Mixed Race Studies

Borders Book Festival: Where Words Come Alive—Jackie Kay

Harmony Marquee
Melrose, Scotland
2010-06-20, 20:30 BST (Local Time)

Published only days before the festival, Red Dust Road is Jackie Kay’s autobiographical journey.  Adopted by warm-spirited Scottish communists, Jackie has never thought of anyone else as her ‘real’ parents, but meeting her birth father and mother was nevertheless revelatory. This is a wonderfully written, emotional book about biology and destiny, strangers and family, belonging and belief.

For more information, click here.

Red Dust Road: An Autobiographical Journey

Picador an Imprint of PanMacmillan
2010-06-04
304 pages
214mm x 135mm, 0.43 kg
ISBN: 9780330451055

Jackie Kay, Professor of Creative Writing
Newcastle University

‘What makes us who we are? My adoption is a story that has happened to me. I couldn’t make it up.’

From the moment when, as a little girl, she realizes that her skin is a different colour from that of her beloved mum and dad, to the tracing and finding of her birth parents, her Highland mother and Nigerian father, the journey that Jackie Kay undertakes in Red Dust Road is full of unexpected twists, turns and deep emotions.

In a book shining with warmth, humour and compassion, she discovers that inheritance is about much more than genes: that we are shaped by songs as much as by cells, and that our internal landscapes are as important as those through which we move.

Taking the reader from Glasgow to Lagos and beyond, Red Dust Road is revelatory, redemptive and courageous, unique in its voice and universal in its reach. It is a heart-stopping story of parents and siblings, friends and strangers, belonging and beliefs, biology and destiny, and love.

Jackie Kay’s Representation of ‘The Broons’: Scotland’s Happy Family

eSharp
Special Issue: Spinning Scotland: Exploring Literary and Cultural Perspectives (2009)
pages 109-143
ISSN: 1742-4542

Mª del Coral Calvo Maturana
Universidad de Granada

This paper focuses on the contemporary Scottish poet Jackie Kay and the comic strip ‘The Broons’ by studying Jackie Kay’s representation of this family in contrast to its characterisation in the comic strip. This study presents a brief introduction to Jackie Kay and ‘The Broons’ and pays attention to Kay’s referential portrayal of this Scottish family in five of her poems: ‘Maw Broon Visits a Therapist’ (2006a, p.46-47), ‘Paw Broon on the Starr Report’ (2006a, p.57), ‘The Broon’s Bairn’s Black’ (2006a, p.61), ‘There’s Trouble for Maw Broon’ (2005, p.13-14) and ‘Maw Broon goes for colonic irrigation’ (unpublished). Each of the poems will be approached stylistically by using the advantages offered by corpus linguistics methodology; in particular, the program Wordsmith Tools 3.0. (Scott 1999) will help to show the collocation of certain words through concordances…

Read the entire article here.

The Poet as Cultural Dentist: Ethnicity in the Poetry of Jackie Kay

Theory and Practice in English Studies 4 (2005)
Proceedings from the Eighth Conference of British, American and Canadian Studies.
Brno: Masarykova Univerzita
pages 63-67

Pavlína Hácová, Philosophical Faculty
Palacky University, Olomouc

The acclaimed British poet Jackie Kay (born 1961) belongs to the colourful mainstream of recent British poetry. The paper aims to survey the ethnic imagery and consciousness Kay explores in her poems, predominantly with the images of dentistry. Special attention will be paid to the images of cultural significance. A few sample poems will be discussed to demostrate the constant search for identity (inclusion vs. exclusion, assimilation vs. marginalization) and cultural heritage.

…Kay keeps clear-cut the distinction between white and black. In the poem “Pride”, the exploration of identity that is based on the imagery of teeth, leads to concern with nationality. Kay is proud of her mixed Scottish and Nigerian background. She links her African descent to her Scottish nationality as she compares Scottish clans to African tribes – both sharing the pride of their respective cultures:

His [the stranger’s] face had a look
I’ve seen on a MacLachlan, a MacDonnell, a MacLeod,
the most startling thing, pride. (Kay 1998: “Pride”, lines 51-53)

However, Kay does not see the identity of the characters as either black or white. She has stated in an interview: “I consider myself a Scottish writer, in the sense that I am, and I consider myself a black writer, in the sense that I am, and a woman writer, in the sense that I am” (Severin 2002)…

Read the entire paper here.

Jackie Kay (Review of Darling)

Aesthetica Magazine
Issue 19 (2007-10-01)
page 10

Rachel Hazelwood

Jackie Kay is one of the most prolific and insightful poets currently writing in the UK today. At a time when too many people frequently describe the form as being “in decline” and thought of as an “exclusive club”, Kay writes poems that are accessible, yet deeply involved and involving. Her poetry embraces the reader, and at the same time it challenges them to really think about what she is saying. Her work covers weighty themes such as gender, ethnicity, racism and cultural difference, and presents them in ways that leave you marvelling at her command of language, and at the same time feeling as though you have gained valuable insight into subjects fraught with social and emotional complexities. As far as Kay is concerned: “All you need is a way of reading poetry so while you’re listening, you are also reading; and that you listen to poetry like you might listen to a piece of music. You actually don’t need to understand it in the first instance; you’re listening to enjoy and experience language, not to worry about it.  Once you’re past worrying you can actually return again and again to the same poem, and that’s what I think is wonderful about poetry.”

Kay’s latest work, Darling, published in October 2007, brings together into a vibrant new book many favourite poems from her four Bloodaxe collections, The
Adoption Papers, Other Lovers, Off Colour and Life Mask, as well as featuring new work, some previously uncollected poems, and some lively poetry for younger readers…

Read the entire review here.