Mixed Race Studies

Hold Fast to Blackness

Medium
2015-07-29

Chanda Prescod-Weinstein, Assistant Professor of Physics and Astronomy; Core Faculty Member in Women’s Studies
University of New Hampshire

Het Nieuwe Instituut, Rotterdam, Nederland

This is not another essay about how hard it is to be light skinned in a dark man’s world. Why? Because the suggestion that this is a dark man’s world is ridiculous. Unless you’ve had your head up your butt, we quite clearly do not live in a version of the universe where overall it is better to be dark. The reality is that 2Pac was speaking in opposition to mainstream logic when he rapped, “the darker the berry, the sweeter the juice. I say the darker the flesh, the deeper the roots.”

I’m sure there are many light skinned people including those with bi- and multiracial/ethnic families who would complain that 2Pac spoke words of erasure. But to make this complaint is to not acknowledge, plainly, that in fact he is speaking against erasure. To be light skinned, in reality, is to have a choice about what role we play in this process, for or against, constructive or destructive.

I have a Black Caribbean momma and a white Jewish father. My mom’s family hails from Barbados, vaguely of “West African Origin.” We don’t really know where or if maybe we come from somewhere else because identity and language are one of the many things European slave traders and slave owners stole from kidnapped Africans and their descendents. My dad’s family was chased out of the Ukraine and Russia by anti-Jewish pogroms and were Yiddish speaking until it became clear that looking like them and being English speaking was better.

When I was born, my parents were scared to introduce me to my dad’s maternal grandfather. It wasn’t clear whether he would accept a “nigger baby.” This is the first story I know of that clearly delineates the difference between my white father and me. My white father lives in the tent of whiteness: he is accepted as white and is treated as such on the street, in airports, by the police, by shop clerks, by everyone who speaks to and everyone who sees him. My dad lives in a version of the world where who he is is the default and where no one ever had to ask whether he would be excluded by members of his family simply because of his skin color.

It is true that my father has a different experience with the tent of whiteness than his father did in his early years. Born in 1917 in Yiddish-speaking Brooklyn, my Grandpa Norman would have been a dirty Jew to many white non-Jews. But when he died in 1988 Los Angeles, my Grandpa was white with the rest of them. The tent of whiteness expands as people sufficiently European-looking become broadly accepted as, “not-Black, not heading toward Black or any of the other darker kinds.” This expansion is predicated somewhat on the fundamental belief that the darker people are, the more dangerous, deficient and less human they are.

I am dark enough to not live within the tent of whiteness, but I am light enough that many people experience significant confusion when trying to class what level of “not-white, maybe heading toward-Black, deficient” I am. Depending on the year and location, I am a “dirty Arab/Muslim,” a fellow Latina, a Mulatto, a Mizrahi Jew, a half-white person who suspiciously may not be down with Black folks…

Read the entire article here.

Hanif Kureishi: ‘We’re all mixed-race now

The Independent
2011-10-23

James Kidd

Immigration, Islamism, multi-culturalism – as his new collected stories attests, the hottest topics of the day have long been the bedrock of Hanif Kureishi’s fiction. Just don’t get him started on the joys of ‘Big Brother’…

Hanif Kureishi is, by some accounts, a hard man to interview. In the days before our meeting, any number of people insist that the author of My Beautiful Laundrette, The Buddha of Suburbia and The Black Album is cantankerous, sarcastic and prone to lengthy lacunae in the middle of conversation. This portrait is corroborated by some of those closest to Kureishi: his sister and more than one ex-partner have complained of literary parasitism, that their lives have been exploited in the service of Kureishi’s art. It is a charge that he doesn’t exactly refute: “If [your writing] doesn’t upset your family, you must be doing it wrong.”

Perhaps the problem is that no one got him on to the subject of Celebrity Big Brother. This not only sparks his enthusiasm, it proves that Kureishi speaks like he writes – an entertaining mix of irreverent humour, personal revelation and social critique. So a relatively grave discussion about “the psychotic exhibitionism of our time” (or “the age of Jordan”) triggers a lengthy dissection of the recent reality series.

“My missus says Jordan chooses really nice men then destroys them. It seems a good way to pass the time. The cage-fighter [Alex Reid] is a nice bloke – thick, but nice. Unlike Vinnie [Jones]. He was quite hardcore – a naughty, tough daddy. I think Vinnie had an evil edge. People were afraid of him.”…

…What he does remember is the urgency to become a writer. Growing up in Bromley in the 1960s, surrounded by racist teachers, skinheads and the National Front, it was his means to self-expression and political empowerment. “Being a writer was a counter-force to people saying I was a half-caste, a Paki, a mongrel. It was a real thing in the world, an identity. I needed to call myself a writer back then because they were calling me a fucking Paki.” He pauses. “We are all mixed-race now – me, Obama, Tiger Woods, Lewis Hamilton.”

Kureishi says he was fortunate that the themes which distinguished his seminal works – race, immigration, Islam and multi-culturalism – have so profoundly defined 21st-century global culture. “You are lucky if you hit it for five years. I suddenly saw that the story of my father, a Muslim man coming to Britain, was not only his story, it was the story of the West. It was gold dust. No one else was writing about it, and people didn’t welcome it. ‘This is very good, Hanif, but do they have to be Indian in a cornershop?'”

Twenty years after The Buddha of Suburbia helped change the landscape of British fiction, and society, Kureishi continues to have plenty to say. He is certainly still politically engaged and enraged. “My dad’s family always thought that power rendered white people unsophisticated. Look at the stupidity of invading Iraq. Every Muslim would think that was hilarious stupidity. It has destroyed American power in the world. They aren’t going to invade anywhere else now. The Iranians aren’t afraid of them. The Koreans aren’t afraid. How stupid was that strategically, let alone morally? They have, as it were, shot their bolt.”…

Read the entire article here.

Something Old, Something New

BBC Radio 4
2015-10-06

Johny Pitts, Host

Peter Meanwell, Producer

Recorded & mixed! Finished @BBCRadio4 (Engineer Steve Hellier with Johny Pitts) Source: Peter Meanwell

From Sheffield to South Carolina, Johny Pitts explores alternative Black British identity.

What happens when your Dad’s an African-American soul star [Richie Pitts] and your Mum’s a music-loving girl from working class Sheffield? Are your roots on the terraces at a Sheffield United match, or in the stylings of a Spike Lee film? For writer and photographer Johny Pitts, whose parents met in the heyday of Northern Soul, on the dance floor of the legendary King Mojo club, how he navigates his black roots has always been an issue. Not being directly connected to the Caribbean or West African diaspora culture, all he was told at school was that his ancestors were slaves, so for BBC Radio 4, he heads off to the USA, to trace his father’s musical migration, and tell an alternative story of Black British identity.

From Pitsmore in Sheffield, to Bedford Stuyvesant in New York, and all the way down to South Carolina, where his grandmother picked cotton, Johny Pitts heads off on a journey of self-discovery. On the way he meets author Caryl Phillips, Kadija, a half sister he never knew, and historian Bernard Powers. He visits the Concorde Baptist Church in Brooklyn, New York, and the Bush River Missionary Baptist Church, in Newberry, South Carolina. He tracks down a whole host of long-lost cousins, and talks to Pulitzer winning writer Isabel Wilkerson. On the way he shines a light on the shadows of his ancestry, and finds stories and culture that deliver him to a new understanding of his own mixed race identity and history.

Listen to the story here.

Dr. Wanda Wyporska on Witchcraft Persecution

WandaWyporskaWitchcraft
2014-09-07

Dr. Wanda Wyporska

A show reel of Dr Wanda Wyporska talking about witchcraft for the BBC BAME expert days – 2014

Every Family Has Its Secrets: Lacey Schwartz Connects with Film Forward Audiences in Taiwan

Sundance Film Forward
2015-09-24

Lacey Schwartz, Director Little White Lie

This Sundance Film Forward trip to Taiwan marked the Asian Premiere of Little White Lie. It also was my first time ever in Asia. The things that people seemed to say I had to experience while there were the food and the shopping – I was told soup dumplings and night markets were mandatory. I learned that their passion fruit is addictive. What I didn’t have a sense of was how the audiences in Taiwan would respond to Little White Lie. I wondered if they would be confused by the racial identity dynamics. Would they think the film was revealing too much in a public manner? Would they relate to the struggle to come to terms with family secrets and denial? I had shown the film previously in countries that had much more diversity in their society such as Trinidad where the story seemed to strongly resonate. I wondered if the homogeneity of the people in Taiwan would make Little White Lie harder for them to connect to. The screenings showed that my concerns were unwarranted…

Read the entire article here.

Jews in America struggled for decades to become white. Now we must give up whiteness to fight racism.

The Washington Post
2015-09-22

Gil Steinlauf, Senior Rabbi
Adas Israel Congregation, Washington, D.C.

Let’s teach our children that we are, in fact, not white, but simply Jewish.

Adapted from a Rosh Hashanah sermon delivered at Adas Israel Congregation.

This summer, I had a conversation with a young woman about her Jewish identity. She told me how she grew up in a family that was very involved in her synagogue. She went to Jewish day school. She had been to Israel multiple times. But she felt very far from her Jewishness. She simply couldn’t find the relevance of Judaism as she was making her way on her own in the world. I asked her what she did feel passionate about. She told me she has been reading and thinking a lot about racial justice. What moved her was the #BlackLivesMatter movement — how, in light of Ferguson, Charleston and seemingly endless incidents of injustice against black people in our society, she felt a need to grapple with the racism that is so pervasive in this country and how it affects her identity.

“As a white woman,” she said, “as the product of so much white privilege, it makes me all the more angry to see how other white people so blindly and carelessly feed into the racial climate of our society.” “So the fact that you are white makes this issue all the more painful, all the more personal for you?” I asked. “Yes,” she said.

I certainly identified with her angst. I find the reality of American racism unbearable: the legacy of slavery; the institutional discrimination that is so pervasive; the scourge of mass incarceration of black Americans, with its collateral damage on families; the ongoing blight of housing segregation; the role of law enforcement in furthering racist systems and hierarchies; all this, and so much more. My answer to her, and my answer for all American Jews during these Days of Awe, is that finding our true Jewish identity can begin by questioning our whiteness…

Read the entire article here.

Difference of a Different Kind: Jewish Constructions of Race During the Long Eighteenth Century

University of Pennsylvania Press
2014
280 pages
6 x 9
12 illus.
Cloth ISBN: 978-0-8122-4609-4
Ebook ISBN: 978-0-8122-0970-9

Iris Idelson-Shein, Alexander von Humboldt Research Fellow
Martin Buber Professur für Jüdische Religionsphilosophie
Goethe University, Frankfurt am Main

European Jews, argues Iris Idelson-Shein, occupied a particular place in the development of modern racial discourse during the late seventeenth and early eighteenth centuries. Simultaneously inhabitants and outsiders in Europe, considered both foreign and familiar, Jews adopted a complex perspective on otherness and race. Often themselves the objects of anthropological scrutiny, they internalized, adapted, and revised the emerging discourse of racial difference to meet their own ends.

Difference of a Different Kind explores Jewish perceptions and representations of otherness during the formative period in the history of racial thought. Drawing on a wide range of sources, including philosophical and scientific works, halakhic literature, and folktales, Idelson-Shein unfolds the myriad ways in which eighteenth-century Jews imagined the “exotic Other” and how the evolving discourse of racial difference played into the construction of their own identities. Difference of a Different Kind offers an invaluable view into the ways new religious, cultural, and racial identities were imagined and formed at the outset of modernity.

Table of Contents

• Note on Translations and Transliterations
• Introduction
• 1. An East Indian Encounter: Rape and Infanticide in the Memoirs of Glikl Bas Leib
• 2. “And Let him Speak”: Noble and Ignoble Savages in Yehudah Horowitz’s Amudey beyt Yehudah
• 3. Whitewashing Jewish Darkness: Baruch Lindau and the “Species” of Man
• 4. Fantasies of Acculturation: Campe’s Savages in the Service of the Haskalah
• Epilogue. A Terrible Tale: Some Final Thoughts on Jews and Race
• Notes
• Bibliography
• Index
• Acknowledgments

Why some Muslims don’t want Ahmed Mohamed’s blackness to be ignored

The Washington Post
2015-09-17

Abby Phillip, General Assignment Reporter

Ahmed Mohamed is now a 14-year-old with a national following and a long list of powerful people on his calling card.

After he was arrested for bringing a homemade clock to school to impress his teachers, the ninth-grader has become symbolic of the worst skeletons in America’s closet: growing hysteria and over-criminalization in American schools, Islamophobia and racism.

As the news of Mohamed’s plight spread, some of the earliest accounts associated the teen, who is of Sudanese descent, with the word “brown,” a fuzzy bit of racial jargon that typically refers to non-black people of South Asian or sometimes Latin American descent.

And others openly wondered how the world might have reacted to Mohamed’s story if he had been black.

But Mohamed’s racial identity is as complex as the country of his descent. The African nation of Sudan is predominantly Muslim and is comprised of some 600 ethnicities. Arabs and indigenous Africans have intermarried and mixed there for centuries and most speak Arabic…

Read the entire article here.

African Heritage and Memories of Slavery in Brazil and the South Atlantic World

Cambria Press
428 pages
2015-02-06
6 x 9 in or 229 x 152 mm Case Laminate
ISBN: 9781604978926

Edited by:

Ana Lucia Araujo, Professor of History
Howard University, Washington, D.C.

This book explores the history of African tangible and intangible heritages and its links with the public memory of slavery in Brazil and Angola. The two countries are deeply connected, given how most enslaved Africans, forcibly brought to Brazil during the era of the Atlantic slave trade, were from West Central Africa. Brazil imported the largest number of enslaved Africans during the Atlantic slave trade and was the last country in the western hemisphere to abolish slavery in 1888. Today, other than Nigeria, the largest population of African descent is in Brazil. Yet it was only in the last twenty years that Brazil’s African heritage and its slave past have gained greater visibility. Prior to this, Brazil’s African heritage and its slave past were completely neglected.

Even after the abolition of slavery in Brazil, African culture continued to be marginalized. Carnival, religious festivals, as well as Candomblé ceremonies, and capoeira (an Afro-Brazilian martial art) created important spaces of black assertion and insurgency. These cultural traditions were contested by white elites and public authorities, but starting in the 1930s, capoeira became a national symbol and Candomblé temples were gradually officially added to Brazil’s list of heritage sites.

In spite of these developments, the Atlantic slave past has remained absent from the public landscape of Brazilian and Angolan former slave ports, suggesting how difficult it is for these countries to address the painful legacies of slavery. African art and material culture also continued to be excluded from museums and other official institutions. In the rare instances that African artifacts were shown, they would be confined to only certain places dedicated to popular culture and associated with the religious sphere.

Even though public attention on slavery was growing internationally through national and international initiatives (e.g., The Slave Route Project by UNESCO), Brazil and Angola developed very few initiatives for the memorialization of slavery and the Atlantic slave trade. This has started to change slowly in the last decade as Brazil has begun engaging in more initiatives to memorialize slavery and underscore the importance of its African heritage.

Brazil’s slave past and African heritage are emerging gradually in urban and rural areas through different kinds of initiatives led not only by activists but also by scholars in association with black communities. Although in their early stages, most of these projects are permanent programs supported by official agencies. This new configuration suggests that––unlike the case in Angola––in Brazil, slavery and the Atlantic the slave trade are becoming recognized as foundational chapters of the country’s history.

This is the first book in English to focus on African heritage and public memory of slavery in Brazil and Angola. This interdisciplinary study examines visual images, dance, music, oral accounts, museum exhibitions, artifacts, monuments, festivals, and others forms of commemoration to illuminate the social and cultural dynamics that over the last twenty years have propelled––or prevented––the visibility of African heritage (and its Atlantic slave trade legacy) in the South Atlantic region.

The book makes a very important contribution to the understanding of the place of African heritage and slavery in the official history and public memory of Brazil and Angola, topics that remain understudied. The study’s focus on the South Atlantic world, a zone which is sparsely covered in the scholarly corpus on Atlantic history, will further research on other post-slave societies.

African Heritage and Memories of Slavery in Brazil and the South Atlantic World is an important book for African studies and Latin American studies. It is especially valuable for African Diaspora studies, African history, Atlantic history, history of Brazil, history of slavery, and Caribbean history.

Table of Contents

• List of Figures
• Introduction: Wounded Pasts: Memory of Slavery and African Heritage in Brazil (Ana Lucia Araujo)
• Chapter 1: Collectionism and Colonialism: The Africana Collection at Brazil’s National Museum (Rio de Janeiro) (Mariza de Carvalho Soares)
• Chapter 2: Race and Visual Representation: Louis Agassiz and Hermann Burmeister (Maria Helena Machado)
• Chapter 3: Counter-Witnessing the Visual Culture of Brazilian Slavery (Matthew Francis Rarey)
• Chapter 4: Angola in Brazil: The Formation of Angoleiro identity in Bahia (Matthias Röhrig Assunção)
• Chapter 5: Memories of Captivity and Freedom in São José da Serra Jongo Festivals: Cultural Heritage and Black Identity (1888–2011) (Martha Abreu and Hebe Mattos)
• Chapter 6: From Public Amnesia to Public Memory: Re-Discovering Slavery Heritage in Rio de Janeiro (André Cicalo)
• Chapter 7: Uncomfortable Pasts: Talking About Slavery in Angola (Marcia C. Schenck and Mariana P. Candido)
• Chapter 8: “Bahia is a Closer Africa”: Brazilian Slavery and Heritage in African American Roots Tourism (Patricia de Santana Pinho)
• Chapter 9: Preserving African Art, History, and Memory: The AfroBrazil Museum (Kimberly Cleveland)
• Chapter 10: The Legacy of Slavery in Contemporary Brazil (Myrian Sepúlveda dos Santos)
• Bibliography
• Index
• About the Contributors

Spirituality can help us to transcend race consciousness

The Orlando Sentinel
Orlando, Florida
2015-09-02

Charles Michael Byrd, Guest columnist

As someone whom society views as racially mixed, traversing a spiritual path was indispensable for me to achieve happiness by resolving the internal conflicts arising from America’s obsession with the politics of racial identity..

Ultimately the question of how multiracial individuals should identify comes down to the level of individual spiritual consciousness. Does one see himself as the body or the spark of consciousness animating that body? Is one obligated to accept the label society issues at birth, or should one be able to freely name oneself?

Against that backdrop, the Sentinel’s Jeff Weiner’s June 4 article, “Orlando faith leaders: Improving race relations means building relationships” caught my eye and compelled me to reflect on just how inextricably blended race and religion are in America, particularly in the black community.

With Sunday mornings remaining this country’s most segregated time slot, not only have mainstream religions not allowed individuals of all colors to build transcendent interpersonal relationships, but many Americans have soured on the Abrahamic belief systems in favor of innate spirituality. The soul exists beyond racial-identity politics and does not impute value and character onto skin color…

Read the entire article here.