Mixed Race Studies

Raising my biracial Jewish child

Ethical Jam
The Times of Israel
Jerusalem, Israel
2015-11-12

Ethical Jam presents contemporary ethical dilemmas and the responses of Jewish thinkers from across the world Jewish community. Ethical Jam is a project of the Center for Global Judaism (CGJ) at Hebrew College in Newton Centre, Massachusetts and of the Times of Israel, and was created by CGJ’s director Rabbi Or Rose and Hebrew College president Rabbi Daniel Lehmann. It is edited by Rabbi Sue Fendrick, Editor at CGJ.

My husband and I are both white; we have a six-year-old adopted daughter who is biracial. We are socially progressive and it is important to us to be self-aware parents of a brown-skinned child, staying updated on issues that matter to us especially as a multi-racial family, and becoming aware of and working on our own unconscious racism. We don’t live in a very diverse area, and our Jewish community is almost exclusively white; it is important to us to have more brown-skinned people in our daughter’s life, yet it feels problematic to us to target people for friendship just because they are African-American, and surely would feel problematic to them as well! Moving into a more racially diverse neighborhood would, in our city, remove us from the hub of Jewish activity which has been very important to our family. How can we find ways to make sure that Sarah’s world has people in it who look like her and with whom she may share some heritage and experience, without turning people into objects or tokens, or sacrificing the quality of our (and her) Jewish life?

Jenny Sartori says…

You’re right that, as a transracial adoptee, Sarah needs to grow up with people of color in her life. You’re also right that targeting people for friendship just because they are African-American is problematic. Instead, try putting yourselves in situations in which you are likely to meet a diverse group of people who share your own interests: join a book club, attend cultural events, join the Y or enroll your daughter in an activity in a racially diverse area. And introduce yourself to people, not because they are African-American but because they seem to be nice people with whom you share something in common. Just because you may have made a deliberate choice to put yourself in these situations doesn’t mean the efforts and the friendships are not genuine…

…Yavilah McCoy says…

…José Portuondo-Dember says…

Read the entire article here.

European Others: Queering Ethnicity in Postnational Europe

University of Minnesota Press
2011
304 pages
6 b&w photos
5 1/2 x 8 1/2
Paper ISBN 978-0-8166-7016-1
Cloth ISBN 978-0-8166-7015-4

Fatima El-Tayeb, Professor of African-American Literature and Culture
University of California, San Diego

European Others offers an interrogation into the position of racialized communities in the European Union, arguing that the tension between a growing nonwhite, non-Christian population and insistent essentialist definitions of Europeanness produces new forms of identity and activism. Moving beyond disciplinary and national limits, Fatima El-Tayeb explores structures of resistance, tracing a Europeanization from below in which migrant and minority communities challenge the ideology of racelessness that places them firmly outside the community of citizens.

Using a notable variety of sources, from drag performances to feminist Muslim activism and Euro hip-hop, El-Tayeb draws on the largely ignored archive of vernacular culture central to resistance by minority youths to the exclusionary nationalism that casts them as threatening outcasts. At the same time, she reveals the continued effect of Europe’s suppressed colonial history on the representation of Muslim minorities as the illiberal Other of progressive Europe.

Presenting a sharp analysis of the challenges facing a united Europe seen by many as a model for twenty-first-century postnational societies, El-Tayeb combines theoretical influences from both sides of the Atlantic to lay bare how Europeans of color are integral to the continent’s past, present, and, inevitably, its future.

Contents

• Acknowledgments
• Introduction: Theorizing Urban Minority Communities in Postnational Europe
• 1. “Stranger in My Own Country”: European Identities, Migration, and Diasporic Soundscapes
• 2. Dimensions of Diaspora: Women of Color Feminism, Black Europe, and Queer Memory Discourses
• 3. Secular Submissions: Muslim Europeans, Female Bodies, and Performative Politics
• 4. “Because It Is Our Stepfatherland”: Queering European Public Spaces
• Conclusion: “An Infinite and Undefinable Movement”
• Notes
• Bibliography
• Index

Cachita’s Streets: The Virgin of Charity, Race, and Revolution in Cuba

Duke University Press
2015
376 pages
27 illustrations
Cloth ISBN: 978-0-8223-5918-0
Paperback ISBN: 978-0-8223-5937-1

Jalane D. Schmidt, Associate Professor of Religious Studies
University of Virginia

Cuba’s patron saint, the Virgin of Charity of El Cobre, also called Cachita, is a potent symbol of Cuban national identity. Jalane D. Schmidt shows how groups as diverse as Indians and African slaves, Spanish colonial officials, Cuban independence soldiers, Catholic authorities and laypeople, intellectuals, journalists and artists, practitioners of spiritism and Santería, activists, politicians, and revolutionaries each have constructed and disputed the meanings of the Virgin. Schmidt examines the occasions from 1936 to 2012 when the Virgin’s beloved, original brown-skinned effigy was removed from her national shrine in the majority black- and mixed-race mountaintop village of El Cobre and brought into Cuba’s cities. There, devotees venerated and followed Cachita’s image through urban streets, amassing at large-scale public ceremonies in her honor that promoted competing claims about Cuban religion, race, and political ideology. Schmidt compares these religious rituals to other contemporaneous Cuban street events, including carnival, protests, and revolutionary rallies, where organizers stage performances of contested definitions of Cubanness. Schmidt provides a comprehensive treatment of Cuban religions, history, and culture, interpreted through the prism of Cachita.

Race & Religions Series with Lacey Schwartz in conversation with Allyson Hobbs

Stanford Jewish Studies
2015-11-05

“Little White Lie: A Film about Dual Identity and Family Secrets” with Lacey Schwartz

“Between Race and Religion: Contemporary American Jewish Life” series with the Center for Comparative Studies in Race and Ethnicity.

Lacey Schwartz, an American filmmaker, in conversation with Allyson Hobbs, Assistant Professor of American History at Stanford University

Little White Lie tells Lacey Schwartz’s story of growing up in a typical middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity — that is until she discovers that her biological father is actually a black man with whom her mother had an affair. Lacey discovers that answering those questions means understanding her parents’ stories as well as her own.

What defines our identity, our family of origin or the family that raises us? How do we come to terms with the sins and mistakes of our parents? Lacey discovers that answering those questions means understanding her parents’ own stories as well as her own. She pieces together her family history and the story of her dual identity using home videos, archival footage, interviews, and episodes from her own life. Little White Lie is a personal documentary about the legacy of family secrets, denial, and redemption.

Mixed, Passing For White

Youth Radio
2015-10-12

Maya Cueva

What’s it like to be a mixed race person who passes as white? Complicated, according to Youth Radio’s Maya Cueva. She often finds herself struggling to represent the part of her racial identity that people can’t see.

My whole life, I’ve always been the girl who’s white face didn’t quite match my last name — “Cueva”.

In my family we always celebrated our identity: My mom’s Jewish and my dad’s Peruvian.

Sometimes my dad tries to say things in Yiddish. Words like schmatta, except for with his Spanish accent. My mom calls that meshugganismo — combining the Yiddish word meshugganah, meaning crazy, with the Spanish ismo…meaning ism. Quirks like this always come up in my family all the time.

Ever since I can remember, my mom has always searched for things that connect our Jewish and Latino identities. But out in the world, I often face identity policing. Because I pass as white, people ask if I’m actually a person of color or not. So I’m constantly having to prove my Peruvian heritage. Like having to tell my dad’s immigration story soon after I meet people. I call it “coming out as mixed.”…

Read the entire story here. Listen to the story here. Download the story here.

Is There an Identity Beyond Race? Four Case Studies

Michigan Quarterly Review
Volume XLI, Issue 3, Summer 2002

Paula Marantz Cohen, Distinguished Professor of English
Drexel University, Philadelphia, Pennsylvania

Love on Trial: An American Scandal in Black and White. By Earl Lewis and Heidi Ardizzone. New York: W.W. Norton, 2001. Pp. 301. $26.95.

Black, White and Jewish: Autobiography of a Shifting Self. By Rebecca Walker. New York: Riverhead Books, 2001. Pp. 336. $14.

Pearl’s Secret: A Black Man’s Search for his White Family. By Neil Henry. Berkeley: University of California Press, 2001. Pp. 321. $24.95.

The Color of Water: A Black Man’s Tribute to His White Mother. By James McBride. New York: Riverhead Books, 1996. Pp. 228. $23.95 (hb), $14 (pb).

All four books under review here are concerned with telling dramatic tales about singular, real lives. But they are also books about race. They are driven by the larger goal of making the individual story stand for more than itself.

To write something that is true to the distinctiveness of human experience while also being socially and politically illuminating is hard to achieve. Earl Lewis and Heidi Ardizzone’s Love on Trial: An American Scandal in Black and White seems the most successful, perhaps because it is the only book in the group that is not a memoir. Lewis explains in an Afterword that he first stumbled on the subject while working on his dissertation seventeen years earlier, then returned to it when, as a professor at the University of Michigan, he began directing Ardizzone’s doctoral research on interracial identity in the first half of the twentieth century. They eventually decided to collaborate. The long period of gestation as well as the collaborative approach help to account for the book’s judicious tone in telling a story at once private and public, full of subjective elements yet illuminating of its social moment.

Love on Trial takes as its point of departure a sensational news story from the 1920s. Pursuing the story through careful research into court transcripts and newspaper archives, the authors piece together a fascinating narrative in which the personal intersects the social with tragic consequences.

The story centers on the marriage of Alice Jones, a nanny from Westchester, to Leonard “Kip” Rhinelander, a young scion of one of New York’s oldest and richest society families. It seems that the couple met, courted, and married without apparent difficulty until their relationship became publicized by the New York press, probably through the instigation of Leonard’s disapproving father. A scandal erupted when it was alleged that Alice Jones was black—a fact that Leonard subsequently claimed he did not know and which he made the basis for an annulment suit against his wife…

Read the reviews here.

“Little White Lie: A Film about Dual Identity and Family Secrets” with Lacey Schwartz

Taube Center for Jewish Studies
Stanford University
Center For Educational Research (Room 101)
520 Galvez Mall
Stanford, California
2015-10-28, 19:00 PDT (Local Time)

“Between Race and Religion: Contemporary American Jewish Life” series with the Center for Comparative Studies in Race and Ethnicity.

Lacey Schwartz, an American filmmaker, in conversation with Allyson Hobbs, Assistant Professor of American History at Stanford University

Little White Lie tells Lacey Schwartz’s story of growing up in a typical middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity — that is until she discovers that her biological father is actually a black man with whom her mother had an affair. What defines our identity, our family of origin or the family that raises us? Lacey discovers that answering those questions means understanding her parents’ stories as well as her own.

What defines our identity, our family of origin or the family that raises us? How do we come to terms with the sins and mistakes of our parents? Lacey discovers that answering those questions means understanding her parents’ own stories as well as her own. She pieces together her family history and the story of her dual identity using home videos, archival footage, interviews, and episodes from her own life. Little White Lie is a personal documentary about the legacy of family secrets, denial, and redemption.

For more information, click here or here.

The myth of race

The Cripplegate
2015-10-22

Jesse Johnson, Teaching Pastor
Immanuel Bible Church, Springfield, Virginia

One of the most harmful effects of evolutionary theory is the concept of race. Despite having zero scientific validity to it, the idea that human beings can be categorized into general “races” that are supposedly connected to their biology has wormed its way into our world views. It needs to make a quick exit—stage left.

Thabiti Anwaybwile (pastor of Anacostia River Church in [Washington] DC) said it this way: “Believing in race is like believing in unicorns, because neither exist.”

Certainly cultures exist. Certainly ethnicities exist. And certainly racism exists (largely fueled by the whole notion of race to begin with).

But unicorns do not, and neither does race…

Read the entire article here.

Black Magic Woman and Narrative Film: Race, Sex and Afro-Religiosity

Palgrave Macmillan
July 2015
216 pages
Hardcover ISBN: 9781137454171
Ebook (EPUB) ISBN: 9781137454195
Ebook (PDF) ISBN: 9781137454188

Montré Aza Missouri, Associate Professor in Film
Howard University, Washington, D.C.

Contributing to emerging scholarship on representations of race, gender, sexuality and religion in film and media, Black Magic Woman focuses on the ‘tragic mulatto‘ stereotype that is conventionally portrayed as a character tormented by issues of racial and cultural ambiguity. Montré Aza Missouri explores the journey of the ‘mulatto‘ from ‘tragic’ to ’empowered’ through the character’s adherence to Yoruba-Atlantic religions such as Cuban Lucumí, Puerto Rican Santería and American Voodoo. From this religious transformation, the ‘tragic mulatto’ becomes the Black Magic Woman, a signifier of a New World cultural identity.

Table of Contents

• Acknowledgements
• Introduction – From ‘Tragic Mulatto’ to Black Magic Woman: Race, Sex and Religion in Film
• Chapter 1. Womanism and Womanist Gaze
• Chapter 2. Beauty as Power: In/visible Woman and Womanist Film in Daughters of the Dust
• Chapter 3. Passing Strange: Voodoo Queens and Hollywood Fantasy in Eve’s Bayou
• Chapter 4. I’ll Fly Away: Baadasssss Mamas and Third Cinema in Sankofa
• Chapter 5. Not Another West Side Story: Nuyorican Women and New Black Realism in I Like It Like That
• Chapter 6. It Is Easy Being Green: Disney’s Post-Racial Princess and Black Magic Nostalgia in The Princess and the Frog
• Conclusion
• Notes
• Filmography
• Bibliography
• Index

Playing and Praying at Wild Goose — Student Kenji Kuramitsu

The “CURE” for Your Vocation
McCormick Theological Seminary
Chicago, Illinois
2015-08-26

Ryan Kenji Kuramitsu

I had heard of Wild Goose Festival from friends who had braved the woods in years past, but I wasn’t sure it was my kind of thing. I certainly didn’t expect to be a part of the gathering anytime soon. Then my friend Micky asked me to attend. She wanted to know if I would speak on a panel she was moderating, and invited me to present my own workshop as well.

I didn’t know what I would find in Hot Springs, North Carolina other than spending a few days camping out, thinking about God, smiling, and playing music with a bunch of progressive, hippie Christians, many of whom I was only tangentially connected to on social media. I was nervous, but I wanted to see what this festival was all about, and as a lifelong Boy Scout, I felt like I could handle myself in the woods. I told Micky I would come.

I spent the next few weeks trying to think of something productive to contribute to the “Revolutionary Love and Militant Nonviolence” panel that I would speak on with clergy and racial justice advocates Leah Gunning-Francis, Traci Blackmon, and Ethan Vessley-Flad, publically reflecting on our involvement in the Black Lives Matter movement as the one year anniversary of Mike Brown’s death approaches. For my own workshop, I created an hour long presentation exploring how both traditional theological teachings about Christ and contemporary critical mixed race theory can empower multiethnic and mixed race people to live whole, integrated lives…

Read the entire article here.