Mixed Race Studies

“A Very Different Looking Class of People”: Racial Passing, Tragedy, and the Mulatto Citizen in American Literature

University of Southern Mississippi
2013-02-18
81 pages

Stephanie S. Rambo

Honors Prospectus Submitted to the Honors College of The University of Southern Mississippi In Fulfillment Bachelors of Arts In the Department of English

This project explores the mulatto citizen as one who prevails against tragedy, uses passing as an escape route to freedom and equality, and establishes a fixed racial identity in a color struck world. In nineteenth-century American literature, the mulatto penetrates a seemingly solid world of color to reveal racial anxieties of the time. Harriet Beecher Stowe’s Uncle Tom’s Cabin, or Life Among the Lonely (1852), William Wells Brown’s Clotel, or the President’s Daughter (1853), Frank J. Webb’s The Garies and Their Friends (1857) and Frances E.W. Harper’s Iola Leroy, or Shadows Uplifted depict these mulatto characters as agents of social change. Each of these texts present the figure of the mulatto in a historical context, as a slave in the South and free/freedman in the antebellum North. Considering these various genres (esp. the blending of fiction and nonfiction at times), this study examines how different authors take a political stance by using the mulatto figure to define U.S. citizenship.

Stowe’s Uncle Tom’s Cabin is a foundational text due to the political response during Abraham Lincoln’s administration and from abolitionists worldwide. Stowe represents those minorities excluded from the democratic process, namely African Americans and women who were both disenfranchised. I examine political fiction by Brown, Webb, and Harper due to their depictions of the laws of slavery and African Americans’ civil rights struggles throughout the nineteenth century. Most of these American writers were excluded themselves from the political process. Therefore, I consider these writers most capable to present the voice of the marginal, mulatto citizen.

Read the entire thesis here.

What Interracial and Gay Couples Know About ‘Passing’

The Atlantic
2013-07-31

Angela Onwuachi-Willig, Charles M. and Marion J. Kierscht Professor of Law
University of Iowa

As I awaited news of the U.S. Supreme Court’s decisions in the same-sex marriage cases last month, I began to reflect on all of the daily privileges that I receive as a result of being heterosexual—freedoms and privileges that my husband and I might not have enjoyed even fifty years ago. For our marriage is interracial.

Given my own relationship, I often contest anti-gay marriage arguments by noting the striking similarities between arguments that were once also widely made against interracial marriage. “They’re unnatural.” “It’s about tradition.” And my personal favorite, “what about the children?” In response, opponents of same-sex marriage, particularly other blacks, have often told me that the struggles of gays and lesbians are nothing at all like those African Americans (and other minorities) have faced, specifically because gays and lesbians can “pass” as straight and blacks cannot “pass” as white—as if that somehow renders the denial of marital rights in one case excusable and another inexcusable. In both cases, denying the right to marriage still works to mark those precluded from the institution as “other,” as the supposed inferior.

But what does it mean to “pass”? And what effect does passing have, in the longer term, on a relationship and on a person’s psyche?

Until a recent trip with my husband to South Africa, my understanding of the harms caused by passing came primarily through my research on interracial family law, and in particular through the tragic love story of Alice Beatrice Rhinelander and Leonard Kip Rhinelander, to which I devoted the first half of my recent book…

Read the entire article here.

Crossed Lines in the Racialization Process: Race as a Border Concept

Research in Phenomenology
Volume 42, Issue 2 (2012)
pages 206-228
DOI: 10.1163/156916412X651201

Robert Bernasconi, Edwin Erle Sparks Professor of Philosophy and African American Studies
Pennsylvania State University

The phenomenological approach to racialization needs to be supplemented by a hermeneutics that examines the history of the various categories in terms of which people see and have seen race. An investigation of this kind suggests that instead of the rigid essentialism that is normally associated with the history of racism, race predominantly operates as a border concept, that is to say, a dynamic fluid concept whose core lies not at the center but at its edges. I illustrate this by an examination of the history of the distinctions between the races as it is revealed in legal, scientific, and philosophical sources. I focus especially on racial distinctions in the United States and on the way that the impact of miscegenation was negotiated leading to the so-called one-drop rule.

Read or purchase the article here.

Disability and Passing: Blurring the Lines of Identity

Temple University Press
May 2013
218 pages
5.5 x 8.25; 1 halftone
Paper EAN: 978-1-43990-980-5
Cloth EAN: 978-1-43990-979-9
eBook EAN: 978-1-43990-981-2

Edited by:

Jeffrey A. Brune, Assistant Professor of History
Gallaudet University, Washington, D.C.

Daniel J. Wilson, Professor of History
Muhlenberg College, Allentown, Pennsylvania

Passing—an act usually associated with disguising race—also relates to disability. Whether a person with a psychiatric disorder struggles to suppress aberrant behavior to appear “normal” or a person falsely claims a disability to gain some advantage, passing is a pervasive and much discussed phenomenon. Nevertheless, Disability and Passing is the first anthology to examine this issue.

The editors and contributors to this volume explore the intersections of disability, race, gender, and sexuality as these various aspects of identity influence each other and make identity fluid. They argue that the line between disability and normality is blurred, discussing disability as an individual identity and as a social category. And they discuss the role of stigma in decisions about whether or not to pass.

Focusing on the United States from the nineteenth century to the present, the essays in Disability and Passing speak to the complexity of individual decisions about passing and open the conversation for broader discussion.

Contributors include: Dea Boster, Allison Carey, Peta Cox, Kristen Harmon, David Linton, Michael Rembis, and the editors.

Contents

• Acknowledgments
• 1. Introduction • Jeffrey A. Brune and Daniel J. Wilson
• 2. Passing in the Shadow of FDR: Polio Survivors, Passing, and the Negotiation of Disability • Daniel J. Wilson
• 3. The Multiple Layers of Disability Passing in Life, Literature, and Public Discourse • Jeffrey A. Brune
• 4. The Menstrual Masquerade • David Linton
• 5. “I Made Up My Mind to Act Both Deaf and Dumb”: Displays of Disability and Slave Resistance in the Antebellum American South • Dea H. Boster
• 6. Passing as Sane, or How to Get People to Sit Next to You on the Bus • Peta Cox
• 7. Athlete First: A Note on Passing, Disability, and Sport • Michael A. Rembis
• 8. The Sociopolitical Contexts of Passing and Intellectual Disability • Allison C. Carey
• 9. Growing Up to Become Hearing: Dreams of Passing in Oral Deaf Education • Kristen C. Harmon
• Contributors
• Index

Jean Toomer: The Fluidity of Racial Identity

Face to Face: A blog from the National Portrait Gallery
Smithsonian Institution
2012-07-20

Elizabeth Brevard, Intern
Catalog of American Portraits
National Portrait Gallery

Jean Toomer / Marjorie Content / Gelatin silver print, c. 1934 / National Portrait Gallery, Smithsonian Institution ©Susan L. Sandberg

An author, philosopher, and spiritual adviser, Washington, D.C., native Jean Toomer (1894–1967) challenged the accepted race and social labels during the mid-twentieth century. Toomer’s father left his wife and son in 1895, forcing the single mother to move in with her father, Pinckney Benton Stewart Pinchback, the former governor of Louisiana during Reconstruction and the first U.S. governor of African American descent.

Toomer was of European and African American ancestry, which sometimes allowed him to pass in society as a white man. For example, his registration for the draft identifies him as African American, but both of his certificates of marriage to white women list him as white (Byrd and Gates).

Most of his formative years were spent in all-white neighborhoods, although he attended the all-black Dunbar High School in Washington. The profound and varied racial influences within Toomer’s life would inspire his writing and his philosophical pursuit to transcend the self, as seen in his novel Cane and his poem “The Blue Meridian.”

After his graduation from high school in 1914, Toomer questioned the labeling of race according to skin color, instead embracing his self-appointed identity as an “American.” In his words:

I wrote a poem called “The First American,” the idea of which was that here in America we are in the process of forming a new race, that I was one of the first conscious members of this race. . . . I had seen the divisions, the separatisms and antagonisms . . . [yet] a new type of man was arising in this country—not European, not African, not Asiatic—but American. And in this American I saw the divisions mended, the differences reconciled—saw that (1) we would in truth be a united people existing in the United States, saw that (2) we would in truth be once again members of a united human race (Turner, ed., The Wayward and the Seeking, p. 121)…

Read the entire article here.

In new book, two Kentucky families discover surprising racial histories

Lexington Herald-Leader
Lexington, Kentucky
2011-05-15

Linda B. Blackford

Freda Spencer Goble of Paintsville knew that she hailed from a proud and hardworking clan that carved a life out of the hills and hollows of frontier Johnson County. What she didn’t know was that one of those frontiersmen, her great-great grandfather, was partly black.

William LaBach is a Georgetown lawyer and genealogist who has long studied his Gibson relatives, a clan of Louisiana sugar planters who made a second home in Lexington before the Civil War. He’d heard that a colonial forebear was part African, but could never confirm it.

These two Kentucky families are now the subject of a new book by Vanderbilt University law professor Daniel Sharfstein. The Invisible Line: Three American Families and the Secret Journey From Black to White reveals the complex and shifting history of race in America, a history about people’s most basic — and yet most unreliable — assumptions about their own identity…

…Thanks to books like Slaves in the Family by Edward Ball and revelations about President Thomas Jefferson’s black descendants, people have become more used to the idea that family trees branch with different ethnicities. However, the idea they might be a different ethnicity themselves is a new idea that is only recently emerging in genealogy and other historical studies.

“This is a more unsettling story. … The story really changes the way people approach race,” Sharfstein said. “For a lot of the descendants I spoke with, being white meant they really didn’t have to think about race for most of their lives. But now they’re really paying attention.”…

Read the entire article here.

The Gil Gross Program with Marcia Dawkins

The Gil Gross Program
Talk 910, KKSF AM
San Francisco, California
Monday, 2013-05-13

Gil Gross, Host

Gil speaks with Marcia Dawkins, author of “Clearly Invisible; Racial passing and the Color of Cultural Identity“, about the growth of our mulit-racial nation.

Download the audio here.

‘The River Between Us’: A story of survival and transformation

The Kansas City Star
2013-04-12

Edward M. Eveld

It’s the eve of the Civil War in Richard Peck’s novel “The River Between Us,” and the country is rearranging itself for the coming conflict.

A prelude to the convulsion plays even in the tiny river-landing town of Grand Tower, Ill. That’s where 15-year-old Tilly Pruitt notices that the boys her age are taking sides and itching to fight, including her twin brother, Noah.

A riverboat heading north stops in their town, likely the last one on the Mississippi before the war, and deposits the elaborately adorned Delphine Duval and her mysterious companion, Calinda.

Peck’s book, a challenging historical novel for young adult readers, is the current selection of the FYI Book Club.

The Pruitt family takes in the newcomers, although it is barely surviving a hardscrabble life with no help from an absent father. From there the tale provides portals into multiracial politics and culture, the brutal reach of war and the confluence of family secrets and identity.

The multiple-award-winning Peck has written dozens of books for young readers. He will visit Kansas City May 3 for a Kansas City Public Library event with several other noted authors.

Here are edited excerpts of our conversation with Peck.

 Q. Why a Civil War story?

A. It’s a story that found me. I was trolling for whatever I might find in New Orleans historical museums, and I began to read about the real estate of the French Quarter. I learned that a majority of it before the Civil War was owned by women of mixed race who were called quadroons. They were the mistresses of white men, given homes and livings, and they were very fashionable and proud. They knew that if the South lost the war, they would lose their status. So they sent their daughters away. Those who were light enough to “pass” were sent north.

And you wondered what happened to them.

Yes, I chose a girl who could pass for white, particularly if she were among unsophisticated people who wouldn’t know. The story became about a girl who has to reinvent herself in an “alien” country. And, of course, it’s a love story. When she comes down the gangplank on the last riverboat to stop in Grand Tower before the war, Noah is there to see her. He’s lost in a dream of love, but he also wants to fight. He wants to be a Yankee soldier…

Read the entire interview here.

Paul Marchand, F.M.C.

University Press of Mississippi
1998
184 pages
Paper ISBN: 978-1-57806-798-5

Charles W. Chesnutt (1858-1932)

Never before published, a 1920s novel disputes prevailing attitudes on racial character and identity

Chesnutt wrote this novel at the beginning of the Harlem Renaissance, but set it in a time and place favored by George Washington Cable. Published now for the first time, Paul Marchand: Free Man of Color examines the system of race and caste in nineteenth-century New Orleans. Chesnutt reacts, as well, against the traditional stance that fiction by leading American writers of the previous generation had taken on the issue of miscegenation. After living for many years in France, the wealthy and sophisticated Paul Marchand returns to his home in New Orleans and discovers through a will that he is white and is now head of a prosperous and influential family. Since mixed-race marriages are illegal, he must renounce his mulatto wife and bastardize his children.

Chesnutt resolves Marchand’s dilemma with a surprising plot reversal. Marchand, although white, chooses to pass as a black so that he can keep his wife and children. Thus by altering the traditional narrative that Cable, Twain, and Howells had developed for their fiction on mixed-race themes, he exposes the issue of race as a social and legal fabrication. Moreover, Chesnutt shows Marchand’s awareness that traits of inferiority and superiority are not based on “blood” but on other factors. In him Chesnutt has created an admirable male character responsive to human needs and civility rather than to artificial institutions.

Black and Bengali

In These Times
2013-03-02

Fatima Shaik

A new book traces the hidden story of a mixed-race community.

The federal census taker comes every 10 years and, for most people in the United States, this has little consequence. But not where I lived, in New Orleans, just outside the historic district of Tremé. There, people talked to each other about whether to lie to the census taker and which lie to tell, and that conversation produced stories about who had disappeared from us and who had stayed, and what was more important: loyalty or money.

That was the mentality in Creole New Orleans from as far back as I can remember—that is, the 1950s—until recently. The lying, the disappearing, the money and lack of it had everything to do with race.

We were part of a mixed-race community of immigrants and Louisiana natives, and there was no place for us in the data tables of the census or in the mind of a black-and-white America. And yet we existed, for generations. Now, in a thoroughly researched new book, Bengali Harlem and the Lost Histories of South Asian America, Vivek Bald traces one vein of our lineage, from a most distant country…

…Racially, the Bengalis confounded the official categories. On documents, they appeared as “white, colored, Negro, Indian and East Indian,” Bald notes. And after their intermarriages to local women of color, their descendants still operated in all of these categories. When I was growing up, people talked on front porches and at kitchen tables about light-skinned family members who “passed” for white and were never seen again. Other people “passed” by simply going across town each day to work in banks, stores and other places where jobs were unavailable to Negroes. Bald notes that some darker-skinned Indians escaped Negro segregation by wearing turbans and calling themselves “Turks” and “Hindoos” while selling their wares, before coming home to their black families.

But the Bengalis in the mixed-race community kept few written accounts of their lives. Bald’s evidence is their footprint in business—restaurants and shops—and their occupations listed in census tables, for example, as countermen, chauffeurs, porters, firemen and subway laborers.

My grandfather became a shopkeeper and lived the rest of his life in the black community of New Orleans. People from around the world melded easily into our location. In the 19th century, Tremé was home to one of the most powerful and liberal communities of free people of color in America, rooted not only in Africa but also Europe, the Caribbean and—I recently learned from a classmate—as far away as New Zealand…

Read the entire article here.