Mixed Race Studies

Brooklyn Museum Acquires Eighteenth-Century Painting by Agostino Brunias Depicting Dominica Mixed Race Colonial Elite

The Brooklyn Museum
200 Eastern Parkway, Brooklyn, NY 11238-6052
T(718) 638-5000, F(718) 501-6134
January 2011

Agostino Brunias (Italian, ca. 1730-1796), Free Women of Color with their Children and Servants in a Landscape, ca. 1764-1796, Oil on canvas, 2010.59, Gift of Mrs. Carll H. de Silver in memory of her husband, and gift of George S. Hellman, by exchange.

The Brooklyn Museum has acquired, by purchase from the London Gallery Robilant + Voena, Agostino Brunias’s (1730–96) painting Free Women of Color with Their Children and Servants in a Landscape (circa 1764–96), a portrait of the eighteenth-century mixed-race colonial elite of the island of Dominica in the West Indies. Brunias, a London-based Italian painter, left England at the height of his career to chronicle Dominica, then one of Britain’s newest colonies in the Lesser Antilles.

The painting depicts two richly dressed mixed-race women, one of whom was possibly the wife of the artist’s patron. They are shown accompanied by their mother and their children, along with eight African servants, as they walk on the grounds of a sugar plantation, one of the agricultural estates that were Dominica’s chief source of wealth. Brunias documented colonial women of color as privileged and prosperous. The two wealthy sisters are distinguished from their mother and servants by their fitted European dresses.

The painting is a Caribbean version of contemporaneous English works made popular by artists such as William Hogarth and Thomas Gainsborough, whose art often depicts the landed gentry engaged in leisurely pursuits. Free Women of Color with Their Children and Servants in a Landscape and other Caribbean paintings by Brunias celebrate the diversity of European, Caribbean, and African influences in the region.

Although Brunias was originally commissioned to promote upper-class plantation life, his works soon assumed a more subversive, political role throughout the Caribbean as endorsements of a free, anti-slavery society, exposing the artificialities of racial hierarchies in the West Indies. Among his supporters was Haiti’s liberator, François-Dominique Toussaint L’Ouverture, who wore on his waistcoat eighteen buttons decorated with reproductions of Brunias’s paintings.

Free Women of Color with Their Children and Servants in a Landscape will go on view on March 7, 2011, in the European galleries, on the portraiture wall between contemporaneous female Spanish colonial and French subjects.

Author and scholar Adele Logan Alexander appears at the 2010 National Book Festival

2010 National Book Festival
Library of Congress
Washington, D.C.
2010-09-25
Running Time: 00:32:45

Adele Logan Alexander, Professor of History
George Washington University

Speaker Biography: Adele Logan Alexander’s research and teaching incorporate the black Atlantic world, African-American history, family history, gender issues and military and social history. Her first book examined the lives and significance of nonenslaved women of color in the rural antebellum South. Her second explored the Americanization and evolving citizenship of an African- (and Anglo-) American family in the 19th and 20th centuries. In 2003 the African American Historical and Genealogical Society recognized her contributions to the study of family history with an award for Outstanding Lifetime Contribution. She is an adjunct professor of history at George Washington University. Her books include “Homelands and Waterways: The American Journey of the Bond Family, 1846-1926” and “Ambiguous Lives: Free Women of Color in Rural Georgia.” Her latest book is “Parallel Worlds: The Remarkable Gibbs-Hunts and the Enduring (In)Significance of Race” (University of Virginia Press).

Read the Questions and Answers transcript here.

Audience question: In your significant study of African-American families and I guess particularly mixed families, how often did you come across the use of skin products–skin lighteners or whiteners or even darkeners; or was that something that you were able to research or was that something that was talked about at all or written about?

Adele Alexander: Certainly I don’t write about it because I never found it in any of the people that I happen to write about. However, I’ve done a lot of work with a woman you may know about whose name is A’lelia Bundles whose great grandmother was Madame C.J. Walker who developed hair straightening–she called them hair health products, skin health products that also served to create a more–a whiter appearance. But I guess that one of the things is that it almost seems remarkable to me not that so many people did these things, but that so many did not. Because in our culture there was so much of a premium that has been placed on whiteness–day to day inconveniences, legal restrictions and everything else. It’s easy for me to understand why a number of black people wanted to be part of the majority in this country because they were so discriminated against and any steps in that direction I think were understandable.

Shades of White

The New York Times
2011-02-25

Raymond Arsenault, Visiting Scholar, Florida State University Study Center in London
and John Hope Franklin Professor of Southern History, University of South Florida

Daniel J. Sharfstein. The Invisible Line: Three American Families and the Secret Journey from Black to White. New York: Penguin Press, 2011. 415 pp. Hardcover ISBN: 9781594202827.

Racial passing is one of America’s deeply hidden traditions, a largely unacknowledged and unstudied aspect of national life. Historically, African-Americans with identifiably dark skin have had only two choices when confronting racial discrimination and oppression: either they could try to ease their burden through accommodation, making the best of a bad situation, or they could engage in protest and active resistance. The situation was often quite different, however, for light-skinned African-Americans of mixed parentage. For them, there was a tempting third option of trying to pass as white.

In an illuminating and aptly titled book, “The Invisible Line,” Daniel J. Sharfstein demonstrates that African-Americans of mixed ancestry have been crossing the boundaries of color and racial identity since the early colonial era. An associate professor of law at Vanderbilt University and an author with a literary flair, Sharfstein documents this persistent racial fluidity by painstakingly reconstructing the history of three families. In a dizzying array of alternating chapters, he presents the personal and racial stories of the Gibsons, the Spencers and the Walls. The result is an astonishingly detailed rendering of the variety and complexity of racial experience in an evolving national culture moving from slavery to segregation to civil rights…

Read the entire review here.