertise include African American history, Africa and Latin America, is White and Jewish, she admitted.

“I am not a culture vulture. I am a culture leech,” Krug wrote. “I have thought about ending these lies many times over many years, but my cowardice was always more powerful than my ethics.”

Neither Krug nor the university immediately returned a request for comment.

Krug, in the blog post, said she has been battling “unaddressed mental health demons” for her entire life. She said she started to assume a false identity as a child.

Read the entire article here.

The Truth, and the Anti-Black Violence of My Lies

Medium
2020-09-03

Jessica A. Krug, Associate Professor of History
George Washington University, Washington, D.C.

For the better part of my adult life, every move I’ve made, every relationship I’ve formed, has been rooted in the napalm toxic soil of lies.

Not just any lies.

To an escalating degree over my adult life, I have eschewed my lived experience as a white Jewish child in suburban Kansas City under various assumed identities within a Blackness that I had no right to claim: first North African Blackness, then US rooted Blackness, then Caribbean rooted Bronx Blackness. I have not only claimed these identities as my own when I had absolutely no right to do so — when doing so is the very epitome of violence, of thievery and appropriation, of the myriad ways in which non-Black people continue to use and abuse Black identities and cultures — but I have formed intimate relationships with loving, compassionate people who have trusted and cared for me when I have deserved neither trust nor caring. People have fought together with me and have fought for me, and my continued appropriation of a Black Caribbean identity is not only, in the starkest terms, wrong — unethical, immoral, anti-Black, colonial — but it means that every step I’ve taken has gaslighted those whom I love…

Read the entire essay here.

BLM resources: Nella Larson’s ‘Passing’

Palatinate: Durham’s Independent Student Newspaper Since 1948
Durham, United Kingdom
2020-07-28

Anna De Vivo

Image: Thomas E. Askew via U.S. Library of Congress

‘She was caught between two allegiances, different, yet the same. Herself. Her race. Race! The thing that bound and suffocated her.’ Written in 1929 but still pertinent to this day, Nella Larsen’s Passing centres around two biracial women, and explores racial identity, racism, and white privilege –significant concerns which have been propelled after the surge of global support for the Black Lives Matter movement.

Racial passing is when one member of a racial group is accepted or passes as another member of a different racial category, which both protagonists of this novella undergo. The idea of racial passing gained prominence in post-Civil War America, where previously enslaved African Americans could construct a new identity and thereby evade legal and cultural oppression based on race. In essence, passing could become a tool to create a new white identity.

In Passing, after a chance encounter in the segregated Drayton Hotel in Chicago, Clare Kendry and Irene Redfield, the two protagonists, reunite after twelve years. Both women grew up together. Both women are of African American and white heritage, yet both women pass as white. But there is one significant difference: whilst Irene embraces her racial identity and passes only when she feels necessary, Clare assimilates into a white identity and marries John Bellew, her rich but racist husband…

Read the entire article here.

Dark secrets: The Vanishing Half, by Brit Bennett, reviewed

The Spectator
2020-07-18

Rabeea Saleem

Brit Bennett. Credit: Getty Images

Brit Bennett, The Vanishing Half, A Novel (New York: Riverhead Books, 2020)

Bennett’s compelling novel explores the fraught subject of what it means to ‘pass for white’ in a black community

Passé Blanc is the Creole expression — widely used in the US — for black people ‘passing for white’ to seek social and economic privileges otherwise denied them. Brit Bennett has a panoptic approach to racial passing in this intergenerational family saga, which takes us on a 20-year journey into the lives of twin sisters Desiree and Stella Vignes.

We meet them in the 1950s as children living in Mallard, a small town in the Deep South known for its light-skinned negroes. For Desiree, the local obsession with skin colour makes little sense, since being light-skinned didn’t save her father from being lynched by white men. In their teens, the twins run away to New Orleans, but their paths soon diverge: ‘Stella became white and Desiree married the darkest man she could find.’

Fourteen years later Desiree is spotted back in Mallard with a ‘blueblack’ child in tow called Jude. She is an anomaly in a town where ‘nobody married dark’, adhering to the strict colour code of its mixed-race founder, who was determined that the town would see ‘each generation lighter than the one before’. Stella, meanwhile, remains estranged from her family and now lives a life of luxury with her white husband and their daughter Kennedy in an affluent, all-white neighbourhood in LA. She has kept her past a secret from them, with her daughter realising how Stella would cite lack of money as an excuse not to discuss her background — ‘as if poverty were so unthinkable to Kennedy that it could explain everything’. Eventually, Jude’s and Kennedy’s paths cross, dismantling Stella’s carefully constructed façade…

Read the entire review here.

“Is There a Self in This Text? Satire, Passing, and Life in Danzy Senna’s Caucasia”

Critique: Studies in Contemporary Fiction
Published online 2020-06-25
DOI: 10.1080/00111619.2020.1784083

Myers Enlow
University of Memphis , Memphis, Tennessee

In this paper, I argue that Danzy Senna’s Caucasia is a satirical passing narrative that exposes the tragedy of traditional passing novels as archaic for relying on racial binaries and perpetuating white desirability. I draw on the existing scholarship surrounding satire and traditional passing narratives and apply it to Senna’s work to analyze the ways this novel differs from traditional, early 20th-century passing narratives to comment on the absurdity of white desirability and the racial binary through the American Dream. Specifically, I look at Caucasia as a location in which the main characters – biracial Birdie and Cole Lee; their white mother, Sandy; and their black father, Deck – must find a way to live. The all-white space the characters are forced to inhabit informs their racial identities and desires and leads to a double consciousness within the narrator, Birdie. Ultimately, Senna’s satire illuminates the tragic passing narrative as complicit in upholding and reinforcing assumptions of a binary world. Additionally, Senna shows the double consciousness African Americans and biracial individuals embody because of America’s fixation on the white, American Dream that manifests itself as life in Caucasia.

Read or purchase the article here.

Brit Bennett: ‘Last week was truly the wildest week of my life’

The Guardian
2020-07-05

Simran Hans

‘I’m Californian, so nobody really reads me as anxious’: Brit Bennett. Photograph: Leonardo Cendamo/Getty Images

The US author on topping the bestseller charts with her new novel, why being right is overrated, and the TV show bringing her joy in lockdown

Brit Bennett, 30, was born and raised in southern California. She attended Stanford University and earned an MFA in fiction at the University of Michigan. Her acclaimed first novel, The Mothers, was published in 2016, when she was 26. Her follow-up, The Vanishing Half, has spent the past three weeks in the top five of the New York Times bestseller list and the screen rights have been optioned by HBO in a seven-figure deal.

HBO had to outbid 17 rival TV companies in the race to adapt your book for the screen. How does that feel?
Last week was truly the wildest week of my life. It was my birthday week, so I’ve never been sent so many bottles of champagne or bouquets of flowers in my life, and probably never will be again.

And that was on top of your book debuting at No 1 in the NYT bestseller list. What were you doing when you heard the news?
It was maybe 5 o’clock in the evening and I was just sitting on my couch, and my editor called out of nowhere. We were optimistic, but I never imagined that. The people who are No 1 are household names, like Stephen King!

Describe The Vanishing Half.
It’s a story about twin sisters, Desiree and Stella, who decide to live their lives on opposite sides of the colour line – one as a white woman and one as a black woman…

Read the entire interview here.

HBO Wins ‘The Vanishing Half’ Auction In 7-Figure Deal; 17 Bidders Pursued Brit Bennett Bestseller

Deadline
2020-06-29

Mike Fleming Jr

HBO

EXCLUSIVE: HBO won a wild auction that sources said saw 17 bidders vying for The Vanishing Half, the novel by Brit Bennett that is currently atop The New York Times bestseller list. Sources said HBO will pay low seven-figures for the book and the author will be executive producer of what HBO will develop as a limited series.

The novel focuses on the Vignes sisters, identical twins who, after growing up together in a small, southern black community, run away at age sixteen. It’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other passes for white, hiding her identity from her husband, who knows nothing of her past. Even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ storylines intersect?…

Read the entire article here.

“Having a black great-grandmother made me non-white”: Popular white DJ defined herself as brown to enter college through Brazil’s affirmative action program

Black Women of Brazil
2020-06-11

By Luana Benedito and Juca Guimarães

Larissa Busch defined herself as ‘brown’ in order to get into college through affirmative action

Young woman entered the university in the modality that contemplated “self-declared black, brown or indigenous candidates regardless of income”

24-year-old digital influence Larissa Busch admitted to cheating the racial quota system at the Federal University of Rio de Janeiro (UFRJ) in a long post on her Instagram profile this Tuesday (2). The young woman, who is white, joined the educational institution in the Social Communication course, in the second half of 2014, in the modality that contemplated “self-declared black, brown or indigenous candidates regardless of income”.

“In 2014, six years ago, I made the worst choice of my life and I’m here to talk about it with all the guilt that I carry. I entered the university calling myself ‘parda’ (brown/mixed). Yes, this is horrible and there is not a day that I don’t think about it. I have kept this shame inside me for a long time and as much as I feel sad that the dirtiest episode of my life is becoming public, I always knew that this day would come”, said Larissa in an excerpt of the text…

Read the entire article here.