Mixed Race Studies

The Influence of Bob Marley’s Absent, White Father

The Dread Library
Essays from the University of Vermont Class, Rhetoric of Reggae Music
2002-04-30

Scott Gurtman

My fadda was a guy yunno, from England here, yunno?  Him was like…like you can read it yunno, it’s one o’dem slave stories: white guy get the black woman and breed her.  He’s a English guy…I t’ink.  Cos me see him one time yunno.  My mother?  My Mother African.”   (Bob Marley, 1978)

The psychological aftermath of being an abandoned child of a biracial marriage was something that heavily influenced reggae superstar Bob Marley for his entire career.  Many of Marley’s most loyal fans and the vast majority of reggae enthusiasts are unaware that he was, indeed, born to a white father, Captain Norval Marley, and a black mother, Cedella Booker.  Bob Marley grew up angry with his father who he felt had mistreated him and his mother. Marley was also partially ashamed of his white heritage.  This childhood mentality of resentment and embarrassment sculpted Marley’s youth and eventually influenced the ideals and work of his musical genius for his entire career.  The sentiment of abandonment and the lack of a father figure forced Bob Marley to look to other means, like the ideals of Rastafarianism, for direction, comfort, and a sense of belonging.  The strong allegiance to black culture that resulted from the absence of his white father also partially attributed to Marley’s unwaveringly sense of Pan-Africanism.  The imperfections and almost total absence of Bob Marley’s Caucasian father, Captain Norval Marley, had a profound psychological influence on the great reggae icon…

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On Racial Frontiers: The New Culture of Frederick Douglass, Ralph Ellison, and Bob Marley

Cambridge University Press
June 1999
342 pages
8 b/w illus.
Size: 228 x 152 mm
Paperback ISBN-13: 9780521643931; ISBN-10: 0521643937

Gregory Stephens

Douglass, Ellison and Marley lived on racial frontiers. Their interactions with mixed audiences made them key figures in an interracial consciousness and culture, integrative ancestors who can be claimed by more than one group. An abolitionist who criticized black racialism; the author of Invisible Man, a landmark of modernity and black literature; a musician whose allegiance was to “God’s side, who cause me to come from black and white.” The lives of these three men illustrate how our notions of “race” have been constructed out of a repression of the interracial.

Table of Contents

• Introduction
• 1. Interraciality in historical context
• 2. Frederick Douglass as integrative ancestor: the consequences of interracial co-creation
• 3. Invisible community: Ralph Ellison’s vision of a multiracial ideal democracy
• 4. Bob Marley’s Zion: a trans-racial ‘blackman redemption’

Video From Angle Event Reopens Subject of Race

New York Times
2010-10-19

Susan Saulny, National Correspondent

Louie Gong, a 36-year-old Seattle resident who is a mix of American Indian, white and Chinese, is often mistaken for Latino.

“Most people don’t look at me and say ‘Chinese,’ ” he said. “Then I tell them what my heritage is, and they argue with me, saying, ‘No, you look Hispanic.’ That’s offensive on a whole other level—it’s like their sensibility of racial aesthetics trumps my 36 years of life experience, and the fact that my last name is Gong.” …

…Further complicating the role of race is that a growing number of Americans are identifying themselves as racial mixtures that can be difficult to categorize based on looks alone. Beyond that, some members of minorities are pushing back against anyone who wants to tell them what race they are, then stereotype them, whether Asian or Latino or black or some combination.

“We are more complex than our phenotype,” said Mr. Gong, the past president of Mavin, an advocacy group for mixed-race families, and the co-founder of the Mixed Race Heritage Center, an information clearinghouse. “People have the right to self-identify in this country, on the census or in personal actions.”…

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