Mixed Race Studies

Race and Nation in Modern Latin America

University of North Carolina Press
March 2003
352 pages
5 illus., notes, bibl., index
6.125 x 9.25
Paper ISBN: 978-0-8078-5441-9

Edited By:

Nancy P. Appelbaum, Associate professor of History
State University of New York, Binghamton

Anne S. Macpherson, Associate Professor of History
State University of New York, Brockport

Karin Alejandra Rosemblatt, Associate Professor of History
Unversity of Maryland

With a foreword by Thomas C. Holt and an afterword by Peter Wade

This collection brings together innovative historical work on race and national identity in Latin America and the Caribbean and places this scholarship in the context of interdisciplinary and transnational discussions regarding race and nation in the Americas. Moving beyond debates about whether ideologies of racial democracy have actually served to obscure discrimination, the book shows how notions of race and nationhood have varied over time across Latin America’s political landscapes.

Framing the themes and questions explored in the volume, the editors’ introduction also provides an overview of the current state of the interdisciplinary literature on race and nation-state formation. Essays on the post-independence period in Belize, Brazil, Colombia, Cuba, Mexico, Panama, and Peru consider how popular and elite racial constructs have developed in relation to one another and to processes of nation building. Contributors also examine how ideas regarding racial and national identities have been gendered and ask how racialized constructions of nationhood have shaped and limited the citizenship rights of subordinated groups.

The contributors are Sueann Caulfield, Sarah C. Chambers, Lillian Guerra, Anne S. Macpherson, Aims McGuinness, Gerardo Rénique, James Sanders, Alexandra Minna Stern, and Barbara Weinstein.

Dreaming Equality: Color, Race, and Racism in Urban Brazil

Rutgers University Press
November 2001
278 pages
6 x 9
Paper ISBN: 978-0-8135-3000-0
Web PDF ISBN: 978-0-8135-5602-4

Robin E. Sheriff, Associate Professor of Anthropology
University of New Hampshire

In the 1933 publication The Masters and the Slaves, Brazilian scholar and novelist Gilberto Freyre challenged the racist ideas of his day by defending the “African contribution” to Brazil’s culture. In so doing, he proposed that Brazil was relatively free of most forms of racial prejudice and could best be understood as a “racial democracy.” Over time this view has grown into the popular myth that racism in Brazil is very mild or nonexistent.

This myth contrasts starkly with the realities of a pernicious racial inequality that permeates every aspect of Brazilian life. To study the grip of this myth on African Brazilians’ views of themselves and their nation, Robin E. Sheriff spent twenty months in a primarily black shantytown in Rio de Janeiro, studying the inhabitants’s views of race and racism. How, she asks, do poor African Brazilians experience and interpret racism in a country where its very existence tends to be publicly denied? How is racism talked about privately in the family and publicly in the community—or is it talked about at all?

Sheriff’s analysis is particularly important because most Brazilians live in urban settings, and her examination of their views of race and racism sheds light on common but underarticulated racial attitudes. This book is the first to demonstrate that urban African Brazilians do not subscribe to the racial democracy myth and recognize racism as a central factor shaping their lives.

Table Of Contents

• Acknowledgments
• Introduction
• Chapter 1 The Hill
• Chapter 2 Talk: Discourses on Color and Race
• Chapter 3 Silence: Racism and Cultural Censorship
• Chapter 4 Narratives: Racism on the Asphalt
• Chapter 5 Narratives: Racism at Home
• Chapter 6 Whiteness: Middle-Class Discourses
• Chapter 7 Blackness: Militant Discourses
• Chapter 8 Conclusion: Dreaming
• Epilogue
• Notes
• References
• Index

Impeachment, culture wars and the politics of identity in Brazil

The Conversation
2016-05-26

Marshall Eakin, Professor of History
Vanderbilt University

Brazil is in the midst of its worst political crisis since the 1960s and possibly its most severe economic downturn in the last 100 years.

The economy will not – and cannot – improve until the country emerges from the political chaos of the moment and puts into place strong and legitimate leadership.

Most of the commentary on Brazil’s current crisis has focused on politics and economics. I believe that a more profound threat generated by this crisis will be to Brazilians’ sense of self – to their very identity as Brazilians.

In my 40 years studying Brazilian history and culture, I have never seen the country more polarized. Over the past decade, I have spent extended periods in Brazil researching and writing “Becoming Brazilians: Race and National Identity in Twentieth-Century Brazil,” which will be published by Cambridge University Press in 2017. More so than many countries, Brazil has had a powerful and dominant narrative of national identity for decades…

…Race and national identity

For much of the 20th century Brazilians of all social groups collectively forged a rich and vibrant cultural nationalism around the notion of mestiçagem — racial and cultural mixing.

The iconic intellectual Gilberto Freyre (1900-1987) produced the most influential version of this narrative. According to Freyre,

Every Brazilian, even the light-skinned fair-haired one, carries with him in his soul, when not in body and soul … the shadow, or at least the birthmark, of the Indian or the Negro.

Many diverse political regimes from the 1930s to the 1980s placed an official seal of government approval on this narrative of mestiçagem. They hoped to publicize Brazil’s supposed “racial democracy” to the world. As I argue in my book, the lived realities of the great masses of Brazilians seemed to provide abundant evidence of the creative power of mestiçagem. Carnaval and Brazilian music like samba and bossa nova arose out of this dynamic mixing. The jazz on the playing pitch of Pelé and other great players produced the world’s most beautiful soccer…

Read the entire article here.

Negras in Brazil: Re-envisioning Black Women, Citizenship, and the Politics of Identity

Rutgers University Press
December 2006
252 pages
6 x 9
Paper ISBN: 978-0-8135-3957-7
Web PDF ISBN: 978-0-8135-4132-7

Kia Lilly Caldwell, Associate Professor of African, African American, and Diaspora Studies
University of North Carolina, Chapel Hill

For most of the twentieth century, Brazil was widely regarded as a “racial democracy“—a country untainted by the scourge of racism and prejudice. In recent decades, however, this image has been severely critiqued, with a growing number of studies highlighting persistent and deep-seated patterns of racial discrimination and inequality. Yet, recent work on race and racism has rarely considered gender as part of its analysis.

In Negras in Brazil, Kia Lilly Caldwell examines the life experiences of Afro-Brazilian women whose stories have until now been largely untold. This pathbreaking study analyzes the links between race and gender and broader processes of social, economic, and political exclusion. Drawing on ethnographic research with social movement organizations and thirty-five life history interviews, Caldwell explores the everyday struggles Afro-Brazilian women face in their efforts to achieve equal rights and full citizenship. She also shows how the black women’s movement, which has emerged in recent decades, has sought to challenge racial and gender discrimination in Brazil. While proposing a broader view of citizenship that includes domains such as popular culture and the body, Negras in Brazil highlights the continuing relevance of identity politics for members of racially marginalized communities. Providing new insights into black women’s social activism and a gendered perspective on Brazilian racial dynamics, this book will be of interest to students and scholars of Latin American Studies, African diaspora studies, women’s studies, politics, and cultural anthropology.

Contents

• Illustrations
• Acknowledgments
• Prologue
• Introduction
• PART ONE: Re-envisioning the Brazilian Nation
  • 1. “A Foot in the Kitchen”: Brazilian Discourses on Race, Hybridity, and National identity
  • 2. Women in and out of Place: Engendering Brazil’s Racial Democracy
• PART TWO: The Body and Subjectivity
  • 3. “Look at Her Hair”: The Body Politics of Black Womanhood
  • 4. Becoming a Mulher Negra
• PART THREE: Activism and Resistance
  • 5. “What Citizenship is This?”: Narratives of Marginality and Struggle
  • 6. The Black Women’s Movement: Politicizing and Reconstructing Collective Identities
• Epilogue: Resenvisioning Racial Essentialism and Identity Politics
• Notes
• References
• Index

Race, revolution and interracial relations: Revisiting rapper Emicida’s video ‘Boa Esperança’, the most courageous video of 2015

Black Women of Brazil
2016-04-25

Note from BW of Brazil: Get ready! Today’s piece is one of those long articles in which you must read every word in order to get the full significance. The rapper known as Emicida is perhaps the most popular rapper in Brazil right now and his star continues to rise. Last year, the rapper released the video for his song “Boa Esperança”, one of the most discussed music videos of last year and for good reason and you will no doubt agree.

The video takes on the realities of race and class in modern day Brazilian society that date back all the way to the colonial era; a colonial era in which masses of Brazilian Indians were massacred and millions of imported Africans were forced to endure unthinkable conditions of cruelty, exploitation and death. As we have seen in numerous posts in the past, many black Brazilians still make references to the Casa Grande (big house/slave master’s home) to describe race relations in modern day Brazil, even as the institution of slavery officially ended in 1888, making Brazil the last country in the Western world to abolish this practice…

Read the entire article here.

The Calumet Roundtable: A Discussion with Samantha Joyce

The Calumet Roundtable
2016-04-07

Lee Artz, Host and Professor of Communication
Purdue University Calumet, Hammond, Indiana

Samantha Joyce, Professor of Mass Communication
Indiana University, South Bend

In this episode of “The Calumet Roundtable,” host Dr. Lee Artz, Professor of Communication at Purdue University Calumet, and guest Dr. Samantha Joyce, Professor of Mass Communication at Indiana University South Bend, chat about the representation of race and gender in telenovelas in Brazil. Telenovelas are respected, serious television programs in Brazil and Latin America which air six days a week for approximately nine months, usually containing a mix of real life issues and melodrama. Joyce gives a brief explanation of the history of race equality in Brazil. Artz and Joyce compare the miniseries in the United States to telenovelas in Brazil, and they talk about socially progressive messages in telenovelas.

Joyce wrote “Brazilian Telenovelas and the Myth of Racial Democracy,” which is an open textual analysis of the telenovela “Duas Caras.” This program was the first of its kind to present audiences with an Afro-Brazilian hero.

A Telenovela, Slavery, and the Diaspora

African American Intellectual History Society
2016-04-17

Greg Childs

A Escrava Isaura, the 1875 novel by Bernardo Guimarães, was one of a number of late 19th century works of fiction in Brazil that focused on abolitionism. The story revolves around a young enslaved girl named Isaura, her efforts to gain freedom and become married to Alvaro, a wealthy white man who believes fervently in abolition, as well as her trials and tribulations with the plantation overseer who aims to seduce her and make her his concubine. It was quite transparently an anti-slavery propaganda novel. But it was also quite transparently an idealized romance, an effort to portray liberal whiteness as a heroic and saving grace for enslaved peoples. The novel was a huge success in Brazil and catapulted the author to immediate national fame.

Later in 1976 the novel would be reconceptualized as a television show, or telenovela. It was wildly successful and became one of the most watched television programs in the world, broadcasted in over 80 countries. It was undoubtedly a smash success in South America but also in the Soviet Union, China, Poland, and Hungary. In fact, it was in Hungary where the most intriguing- or depending on your perspective, most comical- story about the telenovela comes to us. According to legend, it was in Hungary in the 1980s where the faithful viewers of Escrava Isaura took up collections after the final episode of the series to help purchase Isaura’s freedom…

Read the entire article here.

Poetry Betrays Whiteness

Harriet: A Poetry Blog
Poetry Foundation
2016-04-12

Lucas de Lima (Introduction by Daniel Borzutzky)

Among the many pointed questions that Lucas de Lima raises in “Poetry Betrays Whiteness” is that of how positions of unitedstatesian privilege can be used “to fight structural inequality and global anti-blackness.” This far-reaching essay touches upon, among other things, conceptions of race in the U.S. and Brazil; afro-Brazilian artists who have offered alternative conceptions; and a fascinating discussion of the ways that Brazilian Portuguese has been shaped by indigenous and African influences.

Lucas concludes by drawing our attention to a racist and sexist post on Harriet in 2008 that I had never seen before, and which sadly seems illustrative of the disgusting racism embedded in U.S. literary institutions that has been exposed in the past few years. Lucas asks, among other things, for the Poetry Foundation to take responsibility for the publication of the racist post it provided a platform for. This is a fair request, and one that I second. We should know why such posts are published. Editorial policies surrounding racist content should be clearly articulated and transparent…

…When I’m in Brazil—the country with the largest Black population in the world outside of Africa—I am not a light-skinned Latino or a person of color. I occupy the position of a white person.

Lately, moving between racial categories has magnified my political feelings. The more time I spend in the country I left as a child, the more I hone the grief and rage that whiteness, as a global logic, provokes in me. For every Black person killed by the police in the U.S., countless more are killed in Brazil. In both places, the rise of police brutality and mass incarceration is one condition of racialized life. Another is the exploding suicide rate in Native communities, particularly among youth.

I think of nation-states as inherently militarized spaces articulated through each other. When Frederick Douglass said Brazil was less racist than the U.S. in its treatment of freed slaves, he anticipated the self-fashioning of a ‘racial democracy’ whose mixture would be defined against U.S.-style segregation. Like the vast majority of Brazilians, I have mixed-race ancestry. Because my nonwhite ancestors survived, I am alive and need to be explicit about the horrors of miscegenation—the rape of African and Indigenous women by Portuguese men. My light skin is the result of policies that whitened the population by incentivizing European immigration at the turn of the century. I think all the time about how the state transmits white supremacy through my body. My phenotype encodes a national fear of being too black and brown. As in other slaveholding societies, the idea that Brazil could one day be Haiti haunted the elite…

Read the entire article here.

How Soccer Helped Brazil Embrace Its Racial Diversity

Zócalo Public Square
KCRW
Santa Monica, California
2016-04-06

Joshua Nadel, Associate Professor of History
North Carolina Central University

Brazil—as two recent book titles point out, and almost any kid kicking a ball anywhere in the world can tell you—is the country of soccer. While the modern sport’s actual birthplace is England, Brazil is the spiritual center of the sport. Brazil, whose beloved canarinho team is the only one to play in all World Cups and to have won five, perfected the English invention, inspiring a more poetic, fluid version of the game. And while Brazil made modern soccer, the extent to which soccer made modern Brazil is often underappreciated.

The sport landed in Brazil (and throughout Latin America) at the moment of the creation of the modern nation state, in the late 19th century. As a result it tied into the historical narratives—the stories that Brazilians crafted about themselves—that underpinned the nascent nation. Soccer helped to knit Brazil together into one country in the early 20th century and played a key role in incorporating people of African descent into the polity.

Soccer arrived in Brazil in the 1890s, brought by British workers and Anglo-Brazilian youth who were returning from school in England. At first played in elite social clubs like the São Paulo Athletic Club, the sport soon diffused downwards to the masses, and by the first decades of the 20th century was already the most popular sport in the country. Most soccer histories in Latin America suggest two separate “births”—the foreign birth marked by arrival of sport and the dominance of expatriate teams; and the national birth, when the local youth began to beat the Europeans at their game. In Brazil a third birth exists: when Afro-Brazilians enter the field in large numbers…

Read the entire article here.

Whiteness and Miscegenation: Ethnographic Notes, Social Classifications and Silences in the Brazilian Context

Studi Culturali
Volume VII, Number 1, April 2010
pages 87-102
DOI: 10.1405/31883

Valeria Ribeiro Corossacz
Dipartimento di studi linguistici e culturali
Università degli studi di Modena e Reggio Emilia

This article presents some reflections from ongoing research on white upper-middle class men in Rio de Janeiro. The analysis of the construction of whiteness as an object of ethnographic enquiry permits us to consider the specificities and difficulties of ethnographic research on a category that in Euro-Western and Brazilian contexts represents the Self through which the social and cultural Other is defined. From these premises the article investigates what it means to classify him/herself and to be classified as white in Brazilian society, historically characterised by a valorisation of miscegenation and currently by a heated debate on anti-racist policies. The material presented shows how the invisibility of whiteness is associated on the one hand to the perception of the privilege connected to it, on the other hand to the pre-eminence of social class as an interpretive category.

Read or purchase the article here.