Mixed Race Studies

Mixed heritage models set to face off

Mancunian Matters
Manchester, England
2010-10-29

Natasha Carter

Models will take to the catwalk in the UKs first mixed-race model contest held by a Manchester-based social enterprise tomorrow.

Twenty finalists, all of mixed heritage, will go head to head on October 30th for the title of the Face of Mix-d 2010 and a 12 month modeling contract with Boss Model Management.

Mix-d:, formed in 2006, is a social enterprise aiming to help people explore contemporary mixed-race identity.

Bradley Lincoln, founder of Mix-d:, said: “The fashion industry will admit that they tend to go for people who are single heritage. With mixed-race people being the fastest growing ethnic minority group, at some point we’ve got to have some form of competition to show that this proportion of society needs representing on the catwalk…

He added: “It’s quite pioneering, the first mixed-race competition in the UK, in history actually, and I want Manchester to be proud that we were the first city to host this idea.

“It’s not about separating people, it’s about showing them they actually share more in common than people realise.”…

…“All the time I get ‘You’re black! You’re white! You’re confused!’, I always have to correct people and say ‘No! I’m mixed-race!’” said finalist Zachary Watson.

“Taking part in the next mixed-race face of the UK is a fantastic opportunity to give people that understanding that we’re more than the stereotypes they label us with!”…

Read the entire article here.

Everyone Looks a Little Bit Asian

truthdig: drilling beneath the headlines
2010-10-27

Marcia Alesan Dawkins, Visiting Scholar
Brown University

Like many other Hispanics, I am a member of Generation E.A. (ethnically ambiguous). Over the years I’ve been mistaken for just about every racial or ethnic combination—from Eurasian to Afro-Irish to Arab-Native American.

This guessing game is something members of Generation E.A. are used to in discussions with acquaintances, classmates, co-workers and curious passersby. Sometimes it’s even educational. But this is never something one would expect to hear from a politician, particularly a politician addressing the Hispanic Student Union at Rancho High School in Las Vegas, Nev. Yet this is exactly what happened when Sharron Angle, the Republican candidate for Senate in Nevada, told a group of students that she did not know if the brown border crossers featured in her “Best Friend” commercial were all Hispanic because “some of you look a little more Asian to me.” She continued, “What we know, what we know about ourselves is that we are a melting pot in this country. My grandchildren are evidence of that. I’m evidence of that. I’ve been called the first Asian legislator in our Nevada State Assembly.”…

…But the most recent confusing remarks about race and ethnicity are different because they serve a unique purpose. They provide an opportunity to open dialogue in a campaign season that has been more focused on economics than on ethnicity. Could it be that the two are connected?

“The interesting thing about Angle’s version of racial and ethnic talk is that it is more focused on Hispanic issues than on the traditional black-white paradigm,” according to professor Ulli K. Ryder of Brown University’s Center for the Study of Race and Ethnicity in America. “What’s happening here is that Hispanics and Asians are being compared and confused because they both equal foreign in the U.S. racial imagination.” So, Angle is saying that these two foreign groups can melt and look alike, but that they will never look like Americans...

Read the entire article here.

Thinking and living in, out, and beyond the box: Exploring Racial and Cultural Complexity in Identity among Adoptive Multiracial Families and Persons

Racial Identity and Cultural Factors in Treatment, Research, and Policy
The Ninth Annual Diversity Challenge
Institute for the Study and Promotion of Race and Culture
Boston College, Chestnut Hill, Massachusetts
2009-10-23 through 2009-10-24

Gina Miranda Samuels, Associate Professor
School of Social Service Administration
University of Chicago

Under the direction of Dr. Janet E. Helms, the Institute for the Study and Promotion of Race and Culture (ISPRC) sponsored its 9th annual Diversity Challenge at Boston College October 23-24, 2009. This year’s focus was the integration of principles of racial identity and cultural theories in treatment, research, education, and policy. The conference drew over 300 participants and hosted more than 80 different sessions allowing scholars, practitioners, educators, community activists and policy makers a forum to extend the dialogue to address some of the unanswered questions from very different perspectives.

Read Dr. Samuel’s presentation here.

“A Little Yellow Bastard Boy”: Paternal Rejection, Filial Insistence, and the Triumph of African American Cultural Aesthetics in Langston Hughes’s “Mulatto”

Robert Paul Lamb, Professor of English
Purdue University

College Literature
Volume, 35, Number 2 (Spring 2008)
pages 126-153
DOI: 10.1353/lit.2008.0012

When Langston Hughes published “Mulatto” in his second poetry collection, Fine Clothes to the Jew (1927), it was highly praised by both African American and white reviewers. But because it did not seem germane to the heated controversy caused by that volume—over whether the blues were an acceptable poetic form and whether Hughes’s vernacular representations of African Americans were genuine or else racialist stereotypes—“Mulatto” has been mostly ignored by scholars ever since. This richly complex poem demands to be read in several contexts: Hughes’s difficult relationship with his own father, his lifelong near obsession with biracialism, and the poem’s deliberate intertextuality with Jean Toomer’s Cane. Most important, Hughes’s intricate and innovative employment of African American cultural aesthetics—call and response, signifying, and the blues—is essential to any meaningful reading of what is one of the finest poems ever written on the biracial experience in America.

Read or purchase the article here.

Representing Mixed Race in Jamaica and England from the Abolition Era to the Present

Routledge: Routledge Research in Postcolonial Literatures
2010-10-21
204 pages
Hardback ISBN: 978-0-415-39808-4

Sarah Salih, Professor of English
University of Toronto

This study considers cultural representations of “brown” people in Jamaica and England alongside the determinations of race by statute from the Abolition era onwards. Through close readings of contemporary fictions and “histories,” Salih probes the extent to which colonial ideologies may have been underpinned by what might be called subject-constituting statutes, along with the potential for force and violence which necessarily undergird the law. The author explores the role legal and non-legal discourse plays in disciplining the brown body in pre- and post-Abolition colonial contexts, as well as how are other bodies and identities – e.g. black, white are discursively disciplined. Salih examines whether or not it’s possible to say that non-legal texts such as prose fictions are engaged in this kind of discursive disciplining, and more broadly, looks at what contemporary formulations of “mixed” identity owe to these legal or non-legal discursive formations. This study demonstrates the striking connections between historical and contemporary discourses of race and brownness and argues for a shift in the ways we think about, represent and discuss “mixed race” people.

Table of Contents

• 1: Introduction: The Mulatto in Law and Literature
• 2: Pre-Emancipation Stories of Race: Marly and The Woman of Colour
• 3: Legitimacy, Illegitimacy and Citizenship in the Nineteenth Century: Dinah Craik’s Olive [1850] and Richard Hill’s Lights and Shadows
• 4: Mulattos in the Contact Zone: Mary Seacole and Ozias Midwinter Coda: Modern Mulattos: Mona Lisa and The Crying Game
• Notes
• Bibliography
• Index