Mixed Race Studies

Little White Lie

Independent Lens
Public Broadcasting Service
Monday, 2015-03-23, 22:00 EDT (21:00 CDT) (check schedule here)

Little White Lie tells Lacey Schwartz’s story of growing up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity — despite the open questions from those around her about how a white girl could have such dark skin. She believes her family’s explanation that her looks were inherited from her dark-skinned Sicilian grandfather. But when her parents abruptly split, her gut starts to tell her something different.

At age 18, she finally confronts her mother and learns the truth: her biological father was not the man who raised her, but an African American man named Rodney with whom her mother had had an affair. Afraid of losing her relationship with her parents, Lacey doesn’t openly acknowledge her newly discovered black identity with her white family. When her biological father dies shortly before Lacey’s 30th birthday, the family secret can stay hidden no longer. Following the funeral, Lacey begins a quest to reconcile the hidden pieces of her life and heal her relationship with the only father she ever knew.

Schwartz pieces together her family history and the story of her dual identity using home videos, archival footage, interviews, and episodes from her own life. Little White Lie is a personal documentary about the legacy of family secrets, denial, and redemption.

Family Secret And Cultural Identity Revealed In ‘Little White Lie’

Morning Edition
National Public Radio
2015-03-23

Michele Norris, Host and Special Correspondent

Filmmaker Lacey Schwartz grew up in a white Jewish family in Woodstock, New York, believing she was white. Schwartz learns she’s bi-racial as she prepares to attend college.

Listen to the story here. Download the audio here. Read the transcript here.

A young Jewish woman, raised as white, learns she’s not

Religion News Service
2015-03-13

Lauren Markoe, National Reporter

WASHINGTON (RNS) The Schwartz‘s seemed like any other Jewish family in Woodstock, N.Y., except for one thing: mom and dad were obviously white, and their daughter Lacey was obviously not.

That racial disconnect would be easier to fathom if Peggy and Robert Schwartz hadn’t had everyone believing their dark-skinned daughter was the biological child of both parents.

It would take “Little White Lie,” the film an adult Lacey made about family secrets and religious identity, to unpack this mystery.

“I grew up in a world of synagogue, Hebrew school, bar mitzvahs,” Schwartz narrates over a home movie montage of Jewish holiday celebrations and her own bat mitzvah.

“So it never occurred to me that I was passing,” she continues. “I wasn’t pretending to be something I wasn’t. I actually grew up believing I was white.”

“Little White Lie,” which has enjoyed success on the film festival circuit and will reach a larger audience when PBS’s Independent Lens airs it on March 23, revolves around a flabbergasting central question: How could this family pretend that she owed her complexion to the genes of dad’s darkest Italian ancestor?…

Read the entire article here.

Daughter Discovers Father’s Black Lineage

National Public Radio
2007-10-02

Farai Chideya, Host

Famed literary critic Anatole Broyard carried a big secret most of his life. He was a black man passing as white. His daughter, Bliss Broyard, writes about how she learned of her father’s hidden life and explored her black ancestry in the memoir One Drop.

Anatole Broyard was one of the most respected literary critics. The late editor and columnist for the New York Times book review provided a lavish life for his family in New England, but he carried a secret so deep that he couldn’t tell his own children.

Now, his daughter Bliss Broyard has written the memoir “One Drop” about his life and her search for her family.

Bliss, welcome to the show.

Ms. BLISS BROYARD (Daughter of Anatole Broyard; Author, “One Drop”): Thanks, Farai, for having me.

CHIDEYA: So when your father was dying, you find out the big family secret: That your father is part-black. Your brother says, that’s all? What was your reaction?

Ms. BROYARD: Pretty much along the same lines. The afternoon that we found out, we had just witnessed my father suffering terrible pain. He was in the last stages of prostate cancer. So my mom took it upon herself to tell us because it seemed clear that my father wasn’t going to live very much longer.

So it seems, frankly, like not a big deal. And we had known about a secret for a couple of months, and I imagined that it was, you know, my dad had witnessed some horrible crime or incest or something. So the fact that it was just that he was part-black and we didn’t even realize or understand exactly why had it been a secret at all…

Listen to the interview here. Read the transcript here. Download the interview here.

‘A Chosen Exile:’ Examining African Americans Passing As White In America [VIDEO]

NewsOne Now
NewsOne
2015-02-27

Author Allyson Hobbs joined Roland Martin on “NewsOne Now” to discuss her new book, “A Chosen Exile: A History of Racial Passing in American Life.”

Hobbs an assistant professor of American History at Stanford University told Martin that when individuals decided to pass as a White person, “People had to separate from their families … if someone were to die, they would not let the family know” until a month later in some cases.

According to Hobbs, there were instances when people did not find out that a relative who was passing as White had died until they read it in an obituary in a news paper or someone happened to tell them long after the person had passed away…

Read the entire article and watch the interview here.

Bodies Under Re/view? Mediating Racial Blackness

InVisible Culture: An Electronic Journal for Visual Culture
2013-08-20

Tiffany E. Barber, Adjunct Instructor African and African American Studies
University of Oklahoma

“In our allegedly postracial moment, where simply talking about racism openly is considered an impolitic, if not racist, thing to do, we constantly learn and re-learn racial codes. [. . .] In short, it was Trayvon Martin, not George Zimmerman, who was put on trial. He was tried for the crimes he may have committed and the ones he would have committed had he lived past 17.” – Robin D.G. Kelley, “The U.S. v. Trayvon Martin: How the System Worked”

In a 1995 keynote address titled “On Identity Politics,” critical race theorist Mari J. Matsuda cautions against assumptions “that racial identity is the cause of racial division rather than a product of it.” For Matsuda, critical race theory emerges “[o]ut of the struggle to understand the ways in which mainstream legal consciousness is white, male, Christian, able-bodied, economically privileged, and heterosexual.” That is, how legal consciousness itself signifies a type of whiteness that excludes and marginalizes difference, difference that is seen in opposition to this constructed whiteness – i.e. black and other non-white subjects, queer subjects, women subjects, and so on. Matsuda’s assertions bring into relation a politics of law, race, and gender that persist today, and demand a consideration of what these mediated relationships tell us about histories of identity formation particular to race, gender and sexuality in the U.S….

…To address these questions, I turn to two cases of precedence that establish relations between the U.S. justice system, racial blackness, and visuality. In 1921, Leonard ‘Kip’ Rhinelander, an affluent white male from a wealthy New York family met and courted Alice Beatrice Jones, a working-class woman of mixed-race ancestry. Jones’s fair skin color permitted her to pass for white and it is unclear whether or not she self-identified as white. Over the next few years, Rhinelander and Jones grew closer and shared a number of intimate encounters, at least two of which were known to be sexual. The couple eloped in October 1924 and enjoyed secluded bliss – Rhinelander’s parents did not approve of Jones – until scandal ripped through the relationship. Soon after, Rhinelander filed for an annulment. The charge? Racial fraud; Rhinelander claimed Jones had misrepresented her blackness…

Read the entire article here.

Book Discussion on A Chosen Exile

C-SPAN: Created by Cable

Recorded on 2015-02-27 at:

The National Archives Museum
William G. McGowan Theater
Washington, D.C.

Allyson Hobbs talked about her book A Chosen Exile: A History of Racial Passing in American Life, in which she examines the lives of African Americans who chose to pass as white between the 18th and mid-20th centuries. In her book, the author reports on the political and social ramifications of “passing,” which included greater rights and opportunities but also isolation and disregard from the greater African American community.

[I ask Dr. Hobbs the final question for her at 00:56:26.]

Watch the entire video and read the transcript here.

A Chosen Exile: A History of Racial Passing in American Life [Live event at the National Archives Museum]

The National Archives Museum
William G. McGowan Theater
Corner of Constitution Avenue and 7th Street, NW
Washington, D.C.
2015-02-27, 12:00 EST (Local Time)

Airs on C-SPAN 2, Sunday, 2015-03-08, 19:00 EDT. For more information, click here.

Between the 18th and mid-20th centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. Historian Allyson Hobbs explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions.

A book signing will follow the program. Purchase this book [A Chosen Exile: A History of Racial Passing in American Life] on the day of the event from the myArchives Store and receive a 15% discount (members get 20% off).

For more information, click here.

The white man who pretended to be black

The Telegraph
2015-02-05

Tim Stanley

With the release of the movie Selma, a lot of Americans are asking how far race relations have really come in the United States. On the one hand, the movie depicts the success of the Sixties civil rights crusade – its victory confirmed by Barack Obama’s election in 2008.

On the other hand, the recent deaths of young black men at the hands of white cops and vigilantes, and the resulting race riots, suggest that a lot of things haven’t changed at all. Whites may ask, “Why are working-class blacks angry? They have the right to vote and an African-American president – everything Martin Luther King Jr fought for.”

But some of the apparent triumph of black civil rights is a veneer. Racism isn’t just about law but about attitudes. Attitudes that are hard to change because of the gulf of understanding between different communities.

Can a white person ever really understand how a black person sees the world? Back in 1959, six years before Martin Luther King marched for civil rights in Selma, one man tried. A white Texan writer called John Howard Griffin walked into a doctor’s office in New Orleans and asked him to turn his skin colour black. Griffin took oral medication and was bombarded with ultraviolet rays; he cut off his hair to hide an absence of curls and shaved the back of his hands. Then he went on a tour of the Deep South.

The result was a bestselling book called Black Like Me, which is still regarded as an American classic. Griffin wanted to test the claim that although the southern United States was segregated it was essentially peaceful and just – that the two races were separate but equal…

Read the entire article here.

Black Like Me

Penguin Books
2003-05-06 (originally published in 1961)
208 pages
Paperback ISBN 9780451208644

John Howard Griffin (1920-1980)

In the Deep South of the 1950s, journalist John Howard Griffin decided to cross the color line. Using medication that darkened his skin to deep brown, he exchanged his privileged life as a Southern white man for the disenfranchised world of an unemployed black man. His audacious, still chillingly relevant eyewitness history is a work about race and humanity-that in this new millennium still has something important to say to every American.