Mixed Race Studies

Race and Multiraciality in Brazil and the United States: Converging Paths? [Review: Johnson]

American Anthropologist
Volume 110, Issue 1 (March 2008)
pp. 79–80
ISSN 0002-7294; online ISSN 1548-1433
DOI: 10.1111/j.1548-1433.2008.00013.x

Amanda Walker Johnson, Assistant Professor of Anthropology
University of Massachusetts, Amherst

Race and Multiraciality in Brazil and the United States: Converging Paths? G. Reginald Daniel. University Park: Pennsylvania State University Press, 2006. 365 pp.

Globalization and Race: Transformations in the Cultural Production of Blackness. Kamari Maxine Clarke and Deborah A. Thomas, eds. Durham, NC: Duke University Press, 2006. 407 pp.

These two books discuss the racial formations of blackness from the foundations of early capitalism and modernist nation-state formation through contemporary transformations. Both caution against the silencing of race, particularly the dangers of “colorblindness” in political engagement and in theorizations of globalization, but both books also forge critiques of race essentialism. Whereas Globalization and Race explores geopolitics and notions of “diaspora,” Race and Multiraciality explores lineage and multiraciality. The methodological and theoretical approaches are what most separate these texts, as Globalization and Race centers on ethnographies and anthropological theories whereas Race and Multiraciality combines analysis of secondary historical and demographic data and sociological theories…

…Race and Multiraciality compares racial formations in the United States and Brazil, particularly the dimensions of blackness and multiraciality. Daniel argues that the ending of legal segregation in the United States—coupled with challenges to the “binary racial project” or white–black paradigm by multiracial movements—and the disruption of the notion of “racial democracy” and the “ternary racial project” (or white–multiracial–black paradigm) in Brazil by the movements for African Brazilian recognition and racial equality have sent the United States and Brazil on converging paths. Daniel juxtaposes the “Latin Americanization” (p. 259) of U.S. racial politics in the context of emerging recognition of multiraciality and desires for colorblind “racial democracy” with the “Anglo Americanization” (p. 285) of Brazilian racial politics. This is done in the context of increasing dichotomization of negro–branco (black–white) and the interpellation of multiracial people into a unified and “race-d”—versus “colored” as in the colonial and census terms pretos and pardo—African Brazilian identity. Daniel seeks to disrupt the notion that multiraciality is inherently problematic as well as to expose the untenability of colorblindness, particularly in its neoliberal form.

Daniel’s historicization of trajectories of Eurocentrism that underline both “whitening” in Brazil and antimiscegenation in the United States—including the “paranoia about invisible blackness” (p. 37) and the granting of privilege in terms of behavioral and phenotypic proximity to Europeanness that pervaded both nation’s racial projects—seems to suggest that the processes of racial formation in the two nations have converged, or at least intersected, at prior historical moments to the contemporary era. Although he explores the complexity of “Latin” American colonization models in Louisiana and the Southwest as they confront the “Anglo” models of the “North and Upper South,” he overlooks the mythification of the U.S. post–Civil War “North” as itself a variant of a “racial democracy.” In my view, the linearity of his model or metaphor of “converging paths” undermines his attempts to problematize U.S. and Brazilian racial projects. Additionally, although Daniel critiques the “binary racial project” in the United States, he also tends to reify it, at times conflating multiraciality with black and white biraciality (see pp. 173, 295). The racialization of Asian Americans in the United States and Brazil disappears in both his theorization of the “binary” and “ternary” models of race and also his discussions of multiracial movements…

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Truthdig Radio with Marcia Dawkins

Truthdig Radio
KPFK 90.7 FM (Los Angeles); 98.7 FM (Santa Barbara); 99.5 FM (China Lake); 93.7 North San Diego
Wednesday, 2011-04-20, 21:00Z (14:00 PDT, 17:00 EDT)

Kasia Anderson, Host and Associate Editor

Marcia Alesan Dawkins, Visiting Scholar
Brown University

Dr. Dawkins discusses mixed race identities, press (including the 2011-04-18 CNN article, “Neither black nor white: Three multiracial generations, one family” by Thom Patterson) and the census.

List to the interview here (Ends at 00:10:57).

Race and Multiraciality in Brazil and the United States: Converging Paths? [Review: Bailey]

Contemporary Sociology
Volume 36, Number 6 (November 2007)
pages 535-536
DOI: 10.1177/009430610703600609

Stanley R. Bailey, Associate Professor of Sociology
University of California, Irvine

Race and Multiraciality in Brazil and the United States: Converging Paths?, by G. Reginald Daniel. University Park, PA: The Pennsylvania State University Press, 2006. 360pp. cloth. ISBN: 0271028835.

The U.S. Census Bureau’s adoption of the mark “one or more races” format in 2000 is viewed by some scholars as a racial revolution of sorts. It may signal a changing tide from monoracial understandings of population diversity (i.e., recognizing only single racial heritages) to the interpellation of a more complex phenomenon of multiraciality. Framing this shift as from a binary (black vs. white) to a ternary racial project (white, multiracial, black), sociologist G. Reginald Daniel contributes significantly to our understanding of the contentious issues surrounding this development. Importantly, he does so as an insider, having been active in social movements promoting the recent Census recognition of multiracial identities (p. 5).

In his latest book, Daniel juxtaposes the shifting U.S. dynamic with changes underway in Brazil. Interestingly, that context appears to be moving in the opposite direction, from ternary (white, brown/multiracial, black) to binary (white vs. negro) racial understandings. Hence, he subtitles his book “Converging Paths,” situating it as a must-read for students of comparative racial dynamics. There has yet to be a census adoption of the binary project in Brazil, but it may only be a matter of time.

Framed, then, as a push and pull between binary and ternary racial projects, Daniel’s goal is to understand similarities and differences in these countries’ racial formations and their consequences for both the production of inequality and for the possibility of overcoming it. To do so, he offers an extensive exploration of the existing literature on to media (print, television, and internet) and census bureau/governmental sources, social movement activists, and observations of public behavior in Brazil and the United States. Although the exposition of this extensive material in this comparative fashion constitutes the contribution of this book, much of the material is drawn from his previously published work, as the author points out (pp. 5–6)…

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French colonial and post-colonial hybridity: condition métisse

Journal of European Studies
Volume 28, Number 1 (1998)
pages 103-120
DOI: 10.1177/004724419802800108

Dina Sherzer, Professor Emeritus of French and Italian and Comparative Literature
The University of Texas, Austin

One of the central issues which shapes and agitates contemporary France, as well as other European countries, is that of identity. Multiple discourses on French identity are crisscrossing France today and are channelled in two different domains—a revisiting of the colonial past, and a reflection on what constitutes contemporary Frenchness. Since the mid-1980s a cultural phenomenon has emerged in France which involves the rediscovery, reassessment and representation of the Empire, colonial politics and ideology, and colonial life. The colonial moment of France’s past (1830-1962), which had been repressed and censured, is now reappearing in studies by historians, sociologists and anthropologists. Film directors and novelists have contributed to this growing interest in the colonies by their imaginings and refigurings of the colonial past. Studies of the colonial period have shown that, based on a set of asymmetrical arrangements, life in the contact zone was organized according to two worlds whereby the colonized were subservient to and dominated by the colonizers. French hegemony was concretized by division and segregation based on race and economics. The French were considered pure and therefore superior, while the Others, the colonized, were considered inferior and somehow savage and impure. What was of utmost importance in the colonies was to preserve French identity; and life in multiracial settings fostered and exacerbated racial consciousness.

It was also in the mid-1980s, as France was becoming increasingly multi-ethnic with a growing population of individuals from the ex-colonies of Africa and North Africa, that the notion of French identity became a national debate, stirring up the country on the right and the left. And it is now possible to speak of a ‘logique contradictorielle’ because, as has been noted, France is ‘un pays de meteques avec une tres forte ideologie antimeteque’. It is a country which has constructed its identity on the concept of universality, and yet particularism is thriving under the impulse of Jean-Marie Le Pen and his followers. As a result the country is divided by two contradictory attitudes: the desire for ethnic purity and xenophobia on one hand, and for tolerance, acceptance of the Other and celebration of contacts, mixings and ‘metissages’ on the other hand. Thus notions such as to be Francais-Francais, Francais-non Francais, or non-Francais; the presence in cities and outskirts of cities of a multiracial population, referred to as ‘les trois B’ (Blacks, Blancs, Beurs); and questions of immigration, integration and assimilation are constantly in the news, in political debates, in journalistic writings, and in films.

Because of the cohabitation of colonizers and colonized, and because of immigration of individuals from the former colonies to France, mixed marriages or unions took place in the colonies and are more and more frequent in contemporary France. For instance in 1994, 22% of second-generation Algerians were married to French individuals born of French parents. Nowadays hybrid individuals constitute a significant part of the French population. They are referred to as, and call themselves ‘sang meles’, ‘croises’or ‘metis’. Many well known personalities in sports, politics and the arts are metis and their hybridity is often mentioned and underscored by the media. Thus it is well known that the actress Isabelle Adjani has a Maghrebi father and a German mother; Raphaëlle Delaunay, a dancer at the Paris opera, has a father from Martinique and a mother from Alsace; Harlem Desir, the anti-racist activist, has an Antillean father and an Alsatian mother; Yannick Noah, the ex-tennis champion now pop singer, has a father from Cameroon and a French mother from Alsace; the lawyer Jacques Verges is Eurasian. Concomitant with and participating in the revisiting of the colonial past and the thinking about the post-colonial present, a number of studies, films, novels and autobiographies have appeared which engage and articulate with ethnicity and identity in focusing on hybrid, mixed-blood, metis individuals; they highlight the fact that if racial mixing, hybridity and ‘metissage’ were of utmost concern during the Empire, in the contact zone, now the same concern is manifesting itself in post-colonial France.

In my discussion I will draw on a representative selection of films and texts together with relevant scholarly studies. The presentation of the ‘condition metisse’ in colonial times appears in the 1988 film by Martinican director Euzhan Palcy, Rue cases-negres, autobiographies such as Kim Lefevre’s Metisse blanche (1990), Dany Carrel’s L’Annamite (1991) adapted into a telefilm with the same title screened in June 1996 on TF1, and a 1993 autobiographical essay entitled Metis by Patrice Franchini. Several novels set in the colonies, from the 1980s to the present, also present metis characters. Examples are the 1930 novel by Erwan Bergot set in Indochina, Le Courrier de Saigon, reedited in 1990, L’Amant by Marguerite Duras from 1988 and Annaud’s 1991 adaptation of it, as well as a 1994 novel by Régine Desforges, Route de la soie. Set in contemporary France, Leïla Sebbar’s Le Chinois vert d’Afrique (1984) and Marie N’Diaye’s En famille (1990) have hybrid individuals as central characters. Films also take on this topic as a subtext, as in Jean-Loup Hubert’s La Reine blanche (1991). Goyav, a popular magazine newly created and found at newsstands in public places, devoted its third issue in June 1996 in large part to ‘la condition metisse’ with articles and interviews about this topic. In these renderings of ‘la condition metisse’, set in the colonies and in post-colonial France, I propose to examine how hybrid individuals have been constructed, what identity they have been given and how they have been made to live and perceive their hybridity. Then I will discuss the significance of the emergence of such texts in the context of contemporary France and, more specifically, examine how these cultural micro-expressions in popular and high culture shape and participate in the creation of the mood, mentality, and attitudes of contemporary France alongside current events, political and sociological writings, and TV debates.

Metissage and colonialism

Metissage is a term invented during the colonial period, as mixed-blood children were born from relationships between French men and Asiatic, African and North African women in the colonies. It had negative connotations, implying miscegenation, mongrelization and impurity. After World War I successive waves of immigration brought to France Italians, Poles and Spaniards who married French individuals and had children, but no specific term was used for these European mixed-blood individuals. Thus, language already shows that mixing between Europeans was acceptable, whereas when it took place with a coloured Other it was marked negatively. The study of rules, regulations and attitudes during the Empire reveals that metis individuals were considered to be degenerate and represented a threat to racial purity. Yet in the colonies colonizers and colonized were in very intimate contact; native women were available and became sexual partners as the colonizers desired it. The colonies were places where the French appropriated land, goods and women, and in fact one of the incentives for going to the colonies was the promise of adventures which entailed unlimited access to women. Postcards, posters and advertisements from the period enticed prospective colonizers, travellers and soldiers by displaying native women and young girls. Exotic sexual encounters were part of the ‘imaginaire colonial’. In Metis Franchini proposes the following analysis of today’s connotations of the word Eurasian, which applies to the more…

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My strongest conviction as to the future of the negro therefore is, that he will not be expatriated nor annihilated, nor will he forever remain a separate and distinct race from the people around him, but that he will be absorbed, assimilated, and will only appear finally, as the Phoenicians now appear on the shores of the Shannon, in the features of a blended race…

Frederick Douglass, “The Future of the Colored Race,” North American Review, Number 142 (May 1886): 437-440.

Deconstructing the Visual: The Diasporic Hybridity of Asian and Eurasian Female Images

Intersections: Gender, History and Culture in the Asian Context
Australian National University
Issue 8, October 2002
45 paragraphs
ISSN 1440 9151

Julie Matthews, Associate Professor and Director of Research Faculty of Arts and Social Sciences
University of the Sunshine Coast, Queensland, Australia

Introduction

Being long accustomed to the absence of images resembling myself in magazines and on TV, I find the few images I do encounter quite fascinating. Commenting on the absence of media images and representations of Asian women, Catherine Padmore notes that pale-skinned, wide-eyed Eurasian features are more likely to appear than Asian faces. As she arguesof the three hundred images appearing on the cover of the Australian publication Cleo since its inception in 1972, ‘under ten did not fit the Caucasian stereotype of wide-eyes, pale skin, and (surprisingly often) blonde hair’. My analysis of Asian and Eurasian female images is interested in the small but growing number of stylish young Eurasian and Asian fashion models appearing in Australian magazines and catalogues and Asian-female images associated with finance. The latter category links Asian women to commerce, computing and technology in a globally interconnected world. Interestingly, these images rarely feature Eurasian women.

The presence of Eurasian images in fashion representations and their absence from finance representations draw attention to the historical origins, cultural trajectories and ambivalence of meaning associated with ‘raced’ and sexed representations. Although the inclusion of Asian and Eurasian women may be intended to offset their previous absence and secure a wider multicultural appeal, they inadvertently replay processes of racialisation and sexualization. This is because they incite desires for, and identifications with, White/Western/Anglo identities authorised by essentialist and quasi-biological discourses of racialisation and sexualization.

The situation is further complicated by the diasporic hybridity of Asian and Eurasian female images. Distinguishing fashion from finance images highlights the ways these are worked out through various forms of colonialism, patriarchy, orientalism and commodification. Fashion representations commodify traditional stereotypes of Asian women and hyper-feminise Asian and Eurasian women. They model desirable ideals of youthful sexualised femininity and offer a rebuke to those who fail to meet these standards in a White/Western/Anglo-dominated global market. Finance representations take their cue from contemporary social and economic conditions where Asian ‘Tiger’ economies have come to stand for development potential and high-tech economic success under global capitalism. In these images Eurasian women are absent because Asian women more effectively represent the desirable ideals of commerce and information technology and ‘gently’ rebuke those who fail to succeed under these terms and conditions.

This paper is organised into two sections. The first section analyses Asian and Eurasian images and the latter section uses insights from this analysis to challenge current cultural studies understandings of hybridity and diaspora. This paper is not intended to provide a comprehensive semiotic analysis of media representations. Rather, it undertakes a deconstructive analysis of various images I have recently encountered. Deconstruction challenges the apparent and obvious ‘facts’ of a representation or image. It acknowledges that representations and readings are an effect of standpoint, belief and value, and support multiple and often contradictory understandings. A deconstructive analysis of visual representations highlights the interaction of images with one another as well as accentuating associations that operate beyond the text and beyond the intentions of image producers. The deconstruction of visual representations undertaken here focuses on shared and dissimilar trajectories of mobility and hybridity and the fissures and breaks in authoritative and universalising explanations and theories. Visual images work a terrain of identity and identification that defy the demarcation of primary structural or systemic forms of subordination and clear-cut lines of resistance desired by Floya Anthias. They thereby enable us to trace the contours of new forms of subjugation and struggle.

The second section of this paper explores conventional cultural studies’ understandings of diaspora and hybridity though a gender analysis which highlights the interconnected significance of economic, political, historical and contemporary conditions. My analysis of Asian and Eurasian images highlights ambivalent processes of collaboration and contestation that are an effect of diasporic hybridity and the commodification of ‘racialised’ and sexualised images. This focus illuminates how representations, intended to offset the absence of minority women in the media and thus achieve inclusion or wider multicultural appeal, may have unintended effects. New representations may be politically generative and challenge established orders but they may also incite desires for, and identifications with, White/Western/Anglo identities authorised by essentialist and quasi-biological discourses—they risk inadvertently replaying traditional processes of racialisation and sexualisation.

I use the term ‘Eurasian’ to refer to images evoking Anglo, European and Asian ‘racial’ and cultural iconography. Unlike the term ‘Asian’, which has ‘racial’ and cultural connotations, the term ‘Eurasian’ is mainly used as a ‘racial’ category to denote people of mixed European and Asian descent. I extend the category here to encompass ‘racial’ and cultural connotations including: a) those of identifiably ‘mixed race’ heritage; b) the transposition of ‘Asian’ signs and symbols into predominantly Anglo-European settings; and c) the transposition of ‘Anglo-European’ signs and symbols into ‘Asian’ settings. A focus on Eurasian and Asian female images in these terms illuminates the diasporic hybridity of visual forms. I argue that diaspora theory need not contain itself to accounts of dislocation, relocation and disembodied longings for exilic roots, but may facilitate new understandings of the role of images, signs and symbols in the achievement of collaboration and contestation…

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Qualitative Interviews of Racial Fluctuations: The “How” of Latina/o-White Hybrid Identity

Communication Theory
Volume 21, Issue 2 (May 2011)
pages 197–216
DOI: 10.1111/j.1468-2885.2011.01382.x

Shane T. Moreman, Associate Professor of Communications
California State University, Fresno

Using qualitiative interviewing, this article exposes the performative moments of the Latina/o-White hybrid social actor (i.e., individuals born of one White parent and one Latina/o parent). This study draws on performance studies theories and concepts to demonstrate how these individuals work within and outside the limitations of today’s U.S. discourse on race and ethnicity. Finding four major themes (i.e., ritual disciplines, body as text, language as text, and institutes of identity), this article provides the tensions of the participants’ mixed positionality yet also points to the imaginative possibilities that can come through communicating such an identity.

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A Geographic Analysis of White-Negro-Indian Racial Mixtures in Eastern United States

Annals of the Association of American Geographers
Volume 43, Number 2 (June 1953)
pages 138-155

Edward T. Price
Los Angeles State College

A Strange product of the mingling of races which followed the British entry into North America survives in the presence of a number of localized strains of peoples of mixed ancestry. Presumed to be part white with varying proportions of Indian and Negro blood,** they are recognized as of intermediate social status, sharing lot with neither white nor colored, and enjoying neither the governmental protection nor the tribal tie of the typical Indian descendants. A high degree of endogamy results from this special status, and their recognition is crystallized in the unusual group names applied to them by the country people.

The chief populations of this type are located and identified in Figure 1, which expresses their recurrence as a pattern of distribution. Yet each is essentially a local phenomenon, a unique demographic body, defined only in its own terms and only by its own neighbors. A name applied to one group in one area would have no meaning relative to similar people elsewhere. This association of mixed-blood and particular place piques the geographic curiosity about a subject which, were it ubiquitous, might well be abandoned to the sociologist and social historian. What accounts for these cases of social endemism in the racially mixed population?

The total number of these mixed-bloods is probably between 50,000 and 100,000 persons. Individually recognized groups may run from fewer than 100 to as many as 18,000 persons in the case of the Croatans of North Carolina. The available records, the most useful being old census schedules,’ indicate that the present numbers of mixed-bloods have sprung from the great reproductive increase of small initial populations; the prevalence in each group of a small number of oft-repeated surnames is in accord with such a conclusion.   The ancestors of the mixed-bloods…

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Grave endings: the representation of passing

Austrailian Humanities Review
Issue 23 (September 2001)

Monique Rooney, Lecturer and Honours Convenor
College of Arts and Social Sciences
Austrailian National University

At the 2000 Academy Awards, Hilary Swank won the award of “Best Actress” for her role as Teena Brandon/Brandon Teena in Kimberley Peirce’s Boys Don’t Cry (2000). Based on the true story of Teena Brandon who was murdered in Nebraska in 1993 after she passed as a boy (Brandon Teena), Boys Don’t Cry depicts scenes of crossdressing. Like most passing stories, the film ends with the brutal exposure of the passing girl, with her rape and finally her murder. Even though Swank, dressed in ultra feminine gown and jewels, had just been awarded “Best Actress” in the role, she found it necessary to refer to Teena Brandon, repeatedly, as “he” and as “Brandon Teena”. Further, Swank’s acceptance speech—beginning with the words, “We have come a long way”—intimated that the film’s overt and explicit (rather than censored) coverage of sexual violence and gender passing was somehow more politically radical and progressive.

Defining truth through identity, Swank’s self-congratulatory exposure of the passer’s authentic, because visible, identity, in fact contrasted with film’s representation of this identity. The liberal humanistic and nationalist values affirmed in Swank’s speech and paraded at the Academy Awards are, moreover and ironically, critiqued in the film. Asserting the film’s “acceptance” of “difference” and “diversity”, Swank thanked Brandon Teena for “teaching us” to “always be ourselves” and to “follow our hearts” and “not conform”. This sentimental flagging of the passer’s transformative potential and hypervisible presence (as a boy) simplifies the film’s more complex treatment in which Teena, the passer, is exposed and murdered because he/she represents indeterminacy. Swank’s celebration of the passer’s role in Boys Don’t Cry thus misreads but also re-presents the film’s characterisation of passing as an inexpressible presence, as a crisis at the heart of representation itself. The liminality of the passing role is unable to be articulated; but it emerges in Swank’s ambiguous appearance both on screen and off.

Swank’s performance on Awards night stresses the passer’s political and rhetorical efficacy, as the passer functions in Swank’s discourse as a vehicle for propaganda. Through an analysis of this and various other narratives of passing, this essay will interrogate ways in which the passer both represents, and is an effect of, the mobility of discourse. This is to say, the representation of passing facilitates critical discourses about essentialist categories such as race, gender and sexuality. At the same time, the passer is deployed as a device of this rhetoric who signifies the unstable ground of representation. Beginning with the practice of passing for white in late nineteenth and twentieth century American fiction and non-fiction, the discussion here will first identify the importance of the topic to the emergence of critical discourses about race as well as gender and sexuality. I will then go on to analyse recent critical receptions to this theme and its current relevance to debates not only about minority group politics and deconstruction but about how the critic is positioned in relation to this debate…

…The many black Americans who have allegedly crossed the colour line to live as whites suggests that passing is a desire to flee the constricting condition of belonging to a racial minority. Not that passing for white is purely about escape from racial heritage. The black American author, Walter White, passed in order to travel to the South to investigate lynching and other crimes against blacks. White’s autobiographical self-portrait articulates the challenge the passer poses to racial classifications:

I am a Negro. My skin is white, my eyes are blue, my hair is blonde. The traits of my race are nowhere visible upon me.

Passing not only problematises classifications of the visible body, thereby challenging the meaning of racial belonging, but also the possibility of accurate representation.

The passer’s abstraction of self from too legible identifiers such as race, nationality, sexual orientation—margins that define the invisible centre of subjectivity—suggests that classificatory boundaries are more arbitrary for some individuals than others. Yet these margins continue to define individuals, like the white-skinned “Negro”, who experience both the possibility of freedom from and the restrictions of being a marginalised identity. The attraction of passing lies in the hope of reaching a destination at which the previously illegitimate body may become legitimate, the marked body may become discreet, the socially and culturally determined body may become an abstract, free body. The desire to pass is the desire to make less visible a stigmatised identity…

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Multiracial populations of U.S. cities

CNN
April 2011

The number of people who say they belong to at least two races increased by 32% between 2000 and 2010, according to the U.S. Census Bureau. Search the table below to see how the population has changed in cities and towns [3,876] with more than 10,000 people.

To view the interactive table, click here.