Crimes of passing: The criminalization of blackness and miscegenation in United States passing narratives

Posted in Dissertations, Literary/Artistic Criticism, Media Archive, Passing, United States on 2012-07-18 01:09Z by Steven

Crimes of passing: The criminalization of blackness and miscegenation in United States passing narratives

University of California, Los Angeles
2005
158 pages
Publication Number: AAT 3175169
ISBN: 9780542133046

Susan Elaine Bausch

A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature

Between approximately 1880 and 1925, large numbers of legally black Americans crossed the color line and identified as white; in common parlance, they “passed.” After Reconstruction, the South attempted to legislate the separation of the races by enacting “Jim Crow” laws that mandated segregation and prohibited miscegenation (at least within marriage). This meant that many passers were not just violating a social taboo by crossing the color line, they were also breaking the law. Even in the North, there were some anti-miscegenation laws on the books, although convention and prejudice probably played a bigger role in limiting mixed-race marriages. In effect, these laws made it a crime for a black person to do what a white person did, which means that blackness itself was criminalized.

Crimes of Passing explores the overlap between racial passing and criminality as it plays out in three passing narratives that are also crime stories: Mark Twain’s Pudd’nhead Wilson (1894), Nella Larsen’s Passing (1929), and William Faulkner’s Light in August (1932), as well as James Weldon Johnson’s The Autobiography of an Ex-Coloured Man (1912). In the first three novels, the protagonist is a passing figure who also commits murder (and sometimes other crimes). The final novel in my study deviates from this pattern in that the protagonist’s passing is successful and he commits no crimes (other than periodically violating Jim Crows laws); his narrative is about freedom from legal and extralegal harassment (in other words, about not being treated like a criminal), rather than the danger involved in crossing (and policing) racial boundaries.

Read together, these novels create a compelling critique of America’s history of criminalizing blackness and the crossing of racial boundaries. My methodology is primarily historical; to inform my reading of fictional representations of passing, I rely on court records and contemporary newspaper accounts of relevant court cases, race-based lynchings, and common attitudes towards miscegenation, as well as the novelists’ autobiographies (when available). Placing these narratives in a legal and socio-historical context reveals their participation in a fascinating inter-textual dialogue between art, public opinion, and the law that is still ongoing.

Table of Contents

  • Acknowledgements
  • Introduction
  • Chapter One: Imitation White and Secret Murderers: The Criminalization of Blackness in Mark Twain’s Pudd’nhead Wilson
  • Chapter Two: Feminine Transgressions: Crossing Racial and Sexual Boundaries in Nella Larsen’s Passing and the Rhinelander Case
  • Chapter Three: Passing for What?: Joe Christmas’s Racial Uncertainty and Criminal Fate in William Faulkner’s Light in August
  • Chapter Four: A Passing Success: The Cost of Mobility in James Weldon Johnson’s The Autobiography of an Ex-Coloured Man
  • Conclusion
  • Works Cited

Purchase the dissertation here.

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God’s governor: George Grey and racial amalgamation in New Zealand 1845-1853

Posted in Dissertations, History, Media Archive, Oceania, Politics/Public Policy on 2012-07-11 17:44Z by Steven

God’s governor: George Grey and racial amalgamation in New Zealand 1845-1853

University of Otago, Dunedin, New Zealand
August 2005
346 pages

Susannah Grant

A thesis submitted for the degree of Doctor of Philosophy at the University of Otago, Dunedin, New Zealand

The legend of Governor Grey is a major feature of nineteenth century New Zealand historiography. This thesis seeks to understand Grey as a real person. Acknowledging the past as a strange and foreign place, it argues that Grey (and previous interpretations of him) can only be understood in context. The intellectual milieu of liberal Anglicanism and Victorian structures of imperial authority are crucial to understanding Grey’s policies of racial amalgamation.

Focusing on Grey’s first governorship of New Zealand, 1845 – 1853, this thesis begins by exploring the imperial networks within which he operated. The members of Grey’s web gathered and shared information to further a range of different agendas – scientific, humanitarian, and political. Grey’s main focus was native civilisation. His ideas about race were informed by liberal Anglican theology, scientific investigation and personal experience. Grey believed in the unity and improvability of all mankind. His mission as governor was to elevate natives to a state of true equality with Europeans so that all could progress together still further up the scale of civilisation. This model formed the basis of Grey’s 1840 plan for civilising native peoples, in which he proposed a range of measures to promote racial amalgamation in Australia.

Between 1845 and 1853 Grey implemented those measures in New Zealand. He used military force and British law to establish peace and enforce Crown authority. He used economic policies to encourage Māori integration in the colonial economy. He built schools and hospitals and enacted legislation to encourage the best features of British culture and limit the effects of its worst. He also augmented his power and encouraged amalgamation through personal relationships, official reports and the structures of colonial authority.

Grey was driven by complex, sometimes contradictory motives including personal gain, economic imperatives and political pressures. His policies have had ongoing, often devastating effects, on Māori and on race relations in New Zealand. This thesis brings to light the ideas and attitudes which formed them. Grey understood himself as a Christian governor ordained to civilise Māori and join them with British settlers in accordance with God’s divine plan for improving humankind.

Table of Contents

  • Introduction: Beyond Black and White
  • 1. Information and Improvement: an Imperial Web
  • 2. Civilising Schemes: Ethnography and Empire
  • 3. Law and War: the Politics of Humanitarian Control
  • 4. Economic Integration: Land, Labour and Loans
  • 5. Social Elevation: Education, Health and Culture
  • 6. Personal Rule: Performing Authority
  • Conclusion
  • Bibliography

Read the entire dissertation here.

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Mining the garrison of racial prejudice: The fiction of Charles W. Chesnutt and turn-of-the-century White racial discourse

Posted in Dissertations, Literary/Artistic Criticism, Media Archive, Passing, United States on 2012-07-09 01:22Z by Steven

Mining the garrison of racial prejudice: The fiction of Charles W. Chesnutt and turn-of-the-century White racial discourse

University of Illinois, Urbana-Champaign
1995

Robert Carl Nowatzki

This dissertation analyzes the fiction of Charles Waddell Chesnutt (1858-1932), the first black fiction writer published by a major American firm and widely reviewed and read by white critics and readers. My analysis focuses on the conflict between Chesnutt’s anti-racism and his attempt to make his critiques less threatening to his white publishers, critics, and readers. In order to demonstrate the ideological and discursive forces that Chesnutt resisted, I juxtapose his works with fiction and nonfiction prose by popular white authors and reviews of his work by white critics.

Chapter One provides the biographical, historical, ideological, and literary contexts of Chesnutt’s work. Each of the following five chapters examines one of Chesnutt’s books of fiction alongside literature by whites which deals with similar subjects and often expresses popular racist assumptions that Chesnutt’s fiction contests. Each chapter also demonstrates how white reviewers of his work often reiterated the racism that he resisted and dismissed him as a biased “Negro” author. Chapter Two interprets Chesnutt’s collection of plantation tales The Conjure Woman (1899) along with plantation fiction by Thomas Nelson Page and Joel Chandler Harris and pro-slavery nonfiction essays by Page and Philip Alexander Bruce. Chapter Three examines the treatment of miscegenation and depiction of mulattoes in Chesnutt’s collection of stories The Wife of His Youth (1899) in conjunction with anti-miscegenation literature by Page, Thomas Dixon, Jr., William Smith, and William Calhoun. Chapter Four focuses on the issue of passing and the “tragic octoroon” convention in Chesnutt’s novel The House Behind the Cedars (1900) and in novels by William Dean Howells, Gertrude Atherton, and Albion Tourgée. Chapter Five analyzes how Chesnutt’s 1901 novel The Marrow of Tradition critiques the black disfranchisement, segregation, and racial violence defended by Page, Dixon, Calhoun, Smith, and Bruce. Chapter Six interprets Chesnutt’s critique of sectional conflict and the “New South Creed” in his 1905 novel The Colonel’s Dream along with Henry Grady’s 1886 “New South” speech and literature by Tourgee, Harris, Page, Dixon, and Bruce. Chapter Seven briefly surveys the neglect and subsequent recovery of Chesnutt’s fiction since his death, and emphasizes the importance of studying his work in its historical, ideological, and literary contexts.

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Branding Blasians: Mixed Race Black/Asian Americans in the Celebrity Industrial Complex

Posted in Asian Diaspora, Communications/Media Studies, Dissertations, Media Archive, United States on 2012-07-08 14:46Z by Steven

Branding Blasians: Mixed Race Black/Asian Americans in the Celebrity Industrial Complex

University of Illinois at Urbana-Champaign
May 2012
235 pages

Myra Washington, Assistant Professor of Communication & Journalism
University of New Mexico

Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign

Contemporary multiracial discourses rely on two overarching frames of mixed-race: mixed-race as uniquely new phenomenon and mixed race as resistant to dominant paradigms of race and racism. Both have been necessary for multiracial activists and the mixed race movement, and have served as the foundation for much of the current research in mixed race studies. This dissertation posits that a third frame exists, one that neither sees mixed-race as new or unique, nor as a racial salve to move the United States past the problem of the color line. This third paradigm is pluralistic, fluid in its ambiguity, and allows for the potential of ambivalence and contradictions within mixed-race.

This paradigmatic shifting view of race rearticulates what it means to be Black, Asian, Other, and results in the creation of multiracial/other subjectivities which can become a formidable obstacle to the racial order of the United States. Importantly, this dissertation argues Blasians trouble the logic of existing U.S. racial classifications, without establishing their own. Blasians (mixed-race Black and Asian people) are challenging the hegemony of race constructed around the lives of not just Blacks and Asians, but all members of U.S. society, as we are all embroiled in the illogical (and contradictory) discourses framing our identities.

I do not offer Blasians as a racial salve, as resistant to or prescription for either race or racism through virtue of their mixed-race bodies. Instead, I have used this dissertation to describe the emergence of Blasians, not to add to the research that divides monoracials from multiracials, but to muddle the lines between them. The analyses of these celebrities acknowledge that to understand what is a Blasian, means to first understand, and then complicate, hegemonic notions of race as it applies to both Blacks and Asians. Contextualized against those dominant discourses, Blasians explode the narrow boundaries of authenticity around racialized categories. Blasians, as I discuss them in this dissertation do not escape race, or erase race, but they do force the reconstruction of normative instantiations of identity.

Read the entire dissertation here.

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Parading Respectability: An Ethnography of the Christmas Bands movement in the Western Cape, South Africa

Posted in Africa, Anthropology, Dissertations, History, Literary/Artistic Criticism, Media Archive, South Africa on 2012-07-08 14:31Z by Steven

Parading Respectability: An Ethnography of the Christmas Bands movement in the Western Cape, South Africa

University of Illinois, Urbana-Champaign
May 2012
238 pages

Sylvia R. Bruinders


The Christmas Bands march through Adderley Street late at night during the “festive season” in Cape Town, 2001.
Picture by Henry Trotter. The author releases it to the public domain.

A Dissertation Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology

In this dissertation I investigate the Christmas Bands Movement of the Western Cape of South Africa. I document this centuries-old expressive practice of ushering in the joy of Christmas through music by way of a social history of the colored communities. The term colored is a local racialized designation for people of mixed descent–often perceived as of mixed-race by the segregationist and apartheid ideologues. In the complexity of race relations in South Africa these communities have emerged largely within the black/white interstices and remained marginal to the socio-cultural and political landscape. Their ancestral area is the Western Cape where most still live and where several of their expressive practices can be witnessed over the festive season in the summer months from December through March. The Christmas Bands Movement is one of three parading practices that are active during this period.

Drawing on Foucault’s notion of “embodied subjectivity” and Butler’s work on gender and performativity, I explore three main themes, two of which are overlapping, throughout this dissertation. First, I investigate how the bands constitute themselves as respectable members of society through disciplinary routines, uniform dress, and military gestures. Second, I show how the band members constitute their subjectivity both individually as a member and collectively as a band; each has a mutual impact on the other. Even though the notion of subjectivity is more concerned with the inner thoughts and experiences and their concern with respectability is an outward manifestation of a social ideal, these two themes overlap as both relate to how the members constitute themselves. Third, I explore how the emergent gender politics, given renewed emphasis in the new South African constitution (1995) has played out in local expressive practices through the women’s insistence on being an integral part of the performance activities of the Christmas Bands Movement. Their acceptance into the Christmas Bands has transformed the historically gendered perception of the bands as male-only expressive forms. Furthermore, I will illustrate how this cultural practice has gained in popularity during the last seventeen years of democratic rule in South Africa, which may suggest that the historical marginality of the communities is still very present.

Read the entire dissertation here.

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In Praise of Michelle Cliff’s Creolite

Posted in Dissertations, Literary/Artistic Criticism, Media Archive on 2012-07-01 23:01Z by Steven

In Praise of Michelle Cliff’s Creolite

North Carolina State University
2002-11-13
62 pages

Quincey Michelle Hyatt

A thesis submitted to the Graduate Faculty of North Carolina State University in partial fulfillment of the requirements for the Degree of Master of Arts—English

Focusing on feminism, language, and history, this thesis explores the ways in which the theories of creolization set forth in Michelle Cliff’s novels, Abeng (1984), No Telephone to Heaven (1987), and Free Enterprise (1990), explain existence in an increasingly cross-cultural world.

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Re-searching Metis Identity: My Metis Family Story

Posted in Autobiography, Canada, Dissertations, Identity Development/Psychology, Media Archive on 2012-06-30 21:37Z by Steven

Re-searching Metis Identity: My Metis Family Story

University of Saskatchewan, Saskatoon
April 2010
200 pages

Tara Turner

A Thesis Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of Psychology

This research explores Metis identity through the use of a Metis family story. The participants of this Metis family were my father and his two sisters and his two brothers. As children, they lost both their parents at the same time in a car accident. After the death of their parents my participants all encountered the child welfare system, through adoption, orphanage, and foster care. Through adoption, the two youngest participants were separated from their siblings, and any knowledge of their Metis heritage, until they were adults. Individual interviews were conducted with each participant to gather their life stories. Two additional gatherings of the participants were completed in order to share individual and family stories. The second and final gathering was conducted as a talking circle. A culturally congruent qualitative research process was created with the use of stories, ceremonies, and the strengthening of family relationships. Analysis was completed with the use of Aboriginal storytelling guidelines. The themes examined through my family’s story include trauma, the child welfare system, and Metis identity. A significant piece of the research process was the creation of a ‘Metis psychological homeland’ (Richardson, 2004, p. 56), a psychological space of both healing and affirming Aboriginal identity. This dissertation is an example of how research can be completed in a way that does not perpetuate the mistrust between Aboriginal people and researchers, and that works to improve this relationship.

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Understanding the Racial Identity Development of Multiracial Young Adults through their Family, Social and Environmental Experiences

Posted in Dissertations, Family/Parenting, Identity Development/Psychology, Media Archive, United States on 2012-06-18 15:03Z by Steven

Understanding the Racial Identity Development of Multiracial Young Adults through their Family, Social and Environmental Experiences

Catholic University of America
2012
184 pages

Lisa Sechrest-Ehrhardt

A DISSERTATION Submitted to the faculty of the National Catholic School of Social Service of The Catholic University of America
In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy

This study explored the development of healthy racial identity in multiracial young adults.  The design of the study was qualitative with a constructivist epistemology, and data were analyzed via the grounded theory methods of constant comparative analysis.  The conceptual frameworks grounding the study were Symbolic Interaction theory, identity theory, and racial identity theory.  The sample of 15 participants was drawn from a larger non-random purposive sample by their scoring in the “ethnic identity achieved” range on the Multigroup Ethnic Identity Measure (MEIM). The researcher engaged the participants in one to two hour face-to-face semi structured interviews in which she explored their lived experiences to understand their perspectives of the process of developing a healthy multiracial identity and to understand their ability to border cross. Border crossings are strategies used by individuals in their daily interactions with others and within the environment of multiple groups.  They include having the ability to carry multiple racial and or ethnic perspectives simultaneously, and being able to shift one’s racial identity with regards to the situational context or the environment (Miville et al., 2005; Root, 1996). From the analysis of the interview data 119 categories emerged that were collapsed into eight subcategories and ultimately three core categories.  From the core categories, three themes emerged: (1) an early supportive environment provided a stable foundation that allowed participants the opportunity to figure out who they are; (2) a strong multiracial identity was facilitated through the frequent challenge in growing up of the ubiquitous question from others, “What are you?”; and, (3) Those with a healthy multiracial identity have developed the capacity to  travel with ease across the borders of different racial, ethnic, and cultural groups of people. Participants appreciated and integrated their racial heritages. They embraced the uniqueness of being multiracial, continued to explore their racial identity, and as a result developed a whole and integrated healthy multiracial identity.

Read the entire dissertation here.

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In the Shadow of Her Ancestry: The New Tragic Mulatta

Posted in Dissertations, Literary/Artistic Criticism, Media Archive, Passing, United States, Women on 2012-05-26 22:03Z by Steven

In the Shadow of Her Ancestry: The New Tragic Mulatta

North Carolina State University, Raleigh
2004
60 pages

Vonda Marie Easterling

A thesis submitted to the Graduate Faculty of North Carolina State University in partial fulfillment of the requirements for the Degree of Master of Arts

This thesis examines the plight of the infamous tragic mulatta. Because of the mulatta’s lack of black features and her close resemblance to the white race, she was labeled by white society as the privileged of the black race. She was also referred to as the most tragic of all beings and elevated by white society over the darker skinned blacks. Thus, the mulatta found herself in a peculiar position in a race oriented, black-white society. Isolated from the black community and rejected as a part of the white community, the mulatta’s existence was then considered tragic.

Over the years, social and emotional change has occurred within the mulatta community. No longer considered the taboo of transgression, the mulatta still suffers from many of the same injustices as her ancestral mulatta. This research examines the psychological and emotional effects depicted in the 1959 film of Fannie Hurst’s Imitation of Life with sections of Toni Morrison’s The Bluest Eye and events from actress Dorothy Dandridge’s life. The research also analyzes Passing, Nella Larsen’s complex novel of the 1920s, to interrogate the strategy that many unidentifiably mulatto people mastered in order to achieve social and financial mobility. Lastly, the research explores the experience of the contemporary mulatta through Rebecca Walker’s memoir, Black, White and Jewish: Autobiography of a Shifting Self, in order to explore the issues of the newly termed bi-racial person. The research explores the lineage between the historical mulatta figure and the new bi-racial persons to defuse the theory of the tragic mulatta as a mythical allusion.

Table of Contents

  • Introduction
  • Chapter One: Reel to Real: The Cinematic Mulatta
  • Chapter Two: To ‘Pass’ or Not to ‘Pass’: The Multi-Layered Practice of ‘Passing’
  • Chapter Three: As Time Goes By: The New Tragic Mulatta
  • Conclusion
  • Works Cited

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The Black Peril and Miscegenation: The Regulation of Inter-racial Sexual Relations in Southern Rhodesia, 1890-1933

Posted in Africa, Canada, Dissertations, History, Law on 2012-05-26 15:33Z by Steven

The Black Peril and Miscegenation: The Regulation of Inter-racial Sexual Relations in Southern Rhodesia, 1890-1933

McGill University, Montreal, Quebec, Canada
September 1991
140 Pages

Katherine Gombay

A Thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements of the degree  of M.A.

For over forty years, at the turn of this century, the white settlers of Southern Rhodesia devoted considerable energy to the discussion and the regulation of inter-racial sexual relations. The settlers’ worries about maintaining their position in power were expressed, in part, in the periodic outbreaks of ‘black peril’ hysteria, a term which well-captures white fears about the threat that African men were thought to represent to white women. Although voluntary sexual encounters between white women and black men were prohibited from 1903 onwards, no such prohibition existed for white men in their relations with black women. The white women made several attempts to have legislation passed prohibiting such liasons, and failed largely because in doing so they were perceived to be challenging the authority of the white men. The regulation of interracial sexual intercourse thus served to reinforce the white male domination of Rhodesian society.

Table of Contents

  • Introduction
  • Chapter 1—Setting the Scene: The White Settlement of Southern Rhodesia, 1890-1903.
  • Chapter 2—1903-1916: The Black Peril and the Immorality Acts.
  • Chapter 3—The Miscegenation Debates, 1916 -1930.
  • Conclusion
  • Bibliography

Read the entire thesis here.

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