Mixed Race Studies

Portraits of the New Negro Woman: Visual and Literary Culture in the Harlem Renaissance

Rutgers University Press
2006
224 pages
b&w illustrations
Paper ISBN: 978-0-8135-3977-5
Cloth ISBN: 978-0-8135-3976-8

Cherene Sherrard-Johnson, Professor of English
University of Wisconsin-Madison

Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the color line. For others, they represented key aspects of modernity and race coding central to the New Negro Movement. Due to the mulatta’s frequent ability to pass for white, she represented a variety of contradictory meanings that often transcended racial, class, and gender boundaries.

Portraits of the New Negro Woman investigates the visual and literary images of black femininity that occurred between the two world wars. Cherene Sherrard-Johnson traces the origins and popularization of these new representations in the art and literature of the Harlem Renaissance and how they became an ambiguous symbol of racial uplift constraining African American womanhood in the early twentieth century.

In this engaging narrative, the author uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond.

Black, Jewish, and Interracial: It’s Not the Color of Your Skin, but the Race of Your Kin, and Other Myths of Identity

Duke University Press
1997
232 pages
Cloth – ISBN13 978-0-8223-1975-7
Paperback – ISBN13 978-0-8223-1971-9

Katya Gibel Azoulay [Mevorach], Professor
Anthropology and American Studies
Grinnell College, Grinnell Iowa

How do adult children of interracial parents—where one parent is Jewish and one is Black—think about personal identity?  This question is at the heart of Katya Gibel Azoulay’s Black, Jewish, and Interracial.  Motivated by her own experience as the child of a Jewish mother and Jamaican father, Gibel Azoulay blends historical, theoretical, and personal perspectives to explore the possibilities and meanings that arise when Black and Jewish identities merge. As she asks what it means to be Black, Jewish, and interracial, Gibel Azoulay challenges deeply ingrained assumptions about identity and moves toward a consideration of complementary racial identities.

Beginning with an examination of the concept of identity as it figures in philosophical and political thought, Gibel Azoulay moves on to consider and compare the politics and traditions of the Black and Jewish experience in America. Her inquiry draws together such diverse subjects as Plessy v. Ferguson, the Leo Frank case, “passing,” intermarriage, civil rights, and anti-Semitism. The paradoxical presence of being both Black and Jewish, she argues, leads questions of identity, identity politics, and diversity in a new direction as it challenges distinct notions of whiteness and blackness.  Rising above familiar notions of identity crisis and cultural confrontation, she offers new insights into the discourse of race and multiculturalism as she suggests that identity can be a more encompassing concept than is usually thought. Gibel Azoulay adds her own personal history and interviews with eight other Black and Jewish individuals to reveal various ways in which interracial identities are being lived, experienced, and understood in contemporary America.

American Anthropological Association Statement on “Race”

1998-05-17

The following statement was adopted by the Executive Board of the American Anthropological Association, acting on a draft prepared by a committee of representative American anthropologists. It does not reflect a consensus of all members of the AAA, as individuals vary in their approaches to the study of “race.”  We believe that it represents generally the contemporary thinking and scholarly positions of a majority of anthropologists.

In the United States both scholars and the general public have been conditioned to viewing human races as natural and separate divisions within the human species based on visible physical differences. With the vast expansion of scientific knowledge in this century, however, it has become clear that human populations are not unambiguous, clearly demarcated, biologically distinct groups. Evidence from the analysis of genetics (e.g., DNA) indicates that most physical variation, about 94%, lies within so-called racial groups. Conventional geographic “racial” groupings differ from one another only in about 6% of their genes. This means that there is greater variation within “racial” groups than between them. In neighboring populations there is much overlapping of genes and their phenotypic (physical) expressions. Throughout history whenever different groups have come into contact, they have interbred. The continued sharing of genetic materials has maintained all of humankind as a single species….

Read the entire statement here.

‘Mixed Race’ Studies: A Reader

Routledge
2004-06-17
352 pages
Trim Size: 246mm x 174mm
Binding(s): Hardback, Paperback
ISBN13: 9780415321631; ISBN-10: 0415321638

Editor:  Jayne O. Ifekwunigwe, Visiting Associate Professor of African and African American Studies
Duke University

Mixed race studies is one of the fastest growing, as well as one of the most important and controversial areas in the field of race and ethnic relations. Bringing together pioneering and controversial scholarship from both the social and the biological sciences, as well as the humanities, this reader charts the evolution of debates on ‘race’ and ‘mixed race’ from the nineteenth to the twenty-first century. The book is divided into three main sections:

• tracing the origins: miscegenation, moral degeneracy and genetics
• mapping contemporary and foundational discourses: ‘mixed race’, identities politics, and celebration
• debating definitions: multiraciality, census categories and critiques.

This collection adds a new dimension to the growing body of literature on the topic and provides a comprehensive history of the origins and directions of ‘mixed race’ research as an intellectual movement. For students of anthropology, race and ethnicity, it is an invaluable resource for examining the complexities and paradoxes of ‘racial’ thinking across space, time and disciplines.

Table of Contents

• Part 1:  Tracing the Origins: Miscegenation, Moral Degeneracy, and Genetics
• Part 2:  Mapping Contemporary and Foundational Discourses: ‘Mixed Race’, Identities Politics, and Celebration
• Part 3:  Debating Definitions: Multiraciality, Census Categories, and Critique.  Index.