Mixed Race Studies

Mixed: Documentary to Explore Interracial Families

American University
Washington, D.C.
2016-12-15

Gregg Sangillo, Online Writer

School of Communication professors Leena Jayaswal (l) and Caty Borum Chattoo (r) are making a film about interracial families in the United States.

It took a while for documentary filmmakers Leena Jayaswal and Caty Borum Chattoo to realize that they were part of their own story. They’re both in interracial marriages with biracial children, and that’s the subject of their upcoming film, Mixed.

“Everybody kept telling us this film is about the two of you. And we said, ‘No, it’s not.’ But then somebody would say, ‘Why are you making this film?’” Jayaswal recalls.

The documentary is a travelogue—talking with people in Atlanta, Cleveland, Houston, and Los Angeles, among other places—but Jayaswal and Borum Chattoo are inextricably linked to the subject matter at hand.

“It’s a journey film about the two of us finding mixed-race stories across America,” says Jayaswal, an associate professor at American University’s School of Communication.

Throughout the process, they’ve discovered so much more about their country—and themselves. “We actually had all these questions. How does mixed-race identity develop? So we talked to a psychologist about that. What’s the media representation? So we talked to a bunch of Hollywood people. So we’re finding those answers,” says Borum Chattoo, an executive in residence at SOC…

Read the entire article here.

Three movies this year show Virginia’s racial history. In short, it’s complicated.

The Washington Post
2016-12-22

Stephanie Merry, Reporter

Ruth Negga and Joel Edgerton as Mildred and Richard Loving in the movie “Loving.” (Ben Rothstein/Focus Features)

“Loving” shows Virginia at its most romantic and picturesque. Toward the beginning of the drama, a man takes his pregnant wife-to-be to an empty field and tells her in a slow drawl, “I’m going to build you a house right here.”

The couple stand on a patchy, tree-lined stretch of grass, the rhythmic buzzing of cicadas pulsing around them. Low-hanging clouds pass languidly overhead, and the grass flutters in the breeze; humidity practically radiates off the screen.

In the movie, Virginia is the place where these sweethearts, played by Golden Globe nominees Joel Edgerton and Ruth Negga, meet and fall for each other in the mid-1950s. But it’s also the place where a white man and his wife, who’s black and Native American, would get arrested for the crime of cohabitating. Virginia forced Richard and Mildred Loving to go to jail or leave the state they loved, and they spent nearly a decade in Washington, D.C., trying to return.

Virginia showed up in three major movies this year, all based on true stories. “The Birth of a Nation,” a drama about the 1831 slave uprising led by Nat Turner, takes place in Southampton County, not far from the setting of “Hidden Figures,” which opens Sunday and tells the story of black female mathematicians working for NASA during the space race.

These dramas capture the conflicted nature of the commonwealth — the way progress and resistance are in constant battle, with some citizens rejecting the status quo just as forcefully as others cling to it…

Read the entire article here.

Are Brazilians Latinos? What their identity struggle tells us about race in America

The Conversation
2016-12-20

Frances Negrón-Muntaner, Professor of English and Comparative Literature
Columbia University, New York, New York

Bikini waxes, keratin hair blowouts and all-you-can-eat steakhouses.

In the United States, all three are closely associated with the word “Brazilian.” Yet, although none of these things are linked to Latino identity, one of the questions that journalists frequently ask me is, “Are Brazilians Latinos?” Surprisingly, many Brazilian-Americans also ask me the same question. As one of my students put it, “Because ‘Brazilian’ is not an option in any census, job or college form, you get older and wonder, where do I fit in?”

The confusion is warranted.

It illuminates how U.S. public discourse and policy classifies 57 million people from very different ethnic, racial and national backgrounds into the categories of “Latino” and “Hispanic.” That Brazilians do not quite fit the box enables us to probe the terms “Latino” and “Hispanic” and their implications. This is important at a time when Latinos are reaching 18 percent of the U.S. population…

Read the entire article here.

The people running the media are the problem

Nieman Lab
2016-12-13

Matt Waite, Founder, Drone Journalism Lab; Professor of Journalism
University of Nebraska

This month, I spent a week surrounded by bright, well-meaning journalism and tech thinkers. Session after session, day after day, conversations kept coming back to these questions: How do we restore trust in media? How do we reach Middle America? What do we do about fake news?

Here’s my prediction for 2017. It’s the safest prediction I could make beyond the sun coming up in the morning. It’s aimed right at the people who run news organizations.

You won’t fix this. Any of this. Not in 2017. Not soon…

Read the entire article here.

Black-ish Recap: The Bunny Magnet

Vulture
2016-12-01

Nichole Perkins

It’s been a while since we’ve had such a perfect episode of Black-ish, but “Being Bow-racial” was worth the wait. Junior’s [Marcus Scribner]white girlfriend sends Bow [Tracee Ellis Ross] on the sort of identity crisis she hasn’t had since college. She narrates, giving us a much-needed break from Dre’s [Anthony Anderson] sensitive ego. Johan [Daveed Diggs] even returns, with a growing attraction to Ruby [Jenifer Lewis]. Yes, that’s right. It’s an incredible episode.

Bow meets Junior’s white girlfriend, Megan [Annelise Grace], who had saved him from a bunch of bullies, and Bow instantly hates her. Dre figures out Bow dislikes Megan because she’s white and it fills him with glee. Their mistrust of white people is something they can use to bond as they grow old together. He’s surprised because Bow claims not to see color, and she reminds him that’s not who she is. Johan thinks they should overlook all the race stuff and celebrate the fact that Junior has a girlfriend. After all, Junior is a tough sell. He wears a cape.

Although Dre is enjoying Bow’s anti-Megan feelings, Ruby is confused by them. Ruby knows it’s natural to hate the women your son brings home to date, but Bow has a white father. She tells Bow that she’s white, which Bow denies. Ruby tells her a black woman would be able to tell if someone was sneaking in in the middle of the night to cut off inches of her hair. Not that Ruby has been doing that to Bow. Of course not. Ruby tells Bow that if she knew who she was, she wouldn’t have any issues with Junior bringing home a white girl…

Read the entire article here.

More than a house slave

Medium
2016-11-20

Gabrielle Pilgrim

“It’s my black girl who looks like a white girl with a tan and a bad hair day.”

I saw Birth of a Nation and I liked it, as much as one can like a movie that gruesomely shows her ancestors being tortured, raped, beaten, broken, and lynched. Today, I am not analyzing the film. I thought it was cinematically great: I left mad, but inspired. I was particularly drawn to the house slave Isaiah (played by Roger Guenveur Smith) as I am regularly fascinated with multiracial, racially ambiguous, and lightskin black folks.

I don’t know if nonblack people are aware of the “black enough” vs “not black enough” spectrum, but it is real — so real. Colorism is real. The fulfillment or lack of fulfillment of stereotypes is real. Middle to upper-middle class black folks may experience feeling like “not enough.” Childish Gambino voices his struggles with justifying his blackness: “Culture shock at barber shops cause I ain’t hood enough / We all look the same to the cops, ain’t that good enough?” Biracial/multiracial black folks may experience feeling like they are “not enough:”…

Read the entire article here.

Trevor Noah Still Doesn’t Get It

BuzzFeed
2016-12-06

Tomi Obaro, BuzzFeed News Reporter

Trevor Noah (Paul Zimmerman / Getty Images)

The Daily Show host and biracial South African comic’s recent comments suggest a profound misunderstanding of the way racism works in America.

“There’s many assumptions I’ve made about America that I’ve realized were wrong,” said Trevor Noah toward the beginning of his 2013 stand-up special, African in America. Slightly heavier than he is now and sporting a leather jacket and baggy jeans, this was Trevor Noah before he became the third host of Comedy Central’s The Daily Show and, by extension, the latest purveyor of a pervasive, noxious type of moderate liberalism.

“For one,” Noah said in the special, “I thought people spoke English here.” He paused, allowing for a few bouts of laughter. Then he flashed a smile. “Far from it. It’s just what Americans have done with the language you guys have, just, wow. You’ve done something, you’ve put 22’s on the English language. It’s got rims — it’s pimp my language.”

Then Noah launched into an anecdote about meeting a woman who wanted him to look at something. “She was like” — here Noah began wagging his head from side to side — “Oh my god, look over thurr!” he exclaimed, using African-American vernacular. It was a cringeworthy moment, indicative of a troubling reflexive tendency toward anti-blackness that Noah often seems blithely unaware of. And although he has moved away from this sort of overtly racist humor, his recent work as host of The Daily Show has shown that Noah still doesn’t quite grasp the reality — the frustration, the difficulty, the literally life-and-death stakes — of the black American experience…

…Trevor Noah’s American breakthrough happened rapidly. He had appeared on Jon Stewart’s Daily Show only three times before he was tapped to replace him in March 2015. Before Noah even began the job, he was roundly chastised for some old, unfunny tweets about fat women and Jews, among others. But Noah was quick to put those things behind him: “To reduce my views to a handful of jokes that didn’t land is not a true reflection of my character, nor my evolution as a comedian,” he tweeted later that month. Instead, he decided to embrace his perspective as an outsider. As the biracial child of a Xhosa mother and a Swiss-German father, he occupied a liminal space in his home country. “I’ve lived a life where I’ve never really fit in anywhere,” he told an interviewer in a 2011 documentary about his life, Born to Walk. And so his foreignness and his biracial identity became the primary lens through which he would approach his comedy in America…

Read the entire article here.

Colorism and interracial dating bring the “ish” in Black-ish into focus

A.V. Club
2016-12-01

Ashley Ray-Harris, Contributor

Marcus Scribner (left) and Annelise Grace

“A black woman would know”

This Black-ish review is late. It’s incredibly late because this was a complex episode to approach. As soon as the cold open ended with Bow’s disdainful expression as she saw Junior’s white girlfriend, my phone started going off. My mom texted, “Wow, they’re really gonna do this?” From a distance, “Being Bow-racial” may seem like a problematic, racist, weird episode of Black-ish. Why would Bow—an educated, wealthy, tolerant doctor—care that her son is dating a white girl? But, in reality, the episode addresses some of the most guarded, internal secrets within the black community—colorism, interracial dating, the black man’s fear of white women, and everyone’s fear of black women. “Being Bow-racial” is Black-ish finally addressing the “ish” that looms heavily over its title and the results are stellar.

“Being Bow-racial” is an episode that feels incredibly personal to me, which might make it difficult to be objective, but it’s truly a story I’ve never seen given such attention on broadcast TV. The second Junior introduced Megan, I found myself making the same face as Bow for the same reasons—she’s white. This isn’t because Bow and I are racists, in fact, the episode does an amazing job of pointing out that Bow’s issue is an internal issue that stems from her own conflicting feelings and uncertainty around her blackness. Yet, If you’re not familiar with colorism in the black community or tropes like the tragic mulatto, you might not understand how deeply these factors actually affect black women…

Read the entire article here.

White Mothers of Black Biracial Children: Mixed Race as the New Mulatto

Colorado State University
Summer 2016
101 pages

Erin Halcyon Bell

In partial fulfillment of the requirements For the Degree of Masters of Arts

This research explores how White women perceive their roles as parents to “mixed” race or biracial Black children. This qualitative project analyzes data from in person interviews, photographs and comments posted on Internet blogs, Facebook fan pages of mixed race children. Core elements of grounded theory are used as methodology to explore how White women understand themselves in relation to the role they play in pursuing their desire to create a mixed race or biracial child. Emerging themes from this research include: Objectification of Mixed Race Children, “We are going to get designer babies!” Displacing Black Women, and “I have mixed kids, so I can’t be racist.”

Read the entire thesis here.

Hapa Capsulizes Painful Moments from 2016 Asian America in Less than 90 Seconds

AsAmNews
2016-11-27

Louis Chan, AsAmNews National Correspondent

A popular new video out less than a week freezes in time moments in 2016 that highlight the racism and the persistent whitewashing the Asian American community faced throughout the year.

The short A-woke is from multiracial filmmaker Teja Arboleda who grew up in Japan and now lives near Boston.

Arboleda utilizes the trendy mannequin challenge technique of employing actors who pose frozen like mennequins to depict memorable, and in this film, painful scenes from the past…

Read the entire article here.