Mixed Race Studies

Home and Identity for Young Men of Mixed Descent

Queen Mary University of London
2009
319 pages

Akile Ahmet

Mixed descent identities span ethnic, religious, and cultural identities as well as race. This thesis addresses the multi-layered identities embodied by young men of mixed descent in relation to their ideas and lived experiences of home. I have adopted a feminist methodological approach to my research and have used three different types of methods to conduct this research: one to one interviewing (with repeat interviews), written electronic diaries and photo-voice.

Previous research on mixed descent and the home has located people of mixed descent as ‘homeless’ (see Ifekwuingwe, 1999, Garimara, 2002 and Carton, 2004). I place young men of mixed descent aged between 16-19 in homes, both in terms of dwelling spaces and wider ideas about belonging. The space of the home becomes a cultural site of their own identities and their family identities. Religious and cultural identities both via material possessions and emotional signifiers affect the identity of these young men and their definitions and experiences of home. These multiple identities are seen within the space of the home, particularly for those inhabiting the parental home. I address the multiple web of identity which these young embody via their religion, culture, ethnicity, and in some cases language. I move beyond the location of mixed race households and place this research inside the home space for young men of mixed descent. Alongside which I explore the idea of home as stretching’ (Gorman-Murray, 2006) beyond the scale of the private domestic into the public realm.

Table of Contents

• TITLE PAGE
• DECLARATION OF PhD
• ABSTRACT
• IMAGES AND TABLES
• ACKNOWLEDEGMENTS
• Chapter One: Introduction
• Chapter Two: Methods and Methodology
• Chapter Three: Autobiographies of Participants
• Chapter Four: Understanding Mixed Descent and Gender
• Chapter Five: Understanding Home and Identity
• Chapter Six: Meanings of Mixed Descent: How do young Men of mixed descent ‘narrate their identities?
• Chapter Seven: Exploring the Parental home: Experiences of Home and Mixed Descent
• Chapter Eight: Definitions of Home for Young Men of Mixed Descent
• Chapter Nine: Conclusions
• BIBLIOGRAPHY
• APPENDIX

IMAGES AND TABLES

• Images
  • 7.1 Tariq’s photo-voice: image of his hallway
  • 7.2 Tariq’s photo-voice: image of his hallway
  • 7.3 Tariq’s photo-voice: image of his front room
  • 8.1 Tariq’s photo-voice: image of his bedroom
  • 8.2 David’s photo-voice: image of his bedroom
  • 8.3 Craig and David’s photo-voice: image of their bedroom
  • 8.4 David’s photo-voice: image of his bedroom wall
  • 8.5 David’s photo-voice: image of his playstation games
  • 8.6 David’s photo-voice: image of David’s college
• Tables
  • 2.1 Methods employed by each participant
  • 2.2 Timing of research
  • 2.3 Location of interviews
  • 2.4 Breakdown of participant backgrounds and living arrangements
  • 6.1 Outline of participants
  • 7.1 Outline of participants homes and living arrangements

Read the entire dissertation here.

Rena’s Two Bodies: Gender and Whiteness in Charles Chesnutt’s The House Behind the Cedars

Studies in the Novel
Volume 43, Numbers 1 (Spring 2011)
pages 38-54
E-ISSN: 1934-1512 Print ISSN: 0039-3827

Melissa Ryan, Associate Professor of English
Alfred University, Alfred, New York

In a letter thirty years after The House Behind the Cedars was published, Charles Chesnutt referred to the novel as his “favorite child,” because its protagonist, Rena Walden, “was of ‘mine own people’. Like myself, she was a white person with an attenuated streak of dark blood, from the disadvantages of which she tried in vain to escape, while I never did” (An Exemplary Citizen 257). That he should refer to his character in such personal terms, so many years later, suggests that Rena functioned as his imagined second self, offering a way for him to try out in fiction what he chose not to do in life. Able but not willing to pass, he sent Rena across the color line in his stead. But while there is nothing unusual about such a relationship between author and protagonist, it is interesting that he cast himself as a tragic mulatta. In other words, in this tale of passing he is in some sense himself crossdressed.

Despite this provocative possibility, there has been little critical exploration of gender issues in the novel. At its most basic level, it is a love story whose fundamental conflict, as many critics have observed, is that between natural affection and unnatural law. Given this framework, perhaps Chesnutt’s treatment of gender roles seems to be so conventional as to merit scant attention; his tragic heroine may strike readers as insufficiently complex, a flat character whose femininity is shaped by the demands of sentimental fiction and the limitations of the masculine imagination. A closer look, however, suggests that there is more to be said. Gender difference is central not only to the plot but also to the larger questions of identity Chesnutt pursues, both in this novel and in tales of the color line like “Her Virginia Mammy” and “The Wife of His Youth.” Taken…

Read or purchase the article here.

The Stakes of Race, Color, & Belonging

Thursday Afternoon Forum Series
University of California, Berkeley
Center for Race and Gender
691 Barrows
Thursday, 2011-09-29, 16:00-17:30 PDT (Local Time)

Skin Tone Stratification Among Black Americans, 2001-2003
Ellis Monk Jr., Sociology

“I’m Mixed and Mixed”: Narrating Identities of Individuals with Mexican and Other Ancestries
Jessie Turner, Ethnic Studies

For more information, click here.

Pauline Black launches her autobiography

Louder Than War
2011-08-04

Miles Barter

Pauline Black launches her autobiography, ‘Black By Design’
 
Music was hardly mentioned as Selecter frontwoman Pauline Black launched her autobiography at Houseman’s radical bookshop in London on Wednesday evening (last night 3 Aug).
 
She told the 70 people packed into a sweltering store that Black by Design was the story of her journey from being a mixed race baby adopted by a white family in Romford, Essex, to Top of the Pops and reconciliation with her own black culture.

Her family refered to her as “coloured” because they thought it was the most polite term available.

Pauline described adoption as “legalised identity theft” and said she had changed her surname from Vickers to Black so people “had to call me black”.
 
She read excerpts from the book about her struggle to find her true self.
 
Her birth mother was white British, her father was black Nigerian. She had originally been named Belinda Magnus…

…Many audience members talked of their own experiences as black and mixed race youngsters in Britain.
 
There was a discussion on whether things were better or whether prejudice was just more hidden now…

Read the entire article here.

Black by Design: A 2-Tone Memoir

Serpent’s Tail
2011-07-14
320 pages
Paperback ISBN: 9781846687907

Pauline Black

Powerful autobiography from the front woman of influential ska band, The Selecter

Lead singer for platinum-selling 2-tone band The Selecter, Pauline Black has been in the music business for over thirty years. The only woman in a movement dominated by men, she was very much the Queen of British Ska. She saw The Specials, Madness, Dexy’s Midnight Runners and all the other top bands of that generation at their very best… and worst. Black was born in 1953 of Anglo-Jewish/Nigerian parents. Adopted by a white, working class family in Romford in the fifties, Pauline was always made to feel different, both by the local community and members of her extended family, who saw her at best as a curiosity, at worst as an embarrassing inconvenience. Weaving her rise to fame and recollections of the 2-tone phenomenon with her moving search for her birth parents, Black By Design is a funny and enlightening memoir of music and roots.

Born in Romford, Pauline Black is a singer and actress who gained fame as the lead singer of seminal 2-tone band The Selecter. After the band split in 1982, Black developed an acting career in television and theatre, appearing in dramas such as The Vice, The Bill, Hearts and Minds and 2000 Acres of Sky. She won the 1991 Time Out award for Best Actress, for her portrayal of Billie Holiday in the play All or Nothing At All.