HIST 574–Modern U.S. History: Miscegenation, Mixed Race, and Interracial Relationships

Posted in Communications/Media Studies, Course Offerings, History, Law, Literary/Artistic Criticism, Media Archive, United States on 2013-05-10 02:27Z by Steven

HIST 574–Modern U.S. History: Miscegenation, Mixed Race, and Interracial Relationships

Simmons College, Boston, Massachusetts
Summer 2013

Ulli Ryder, Lecturer of History and Africana Studies

This class will explore the conditions for and consequences of crossing racial boundaries in the United States. It will take a multidisciplinary approach, utilizing historical scholarship, literature, legal scholarship, and communication studies, along with several feature and documentary film treatments of the subject. Students will gain a deeper understanding of the ways race has been socially constructed; the connections between race and power in the U.S.; and the possibilities of a non-racist future.

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Notes on the Racial Contours of Visual Culture in São Paulo, Brazil

Posted in Anthropology, Articles, Brazil, Caribbean/Latin America, Communications/Media Studies, Media Archive on 2013-05-09 02:08Z by Steven

Notes on the Racial Contours of Visual Culture in São Paulo, Brazil

Flow
Volume 17 (2012-12-18)

Reighan Gillam, Postdoctoral Research Fellow
Department of Afroamerican and African Studies
University of Michigan

In this three part series of essays I will consider some of the aspects of race and visuality in Brazil. This article will lay out the dominant ways in which Afro-Brazilians are represented in the public sphere and describe the racial logics that sustain these images. The next two articles will probe the domestic and international incursions into the racial visual field.

On one of my meetings with Renato Ribeiro, an Afro-Brazilian media worker, we walked along the crowded streets of São Paulo en route to eat lunch and talk about his experience working in mainstream and alternative black media. I jogged beside him in order to keep up with his short, brusque strides, and listened to him tell me about the hegemony of whiteness in the national media. He suddenly stopped in front of one of the bancos das revistas or magazine stands that punctuate the city’s sidewalks and illustrated his point by gesturing towards the covers facing us and saying, “look at the capas (covers) of the magazines facing us. They are all white people…of course except for Revista Raça (Race Magazine).” Race Magazine is Brazil’s only national magazine that represents Afro-Brazilians and a quick scan of the magazine’s stand’s content proved his point. In recognizing the magazine stands as visual sites of racial representations, Renato also drew attention to the ways in which visual culture is embedded within the landscape of the city and the racial implications of its depictions.

That someone would point out the dominance of whiteness in the media is not new. What is different is the national context of Brazil and the racial ideologies that underpin the forms that some representations take. Although becoming increasingly more common, racial critiques of the media and other areas of power have largely been silenced or ignored by the belief in racial democracy that many Brazilians sustain. The idea of racial democracy in Brazil ascribes the origins of the national population to mixture between Portuguese, African, and Indigenous peoples. It is commonly thought that this mixture blurred the boundaries between distinct racial groups and thus acts as a barrier against racism or racial prejudice. Although scholars have documented the ways in which racism continues to marginalize Afro-Brazilian access to economic, political, and social power, general ideas about racial democracy continue to underwrite a pervasive silence around discussing race or racial inequality among the general Brazilian populace. Thus when Renato levies a racial critique of the magazine stand’s visual contents, he articulates a view often unheard among many segments of the population…

Read the entire article here.

Read part 2, “Watching Everybody Hates Chris in Brazil” (2013-03-05).
Read part 3, “Afro-Brazilian Public Sphere” (2013-05-07).

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Selective Amnesia and Racial Transcendence in News Coverage of President Obama’s Inauguration

Posted in Articles, Barack Obama, Communications/Media Studies, Media Archive, United States on 2013-04-27 03:58Z by Steven

Selective Amnesia and Racial Transcendence in News Coverage of President Obama’s Inauguration

Quarterly Journal of Speech
Volume 98, Issue 2, 2012
pages 178-202
DOI: 10.1080/00335630.2012.663499

Kristen Hoerl, Associate Professor of Communication Studies
Butler University,  Indianapolis, Indiana

The mainstream press frequently characterized the election of President Barack Obama the first African American US President as the realization of Martin Luther King’s dream, thus crafting a postracial narrative of national transcendence. I argue that this routine characterization of Obama’s election functions as a site for the production of selective amnesia, a form of remembrance that routinely negates and silences those who would contest hegemonic narratives of national progress and unity.

Read or purchase the article here.

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Researching ethnicity, identity and ‘mixed-race’

Posted in Articles, Communications/Media Studies, Identity Development/Psychology, Media Archive, Social Science, United Kingdom on 2013-04-24 01:33Z by Steven

Researching ethnicity, identity and ‘mixed-race’

Social Science Research: Discussing Methods and Resources
The British Library
2012-11-19

This post discusses our latest Myths and Realities event on ethnicity, identity and ‘mixed-race’ and points readers in the direction of some relevant British Library collections.

On the evening of 13 November we hosted our latest Myths and Realities event (in partnership with the Academy of Social Science) on ‘Our ethnicity and identity – what does it all mean?’ Speakers Professor Miri Song and Professor Ann Phoenix spoke about how we think about our ethnic identity, and how the meanings we attach to this identity can change across time, space and social context. The event was chaired by Rania Hafez of Muslim Women in Education.

Ann Phoenix’s talk entitled ‘Why are ‘race’ and ethnicity crucial to identities and social lives, but not central?’ explored how debates about multiculturalism have produced contradictory ways of thinking about ‘race’, ethnicity and identities. Miri Song’s title was ‘Does the growth of ‘mixed race’ people signal the declining significance of ‘race’?’. Here she examined what is signalled by the growth in interracial partnerships and of ‘mixed’ people…

Read the entire article here.

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AfroAsian Encounters: Culture, History, Politics

Posted in Anthologies, Anthropology, Asian Diaspora, Books, Communications/Media Studies, History, Literary/Artistic Criticism, Media Archive, Politics/Public Policy, Social Science on 2013-04-21 14:44Z by Steven

AfroAsian Encounters: Culture, History, Politics

New York University Press
November 2006
342 pages
Cloth ISBN: 9780814775806
Paper ISBN: 9780814775813

Edited by:

Heike Raphael-Hernandez, Professor of English
University of Maryland in Europe

Shannon Steen, Associate Professor of Theater, Dance, and Performance Studies
University of California, Berkeley

With a Foreword by Vijay Prashad and an Afterword by Gary Okihiro

How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan’s The Mikado, Paul Robeson’s support of Asian and Asian American struggles, or the absorption of hip hop by Asian American youth culture?

AfroAsian Encounters is the first anthology to look at the mutual influence of and relationships between members of the African and Asian diasporas. While these two groups have often been thought of as occupying incommensurate, if not opposing, cultural and political positions, scholars from history, literature, media, and the visual arts here trace their interconnections and interactions, as well as the tensions between the two groups that sometimes arise. AfroAsian Encounters probes beyond popular culture to trace the historical lineage of these coalitions from the late nineteenth century to the present.

A foreword by Vijay Prashad sets the volume in the context of the Bandung conference half a century ago, and an afterword by Gary Okihiro charts the contours of a “Black Pacific.” From the history of Japanese jazz composers to the current popularity of black/Asian “buddy films” like Rush Hour, AfroAsian Encounters is a groundbreaking intervention into studies of race and ethnicity and a crucial look at the shifting meaning of race in the twenty-first century.

Contents

  • Acknowledgments
  • Foreword: “Bandung Is Done”—Passages in AfroAsian Epistemology / Vijay Prashad
  • Introduction: AfroAsian Encounters—Culture, History, Politics / Heike Raphael-Hernandez and Shannon Steen
  • Part I Positioning AfroAsian Racial Identities
    • 1. “A Race So Different from Our Own”: Segregation, Exclusion, and the Myth of Mobility / Sanda Mayzaw Lwin
    • 2. Crossings in Prose: Jade Snow Wong and the Demand for a New Kind of Expert / Cynthia Tolentino
    • 3. Complicating Racial Binaries: Asian Canadians and African Canadians as Visible Minorities / Eleanor Ty
    • 4. One People, One Nation? Creolization and Its Tensions in Trinidadian and Guyanese Fiction / Lourdes López Ropero
    • 5. Black-and-Tan Fantasies: Interracial Contact between Blacks and South Asians in Film / Samir Dayal
  • Part II Confronting the Color Hierarchy
    • 6. “It Takes Some Time to Learn the Right Words”: The Vietnam War in African American Novels / Heike Raphael-Hernandez
    • 7. Chutney, Métissage, and Other Mixed Metaphors: Reading Indo Caribbean Art in Afro Caribbean Contexts / Gita Rajan
    • 8. These Are the Breaks: Hip-Hop and AfroAsian Cultural (Dis)Connections / Oliver Wang
  • Part III Performing AfroAsian Identities
    • 9. Racing American Modernity: Black Atlantic Negotiations of Asia and the “Swing” Mikados / Shannon Steen
    • 10. Black Bodies/Yellow Masks: The Orientalist Aesthetic in Hip-Hop and Black Visual Culture / Deborah Elizabeth Whaley
    • 11. The Rush Hour of Black/Asian Coalitions? Jackie Chan and Blackface Minstrelsy / Mita Banerjee
    • 12. Performing Postmodernist Passing: Nikki S. Lee, Tuff, and Ghost Dog in Yellowface/Blackface / Cathy Covell Waegner
  • Part IV Celebrating Unity
    • 13. Persisting Solidarities: Tracing the AfroAsian Thread in U.S. Literature and Culture / Bill V. Mullen
    • 14. Internationalism and Justice: Paul Robeson, Asia, and Asian Americans / Greg Robinson
    • 15. “Jazz That Eats Rice”: Toshiko Akiyoshi’s Roots Music / David W. Stowe
    • 16. Kickin’ the White Man’s Ass: Black Power, Aesthetics, and the Asian Martial Arts Fred Ho Afterword: Toward a Black Pacific / Gary Y. Okihiro
  • About the Contributors
  • Index

Introduction: AfroAsian Encounters Culture, History, Politics / Heike Raphael-Hernandez and Shannon Steen

For a long time, many critics understood W. E. B. Du Bois’s famous diagnosis of the twentieth century as plagued by the problem of the color line as a description of white/nonwhite antagonisms. However, in the aftermath of identity movements on the part of a variety of racial and ethnic groups, as well as saddening clashes between them, it has become impossible to construe the twentieth century as riven by a single color line. Instead, we now conceive of the modern world as having been fractured by a network of lines dividing a range of racial and ethnic groups. How else can we comprehend the identity struggles of South Asian visual artists in the Caribbean, the treatment of the Vietnam War by African American novelists, or the absorption of hip-hop by Asian American youth culture?

AfroAsian Encounters addresses an important connection that until recently has received only scant attention: the mutual influence of and relationships between members of the African and Asian diasporas in the Americas. Across the Americas, these two groups have often been thought of as occupying radically incommensurable cultural and political positions. In this collection, we examine AfroAsian interconnections across a variety of cultural, political, and historical contexts in order to examine how the two groups have interacted, and have construed one another, as well as how they have been set in opposition to each other by white systems of racial domination. We build here on the burgeoning interest in AfroAsian cultural histories reflected in a number of venues. From the conferences hosted by Boston University’s African American studies department (2002, 2003, 2004), to special editions on AfroAsian studies in Souls: A Critical Journal of Black Politics, Culture, and Society (2002) and positions: East Asia cultures critique (2003), to the numerous essays and books generated by scholars across a number of disciplines from Gary Okihiro and Vijay Prashad to Claire Jean Kim and Frank Wu, as well as work by contributors we include here, research on black-Asian racial interactions and formations has expanded at a rapid pace during the last decade. We seek to widen the energetic investigations that AfroAsian studies have provided relative to histories of diasporic and racial formations and globalization across a variety of fields, and with this book we hope to offer an important contribution to the ongoing scholarly debate. We have framed our treatment of black-Asian interactions within a neologism—rather, we have altered the typography for the term: AfroAsian. While there have been references to the “Afro-Asian” century and the “Afro-Asian” world, we have decided to drop the hyphen from the term in order to denote a unique, singular set of cultural dynamics that our authors analyze.

This collection constitutes the first interdisciplinary anthology to treat AfroAsian encounters. In keeping with the systems of intellectual inquiry established within African American and Asian American studies, we have gathered here essays that reflect a wide disciplinary range, including literary studies, musicology, history, and performance and visual studies.With this array we follow the recent move in the scholarly academy to allow interdisciplinary analysis to bridge the traditional divides that reflect the specialization of academic knowledge to the detriment of actual cultural and social processes. These essays provide rich, progressive, innovative directions in AfroAsian studies and invigorate the status of current thought on interracial encounters across multiple disciplines. This work does not just present a medley of essays with AfroAsian encounters in the Americas as their only common denominator; rather, we have taken Claire Jean Kim’s discussion of “racial triangulation” in Asian American studies as an invitation to further the discourse of AfroAsian encounters. Moving beyond the traditional black/white binary, the essays claim that to understand historical and contemporary AfroAsian encounters, the third, white, signifier, cannot be separated from a discussion as this signifier has informed or influenced AfroAsian binary encounters in the Americas, often without being visibly or literarily present.

Race in the past century and a half has not functioned within national or ethnic boundaries. The cultural and racial groupings examined by our contributors indicate the ways in which these groups do not exist in isolation but within complicated interactions, and they ask us to reevaluate how we define the category “race” itself. Perhaps the most important contribution of AfroAsian studies lies in its potential ability to disrupt the black/white binary that has so persistently characterized race and ethnic studies.Within the last ten years or so, the stability of the term “race” has come under growing scrutiny. Increasingly, race is considered to be not an ontological, coherent category but a dynamic system of affiliation, exclusion, and disavowal that is constantly being reinvented. This sense of “performing” race, of its contingent, assumed nature, has come to be understood in relation to processes of national self-conception, such that “race” is seen as a category produced by the nation itself. As Paul Gilroy, Lisa Lowe, and Etienne Balibar have pointed out in different ways, national and racial boundaries are concomitant; race subtends dominant nationalist discourses—it extends underneath or functions in opposition to definitions of the nation. While the strategic, tactical fluidity of terms like race and nation in this formula are crucial to our understanding of their unstable, changing processes, the logic of opposition that has underwritten this conception of race has also had the unfortunate effect of reinscribing its terms within binary relations and has somewhat perniciously limited our understanding of “race” to dichotomous models largely cast in terms of black and white. To this point, the great intervention in this binary system has been the assertion by postcolonial theorists of an “interstitial” position that occupies the spaces between these oppositions. But this is not our only option.

Scholars in Asian American studies have mounted energetic campaigns to move beyond the conceptual limitations of the racial binary in the last decade or so—we might think here of Claire Jean Kim’s above-mentioned discussion of “racial triangulation,” Gary Okihiro’s question “Is Yellow Black or White?,” and Frank Wu’s assertion that Asian American identities constitute something “beyond” either. For the most part, this work has demanded that we begin to understand race in terms of a polymorphous, multifaceted, multiply-raced immigration diaspora in combination with the histories of the African slave diaspora. However, race scholars still struggle to produce a flexible model that answers calls to move “beyond the binary.” In AfroAsian Encounters we contribute to this dialogue around racial formation by moving away from the focus on black-white interactions; moreover, we do so by examining the interactions of two racial groups now set up in opposition to one another within, for example, contemporary U.S. racial systems. We hope that the essays gathered here can intervene in these binary systems—methodologically, in terms of expanding the objects of race studies and, conceptually, through the expansion of the reigning paradigm of race studies away from blackness/antiblackness and whiteness/antiwhiteness schemas.

To understand contemporary U.S. racial systems, we must step more boldly into Europe’s past, as Paul Gilroy urges us. He writes:

We must be prepared to make detours into the imperial and colonial zones where the catastrophic power of race-thinking was first institutionalized and its distinctive anthropologies put to the test, above all, in the civilizing storms of colonial war. . . . That redemptive movement must be able to pass beyond a compensatory acknowledgement of Europe’s imperial crimes and the significance of its colonies as places of governmental innovation and experiment. The empires were not simply out there—distant terminal points for trading activity where race consciousness could grow—in the torrid zones of the world at the other end of the colonial chain. Imperial mentalities were brought back home . . . and altered economic, social, and cultural relations. . . . Europe’s openness to the colonial worlds it helped to make, might then be employed to challenge fantasies of the newly embattled European region as a culturally bleached or politically fortified space, closed off to further immigration.

With this mindset, Europeans “created” their “New World,” and the Americas became their dream, their geographically locatable paradise. That their creation contained problematic cross-cultural and cross-racial encounters from the start was not problematic for white ideology and imagination; the European colonial color hierarchy was designed to regulate such problems. Racial divisions were arranged according to the white/nonwhite binary. In his Letters from an American Farmer (1782, 1793) John de Crèvecoeur provided a definition of the only true American “race”:

What, then, is the American, this new man? He is neither a European nor the descendant of a European; hence that strange mixture of blood, which you will find in no other country. I could point out to you a family whose grandfather was an Englishman, whose wife was Dutch, whose son married a French woman, and whose present four sons have now four wives of different nations. He is an American, who, leaving behind him all his ancient prejudices and manners, receives new ones from the new mode of life he has embraced . . . and the new rank he holds. . . . Here individuals of all nations are melted into a new race of men. . . . The Americans were once scattered all over Europe; here they are incorporated into one of the finest systems of population which has ever appeared…

…Key to the history of interaction between the two groups is the process by which their intermixing was made possible. The first AfroAsian contact can be traced back to antiquity through the great spice routes that we normally think of as a characteristic of the Greco-Roman cultural world. These routes also provided the conditions for cultural and economic exchange between what we now refer to as Tanzania, Somalia, Egypt, Persia, India, and China, as these empires traded precious commodities such as cinnamon and myrrh (in fact, the archeological record is unclear as to whether the AfroAsian routes preceded the Greco-Roman involvement in the spice trade). Two millennia later, the early- to mid-nineteenth-century abolition of the slave trade produced the context of AfroAsian encounters of modernity. In the wake of the British abolition of the trade in African lives, cheap labor sources were needed to fuel British colonial industries around the globe. Indians were transplanted to southern Africa to build railroads, and Chinese were taken to the Caribbean to work the sugar plantations. A similar economic necessity drove the importation of Asian labor to the United States. As the national debate over slavery grew over the course of the early nineteenth century, and more states (especially western states) were added to the “free soil” roster, the need for cheap labor did not abate. The early development of new states like California happened to coincide with the massive displacement of peoples in Guangdong province in the wake of the Opium Wars. As John Kuo Wei Tchen has pointed out, prior to the construction of the transcontinental railroad in 1869 it took two to three months to travel overland to San Francisco from Boston or New York, but only two weeks to travel from Canton by clipper ship, creating circumstances that made Chinese immigrants the perfect candidates to step into the labor shortage caused by booming industries in mining, shipping, transportation, and agriculture in California.  AfroAsian relations, then, are the issue and, potentially, the subversion of the European dream of “the new world.” Given the extraordinary richness of AfroAsian interactions of modernity, particularly those created within the shadow and against the force of this colonialist history, we have chosen to focus the volume within the period beyond emancipation. The colonial processes that created the Americas made possible the very connections our authors investigate.

For these AfroAsian encounters in the Americas, the twentieth century invented another problematic triangulated concept—the “model minority” myth. This construct enabled white society to pit Asian Americans against many other groups, not just African Americans. Yet, for the Afro-Asian mutual perspective of each other and for their encounters, the concept has carried additional problems: while Asian Americans have been constructed as model minorities, their economic success heralded as proof of the availability of the American Dream to all, African Americans have continued to be plagued by negative associations and to be systematically excluded from the American political economy.

Read the entire Introduction here.

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Transcending Blackness: From the New Millennium Mulatta to the Exceptional Multiracial [Gaither Review]

Posted in Articles, Book/Video Reviews, Communications/Media Studies, Media Archive, United States, Women on 2013-04-15 04:38Z by Steven

Transcending Blackness: From the New Millennium Mulatta to the Exceptional Multiracial [Gaither Review]

MXDWELL
2013-02-17

Renoir Gaither

MXDWELL is a versatile online news source that celebrates and redefines the mixed experience by presenting a variety of cultural and artistic news, while promoting diversity as a vital aspect of our community.

Behind her behemoth title, “Transcending Blackness: From the New Millennium Mulattato the Exceptional Multiracial,” author Ralina L. Joseph carries on the business of dissecting multiracial representation in American popular culture with acuity and zeal.

The result is a study that cedes little to those who decry that race no longer matters in American society. Over the past few decades a groundswell of scholarly attention has sprouted on the subject of multiraciality. And hybridity and critical mixed-race theorists continue to stake claims on the theoretical landscape. Professor Joseph acquires her piece of theoretical real estate through interdisciplinary analysis of mixed-race characters in contemporary film, fiction and television, in particular, representations of mixed-race African Americans. Joseph tackles a multitude of cavernous issues surrounding such representations, ever delving into the intersectionality of race, gender, sexuality and class, and the many codes in which the latter are inscribed on mixed-race representation…

Read the entire review here.

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Post Racialism, Romance, and The Real World D.C.

Posted in Articles, Communications/Media Studies, Literary/Artistic Criticism, Media Archive on 2013-04-03 16:55Z by Steven

Post Racialism, Romance, and The Real World D.C.

FlowTV
Volume 11, Issue 13 (2010-05-07)

Jon Kraszewski, Assistant Professor of Communication
Seton Hall University, South Orange, New Jersery

MTV recently finished airing The Real World, DC, the twenty-third season of this long-running reality series. This past season, Ty, an African American from Baltimore, and Emily, a white roommate from Columbia, Missouri, became the series first interracial heterosexual couple. The Real World previously captured a few interracial one-night stands between roommates and people outside the house, and season three occasionally portrayed the courtship and engagement of Pedro Zamora and Sean Sasser, an interracial gay couple, although Sean was not part of the cast. The relationship between Emily and Ty is unique because both were members of the cast and had an ongoing relationship.
 
The romance, which is part of a larger post-racial project on The Real World where race no longer matters in an integrated world, is representative of a third era of race relations on the series. During the Clinton presidency, The Real World focused on defining country conservative roommates as racists and then on the urban African Americans who teach these country hicks the errors of their ways, in the process transforming the rural roommates into hip, urban liberals free of any racism and in line with MTV’s then liberal brand. In the early 2000s, The Real World turned its attention to multiracial roommates with one black and one white parent. Here MTV transitioned out of its liberal brand and courted viewers across the political spectrum, a move the channel had to make to stay relevant after the election of George W. Bush and the terrorist attacks of 9/11. The Real World tapped into the liberal beliefs (i.e., multiracialism could help dismantle America’s racist past) and conservative notions (i.e., multiracialism was a neoliberal project of racial self-management in opposition to African American civil rights initiatives) present in multiracial activism at the time to win over viewers of various political backgrounds. Since the election of President Barack Obama, The Real World has presented race as inconsequential, as an afterthought in an integrated world. In the 2009 season set in Cancun, the roommates were multiracial, black, white, and Latina. Aside from the roommates identifying their races in the premiere, they never mentioned race again…

…As it defines Ty and Emily as atheist hipsters and dedicated athletes, The Real World provides troubling assumptions about blackness by positioning Ty as a threat to whiteness. Here race matters, even though the post racialism in the series claims it does not…

…It is hard not to see the post-racial world on the DC season as a nostalgic fantasy of blackness’ threat to a white America, especially since the season is set in America’s capital. Although race doesn’t matter in the way the series initially portrays the romance of Ty and Emily, race becomes important as Ty becomes a threat to Emily, the other roommates (especially white women), and white moms…

Read the entire article here.

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Shades Of Grey: Interracial Couples On TV

Posted in Articles, Communications/Media Studies, Media Archive, United States on 2013-04-02 03:01Z by Steven

Shades Of Grey: Interracial Couples On TV

FlowTV
Volume 15, Issue 4 (2011-12-05)

Erica Chito-Childs, Associate Professor of Sociology
Hunter College, City University of New York

Showing interracial couples on television is not necessarily something new. In 1968, Star Trek aired what is widely regarded as the first black-white interracial kiss on television between William Shatner’s character, Captain Kirk, a white man and a black woman, Lt. Uhura, when the two were forced to kiss against their will by a galactic enemy.

Now, over thirty years later, media reports play up the idea that the numbers of interracial couples, both on-screen and off, are skyrocketing, and push the idea that these unions are so common that interracial relationships barely raise an eyebrow. Yet according to 2010 Census data, only eight percent of all marriages are interracial. While real-life interracial marriage remains low, interracial couples may be cropping up more frequently on television. Do the growing numbers of interracial couples on television signify increased racial acceptance and color-blindness or do these depictions overwhelmingly reproduce long-standing societal notions about the deviant nature of interracial sex and the location of these relationships in the margins of society?

Looking at the contemporary representations on television, interracial relationships are most often found as temporary relationships (lasting just a few episodes), in side-storylines or otherwise marginalized. These relationships are almost exclusively depicted as comical misadventures, introduced as part of a criminal case, used as symbolic of the different worlds that are being portrayed, or play on perceptions of difference, highlighting that racially matched characters are the norm.

Even among newer shows that are heralded for their diverse casts or cutting-edge approach, interracial representations are arguably problematic. There may be a trend to present interracial couples without mentioning race but that does not mean that these representations do not carry familiar racial messages. Still a number of television show producers maintain that they have adopted a colorblind strategy, which they argue transcends race. For example, on New Adventures of Old Christine, Christine is a divorced white woman who becomes interested in a black teacher at her daughter’s private school

…The question remains, if interracial coupes are portrayed in these problematic ways, then why do television shows feature interracial relationships at all? I argue that by showing interracial relationships yet parodying or fetishizing them at the same time, the shows can maximize their audience without alienating others. Difference sells, yet the presentation must be constantly adjusted to fit the contemporary discourses on race. Using interracial sex to push boundaries is widely recognized. Dana Wade, the president of advertising agency, Spike DDB, discussed this idea with television ads, arguing “certain brands might use interracial couples to convey a hip image” adding that “the whole personae of the brand is kind of risky, or on the edge.” Ironically these “hip” and “cutting-edge” depictions are actually just barely repackaged stereotypes…

Read the entire article here.

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Not Another Remix: How Obama Became the First Hip-Hop President

Posted in Articles, Barack Obama, Communications/Media Studies, Literary/Artistic Criticism, Media Archive, Politics/Public Policy, United States on 2013-04-01 03:05Z by Steven

Not Another Remix: How Obama Became the First Hip-Hop President

Journal of Popular Music Studies
Volume 22, Issue 4, December 2010
pages 389–415
DOI: 10.1111/j.1533-1598.2010.01252.x

Travis L. Gosa, Assistant Professor of Social Science at Cornell University
Cornell University

January 20, 2009 marked the inauguration of Barack Hussein Obama as the first African-American president of the United States. Political commentators are busy making sense of Obama’s candidacy and election, but not enough attention has been given to how youth have made sense of Obama. As I show in this article, young people—so-called “hip-hoppers” and “millennials”—used their unique sensibilities, technologies, and music to help define and elect the first black, hip-hop president.

This article examines “Obama-Hop,” rap music about Barack Obama, and the 2008 presidential election. Rap songs about election year politics were a highly visible aspect of the election (Hamby; NPR). This study provides the first systematic analysis of the political, racial, and gendered discourse of the Obama-Hop movement. While Obama’s campaign was discussed in the framework of “post-racialism” (Crowley), this study shows how Obama’s black masculinity became a major source of identification for rappers. The paper explores how Obama was depicted, embraced, and defended from scrutiny in hip-hop. Based on the review of ninety-seven Obama-themed mixtapes, I show how music was used in an attempt to energize youth toward voting and embracing Obama’s political messages.

The exploration necessarily informs the larger debate over hip-hop politics. The “hip-hop wars”—as Rose (2008) labels the persistent controversy over rap—are currently being waged over the political relevance of the music. Representing a generational divide over the meaning of political activism (Boyd), there has been resistance to the claim that hip-hop is indeed “political” (Bynoe; McWhorter 2008). Hip-hop academics are increasingly concerned that corporate control and media consolidation are destroying rap’s political significance (Asante; Rose; Powell). This article addresses the debate by considering the political content of digital mixtapes, which are non-commercial compilations of music, news clips, and photos. The proliferation of Obama rap mixes provides evidence that hip-hop continues to be used toward political ends. This paper shows how Obama’s campaign and subsequent victory put in motion a new wave of explicitly political rap, but one that still includes many of the same problematic tropes around race and masculinity…

Read the entire article here.

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The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium

Posted in Anthropology, Books, Communications/Media Studies, Literary/Artistic Criticism, Media Archive, Monographs on 2013-03-24 18:51Z by Steven

The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium

Stanford University Press
February 2011
312 pages
23 illustrations
Cloth ISBN-10: 0804756295; ISBN-13: 9780804756297
Paper ISBN-10: 0804756309; ISBN-13: 9780804756303

Michele Elam, Martin Luther King, Jr. Centennial Professor of English and Olivier Nomellini Family University Fellow in Undergraduate Education
Stanford University, Stanford, California

Cover Photo: “Baby Halfie Brown Head”, from artist Lezley Saar’s, Mulatto Nation (2003) art installation.

The Souls of Mixed Folk examines representations of mixed race in literature and the arts that redefine new millennial aesthetics and politics. Focusing on black-white mixes, Elam analyzes expressive works—novels, drama, graphic narrative, late-night television, art installations—as artistic rejoinders to the perception that post-Civil Rights politics are bereft and post-Black art is apolitical. Reorienting attention to the cultural invention of mixed race from the social sciences to the humanities, Elam considers the creative work of Lezley Saar, Aaron McGruder, Nate Creekmore, Danzy Senna, Colson Whitehead, Emily Raboteau, Carl Hancock Rux, and Dave Chappelle. All these writers and artists address mixed race as both an aesthetic challenge and a social concern, and together, they gesture toward a poetics of social justice for the “mulatto millennium.”

The Souls of Mixed Folk seeks a middle way between competing hagiographic and apocalyptic impulses in mixed race scholarship, between those who proselytize mixed race as the great hallelujah to the “race problem” and those who can only hear the alarmist bells of civil rights destruction. Both approaches can obscure some of the more critically astute engagements with new millennial iterations of mixed race by the multi-generic cohort of contemporary writers, artists, and performers discussed in this book. The Souls of Mixed Folk offers case studies of their creative work in an effort to expand the contemporary idiom about mixed race in the so-called post-race moment, asking how might new millennial expressive forms suggest an aesthetics of mixed race? And how might such an aesthetics productively reimagine the relations between race, art, and social equity in the twenty-first century?

Read an excerpt of “Obama’s Mixed Race Politics” here.

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