Mixed Race Studies

Crowe’s ‘whitewashing’ sparks criticism from advocates

BBC News
2015-06-07

Elena Boffetta, BBC Washington

Hollywood’s reliance on bankable – and often white – actors has led to another round of sharp criticism of filmmakers for “whitewashing” roles where race and ethnicity play a part.

In Aloha, Cameron Crowe’s latest film, Emma Stone, a American actress with blonde hair and green eyes, was cast as Allison Ng – a junior fighter pilot who was part-Chinese, part-Hawaiian and part-Swedish.

Soon after the release, there was an uproar of criticism from social media against Crowe’s casting choice.

Both Asians and non-Asians asked why they didn’t pick an Asian actress to play a character who is part-Asian.

One advocacy group called Aloha “a whitewashed film” that failed to portray the ethnical diversity of Hawaii.

The Media Action Network for Asian Americans (MANAA) noted 60% of Hawaii’s population is Asian-American Pacific Islanders and 30% Caucasian, a fact not reflected in the film.

Crowe apologised on his website but said he based the Ng character on a real-life redheaded Hawaiian who felt compelled to constantly over-explain her unlikely ethnicity.

“I can understand what Crowe said about his intention that he based his character on someone that didn’t look Asian but identified with the culture but you could have casted someone who was part Hawaiian,” Guy Aoki, the founding president of MANAA, said.

“Whitewashing” casting differs from “colour-blind casting,” where a role is cast when factors of race or ethnicity are irrelevant to the character or plot…

…Hollywood has been accused of whitewashing Asians for decades…

Read the entire article here.

Caution and Skepticism About Univision-TheRoot Merger

All Digitocracy
2015-06-03

Jillian Báez, Assistant Professor of Media Culture
College of Staten Island, City University of New York

TV Network’s history of racism and colorism may not bode well for website formerly owned by The Washington Post Company

Two weeks ago Spanish-language television giant Univision announced its acquisition of TheRoot.com, one of the top African American news websites. Coverage of the merger was quite celebratory and echoed co-founder Henry Louis Gates’ statement that “This bold new partnership between Univision and TheRoot underscores the ties that have long bound people of color together throughout the Western Hemisphere and is a sign of even greater levels of communication, collaboration and exchange between these culturally vital groups of people.”

But while Gates is obviously optimistic about the venture, I’m a little skeptical. Univision has some issues that no one has talked about that might impact things. For one thing, it’s digital presence, Fusion, is struggling to get traffic to its own website. Secondly, the parent company’s history as a serial consolidator and nasty habit of broadcasting racist content makes me cautious about this venture…

Read the entire article here.

This Mocha-Caramel-Honey Post-Racial Fantasy Is Making Me Sick

BuzzFeed
2015-05-21

Sharon Chang, BuzzFeed Contributor

Illustration by Judith Kim for BuzzFeed

As a mixed-race woman, the defining question of my life has not been “Who am I?” but “What are you?” I get it everywhere, from all races. Recently it’s been mostly from Asian immigrants. You Chinese? Last month a black guy walked up to me while I was pumping gas. Man! How do you people do that international thing?

It’s an invasive line of questioning, under the guise of a friendly compliment. “You know how you could look more Asian?” my white boss once asked as I clocked out of work. “If you cut your bangs like this and did your makeup like this…” My acupuncturist, meanwhile, thinks I look more Asian in a ponytail.

Most women are accustomed to having their physical appearance treated like public property up for consumption. But when it comes to mixed-race women, our looks are quantified, measured and divvied up, all the way back to conception. How we were cooked up, what our ingredients are, and why we taste so good — people are entitled to know all of it…

…If 2050 is the year that 400 years of racism ends in one fell, photogenic swoop, then sure, I can’t wait. But forgive me if our collective crushes on Rashida Jones, Lolo Jones, and Norah Jones don’t inspire hope. Beauty is a cultural value whose definition has changed dramatically over time. But science and society have a long history of justifying our shifting tastes when it comes to race. White supremacy has been bolstered through race-based compulsory sterilization, anti-miscegenation laws, and likening people of color to animals…

Read the entire article here.

Dianne White Clatto, Weathercaster Who Broke a Color Barrier, Dies at 76

The New York Times
2015-05-07

Sam Roberts, Urban Affairs Correspondent (@samrob12)

Dianne White Clatto, in 1967, giving the weather report on KSD-TV. Credit St. Louis Post-Dispatch

Twelve years before Al Roker started as a weather anchor for a CBS affiliate in Syracuse, Dianne White Clatto made broadcasting history in St. Louis. In 1962, according to industry colleagues, she became the first full-time black television weathercaster in the country.

Ms. Clatto, who died at 76 on Monday at a retirement center in St. Louis, broke into television by way of radio. She was a manager for Avon, the cosmetics company, and hosted a live radio show when Russ David, a bandleader with whom she sang in an impromptu performance on the air, referred her to an executive of KSD-TV in St. Louis. She was hired as a $75-a-week “weathergirl” in 1962.

“What am I supposed to do?” she recalled asking her new bosses, in an interview with the Weather Channel. “They said to me, ‘This is called television.’ They said to me, ‘When those two red lights come on, start talking.’ And I said, ‘About what?’ And they said, ‘Preferably something about the weather.’ ”

Dianne Elizabeth Johnson was born in St. Louis on Dec. 28, 1938, the daughter of Milton and Nettie Johnson and a descendant of a Civil War general’s slave mistress. She was among the first black students to enroll at the University of Missouri at Columbia…

Read the entire obituary here.

Sorry Music Journalists, Drake is Black.

Canadaland
2015-04-30

Kyrell Grant

Writers need to stop policing his blackness

It feels ridiculous to have to say this: Drake is black.

Drake, born Aubrey Graham in a city where almost one in ten people are black, is black. Toronto’s greatest civic triumphalist since Jane Jacobs is black.

He is a black man as much as any other black man. And yet Drake’s own identity – his nationality, his mixed race background that includes Jewish heritage and upbringing, the neighbourhood he once lived in, the schools he went to – is often taken to mean that his black experience is somehow inauthentic. While certainly not the first artist to have this kind of analysis imposed on him, Drake’s profile means that his art in particular has been prominently used to deny his black experience when it doesn’t conform to someone else’s narrow vision of race…

Read the entire article here.

Brazilian soap operas slowly cast black middle class

Al Jazeera America
2015-04-11

Matt Sandy

Morgann Jezequel

Actor Sílvio Guindane poses on the set of the telenovela Vitória at Record studios, Rio de Janeiro, Brazil, October, 2014. Rafael Fabres / Getty Images Assignment for Al Jazeera America

Black actors move beyond roles as maids, thieves and drug dealers, but insiders say more diverse film/TV writers needed

RIO DE JANEIRO – Dressed in a fitted white designer shirt, Sílvio Guindane stood beneath a chandelier on a grand wrought iron staircase and smiled confidently. Below, a set of ornate drinking glasses sat next to a collection of spirit bottles. Above, framed monochrome prints and color landscapes adorned the walls.

It is an archetypal image of upper middle class Brazil. And for good reason as this is the set of “Vitória,” one of the country’s ubiquitous novelas, the phenomenally popular soap operas that for more than 50 years have thrived on the country’s major television networks — often by portraying lavish lifestyles beyond the means of most viewers.

There is just one thing that is unusual: Guindane, 31, who plays a successful engineer, is black…

Read the entire article here.

As a Mixed-Race Woman, in the Game of Racial Top Trumps My Blackness Always Wins

Media Diversified
2015-03-23

Varaidzo (Leo Jay Shire)

Shifting race: how language fails the ‘mixed-race’ experience

The idea of ‘race’ has no fixed definition considering the term has no biological basis. Yet all of us from minority backgrounds know what it is to be racialised, to be lumped together into a group with others who share our physical attributes, for this to be conflated with our ethnicity – our shared culture, history and experience. What does this mean for those of us who are mixed-race? Could it be argued that the shared experience of being racialised as ‘mixed’ creates a ‘mixed-race’ ethnicity of sorts? Can this ‘mixed’ tag be sufficient when we have experiences specific to one part of our heritage?

Right now, mixed-race people are considered to be of the largest growing groups in the UK with over one million of us in England alone. From Formula One World Champion Lewis Hamilton to One Direction’s Zayn Malik, mixed-race people are some of the most visible minorities in the media. We are everywhere. Which is impressive considering that as a definable ethnic or racial group, mixed-race people don’t really exist. Of course, on the tick boxes of the census we do, but in the real world these categories fail to tally with our highly diverse experiences of racialisation…

…But the ‘mixed’ category doesn’t, of course, encapsulate many of our experiences that see us racialised as the same as one of our parents. In my case, my mother is a white Englishwoman, my father a black Zimbabwean. Yet my ‘whiteness’ and my ‘blackness’ are not traits I possess equally. Whenever I enter the world and go about my daily business I am nearly always read as a black woman first, a mixed-race woman occasionally, and a white woman never. The racism and micro-aggressions I face daily are all due to me being recognisably black. In the game of racial Top Trumps, my blackness always wins…

Read the entire article here.

How To Tell Someone They Sound Racist

Ill Doctrine
2008-07-21

Jay Smooth

You gotta use some strategy. See more of this discussion here.

Hispanic Journalists To Survey Race In Spanish-Language TV After Univision Incident

The Huffington Post
2015-03-17

Roque Planas

Carolina Moreno

The National Hispanic Journalists Association applauded Univision’s decision to fire host Rodner Figueroa, after he compared first lady Michelle Obama to a character from “Planet of the Apes” during a segment of “El Gordo Y La Flaca” last week.

In a statement published to NAHJ’s website on Tuesday, the organization’s President Mekahlo Medina called Figueroa’s comments “racist” and said that Univision made “the right decision” by dismissing him.

“Univision, the fifth largest network in the U.S., took a stand against racism and we are all better for it,” Medina’s statement said. “But I keep wondering, what was Figueroa thinking when those words came out of his mouth? Why was it okay for him, at that moment, to compare the First Lady of the United States or any person to an ape? And why, still today, does he think that was not racist?”…

…Medina also highlighted the lack of racial diversity within both the Spanish-language and English-language news media, saying it helps perpetuate a “hierarchy of skin color and race.”

“How many dark-skin or afro-Latino anchors do you see on Spanish language newscasts?” Medina said in the statement. “How many indigenous Latinos do you see on any newscast, English or Spanish? There isn’t a single Latino/a anchoring an 11pm English language newscast in Los Angeles, despite the market being 53% Latino and overwhelmingly English speaking or bilingual.”…

Read the entire article here.

MIXED RACE 3.0

Cultural Weekly
2015-02-28

Ulli K. Ryder, Ph.D.
Simmons College, Boston, Massachusetts

Ryder, Ulli K. and Marcia Alesan Dawkins (eds.), Mixed Race 3.0: Risk and Reward in the Digital Age (Los Angeles: USC Annenberg Press, 2015).

We are scholars who have been thinking with a “mixed mind-set” for quite a while. We are also multiracial. For us, being multiracial is a discursive, dialectical method of identity formation concerning mixed race individuals’ and interracial families’ experiences, perspectives, and concerns. As scholars, we research multiracial identities from many different angles, primarily looking at everyday practices such as identity formation and “passing,” but also thinking about how multiracial identities connect to technology, business, politics, activism, and culture.

As a result, this book is about multiracial identities and the risks and rewards they offer. Each chapter dissects this controversial term—multiracial—and the risks and rewards it represents in a unique way. The macro level studies included argue that the historical production of race as a technology of management was used on a large scale to rank and order society, allocate resources and, in the process advantage and disadvantage certain groups. On the other hand, the personal meditations included demonstrate how mixed race operates as an identity and technology of power. By using and redefining racial categories in new ways, these contributions show us how to mobilize race in public and private…

Read the entire article here.