The Modern Mulatto: A Comparative Analysis of the Social and Legal Positions of Mulattoes in the Antebellum South and the Intersex in Contemporary America

Posted in Articles, Gay & Lesbian, History, Identity Development/Psychology, Law, Media Archive, Politics/Public Policy, Slavery, United States on 2011-05-02 22:05Z by Steven

The Modern Mulatto: A Comparative Analysis of the Social and Legal Positions of Mulattoes in the Antebellum South and the Intersex in Contemporary America

Columbia Journal of Gender and Law
Volume 15, Number 3 (September 2006)

Marie-Amélie George, Associate Lawyer
Paul, Weiss, Rifkind, Wharton & Garrison LLP

Recognizing new social forces working against the “correction” of intersexed children at birth, this article explores the undefined position of the sometimes invisible segment of the population that is intersexed. In examining the similarities between the legal position of mulattoes in the Antebellum south with that of the intersex today, the article takes on the very definition of sex in contemporary society. The author argues that sex, like race, is not binary, but rather constructed so as to reinforce heteronormative patriarchal norms. Through an examination of case law concerning transsexuals, the author demonstrates the ways in which law erroneous relies on a sexual binary, and goes on to provide a guide for understanding how courts would locate intersexuals in contemporary society.

…”This case involves the most basic of questions. When is a man a man, and when is a woman a woman? Every schoolchild, even of tender years, is confident he or she can tell the difference, especially if the person is wearing no clothes.” (1) With this opening statement, Judge Harberger, writing the majority opinion in Littleton v. Prange, quickly goes on to demonstrate that this most basic of questions can be more difficult to answer than appears at first glance. The case at issue, which required the court to determine the legal sex of a post-operative transsexual, questioned the basic notion that male and female are fixed, immutable, and oppositional categories. The very premise of the case is an assault on the foundational assumption that sex is a binary and biological phenomenon, which has been overwhelming accepted in contemporary thought. Importantly, these two concepts once underpinned race theory, but were subsequently rejected by both the academic and legal worlds. (2) The same, while examined and critiqued at length in feminist and sexuality theory, (3) has thus far failed to occur in the realm of legal doctrine and social consciousness.

This Article seeks to add to the scholarship that illustrates the way in which sex can be conceptualized in much the same way as race, and may thus be divested of the presumptions of dichotomy and physiology, by comparing the regulation of race in the antebellum period (4) and sex in the modern day. In doing so, it also aims to undermine objections that sex and race are not in fact parallel socio-physiological categories. (5) Specifically, this Article examines the manner in which antebellum mulattoes, whose mixed race challenged the bases for racial hierarchy, were socially and legally made black so as to be folded within the binary on which slavery depended. It then follows this analysis with a consideration of the ways in which the intersex, who are persons with ambiguously sexed genitals, chromosomes, or phenotypes, are physically forced into one sex or the other so as not to cast doubt on the sexual binary necessary to sustain a patriarchal political and social system. Using this comparison as a framework from which to extend its deconstruction of social categories, this Article then turns to an examination of the role of the law in regulating sexual identity, noting how the law has the potential to be used to create sex in much the same way as it was employed to craft race during the antebellum period.

The importance of this analogy is evident in the implications that flow from it. If sex is as much a construction as is race, the laws and statutes which rely on sexual demarcations, such as whether an individual is protected by Title VII, what penal laws may be applied to a person, in which athletic competitions an individual is permitted to participate, whether a person is subject to a military draft, and who an individual may marry, among others, lose their foundational support, as the premises on which they rely do not exist. (6) The social impact is potentially much greater, as the law is but a shallow reflection of the deep sex-based differences on which society is based. Whether a legal recognition that sex is a construction will have a substantial effect on social norms is unclear, though the possibility does exist. (7) With these ideas in mind, Part I of this Article begins by focusing on race in the American antebellum South, detailing both the cultural factors that resulted in mulattoes joining the disfavored racial category and the legal means by which a binary racial hierarchy was established. This section discusses the attempts at combating miscegenation, as well as the regulations that delineated blackness and established mulattoes’ place as blacks in terms of status, condition, and physicality. In Part II, the analysis turns to theoretical perspectives on sex as a social creation so as to provide a framework from which to develop a better understanding of the ways in which the intersex, as the physical intermediaries between the two established sexes, violate the political and social order. Part III examines the social and legal position of intersex individuals in contemporary American society, drawing attention to the parallels and divergences between the legal status of the intersex today and mulattoes of the antebellum world. It then highlights the ways in which this serves to undermine the basis for different judicial standards of review for race and sex based discrimination. Part IV concludes the Article, evaluating the likelihood for potential change in the law’s treatment of sex as a biological phenomenon.

I. SOCIAL AND LEGAL REGULATION OF MULATTOES IN THE ANTEBELLUM SOUTH

 The constructed nature of race is clearly illustrated by the social perspectives on and the legal regulation of miscegenation in the antebellum South. Interracial sexual relationships, while accepted as standard in some parts of the South during the colonial era, were by the antebellum period uniformly perceived as extremely dangerous to white supremacy. This was due in large part to the mulatto offspring they produced, as mixed-race children blurred the line between the races, thereby upsetting the clear racial hierarchy on which slavery depended. Slavery was defended on the notion that racial stratification was part of a natural order, one in which whites dominated blacks due to their superior physical, mental, and behavioral traits. (8) Racial dilution not only led to a deterioration of these attributes, but also demonstrated immorality and cultural degeneracy. (9) Mulattoes, as evidence of interracial sex, were also “a visible reproach to the white man’s failure to live up to basic moral and social precepts.” (10) Consequently, hybridism was described as “heinous,” and mulattoes became a “spurious” issue requiring legal regulation. (11)

Mulattoes threatened a vision of the natural order as being one of clear, defined categories to one of gradations, a theory upon which the institution of slavery could not stand, as “[s]lavery rest[ed] on the fundamental distinction between human labor and those who own[ed] it, and the total relations between master and slave generate[d] the idea that all relationships … should [have] be[en] total.” (12) Plantation economies required whites to control the labor force in its entirety, a proposition that would have been impossible were it not for the strict bounds of the racial hierarchy. By relegating mulattoes to the status of their pure black contemporaries, the sharpness of racial distinctions would be maintained, and the power relationships that relied on racial purity could be sustained. (13) Such a clear racial divide also provided Southern lawmakers with a means of preventing interracial alliances between white servants and blacks, as giving value to whiteness granted the servant class privileges that they would seek to preserve. (14) Consequently, the white underclass would identify its interests as protected by racial division, as opposed to developing a class-based ideology, which could have undermined the system on which the Southern economy was based.

Given the threats they produced, interracial sexual liaisons had to be deterred and the mixed-race progeny regulated so as not to disturb the political and economic systems that fostered white privilege. Before turning to the legal measures adopted to accomplish these goals, however, it is first instructive to examine the ways in which colonial attitudes on amalgamation formed and developed, as such information will assist in understanding the timing and purpose of the legal regulations.

A. Social Perspectives of Mulattoes in the Colonial Era

The colonial South was not unified in terms of racial divides, attitudes, and mixing, but rather was a bifurcated region with respect to the status of blacks and mulattoes. (15) The upper South, comprised of Delaware, Virginia, Maryland, Kentucky, Tennessee, North Carolina, Missouri, and the District of Columbia, contained a relatively large mulatto population. (16) Often the offspring of white indentured servants and both free and enslaved blacks, a considerable portion were free, but overwhelmingly impoverished. (17) The economically depressed circumstances into which they were born, along with the low status of their parents and their residence in rural, rather than urban, areas, guaranteed mulattoes a place in the social underclass. Mulattoes did tend to rank in the upper echelons of free black society, but this did not alter the ways in which white citizens viewed mixed-race persons. (18) Indeed, whites equated mulattoes with blacks, making few distinctions as to hue or ancestry amongst persons of color. Mulattoes were thus just as socially, economically, and legally marginalized as their fully black brethren.

The lower South, consisting of South Carolina, Georgia, Florida, Alabama, Mississippi, Louisiana, and Texas, (19) had a contrastingly generous view of free mulattoes, and afforded these individuals a status superior to that of blacks, thereby creating a third, intermediate class between black and white. (20) The impetus for this was based on practical as well as cultural influences, many of which were linked to the settlement pattern that emerged in the lower South. Unlike the upper South, many early immigrants to the lower South were from the West Indies, where the pattern of race relations resulted in a multi-tiered racial hierarchy, with mulattoes serving as a variable intermediate class. (21) Further, settlement in the lower South was characterized by a small number of white plantation owners and overseers and a large population of black slaves. (22) The scarcity of white women encouraged amalgamation, both because it increased a sense of sexual license and because it prevented settlers from reestablishing European patterns of domestic life, with its ideal of a monogamous heterosexual couple at its center. (23) Consequently, mulatto children were often the progeny of prosperous fathers and slave women. (24) While the plantation economy discouraged fathers from manumitting their mixed-race children, those who were granted freedom joined the upper strata of society, due in large part to the recognition and largess of their white fathers. (25) The topmost few lived nearly on par with their white neighbors, and mulattoes as a whole dominated the free black community. (26) Avoiding interaction with unmixed blacks, many mulattoes adopted the attitudes of whites toward the lower castes, and took advantage of the social and economic opportunities that their lighter skin afforded. (27) These privileges provided incentives for free mulattoes to support the status quo in the lower South, and thus for mulattoes to ally themselves with the white dominating class. With a high ratio of blacks to whites in the plantation communities of the lower South, whites valued the buffer that the intermediate mulatto category provided. (28)

The three-tier class structure of the lower South disintegrated in the face of increased anxiety and tension due to abolitionist attacks on slavery. (29) Whites were fueled to defend the institution, a difficult endeavor when the line drawn between the two races, a line supposedly signifying a natural distinction between ruler and ruled, (30) was blurred by a significant mulatto population. A movement for society to be divided into two groups, black and white, gained momentum, and the white population of the lower South became less tolerant of miscegenation and the preferential treatment of mulattoes. (31) The potential for insurrection also served to lessen whites’ support for a free class of blacks, regardless of the hue of the individuals at issue. (32) As a result, by the antebellum period, the lower South had become a two-class society like its Northern counterpart.

B. Legal Regulation

While the attitudes concerning mixed-race individuals originally differed in the colonial South, by the antebellum period all of the states had imposed stringent regulations on miscegenation and had relegated mulattoes to the same status as “pure” blacks. These statutes addressed interracial marriage and fornication, so as to deter the production of mulatto children, and also worked to disarm the potential power of a mixed-race class by legislating blackness onto mulattoes.

1. Marriage and Fornication

In order to protect its economic system, as well as the social and political institutions that accompanied slavery, Southern lawmakers attempted to eradicate interracial liaisons by imposing legal sanctions on interracial marriage and fornication. In the early seventeenth century, Virginia began lashing out at miscegenation, declaring sexual intercourse with blacks to be equivalent to bestiality. (33) Courts imposed severe punishments on those found guilty of this trespass; in 1630, Virginian Hugh Davis “was sentenced ‘to be soundly whipped, before an assembly of Negroes and others for abusing himself to the dishonor of God and shame of Christians, by defiling his body in lying with a Negro, which fault he is to acknowledge next Sabbath day.”‘ (34) The penalties became less corporeal in subsequent years, and in 1662, the legislature mandated that “‘if any christian shall commit fornication with a negro man or woman, hee or shee soe offending shall pay double'” the previously imposed fine. (35) This provision, while reducing the punishment from physical to fiscal, was nevertheless important because it was a marked change from the colony’s precedent, which punished all violators, regardless of the sexual makeup of the fornicating couple, equally. (36)

Other colonies imposed even more stringent consequences on the participants of interracial relationships. South Carolina, a colony originally known for its widespread acceptance of interracial unions, punished interracial bastardy by binding out white men and women and free black men as indentured servants for seven years; the child of any such union was forced to serve until adulthood. (37) Maryland’s 1664 anti-miscegenation law provided punishments similar to those imposed in South Carolina. White women who married male slaves were compelled to serve their husbands’ masters for the lifetimes of their husbands, and any children born to the couple were required to labor for the parish for thirty-one years. (38) In 1692, the Maryland Assembly amended the statute by requiring free blacks who married white women to be forced into a lifetime of bondage. (39) Pennsylvania had the same provision, and also permitted courts to impose a sentence of seven years in bondage to all free persons convicted of interracial fornication. (40) Virginia diverged from its contemporaries by choosing banishment from the colony as its foremost penalty for interracial marriage. In 1691, Virginia passed a law prohibiting marriage between blacks and whites, “ordering that any white person marrying a black person be ‘banished and removed from this dominion forever.”‘ (41) This punishment was changed to six months in jail in 1705; the same edict also imposed a fine of up to 10,000 pounds of tobacco against the minister performing the ceremony. (42 Virginia did not punish the black members of the union, presumably because most blacks were slaves, and thus any penalties against these individuals would have deprived masters of their slaves’ labor. (43)

By the time of the Civil War, twenty-one out of thirty-four states had some sort of legislation proscribing and punishing interracial sexual relationships. (44) While these laws diverged in identifying the violators, the specific proscribed offenses, and the punishments meted out for violations, the provisions generally tended to target white female offenders. (45) Indeed, the Maryland legislature, abhorrent of white women’s sexual exploits with black men, described marriages between white women and black men as “always to the Satisfaccon of theire Lascivious & Lustfull desires, & to the disgrace not only of the English butt also of many other Christian Nations.” (46) Virginia, similarly concerned, enacted a bill aimed at addressing miscegenation that provided for banishment within three months of the mixed child’s birth. However, it further declared that any white woman “who gave birth to ‘a bastard child by any Negro or mulatto’ would be heavily fined or subject to five years of servitude and that the child would be bound into servitude until it reached age thirty.” (47) While this regulation may have been enacted due to a concern over the number of mixed-race children born to white women, there were other reasons for colonialists to target white women’s sexuality and regulate it heavily. (48) Bastard children were a problem regardless of color, as the community was then pressured to provide for those children. (49) Furthermore, given the demographic realities of the time, with white men outnumbering white women well into the 1750s, providing disincentives for interracial relationships encouraged intra-racial procreation, thereby ensuring the perpetuation of a racially pure, white dominating class. Also important were the negative perceptions of white female morality, in that white women were seen as being of frail moral character; this was linked to the desire to maintain a paternalistic social order. Finally, this regulation was a way of addressing the fact that mulatto progeny blurred the lines of freedom. “Since the law defined freedom according to the status of mothers, it became imperative for white men to specifically delineate severe punishments for those white women who crossed the sexual color line.” (50)

Importantly, the fact that the mother’s status of slave or free determined whether or not the child would be enslaved was a marked shift from the English common law, whereby children followed the status of the father. (51) However, due to the large numbers of mixed race children born to slave mothers and white fathers, colonies enacted statutes mandating a “status of the mother” rule. As Charles Robinson notes, “most interracial sexual relations involved intercourse between white masters and slave women…. Colonial authorities had real concerns that English common law might in fact undermine the institution of slavery by allowing biracial children to claim freedom on the basis of their paternal heritage.” (52) Under such circumstances, there would have been a large free mulatto population, which could have shifted the balance of power away from the white ruling class. This legal rule thus emerged so as to prevent mulatto freedom, and did not derive from a “natural” identity. In short, social needs trumped what were considered biological realities under the law.

Forcing mulatto children into servitude had the desired effect of propelling mixed race persons as close to slave status as possible:

By the time these men and women reached their freedom, they often…

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Controversy: Race and Sexuality on the American Frontier (FRO 100.023)

Posted in Barack Obama, Course Offerings, Gay & Lesbian, Identity Development/Psychology, Literary/Artistic Criticism, Media Archive, Passing, United States on 2011-05-01 04:12Z by Steven

Controversy: Race and Sexuality on the American Frontier (FRO 100.023)

Goucher College, Baltimore, Maryland

Angelo Robinson, Associate Professor of English

“Am I Black or White? Am I Straight or Gay? CONTROVERSY?”  Since its founding, and long before recording artist Prince penned these lyrics in the 1980s, America has been a space and a place demanding and mandating polarized definitions of race and sexuality. This course will examine the reasoning behind and ramifications of these dichotomies from the Colonial Period to the present in genres that include literature, film, and music.  We will also explore how these binaries affect people who identify as biracial and bisexual.

This discussion-based course requires intensive reading, viewing, and listening and will foster your critical thinking and analytical writing.  Topics of discussion will include the “one-drop rule,” the slavery debate, miscegenation, racial passing, segregation, integration, interracial desire, and sexual passing.  Special attention will be given to individuals who and organizations that refuse to follow racial and sexual dictates. Authors will include Thomas Jefferson, Harriet Jacobs, Mark Twain, Nella LarsenJames Weldon Johnson, Ralph Ellison, June Jordan, James Baldwin, Audre LordeStevie Wonder, Prince, Adrienne Rich, E. Lynn Harris, and Barack Obama.

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Miscegenation Blues: Voices of Mixed Race Women

Posted in Anthologies, Autobiography, Biography, Books, Gay & Lesbian, Identity Development/Psychology, Media Archive, Women on 2011-04-16 04:02Z by Steven

Miscegenation Blues: Voices of Mixed Race Women

Sister Vision Press
May 1994
389 pages
8.8 x 5.8 x 1 inches
Paperback ISBN: 092081395X; ISBN 13: 9780920813959
This book is out of print.

Edited by

Carol Camper

Miscegenation Blues: Voices of Mixed Race Women is a stunning and long awaited collection of some of the most poignant writing by more than forty women of mixed racial heritage.  Together they explore the concept of a mixed race identity, the fervour of belonging, the harsh reality of not belonging—of grappling in two or more worlds and the final journey home.

Table of Contents

  • Introduction: Carol Camper Into the Mix
  • Edge to the Middle … location, identity, paradox
    • Camille Hernandez-Ramdwar Ms. Edge Innate
    • A. Nicole Bandy Sorry, Our Translator’s Out Sick Today
    • Culture Is Not Static
    • Lisa Jensen “journal entry 25/10/92″
    • Elehna de Sousa Untitled
    • Nadra Qadeer Spider Woman
    • Deanne Achong Untitled
    • Michele Chai Don’t
    • Naomi Zack My Racial Self Over Time
    • Mercedes Baines Mulatto Woman a honey beige wrapper
    • Mixed Race Women’s Group—Dialogue One
    • Michele Paulse Commingled
    • Lara Doan Untitled
    • Lisa Suhair Majaj Boundaries, Borders, Horizons
  • But You Don’t Look Like a… faces, body, hair
    • Lisa Jensen (one more time now.)
    • Ijosé Two Halves—One Whole (Part I)
    • Two Halves—One Whole (Part two)
    • Ngaire Blankenberg Untitled
    • Blue
    • Joanne Arnott Mutt’s Memoir
    • Lois Robertson-Douglass No Nation Gal
    • Marilyn Elain Carmen The Issue of Skin Colour
    • Claire Huang Kinsley Questions People Have Asked Me
    • Questions I Have Asked Myself
    • Gitanjali Saxena Second Generation; Once Removed
  • My Name is Peaches… obiectification.exoticizaiton
    • Mercedes Baines Bus Fucking
    • Where Are You From? A broken record
    • Michele Chai Resistance 153
    • S.R.W. What is a “Sister”?
    • Barbara Malanka Noblewomen In Exile
    • Stephanie Martin Is true what dem seh bout colrd pussy?
    • Michelle La Flamme Yo White Boy
    • Carol Camper Genetic Appropriation
    • Family Album
  • Some More Stories
    • Annharte Emilia I Should a Said Something Political
    • Victoria Gonzalez Nicaragua, Desde Siempre: War fragments from a woman’s pen
    • Marilyn Dumont The Halfbreed Parade
    • The Red & White
    • S.R.W. For My Sister Rosemary: Just Like Mine
    • Claiming Identity: Mixed Race Black Women Speak
    • Joanne Arnott Song About
    • kim mosa mcneilly don’t mix me up
  • The Unmasking… betrayals, hard truths
    • Lorraine Mention Journal Entry: Thoughts on My “Mother”
    • Letter to a Friend
    • Nadra Qadeer To a Traveller
    • Nila Gupta Falling from the Sky
    • Rage is my sister
    • Jaimi Carter Are You Writing a Book?
    • Nona Saunders Mother Milk
    • Children’s Games
    • Pussy Willows and Pink
    • S.R.W. Untitled
    • That Just Isn’t Right
    • Michi Chase One
    • Karen Stanley Warnings (Suspense Version)
    • Joanne Arnott Little On The Brown Side
    • Speak Out, For Example
    • Anonymous White Mother, Black Daughter
    • Mixed Race Women’s Group—Dialogue Two
    • Heather Green This Piece Done, I Shall Be Renamed
    • Myriam Chancy Je suis un Nègre
    • Yolanda Retter Quincentennial Blues
  • Are We Home Yet?… return to self and cultures
    • Diana Abu-Jaber Tbe Honeymooners
    • Nona Saunders Tapestry I
    • Tapestry II Carole Gray Heritage
    • Bernardine Evaristo Letters from London
    • Ngaire Blankenberg Halifax
    • Kukumo Rocks Route to My Roots
    • Pam Bailey Naming and Claiming Multicultural Identity
    • Maxine Hayman Shortbread and Oolichan Grease
    • Seni Seneviratne Cinnamon Roots
    • Shanti Thakur Domino: Filming the Stories of Interracial People
    • Nila Gupta The Garden of My (Be)Longing 350
    • Gitanjali Saxena Gitanjali’s Bio
    • Kathy Ann March Like Koya
    • Faith Adiele Learning to Eat
    • The Multicultural Self
    • Remembering Anticipating Africa
  • Contributors’ Notes
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Seeing Black Women Anew through Lesbian Desire in Nella Larsen’s Passing

Posted in Articles, Gay & Lesbian, Literary/Artistic Criticism, Media Archive, United States, Women on 2011-04-01 05:02Z by Steven

Seeing Black Women Anew through Lesbian Desire in Nella Larsen’s Passing

Rocky Mountain Review
Rocky Mountain Language Association
Volume 60, Number 1 (Spring 2006)
pages 25-52

H. Jordan Landry, Professor of English
University of Wisconsin, Oshkosh

Beginning in the 1910s and 1920s, a series of novels advocate that African Americans commit themselves to “loving blackness,” as bell hooks calls African-American ethnic pride (9-10). By loving blackness, the novels promise, African Americans will advance African-American culture, overcome internalized racism, and achieve emotional stability. Together, these novels create a powerful, early 20th-century discourse about embracing ethnic pride and resisting assimilation into white culture.

Unfortunately, this discourse champions its iconoclastic ideas about race by invoking conventional images of women’s gender and sexuality. The popular literary figure of the “mulatto” woman and her role in the triangle of desire, the literary device structuring almost all narrative in the Western literary tradition (Sedgwick 1-20; Girard 1-38), become central to this discourse. The mulatto woman plays one of two roles in the discourse’s triangles of desire. In the first, she conforms to the most conventional form of femininity imaginable and woos the black man toward ethnic pride. According to this discourse, the mulatto woman’s extreme femininity bolsters the black man’s masculinity, confirming his sense of superiority, power, and control. This ego boost endows the black man with the capacity to take pride in African-American culture and contribute to it rather than assimilating into white society. In the second, the mulatto woman defies all the sex and gender norms of dominant culture and lures the black man into vassalage to whiteness. Her rebellion against predefined sex and gender roles feminizes her partner, thereby seducing him into false servility. Since this discourse defines conventional femininity as sexual loyalty, submission, and homage to a black man, the way for the mulatto woman to express ethnic pride is not simply through loving a black man but actually through subordinating herself to one. Of course, embracing inferiority is a limited form of pride indeed. In addition to representing mulatto women’s submission as positive, this early 20th-century literary discourse blames assimilation on mulatto women’s pursuit of freedom from gender and sexual strictures. Thus, mulatto women must regulate their gender and sexuality for ethnic pride to burgeon, and their failure to do so spells a threat to the continuation of African-American culture.

These images of mulatto women circulate widely from the 1910s to the 1920s due to a shift in interest among African-American writers. Whereas late 19th- and turn-of-the-century African-American literature often stressed the need for white culture to accept African Americans, by the 1910s and 1920s, African-American writers began to encourage pride in both African and African-American traditions separate from white culture. This dramatic shift in values results in a corresponding change in representations of mulatto women. Through the two stereotypical roles allotted to mulatto women, writers weight the major “choice” within the erotic triangle—that of ethnic pride or assimilation—with gendered meanings.

In Passing, Larsen reveals that these two dominant fictions about mulatto women effectively regulate women of mixed ethnicity’s performance of gender identity causing them to enact a normative version of femininity. According to Larsen, the two fictions encourage self-regulation by escalating these women’s anxiety. As a result, the women become more aware of others’ external policing of their behavior and, in reaction, internalize these judgments and police themselves. In Larsen’s work, women of mixed ethnicity fear being defined by other African Americans as race traitors if they resist sexual and gender norms. Yet, their attempts to live up to a fictionalized ideal of femininity increases their sense of failure and self-blame as they find it impossible to conform themselves continually to such an image. Moreover, according to Larsen, the more women of mixed ethnicity invest in mulatto female stereotypes, the more they blame each other for and exonerate men from ethnic and sexual betrayal. In Passing, Larsen questions this construction of mulatto women as race and sexual traitors by tracing such blame back to the contemporary literary discourse that imagines racial uplift as dependent on women’s containment…

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As We Are Now: Mixblood Essays on Race and Identity

Posted in Anthologies, Books, Canada, Gay & Lesbian, Identity Development/Psychology, Media Archive, Native Americans/First Nation, United States on 2011-03-25 21:37Z by Steven

As We Are Now: Mixblood Essays on Race and Identity

University of California Press
January 1998
282 pages
Paperback ISBN: 9780520210738

edited by

William S. Penn, Professor of Creative Writing
Michigan State University

The thirteen contributors to As We Are Now invite readers to explore with them the untamed territory of race and mixblood identity in North America. A “mixblood,” according to editor W.S. Penn, recognizes that his or her identity comes not from distinct and separable strains of ancestry but from the sum of the tension and interplay of all his or her ancestral relationships. These first-person narratives cross racial, national, and disciplinary boundaries in a refreshingly experimental approach to writing culture. Their authors call on similar but varied cultural and aesthetic traditions—mostly oral—in order to address some aspect of race and identity about which they feel passionate, and all resist the essentialist point of view. Mixblood Native American, Mestizo/a, and African-American writers focus their discussion on the questions indigenous and minority people ask and the way in which they ask them, clearly merging the singular “I” with the communal “we.” These are new voices in the dialogue of ethnic writers, and they offer a highly original treatment of an important subject.

Table of Contents

Introduction
William S. Penn

Cutting and Pinning Patterns
Erika Aigner-Varoz

Howling at the Moon: The Queer but True Story of My Life as a Hank Williams Song
Craig Womack

Crossing Borders from the Beginning
Alfonso Rodriguez

Knots
Carol Kalafatic

What Part Moon
Inez Petersen

Tradition and the Individual Imitation
William S. Penn

On Mapping and Urban Shamans
Kimberly Blaeser

Race and Mixed-Race: A Personal Tour
Rainier Spencer

Visions in the Four Directions: Five Hundred Years of Resistance and Beyond
Arturo Aldama

Between the Masques
Diane DuBose Brunner

From the Turn of the Century to the New Age: Playing Indian, Past and Present
Shari Huhndorf

Troublemakers
Rolando Romero

Ritchie Valens Is Dead: E Pluribus Unum
Patricia Penn Hilden

Notes on Contributors

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Trans/formative identities: narrations of decolonization in mixed-race and transgender lives

Posted in Anthropology, Canada, Dissertations, Gay & Lesbian, Identity Development/Psychology, Media Archive on 2011-01-27 22:05Z by Steven

Trans/formative identities: narrations of decolonization in mixed-race and transgender lives

University of Victoria
2007
114 pages

Sarah E. Hunt

A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Interdisciplinary in the Department of Women’s Studies and the Department of Anthropology

This interdisciplinary research paper explores story and metaphor of “trans/formative identities” as a basis for challenging normative racial and gender categories. Autoethnography is used as a method for weaving the author’s own experience as a mixed-race Indigenous person with academic research and theory. The discussion is contextualized by an analysis of institutionalized colonial relationships framing Indigenous knowledge in academia and the role of Indian status in defining Indigenous identity. Six mixed-race and transgender or genderqueer people in Victoria and Vancouver, British Columbia are interviewed and the themes from their shared experiences are used as the basis for further understanding trans/formative identities. These themes are: irony; contradiction and impossibility; stories of home and family; naming and language; embodied negotiations, contextual selves, and; artistic visions.

Table of Contents

  • ABSTRACT
  • TABLE OF CONTENTS
  • ACKNOWLEDGEMENTS
  • DEDICATION
  • SECTION One: Introduction
  • Section Two: Impacts of colonial deconstruction of indigenous knowledge and emerging indigenous research methods
    • Indigenous knowledge in academia: historical and personal contexts
    • Methodological approaches to thesis research
    • Situating myself as an Indigenous researcher
    • Working in my own community contexts
    • Morality and narrative: collaboration and dialogue
    • Film as a tool of representation
    • Alto ethnography and identity in relation
  • Section Three: Representations of indigenous identity and emerging discussions of trans/formative subjectivities
    • Assigned identities and their representations
    • Empowering subjects: emerging discussions of racial and gender identities
    • Trans/formative representations of the symbolic domain
  • Section four: themes of trans/formative identities
    • Understanding metaphor: themes and stories
    • Thematic exploration of interview dialogue
  • NOTES ABOUT THE VIDEO
  • REFLECTING BACK: LESSONS LEARNED AND LINGERING QUESTIONS
  • BIBLIOGRAPHY
  • APPENDIX A: INTERVIEW QUESTIONS
  • APPENDIX B: ETHICAL CONSIDERATIONS FOR VIDEO DISTRIBUTION

Read the entire thesis here.

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Stepping into the Same River Twice: Internal/External Subversion of the Inside/Outside Dialectic in Alice Walker’s “The Temple of My Familiar”

Posted in Articles, Gay & Lesbian, Literary/Artistic Criticism, Media Archive on 2011-01-26 21:57Z by Steven

Stepping into the Same River Twice: Internal/External Subversion of the Inside/Outside Dialectic in Alice Walker’s “The Temple of My Familiar”

Journal of Bisexuality
Volume 2, Issue 2 & 3 (October 2002)
pages 53-71
DOI: 10.1300/J159v02n02_04

Sikorski Grace, Associate Professor of English
Anne Arundel Community College, Maryland

Passing novels, exemplified here by E. Lynn Harris’s Invisible Life, often perpetuate the representation of bisexuality and/or bi-racial identity as a tension on the border between communities and bodies that threatens to break down or leak when tested. Alice Walker offers an alternative representation of sexual and racial terrain for such hybrid identities. In The Temple of My Familiar, the characterization of Lissie, a multiple reincarnation, and the use of skin as a charged metaphor bring categories of sexual and racial purity to the point of collapse, suggesting the potential to reimagine identity as plural, fluctuating, regenerative, erogenous and permeable. 

Read or purchase the article here.

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Surveying the Intersection: Pathology, Secrecy, and the Discourses of Racial and Sexual Identity

Posted in Articles, Gay & Lesbian, Literary/Artistic Criticism, Media Archive, Passing on 2011-01-26 21:14Z by Steven

Surveying the Intersection: Pathology, Secrecy, and the Discourses of Racial and Sexual Identity

Journal of Homosexuality
Volume 26, Issue 2 & 3 (December 1993)
pages 1-20
DOI: 10.1300/J082v26n02_01

Marylynne Diggs

“Surveying the Intersection: Pathology, Secrecy, and the Discourses of Racial and Sexual Identity” cautions against the risks of metaphorical imperialism in readings of codified gay and lesbian representation. Taking issue with Foucault’s suggestion that the secret of the nineteenth century was the secret of sex, I suggest that, in the nineteenth-century American culture, where African-American identity and equality were among the most controversial issues of the century, the secrets of identity were secrets of race as well. Because scientific and literary representations of pathological and/or secret, essential identities are sites of intersection in the discources of homosexual and mixed-race identity, they should be investigated as intersections, rather than read as codifications of sexual difference. Surveying the discourses of scientific racism, genetics, and eugenics, and doing readings of Frances E. W. Harper’s Iola Leroy and Alice Dunbar-Nelson’s The Stones of the Village, I suggest that Harper’s representation of the mulatto leader can be read as an act of resistance to the representation of the mulatto as a degenerate, hybrid species; and that in Dunbar-Nelson’s story, the thematics of passing, secrecy, and the fear of detection, while having a recognizable homoerotic quality, should not be read simply as a codification of homosexual difference and panic. I conclude with a call for more work on historicizing the intersection of racial and sexual identity in the discouces of pathology and degeneration.

Read or purchase the article here.

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Other Tongues: Mixed-Race Women Speak Out

Posted in Anthologies, Books, Canada, Gay & Lesbian, Identity Development/Psychology, Media Archive, Poetry, United States, Women on 2010-12-29 22:00Z by Steven

Other Tongues: Mixed-Race Women Speak Out

Inanna Publications
November 2010
250 pages
ISBN-10: 1926708148
ISBN-13: 978-1-926708-14-0

Edited by

Adebe De Rango-Adem (Adebe D. A.)

Andrea Thompson

This anthology of poetry, spoken word, fiction, creative non-fiction, spoken word texts, as well as black and white artwork and photography, explores the question of how mixed-race women in North America identify in the twenty-first century. Contributions engage, document, and/or explore the experiences of being mixed-race, by placing interraciality as the center, rather than periphery, of analysis. The anthology also serves as a place to learn about the social experiences, attitudes, and feelings of others, and what racial identity has come to mean today.

Adebe De Rango-Adem recently completed a research writing fellowship at the Applied Research Center in New York, where she wrote for ColorLines, America’s primary magazine on race politics. She has served as Assistant Editor for the literary journal Existere, and is a founding member of s.t.e.p.u.p.—a poetry collective dedicated to helping young writers develop their spoken word skills. Her poetry has been featured in journals such as Canadian Woman Studies, The Claremont Review, Canadian Literature, and cv2. She won the Toronto Poetry Competition in 2005 to become Toronto’s first Junior Poet Laureate, and is the author of a chapbook entitled Sea Change (2007). Her debut poetry collection, Ex Nihilo, will be published in early 2010.

Andrea Thompson is a performance poet who has been featured on film, radio, and television, with her work published in magazines and anthologies across Canada. Her debut collection, Eating the Seed (2000), has been featured on reading lists at the University of Toronto and the Ontario College of Art and Design, and her spoken word CD, One, was nominated for a Canadian Urban Music Award in 2005. A pioneer of slam poetry in Canada, Thompson has also hosted Heart of a Poet on Bravo tv, CiTr Radio’s spoken word show, Hearsay. In 2008, she toured her Spoken Word/Play Mating Rituals of the Urban Cougar across the country, and in 2009 was the Poet of Honour at the Canadian Festival of Spoken Word.

Table of Contents (Thanks to Nicole Asong Nfonoyim)

  • Acknowledgements
  • Preface – Carol Camper
  • Introduction – Adebe DeRango-Adem and Andrea Thompson1
  • RULES/ROLES
    • Enigma – Andrea Thompson
    • Blond- Natasha Trethewey
    • Mixed- Sandra Kasturi
    • pick one – Chistine Sy and Aja
    • My Sista, Mi Hermana – Phoenix Rising
    • little half-black-breed – Tasha Beeds
    • “White Mask” – Jordan Clarke
    • “Nothing is just black or white” – Jordan Clarke
    • Roll Call – Kirya Traber
    • What Am I? – Marijane Castillo
    • Casting Call: Looking for White Girls and Latinas – D.Cole Ossandon
    • Conversations of Confrontation – Natasha Morris
    • “why i don’t say i’m white”- Alexis Kienlen
    • “Confession #8” – Mica Lee Anders
    • “Other Female” – Mica Lee Anders
    • “MMA and MLA” – Mica Lee Anders
    • The Pieces/Peace(is) in Me – monica rosas
    • Generation Gap (Hawaiian Style) – ku’ualoha ho’omanawanui
    • The Incident that Never Happened – Ann Phillips
    • In the Dark – Anajli Enjeti-Sydow
    • ananse vs. anasi (2007) – Rea McNamara
    • Contamination-  Amber Jamilla Musser
    • A Mixed Journey From the Outside In – Liberty Hultberg
    • What Are You? – Kali Fajardo-Anstine
    • One Being Brown – Tru Leverette
    • One for Everyday of the Week – Michelle Lopez Mulllins
    • Savage Stasis – Gena Chang-Campbell
    • The Half-Breed’s Guide to Answering the Question – M. C. Shumaker
    • My Definition – Kay’la Fraser
    • Pop Quiz – Erin Kobayashi
  • ROOTS/ROUTES
    • Melanomial – Sonnet L’Abbe
    • half-breed – Jonina Kirton
    • “Inca/Jew” – Margo Rivera-Weiss
    • Open Letter – Adebe DeRango Adem
    • Prism Woman – Adebe DeRango-Adem
    • Southern Gothic – Natasha Trethewey
    • The Drinking Gourd- Miranda Martini
    • Reflection – Jonina Kirton
    • “Untitled” White Sequence – Cassie Mulheron
    • “Untitled” Black Sequence – Cassie Mulheron
    • Mapping Identities – Gail Prasad
    • Whose Child Are You? – Amy Pimentel
    • From the Tree – Lisa Marie Rollins
    • My sister’s hair – ku’ualoha ho’omanawanui
    • I, too, hear the dreams – Peta Gaye-Nash
    • Learning to Love Me – Michelle Jean-Paul
    • A Conversation among Friends – Nicole Salter
    • The Combination of the Two – Rachel Afi Quinn
    • “Loving Series: Elena Rubin” – Laura Kina
    • On the Train – Naomi Angel
    • Coloured – Sheila Addiscott
    • Of Two Worlds – Christina Brobby
    • What is my Culture? – Karen Hill
    • mo’oku’auhau (Genealogy) – ku’ualoha ho’omanawanui
    • Siouxjewgermanscotblack [cultural software instructions] – Robin M. Chandler
    • “Loving Series: Shoshanna Weinberger” – Laura Kina
    • A Hairy Situation – Saedhlinn B. Stweart-Laing
    • “Pot Vida” – Margo Rivera-Weiss
    • Songs Feet Can Get – Rage Hezekiah
    • Opposite of Fence – Lisa Marie Rollins
    • Applique – Lisa Marie Rollins
    • Blanqueamiento – Adebe DeRango-Adem
    • The Land – Farideh de Bossett
    • Native Speaker: Daring to Name Ourselves – Nicole Asong Nfonoyim
  • REVELATIONS
    • Colour Lesson I – Adebe DeRango-Adem
    • Concealed Things – Adebe DeRango-Adem
    • Serendipity – Priscila Uppal
    • “Ultramarine” – Margo Rivera-Weiss
    • before i was this – Katherena Vermette
    • Firebelly – Andrea Thompson
    • From Chopsticks to Meatloaf and Back Again – Jasmine Moy
    • My Power – Sonnet L’Abbe
    • Whitewashed – Kathryn McMillan
    • Actually, I’m Black – Marcelite Failla
    • “Self” – Lisa Walker
    • Grey (A Bi-racial Poem) – Sonya Littlejohn
    • Nubia’s Dream – Mica Valdez
    • both sides – Jonina Kirton
    • Mulatto Nation – Marika Schwandt
    • Colour Lesson II – Adebe DeRango-Adem
    • racially queer femme – Kimberly Dree Hudson
    • mypeople – Ruha Benjamin
    • My Life in Pieces – Jennifer Adese
    • Burden of Proof: From Colon-Eyes to Kaleidoscope – Angela Dosalmas
    • Recipe for mixing – Tomie Hahn
    • Metamorphosis – Gena Chang-Campbell
    • The Land Knows – Shandra Spears Bombay
    • Land in Place: Mapping the Grandmother – Joanne Arnott
    • “I am the leaf, you are the leaf” – Lisa Walker
    • Language and the Ethics of Mixed Race – Debra Thompson
    • Hybrid Identity and Writing of Presence – Jackie Wang
  • Contributors Notes
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Queering Mestizaje: Transculturation and Performance

Posted in Anthropology, Books, Caribbean/Latin America, Gay & Lesbian, History, Literary/Artistic Criticism, Media Archive, Monographs on 2010-09-29 21:31Z by Steven

Queering Mestizaje: Transculturation and Performance

University of Michigan Press
2006
256 pages
6 x 9. 29 illustrations
Cloth ISBN: 978-0-472-09955-9
Paper ISBN: 978-0-472-06955-2

Alicia Arrizón, Professor of Women’s Studies
University of California, Riverside

  • Winner of the Outstanding Book Award for 2008 from the Association for Theatre in Higher Education (ATHE)
  • Co-winner of the 2007 Modern Language Association Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies

Rethinking mestizaje and how it functions as an epistemology of colonialism in diverse sites from Aztlán to Manila, and across a range of cultural materials

Queering Mestizaje employs theories of postcolonial cultural studies (including performance studies, queer and feminist theory) to examine the notion of mestizaje—the mixing of races, and specifically indigenous peoples, with European colonizers—and how this phenomenon manifests itself in three geographically diverse spaces: the United States, Latin America, and the Philippines. Alicia Arrizón argues that, as an imaginary site for racialized, gendered, and sexualized identities, mestizaje raises questions about historical transformation and cultural memory across Spanish postcolonial sites.

Arrizón offers new, queer readings of the hybrid, the intercultural body, and the hyphenated self, building on the work of Gloria Anzaldúa, Antonio Benitez-Rojo, Walter Mignolo, and Vera Kutzinski, while challenging accepted discourses about the relationship between colonizer and colonized. Queering Mestizaje is unique in the connections it makes between the Spanish colonial legacy in the Philippines and in the Americas. An engagingly eclectic array of cultural materials—including examples from performance art, colonial literature, visual art, fashion, and consumer products—are discussed, and included in the book’s twenty-nine illustrations.

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