Mixed Race Studies

My Bones Are Red: A Spiritual Journey With A Triracial People In The Americas

Mercer University Press
2005
192 pages
8.9 x 6 x 0.7 inches
ISBN-10: 0865549176; ISBN-13: 978-0865549173

Patricia Ann Waak

In the late 1700s the roots of cowboy culture arose out of the Carolinas. These men and women were not the typical white ranchers that would be depicted in later stories and films. Instead they were a group of “tri-racial isolates.” While much is now being published about Melungeons, little has been written about the cowboy Redbones. The Redbones followed Reverend Joseph Willis to Louisiana in the early 1800s. He was the patriarch of the group and con-tributed his Baptist ministry to the spiritual composite that would make up their religious heritage.

My Bones Are Red primarily tells the stories of the Perkins family. They would stay in Louisiana for at least four decades before crossing the border into Texas. For the first time this book tracks family members who would be sequentially classified by the U.S. census as black, “free people of color,” mulatto, Indian, and white over a period of one hundred years. Historical evidence suggests the Perkins family and the families they married into were a combination of Native American, African, and British.

What started out as a quest to find the mother of her beloved grandfather, became for Patricia Waak a revelation about the diversity of her family. It became, in fact, a spiritual journey as she visited cemeteries, courthouses, and archives from Accomack County, Virginia, to Goliad, Texas. Filled with translations of old court cases, accounts from oral history, and the results of countless hours of research, she also invites us to participate in her own discovery through original poetry which introduces each chapter. Included are photographs, genealogical charts, maps, and copies of old documents.

The journey to discover the story of one line of her family, becomes for the author a farewell to her mother and an honoring of the people who contributed to who she is today. Patricia Waak’s career in the United States and overseas has dealt with population dynamics and their effect on human and environmental health. Most recently she has been the director of human population and environment programs and a senior advisor for the National Audubon Society. She is the author of numerous books and articles, including Planet Awakening. She lives in Colorado with her husband and two dogs.

Passing in the Works of Charles W. Chesnutt

University Press of Mississippi
March 2010
160 pages (approx.)
6 x 9 inches, introduction, index
Printed casebinding: 978-1-60473-416-4
Ebook: 978-1-60473-418-8

Edited by:

Susan Prothro Wright, Associate Professor of American and British Literature
Clark Atlanta University, Atlanta, Georgia

Ernestine Pickens Glass, Professor Emerita of English
Clark Atlanta University, Atlanta, Georgia

An exploration of a great American writer’s abiding concern with the color line

Essays by Margaret D. Bauer, Keith Byerman, Martha J. Cutter, SallyAnn H. Ferguson, Donald B. Gibson, Scott Thomas Gibson, Aaron Ritzenberg,Werner Sollors, and Susan Prothro Wright.

Passing in the Works of Charles W. Chesnutt is a collection that reevaluates Chesnutt‘s deft manipulation of the “passing” theme to expand understanding of the author’s fiction and nonfiction. Nine contributors apply a variety of theories–including intertextual, signifying/discourse analysis, narratological, formal, psychoanalytical, new historical, reader response, and performative frameworks–to add richness to readings of Chesnutt’s works. Together the essays provide convincing evidence that “passing” is an intricate, essential part of Chesnutt’s writing, and that it appears in all the genres he wielded: journal entries, speeches, essays, and short and long fiction.

The essays engage with each other to display the continuum in Chesnutt’s thinking as he began his writing career and established his sense of social activism, as evidenced in his early journal entries. Collectively, the essays follow Chesnutt’s works as he proceeded through the Jim Crow era, honing his ability to manipulate his mostly white audience through the astute, though apparently self-effacing, narrator, Uncle Julius, of his popular conjure tales. Chesnutt’s ability to subvert audience expectations is equally noticeable in the subtle irony of his short stories. Several of the collection’s essays address Chesnutt’s novels, including Paul Marchand, F.M.C., Mandy Oxendine, The House Behind the Cedars, and Evelyn’s Husband. The volume opens up new paths of inquiry into a major African American writer’s oeuvre.

Representing gods in a mixed-race society: Images, rituals and politics in María Lionza’s cult (Venezuela)

University of St. Andrews, Scotland, United Kingdom
Centre for Amerindian, Latin American and Caribbean Studies (CAS)
Social Anthropology Seminar Room (Room 50, St Salvator’s Building)
2010-03-17, 15:00Z to 17:00Z

Roger Canals
University of Barcelona

Roger Canals, University of Barcelona, will speak on ‘Representing gods in a mixed-race society. Images, rituals and politics in María Lionza‘s cult (Venezuela)’.