Mixed Race Studies

Bodies complexioned: Human variation and racism in early modern English culture, c. 1600–1750

Manchester University Press
May 2019
304 pages
Hardback ISBN: 978-1-5261-3448-6
eBook ISBN: 978-1-5261-3450-9

Mark S. Dawson, Lecturer in Early Modern History
Australian National University, Canberra

• Challenges received wisdom regarding early modern conceptions of human physiology and their implications for social stratification
• Demonstrates how assumptions concerning the causes of bodily diversity influenced English perceptions of non-Anglophone peoples
• Uses diverse sources, both manuscript (letters, journals, commonplace books) and print (almanacs, newspapers, playbooks, sermons)
• Makes a significant contribution to the history of embodiment and social inequality

Bodily contrasts – from the colour of hair, eyes and skin to the shape of faces and skeletons – allowed the English of the seventeenth and early eighteenth centuries to discriminate systematically among themselves and against non-Anglophone groups. Making use of an array of sources, this book examines how early modern English people understood bodily difference. It demonstrates that individuals’ distinctive features were considered innate, even as discrete populations were believed to have characteristics in common, and challenges the idea that the humoral theory of bodily composition was incompatible with visceral inequality or racism. While ‘race’ had not assumed its modern valence, and ‘racial’ ideologies were still to come, such typecasting nonetheless had mundane, lasting consequences. Grounded in humoral physiology, and Christian universalism notwithstanding, bodily prejudices inflected social stratification, domestic politics, sectarian division and international relations.

Contents

• Introduction
• 1 Contemplating Christian temperaments
• 2 Nativities established
• 3 Bodies emblazoned
• 4 Identifying the differently humoured
• 5 Distempered skin and the English abroad
• 6 National identities, foreign physiognomies, and the advent of whiteness
• Conclusion
• Index

Belgium apology for mixed-race kidnappings in colonial era

BBC News
2019-04-04

Many mixed-race people were in parliament to watch Mr Michel apologise

Belgian Prime Minister Charles Michel has apologised for the kidnapping of thousands of children born to mixed-race couples during colonial rule in Burundi, DR Congo and Rwanda.

The “métis” children born to Belgian settlers and local women were forcibly taken to Belgium and fostered by Catholic orders and other institutions.

About 20,000 children are believed to have been affected.

Most fathers refused to acknowledge the paternity of their children.

The children were born in the 1940s and 1950s and taken to Belgium from 1959 until the independence of each of the three colonies.

Some of the children never received Belgian nationality and remained stateless.

Speaking in the Belgian parliament, Mr Michel said the country had breached the children’s basic human rights, seeing them as a threat to the colonial system.

It had, he said, stripped them of their identity, stigmatised them and split up siblings…

Read the entire article here.

Sorry Music Journalists, Drake is Black.

Canadaland
2015-04-30

Kyrell Grant

Drake, born Aubrey Graham in a city where almost one in ten people are black, is black. Toronto’s greatest civic triumphalist since Jane Jacobs is black. And yet Drake’s own identity – his nationality, his mixed race background that includes Jewish heritage and upbringing, the neighbourhood he once lived in, the schools he went to – is often taken to mean that his black experience is somehow inauthentic.

It feels ridiculous to have to say this: Drake is black.

Drake, born Aubrey Graham in a city where almost one in ten people are black, is black. Toronto’s greatest civic triumphalist since Jane Jacobs is black.

He is a black man as much as any other black man. And yet Drake’s own identity – his nationality, his mixed race background that includes Jewish heritage and upbringing, the neighbourhood he once lived in, the schools he went to – is often taken to mean that his black experience is somehow inauthentic. While certainly not the first artist to have this kind of analysis imposed on him, Drake’s profile means that his art in particular has been prominently used to deny his black experience when it doesn’t conform to someone else’s narrow vision of race…

Read the entire article here.

Henriette Delille is two steps away from becoming a Saint

The Louisiana Weekly
2019-01-02

Henriette Delille

As the Who Dat Nation roots for the New Orleans Saints as they strive to win the NFL Super Bowl in Atlanta, another group of dedicated and faithful folks is eagerly awaiting the day that their Beloved Founder becomes a bonafide Saint in her own right.

Henriette Delille, founder of the Sisters of the Holy Family, is but two steps from being recognized by the Vatican as a Roman Catholic Saint.

Henriette Delille was born in New Orleans, La., on Thursday, March 11, 1813. Her mother, Marie-Josèphe “Pouponne” Díaz, was a free woman of color of New Orleans. Her father Jean-Baptiste Lille Sarpy (var. de Lille) was born about 1758 in Fumel, Lotet-Garonne, France. Their union was a common-law marriage typical of the contemporary plaçage system. She had a brother Jean Delille and other siblings. Their maternal grandparents were Juan José (var. Jean-Joseph) Díaz, a Spanish merchant, and Henriette (Dubreuil) Laveau, a Créole of color. Their paternal grandparents were Charles Sarpy and Susanne Trenty, both natives of Fumel, France. Her maternal great-grandmother is said to be Cécile Marthe Basile Dubreuil, a woman of color considered to be a daughter of Villars Dubreuil, born in 1716, who immigrated to Louisiana from France. Henriette and her family lived in the French Quarter, not far from St. Louis Cathedral…

Read the entire article here.

Bristol school drops Colston name and replaces it with African-American, female mathematician’s

The Bristol Post
Bristol, United Kingdom
2019-02-10

Tristan Cork, Senior Reporter

An 18th century engraving of Edward Colston

All the other house names have been dropped in favour of more diverse role models

One of Bristol’s oldest state schools has decided to ditch the names of its houses – including one named after Edward Colston – in favour of more inspiring names who are better role models.

St Mary Redcliffe and Temple School has a house system with five houses, all named after historic figures from the school’s, and Bristol’s, past.

That system has operated for decades, but from the start of the next academic year in September, they will be replaced.

The school, which is the only Church of England secondary school in the Diocese of Bristol, has come under pressure for its links to the controversial slave trader Edward Colston in recent years, and that included calls to rename one of the five school ‘houses’ which is named after him.

The school groups students into five houses, from when they start in Year 7 to Year 11.

Pupils start in James House in Year 7, before being split into four different houses until they take their GCSEs…

…Colston House will become Johnson House

Katherine Johnson

Edward Colston is one of the most prominent and divisive figures in Bristol’s history. A Bristol-born merchant, he effectively ran the Royal Africa Company in London, before helping to open it up for Bristol.

As well as a statue of him in The Centre, there are roads, buildings, schools and homes named after him, with the use of his name across Bristol increasingly controversial.

Katherine Johnson was an African-American mathematician whose calculations of orbital mechanics were critical to the success of America’s first manned spaceflights.

She effectively worked out how man could land on the moon during the Apollo missions, and her calculations also were essential to the beginning of the Space Shuttle programme. She was portrayed in the 2016 film Hidden Figures.

Read the entire article here.

Pride, no prejudice: we’re young, Jewish and black

The Jewish Chronicle
London, United Kingdom
2019-01-31

Karen Glaser

Yasmin Bowen (left) and Vivien Sinclair (Photo: Benjamin Mole)

Drake, Sophie Okenado and Craig David: three big name examples of Jews who are black. So why do so many people assume all Jews are white? Karen Glaser met some teens who challenge that stereotype.

On Shabbat, frummers often stop Lia Grant on the streets of the Jewish neighbourhood where she lives and ask her to ring doorbells and switch on ovens for them. They preface their requests with a quick explanation of Shabbat and the type of work they are prohibited from doing on Judaism’s day of rest.

However, what they do not know is that far from being a potential Shabbos goy, Lia is a fellow Jew. So by asking her to work, her frum interlocutors are inadvertently committing a serious transgression: they are entreating someone who is obligated to keep Shabbat, to violate it.

“When I tell them I’m Jewish, very awkward shock washes over their faces,” says the JCoss sixth former whose mother is Jewish, Israeli and Nigerian, and whose father is Nigerian and Scottish.

It was a similar story when Lia first joined the Jewish secondary. “Are you Jewish?” her classmates would ask her. And six years later, her intersectional identity often elicits a similar response from non-Jews: “Wow! There’s such a thing as a black Jew?”…

Read the entire article here.

The anxiety of sameness in early modern Spain

Manchester University Press
November 2015
264 pages
Hardcover ISBN: 978-1-7849-9120-3
Paperback ISBN: 978-1-5261-3434-9
eBook ISBN: 978-1-7849-9635-2

Christina H. Lee, Associate Professor of Spanish and Portuguese
Princeton University, Princeton, New Jersey

• Provides a counter-point to studies on marginality by focusing on how dominant groups reacted and responded to the social and racial ‘passing’ of lowborns and New Christians
• Provides a new intervention in our current understanding of how Spanish identity was constructed in the early modern period
• Uses a vast array of literary and non-literary sources to discuss the social tensions that existed between the established elite and the socially mobile
• Written in a clear style, accessible to both historians and literary critics

This book explores the Spanish elite’s fixation on social and racial ‘passing’ and ‘passers’, as represented in a wide range of texts. It examines literary and non-literary works produced in the sixteenth and seventeenth centuries that express the dominant Spaniards’ anxiety that socially mobile lowborns, Conversos (converted Jews), and Moriscos (converted Muslims) could impersonate and pass for ‘pure’ Christians like themselves. Ultimately, this book argues that while conspicuous sociocultural and ethnic difference was certainly perturbing and unsettling, in some ways it was not as threatening to the dominant Spanish identity as the potential discovery of the arbitrariness that separated them from the undesirables of society – and therefore the recognition of fundamental sameness. This fascinating and accessible work will appeal to students of Hispanic studies, European history, cultural studies, Spanish literature and Spanish history.

Contents

• Introduction
• Part 1: The usurpation of nobility and lowborn passers
  • 1. Theorising and practicing nobility
  • 2. The forgery of nobility in literary texts
• Part II: Conversos and the threat of sameness
  • 3. Spotting Converso blood in official and unofficial discourses
  • 4. The unmasking of Conversos in popular and literary texts
• Part III: Moriscos and the reassurance of difference
  • 5. Imagining the Morisco problem
  • 6. Desirable Moors and Moriscos in literary texts
• Conclusion
• Bibliography
• Index

Alice Walker’s Terrible Anti-Semitic Poem Felt Personal — to Her and to Me

Intelligencer
New York Magazine
2018-12-28

Nylah Burton

Photo: Peter Earl McCollough/The New York Times/Redux

When I first read Alice Walker’s The Color Purple, I leaned into every word, inhaling Celie’s tragic and triumphant story. In Celie, I felt the presence and pain of my female family members brought up in rural Alabama. In Walker’s unflinching descriptions of misogyny, domestic violence, homophobia, and incest, I saw an open accounting of issues buried deep within the larger southern black community — and within my own family.

Above all, I was drawn into The Color Purple because it was haunted by ghosts — the ghosts of Alice Walker’s past. Eloquently and bravely, she was able to confront generational trauma by telling a universal tale that still felt faithful to her own story. And it was Walker’s ability to throw open the shutters and allow her ghosts — our ghosts — into her writing that made it so revelatory. It cemented her standing as an acclaimed novelist, a civil-rights icon, and a formidable thought leader in the field of black feminism.

That changed abruptly two weeks ago, after the New York Times invited Walker to list her favorite books in its weekly “By the Book” column. She took the opportunity to promote David Icke’s And the Truth Shall Set You Free, which contains some of the most hateful anti-Semitic lies ever to be printed between covers. As excerpted in the Washington Post, Icke’s book alleged that a “small Jewish clique” had created the Russian Revolution and both World Wars, and “coldly calculated” the Holocaust to boot. Icke has also accused Jews (among others) of being alien lizard people. After a week of criticism, Walker doubled down in her assessment of Icke’s indefensible work, calling him “brave” and dismissing charges of anti-Semitism as an attack on the pro-Palestinian cause…

From left: Mel Leventhal, Rebecca Walker, and Alice Walker, 1970. Photo: CSU Archives/Everett Collection

…In 1967, Alice Walker married a young Jewish civil-rights lawyer named Mel Leventhal. Their interracial marriage — the first such legal union in the state of Mississippi — was still illegal in Walker’s home state of Georgia at the time. Leventhal’s mother was also deeply opposed to the union, and his other family members didn’t allow Alice to attend family events. “Leaving no question about how she felt about her son’s marriage to a shvartse (a pejorative Yiddish term for a black person), Miriam Leventhal sat shiva for her son, mourning him as dead,” Evelyn White writes in Alice Walker: A Life. A source who knows the family told me that Mel preferred to ignore rather than confront his family’s bigotry. This caused Walker to feel increasingly isolated and resentful. The marriage ended in 1976, after the pair had one daughter together, named Rebecca…

Read the entire article here.

The Illusion and Elusiveness of Whiteness: Between Politics and Polemics

ISGAP: Flashpoint
Institute for the Study of Global Antisemitism and Policy
2018-12-04, Flashpoint 52

Katya Gibel Mevorach, Professor in the Anthropology Department; Chair of the American Studies Concentration
Grinnell College, Grinnell, Iowa

Katya Gibel Mevorach is a Professor in the Anthropology Department and the Chair of the American Studies Concentration at Grinnell College in Grinnell, Iowa. She earned her PhD in Cultural Anthropology from Duke University. Prof. Gibel Mevorach received her BA and MA in African Studies from the Hebrew University of Jerusalem in Israel.

The tenor of “identity politics and polemics” has lost listeners even as the tone of debates has intensified: there is a dialectic of tuning in and out of conversations about whether Jews who look white are, in fact, White? The argument, which gained media traction over the last twenty years – a relatively short period of time for some, but a lifetime for millennials – latched on to the phrase “white Jews” set in juxtaposition to “Jews of color” and “Black Jews.” These expressions may have insinuated themselves into the Jewish forum, but they foolishly ignore Jewish and general history. Too many Jews overlook the significance of scientific racism in Nazi ideology and among white supremacists as well as the simple fact that in all racist societies, ancestry always trumps appearance. This is a central lesson from places where domestic genocide (e.g., Belfast, Kigali and Sarajevo) confounds “outsiders” who do not “see” physical distinctions that locals presume to be obvious.

“Whiteness” in America is not and has never been self-evident – and that is the point of passing: of not revealing information that would reposition someone from “being white” to “not quite white” or “not white” at all.^[1] This difference between looking white (appearance) and being white (an existential registry of racial purity) inspired the subtitle of my book “…not the color of your skin but the race of your kin.”^[2] It is this difference that was forcefully communicated by white supremacists in Charlottesville and reiterated in Pittsburgh to the consternation of some Jews who feel entitled to whiteness and cry mea culpa while enjoying its privilege.

The desire to identify as white remains astounding to a few people, like me, who were born in the United States only because one of their Jewish parents was among the lucky few to escape Nazi Europe on a passport listing “Jew” as his or her Race. Once upon a time, not long ago, there was a simple question: are you a Jew or are you white? And the answer might have been: I am a Jew and I am perceived as a white person to the extent that I am not too visibly Jewish [i.e. assimilated]…

Read the entire article here.

I dig through archives to unearth hidden stories from African-American history

The Conversation
2018-12-04

Jane Landers, Gertrude Conaway Vanderbilt Professor of History
Vanderbilt University, Nashville, Tennessee

An archivist works with a document from Paraiba, Brazil. David Lafevor, CC BY-SA

Many years ago, as a graduate student searching in the archives of Spanish Florida, I discovered the first “underground railroad” of enslaved Africans escaping from Protestant Carolina to find religious sanctuary in Catholic Florida. In 1738, these runaways formed Gracia Real de Santa Teresa de Mose, the first free black settlement in what became the U.S.

The excitement of that discovery encouraged me to keep digging. After doing additional research in Spain, I followed the trail of the Mose villagers to Cuba, where they had emigrated when Great Britain acquired Florida. I found many of them in 18th-century church records in Havana, Matanzas, Regla, Guanabacoa and San Miguel del Padrón.

Today, those records and others live on in the Slave Societies Digital Archive. This archive, which I launched in 2003, now holds approximately 600,000 images dating from the 16th to the 19th centuries. Since its creation, the archive has led to new insights into African populations in the Americas…

…Previously unknown church records for Havana’s black Brotherhood of St. Joseph the Carpenter document the membership of Jose Antonio Aponte, executed by Spanish officials in 1812 for leading an alleged slave conspiracy. Our records similarly document the marriage and death of another famed “conspirator” – the mulatto poet Gabriel de la Concepcion Valdes, better known as Placido…

Read the entire article here.