Mixed Race Studies

Tribe, Race, History: Native Americans in Southern New England, 1780–1880

Johns Hopkins University Press
2007
344 pages
11 halftones, 2 line drawings
Hardback ISBN: 9780801886942; Paperback ISBN: 9780801898198

Daniel R. Mandell, Professor of History
Truman State University, Kirksville, Missouri

• Winner, 2008 Lawrence W. Levine Award, Organization of American Historians

Tribe, Race, History examines American Indian communities in southern New England between the Revolution and Reconstruction, when Indians lived in the region’s socioeconomic margins, moved between semiautonomous communities and towns, and intermarried extensively with blacks and whites.

Drawing from a wealth of primary documentation, Daniel R. Mandell centers his study on ethnic boundaries, particularly how those boundaries were constructed, perceived, and crossed. He analyzes connections and distinctions between Indians and their non-Indian neighbors with regard to labor, landholding, government, and religion; examines how emerging romantic depictions of Indians (living and dead) helped shape a unique New England identity; and looks closely at the causes and results of tribal termination in the region after the Civil War.

Shedding new light on regional developments in class, race, and culture, this groundbreaking study is the first to consider all Native Americans throughout southern New England.

Redrawing the Color Line: Gender and the Social Construction of Race in Pre-Revolutionary Haiti

Journal of Caribbean History
Volume 30, Numbers 1 & 2 (1996)
pages 28-50

John D. Garrigus, Associate Professor of History
University of Texas, Austin

This article examines the social and political construction of race in French colonial Saint-Domingue. After 1763 white elites redefined the category “free coloured” using negative images of femininity rooted in French political discourse. This engendering of racial stereotypes solidified a racial hierarchy that whites found alarmingly fluid. Planters’ councils and the governors they opposed evoked images of sexually powerful women and effeminized men to explain colonial despotism and disorder. In the late 1780s, however, free men of colour deliberately asserted their civic virtue and virility, challenging these stereotypes and eventually destroying the colonial racial hierarchy.

By 1789 French Saint Domingue was home to the largest, wealthiest, and most self-confident free population of African descent in the Americas. Comprising close to half the colony’s free population, these gens de couleur won civil equality with whites from the French Legislative Assembly in April 1792 and their political demands helped produce the Haitian Revolution. Why did such an extraordinary population emerge in this colony?

This article contends that the size, wealth, and self-confidence of this group were partly the result of new social and legal definitions of race formulated in Saint-Domingue after 1763. As this frontier society became the centerpiece of the French empire after the Seven Years’ War, prejudice established a deep and apparently permanent gulf between “whites” and “people of colour.” This new legal and social discrimination was deeply influenced by politicized French gender stereotypes, which whites used to reinforce a new, biological conception of racial difference. Old colonial families were relabeled gens de couleur. After 1769 whites considered free people of mixed African/European descent to be not merely “between” whites and blacks, but morally and physically inferior to both races. This exaggeration of the difference between white and brown colonists reinforced the ambiguous category “free people of colour” and served as an effective target during the French Revolution for wealthy “mulattos” and “quadroons” eager to claim full citizenship.

At the heart of the new racism were conflicts over Saint-Domingue’s political and cultural identity. After the Seven Years’ War new immigration from Europe and the increasingly “civilized” tone of elite colonial society raised the question of how “French” Saint-Domingue could become. Could a slave plantation colony produce a civic-minded public of the sort said to be emerging in France at this time? Many colonial planters, magistrates, and merchants wanted to believe it could. These elites appropriated metropolitan political discourse to explain why free Dominguan society differed from France. After the Seven Years’ War they began to describe free men and women of colour as passionate, narcissistic, and parasitic, terms used in France to vilify powerful women at court. This redirected and highly politicised misogyny helped solidify the ambiguous category gens de couleur, placing these families and individuals firmly outside respectable colonial society. The new image of people of mixed ancestry answered troubling questions about white behaviour in Saint-Domingue and seemed to guarantee that an orderly, rational colonial public could emerge. Grafting a stereotyped effeminacy onto emerging biological notions of race legitimised the disenfranchising of free people of colour, some of whom were indistinguishable from “whites” in wealth, education, distance from slavery, even physical appearance. In Saint-Domingue’s rough-and-tumble seventeenth-century buccaneer society, race was not the obsession it would later become. Early censuses did not distinguish between “whites” and “mulattoes,” but between free and enslaved residents. Before the massive importation of slaves for sugar work, children of mixed African/European descent were apparently considered free from birth. Even in 1685, the metropolitan authors of France’s slave law, the Code Noir, were more concerned about sin than race and racial mixture. The Code ordered colonial officials to confiscate mixed-race children and slave concubines from their owners, but stated that if a master married his slave mistress, she would be automatically free, as would the children of their union. Under the original terms of the Code Noir, ex-slaves enjoyed all the rights of French subjects…

For example, as he charted the somatic varieties produced by different combinations of African and European “blood,” Moreau also described distinct moral qualities. Blacks were strong and passionate while whites were graceful and intelligent. Therefore, mulattoes, who were one-half black, were stronger than quarterons, who were only one-quarter African. According to Moreau, African appetites for physical pleasure were especially pronounced when combined with white qualities. Mulattoes lived for sexual gratification, and the offspring of a mulatto and a black had a “temperament impossible to contain.”

Convinced that black women had strong psychological and physical inclinations to be mothers, Moreau believed that mulatto and quadroon women had difficulty giving birth, due to their physical and moral deficiencies. Men of mixed descent were similarly flawed. Mulattos were often intelligent and attractive, but they were lazy, beardless, foppish, and sensual, according to Moreau. Nor did free coloured military service challenge this image:

It seems that then [in the ranks a mulatto] loses his laziness, but all the world knows that a soldier’s life, in the leisure it provides, has attractions for indolent men … A mulatto soldier will appear exactly to the calls of day, perhaps even to those of the evening, but it is in vain that one tries to restrict his liberty at night; [the night|] belongs to pleasure and he will not indenture it, no matter what commitments he has made elsewhere…

Read the entire article here.

Hybrid Zones: Representations of Race in Late Nineteenth-Century French Visual Culture

University of Kansas
April 2011
358 pages
Publication Number: AAT 3456911
ISBN: 9781124667348

Rozanne McGrew Stringer

In this study, I examine images of the black female and black male body and the female Spanish Gypsy by four artists—Edgar Degas, Édouard Manet, Frédéric Bazille, and Henri de Toulouse-Lautrec—that articulate the instability of racial categories and stereotypes assigned to racialized populations by French artists, natural scientists, anthropologists, and writers between 1862 and 1900. Notably, whiteness—made visible and raced—is also implicated in some of the images I analyze. I look closely at the visual stereotype of the seductive, dark-skinned female Spanish Gypsy and the primitive and debased black male, as well as at representations of the abject black female body. I also consider the construction of “whiteness” as an unfixed and complex notion of French identity, particularly as it applies to the bourgeois white female body.

I analyze images in which representations of racial identity seem unproblematic, but I show that these images articulate a host of uncertainties. I contextualize each image through analyses of nineteenth-century French representations of the black person and Spanish Gypsy by modernist and academic artists, nineteenth-century racialist science, French fiction and periodicals, and entertainment spectacles such as the circus and human zoos. My methodology draws primarily on formalism, social history, and postcolonial and feminist theory.

In my examination of representations of racial difference in late nineteenth-century French visual culture, I investigate images of racialized bodies specifically through the lens of hybridity, a term employed by nineteenth-century biologists and natural scientists to define the intermixing of races and cultures. The fascination with and fear of hybrid races increasingly dominated the discourses on racial hierarchies and classifications. I explore nineteenth-century notions of racial hybridity through the emerging science of anthropology, but I also expand my study to interrogate hybridity as the cross-fertilization of cultures and identity. I consider how these images expand and problematize the meaning of hybridity and its antithetical concept of racial purity. I also demonstrate the paradoxical correspondence and oscillation between the racial stereotype and the culturally dominant power responsible for the stereotype’s creation and perpetuation. My study seeks to illuminate what I see as the hybridity and heterogeneity of racial identity, for the person of color as well as for the “white” European, discretely and subtly disclosed in these images.

Table of Contents

• Abstract
• Acknowledgments
• Introduction
• Chapter One: Mme Camus’s Shadow: Degas and Racial Consciousness
• Chapter Two: Manet’s Gypsy with a Cigarette: Unfixing the Racial Stereotype
• Chapter Three: Beholding Beauty: The Black Female Body in Frédéric Bazille’s Late Oeuvre
• Chapter Four: Masculinity and the Object of Desire in Toulouse-Lautrec’s Chocolat dansant dans un bar
• Conclusion
• Bibliography
• Illustrations

Introduction

The juxtaposition of a black woman and white woman in Frédéric Bazille’s canvas, La Toilette [Figure 1], 1870, at first glance seems to uphold normative nineteenth-century conceptions about the separation and hierarchization of the races. The semi-nude kneeling black woman, attired only in a headscarf and multi-colored striped skirt, attends to the seated light skinned female nude who is placed at the center of the composition. Standing to the left of the seated nude is a second female servant with dark eyes and hair, and a sallow complexion. Surprisingly, it is the interchange between the kneeling and seated women that especially commands the viewer’s attention. While one might expect to see the white woman depicted as the principal focus of the pairing, her body is rendered as a limp and generalized form. Yet, the body of the black woman is depicted with specificity and not reduced to a racialized type. Indeed, the skin coloration of the seated female nude in Bazille’s image could be characterized as “blank” whiteness while Bazille imparts an unexpected radiance to the black woman’s skin. Bazille composed the flesh tones of the seated nude woman from a palette of analogous icy whites which contrasts markedly with the array of luminous hues—warm browns, copper, orange, pink, and plum—with which he painted the black woman’s skin. In formal terms, Bazille painted the image of a black woman that was at odds with established social and pictorial traditions by suggesting an aestheticized and a particularized black female body.

Bazille’s image of the black female body in La Toilette is situated at an intersection between mid- to late nineteenth-century French scientific models that established the strategies of defining racial and hierarchical difference and the visual representation of race. Certainly, artists employed multiple strategies for visualizing racial difference during the second half of the nineteenth century, but many producers of visual culture subscribed to the ideology that essential differences separated the human races. In this dissertation, I will show how signs of racial difference in images by Frédéric Bazille, Edgar Degas, Édouard Manet, and Henri Toulouse-Lautrec evoke ambivalence toward racial identity. I explore how fluid notions of race in late nineteenth-century France are unexpectedly disclosed in these works.

In my examination of representations of constructions of race in late nineteenth-century French visual culture, I have chosen to investigate images of racialized bodies specifically through the lens of hybridity, a term employed by nineteenth-century biologists, natural scientists, and most notably by contemporary cultural historian and postcolonial theorist Homi K. Bhabha to define the intermixing of races and cultures. The fascination with and fear of hybrid races increasingly dominated the nineteenth-century discourse about racial hierarchies and classifications. The images I have selected expand and problematize the notion of hybridity and its antithetical concept of racial purity. “Hybridity … makes difference into sameness, and sameness into difference, but in a way that makes the same no longer the same, the different no longer simply different,” writes Robert J. C. Young in Colonial Desire: Hybridity in Theory, Culture and Race. Young distinguishes biological hybridity—inter-racial mixing that produces heterogeneous offspring—from cultural hybridity, which he argues is transformative and irrevocably alters the physical, spatial, and metaphorical separation of two discrete entities. I will explore the concept of hybrid zones as sites where boundaries between absolute difference and sameness are effaced, and contact and interaction result in shifts of identity that dismantle the sense of racial or cultural exclusivity and authenticity.

In this study, I employ both the literal and metaphorical notions of hybridity. Since the requisite for biological hybridity is the intermixing of distinct “races,” my dissertation focuses on racialized populations with which the French had significant contact in the nineteenth century: Negroes and Gypsies. I also interrogate what constituted “whiteness” for the French in the second half of the nineteenth century and how visual culture inscribed, indeed participated in creating, unstable and fluid designations of racial difference for populations of color as well for the “white” Spanish Gypsy by Degas, Manet, Bazille, and Toulouse-Lautrec that expose the unreliability of racist ideologies and articulate the instability of racial categories and stereotypes assigned to racialized populations by many French artists, natural scientists, anthropologists, and writers between 1860 and 1900. I investigate nineteenth-century notions about racial hybridity through the lens of biology and ethnology, but I also expand my study to interrogate hybridity as the cross-fertilization of cultures and identity.

I examine how French representations of the African Caribbean, North and West African black, and Spanish Gypsies visually expressed the anxieties about and fascination with the growing numbers of non-white populations living in France. Colonial expansion in the West Indies and Africa resulted in unions between French colonists and colonized women and the offspring of these interracial relationships elicited concerns about the degradation of the white race and civilization. Within their nation’s borders, the French viewed immigrant populations of blacks from their colonies and itinerant Spanish Gypsies – deemed ethnically distinct from Europeans – with suspicion, derision, and desire. The Negro and Gypsy were simultaneously marked as overtly sexual, primitive, and intellectually inferior. Although the French established a racial hierarchy that affirmed Europeans superior to non-white races, colonialism and immigration inevitably contributed to the dissolution of precise racial boundaries. My dissertation considers the areas where the dominant culture and its perceived inferior intersect and how artists represented those “in-between”6 states of racial and cultural identity…

Read the entire dissertation here.

The Dispossessed: Cultural Genocide of the Mixed-Blood Utes: an Advocate’s Chronicle

University of Oklahoma Press
May 1998
384 pages
9 x 6.1 x 1.1 inches
ISBN-10: 0806130431; ISBN-13: 978-0806130439

Parker M. Nielson

This book is out of print.

In The Dispossessed, Parker M. Nielson chronicles the tragic story of the mixed-blood Utes. A leading Utah attorney, Nielson represented this group in its suit against the U.S. government, decided by the Supreme Court in 1972. Although the Court determined that the mixed-bloods had been defrauded, it declined to restore their property. Basing his account on extensive research as well as his own firsthand experience, Nielson brings to light for the first time the disturbing events that led up to the landmark decision.

Deprived of their native lands in central Utah by immigrant Mormons, the mixed-blood Utes—almost exclusively members of the Uintah band—were confined to a reservation in eastern Utah, with a promise from the U.S. government that the land would be theirs alone forever. This promise was not kept. The final blow was the Termination Act, enacted in the early 1950s. Designed to end government supervision of American Indians and the obligation of federal entitlements, its consequences for the mixed-blood Utes—as well as for many other Indian groups—were devastating, for it deprived them of their assets, land, and very way of life.

Drawing in particular on the testimony of individual Utes affected by the termination policy, Nielson discloses the broken promises and backhanded schemes perpetuated by government officials and the Utes’ own lawyers, whose motives were compromised by self-interest. The author thus explores an all-too-neglected subject: the role of tribal attorneys in influencing tribal histories.

Last Child

Henry Holt and Company (an imprint of Macmillan)
October 2005
240 pages
5 1/2 x 8 1/4 inches, 240 pages,
Hardcover ISBN: 978-0-8050-7739-1, ISBN10: 0-8050-7739-1
E-Book ISBN: 978-1-4299-3709-2, ISBN10: 1-4299-3709-2

Michael Spooner, Director
Utah State University Press

A mixed-race girl must grow up quickly when danger threatens her world

Rosalie’s biggest problem used to be her own divided feelings. The constant tug-of-war between her white half and her Native American half is hard. She even has two names: Rosalie when she’s at the fort with her father and Last Child when she’s in the village with her mother.

But now a steamboat has carried smallpox into Rosalie’s world—and the Mandans have no resistance to the disease. Suddenly the name Last Child is all too real.

Set during the smallpox epidemic of 1837, this is the powerful story of a mixed-race girl fighting her way into adulthood against all odds.

Staging Black Feminisms: Identity, Politics, Performance

Palgrave an (imprint of Macmillan)
May 2007
256 pages
5 1/2 x 8 1/4 inches
ISBN: 978-1-4039-8640-5, ISBN10: 1-4039-8640-1

Lynette Goddard, Senior Lecturer in Drama and Theatre
Royal Holloway, University of London

Staging Black Feminisms explores the development and principles of black British women’s plays and performance since the late Twentieth century. Using contemporary performance theory to explore key themes (such as migration, motherhood, sexuality, and mixed race identity), it offers close textual readings and production analysis of a range of plays, performance poetry and live art works by practitioners, including Patience Agbabi, Jackie Kay, Valerie Mason John, Winsome Pinnock, Jacqueline Rudet, Debbie Tucker Green, Dorothea Smartt, Su Andi, and Susan Lewis.

Table of Contents

• Acknowledgements
• Introduction
• PART I: HISTORY AND AESTHETICS
  • Black British Women and Theatre: An Overview
  • Black Feminist Performance Aesthetics
• PART II: PLAYS
  • Winsome Pinnock’s Migration Narratives
  • Jacqueline Rudet (Re)Writing Sexual Deviancy
  • Jackie Kay and Valerie Mason-John’s Zamis, Lesbians and Queers
• PART III: PERFORMANCES
  • Black Mime Theatre Women’s Troops
  • Solo Voices: Performance Art, Dance and Poetry
• PART IV: CONCLUSIONS
  • Black Feminist Futures?
• Notes
• Bibliography
• Index

Whiteness of a Different Color: European Immigrants and the Alchemy of Race

Harvard University Press
September 1999
368 pages
6-1/8 x 9-1/4 inches; 14 halftones, 2 tables
Paperback ISBN: 9780674951914

Matthew Frye Jacobson, Professor of American Studies & History
Yale University

• Winner of the 1999 John Hope Franklin Publication Prize of the American Studies Association
• 1999 Best Book on the Social Construction of Race, Sponsored by the American Political Science Association Section on Race, Ethnicity and Politics
• Co-Winner of the American Political Science Association’s 1999 Ralph J. Bunche Award

America’s racial odyssey is the subject of this remarkable work of historical imagination. Matthew Frye Jacobson argues that race resides not in nature but in the contingencies of politics and culture. In ever-changing racial categories we glimpse the competing theories of history and collective destiny by which power has been organized and contested in the United States. Capturing the excitement of the new field of “whiteness studies” and linking it to traditional historical inquiry, Jacobson shows that in this nation of immigrants “race” has been at the core of civic assimilation: ethnic minorities in becoming American were reracialized to become Caucasian. He provides a counterhistory of how nationality groups such as the Irish or Greeks became Americans as racial groups like Celts or Mediterraneans became Caucasian.

Jacobson tracks race as a conception and perception, emphasizing the importance of knowing not only how we label one another but also how we see one another, and how that racialized vision has largely been transformed in this century. The stages of racial formation—race as formed in conquest, enslavement, imperialism, segregation, and labor migration—are all part of the complex, and now counterintuitive, history of race. Whiteness of a Different Color traces the fluidity of racial categories from an immense body of research in literature, popular culture, politics, society, ethnology, anthropology, cartoons, and legal history, including sensational trials like the Leo Frank case and the Draft Riots of 1863.

Table of Contents

• Note on Usage
• Introduction: The Fabrication of Race
• I. The Political History of Whiteness
  • 1. “Free White Persons” in the Republic, 1790–1840
  • 2. Anglo-Saxons and Others, 1840–1924
  • 3. Becoming Caucasian, 1924–1965
• II. History, Race, and Perception
  • 4. 1877: The Instability of Race
  • 5. Looking Jewish, Seeing Jews
• III. The Manufacture of Caucasians
  • 6. The Crucible of Empire
  • 7. Naturalization and the Courts
  • 8. The Dawning Civil Rights Era
• Epilogue: Ethnic Revival and the Denial of White Privilege
• Notes
• Acknowledgments
• Index

New Christians/’New Whites’: Sephardic Jews, Free People of Color, and Citizenship in French Saint-Domingue, 1760-1789

Chapter (pages 314-332) in: The Jews and the Expansion of Europe to the West, 1450-1800
Berghahn Books
2001
592 pages
Pb ISBN 978-1-57181-430-2; Hb ISBN 978-1-57181-153-0

Edited by: Paolo Bernardini and Norman Fiering

Chapter Author:

John D. Garrigus, Associate Professor of History
University of Texas, Austin

The case of Saint-Domingue’s Sephardim illustrates that the story of Jews in Europe’s expansion westward is about more than the survival or mutation of deeply rooted family traditions. Old World questions about Jewish political identity did not disappear in the Americas. Rather, these persistent issues forced colonists and their children born in the New World to reconcile European philosophies with American conditions. In the case of the largest slave colony in the Caribbean, Saint-Domingue’s Jews helped translate emerging French nationalism into an attack on racial prejudice that eventually produced the Haitian revolution. By raising complex issues of national identity and citizenship in French America after 1763, Sephardic merchants and planters provided a model for another group whose place in colonial society was equally ambiguous: Saint-Domingue’s free people of color.

In the mid-1780s, the self-proclaimed leaders of the colony’s “mulattos” adopted many of the techniques that colonial Jews used to fight for legal rights. Their challenge to a racial hierarchy that had only recently acquired full legitimacy threatened the ideological basis of plantation society. By 1791 political and military struggles between colonial “whites” and “mulattos” had become so vicious that a great slave rebellion was possible.

The civil positions of colonial Jews and free people of mixed European and African parentage were parallel because elites in France began to construct new definitions of French citizenship in the mid-eighteenth century. In Paris and elsewhere, Jansenist judges and Protestant leaders pushed royal administrators to recognize that property, loyalty, and civic utility, not orthodox Catholicism, defined French identity. At the same time, royal bureaucrats eager to open France to wealthy families born outside its borders began to free these influential immigrants from traditional legal disabilities. By 1789, therefore, the continuum of rights and disabilities separating non-French residents and native-born subjects of the French monarchy was increasingly simplified into two mutually exclusive categories: citizen and foreigner…

Read the entire chapter here.

Assumed Identities: The Meanings of Race in the Atlantic World

Texas A&M University Press
2010-07-12
168 pages
6 x 9, Illus.
Cloth ISBN: 978-1-60344-192-6

Edited by:

John D. Garrigus, Associate Professor of History
University of Texas, Austin

Christopher Morris, Associate Professor of History
University of Texas, Austin

With the recent election of the nation’s first African American president—an individual of blended Kenyan and American heritage who spent his formative years in Hawaii and Indonesia—the topic of transnational identity is reaching the forefront of the national consciousness in an unprecedented way. As our society becomes increasingly diverse and intermingled, it is increasingly imperative to understand how race and heritage impact our perceptions of and interactions with each other. Assumed Identities constitutes an important step in this direction.

However, “identity is a slippery concept,” say the editors of this instructive volume. This is nowhere more true than in the melting pot of the early trans-Atlantic cultures formed in the colonial New World during the seventeenth, eighteenth, and nineteenth centuries. As the studies in this volume show, during this period in the trans-Atlantic world individuals and groups fashioned their identities but also had identities ascribed to them by surrounding societies. The historians who have contributed to this volume investigate these processes of multiple identity formation, as well as contemporary understandings of them.

Originating in the 2007 Walter Prescott Webb Memorial Lectures presented at the University of Texas at Arlington, Assumed Identities: The Meanings of Race in the Atlantic World examines, among other topics, perceptions of racial identity in the Chesapeake community, in Brazil, and in Saint-Domingue (colonial-era Haiti). As the contributors demonstrate, the cultures in which these studies are sited helped define the subjects’ self-perceptions and the ways others related to them.

Table of Contents

• Preface and Acknowledgments
• Introduction: Race and Identity in the New World; Franklin W. Knight
• “Thy Coming Fame, Ogé! Is Sure”: New Evidence on Ogé’s 1790 Revolt and the Beginnings of the Haitian Revolution; John D. Garrigus
• “The Child Should Be Made a Christian”: Baptism, Race, and Identity in the Seventeenth-century Chesapeake; Rebecca Goetz
• West Indian Identity in the Eighteenth Century; Trevor Burnard
• Illegal Enslavement and the Precariousness of Freedom in Nineteenth-century Brazil; Sidney Chalhoub
• Rosalie of the Poulard Nation: Freedom, Law, and Dignity in the Era of the Haitian Revolution; Rebecca J. Scott and Jean M. Hébrard
• In Memoriam, Evan Anders
• About the Contributors
• Index

Freedom Papers: An Atlantic Odyssey in the Age of Emancipation

Harvard University Press
February 2012
288 pages
6-1/8 x 9-1/4 inches
17 halftones, 1 line illustration, 1 map
Hardcover ISBN 9780674047747

Rebecca J. Scott, Charles Gibson Distinguished University Professor of History and Professor of Law
University of Michigan

Jean M. Hébrard, Historian and Visiting Professor
École des Hautes Études en Sciences Sociales (Paris)
University of Michigan

Around 1785, a woman was taken from her home in Senegambia and sent to Saint-Domingue in the Caribbean. Those who enslaved her there named her Rosalie. Her later efforts to escape slavery were the beginning of a family’s quest, across five generations and three continents, for lives of dignity and equality. Freedom Papers sets the saga of Rosalie and her descendants against the background of three great antiracist struggles of the nineteenth century: the Haitian Revolution, the French Revolution of 1848, and the Civil War and Reconstruction in the United States.

Freed during the Haitian Revolution, Rosalie and her daughter Elisabeth fled to Cuba in 1803. A few years later, Elisabeth departed for New Orleans, where she married a carpenter, Jacques Tinchant. In the 1830s, with tension rising against free persons of color, they left for France. Subsequent generations of Tinchants fought in the Union Army, argued for equal rights at Louisiana’s state constitutional convention, and created a transatlantic tobacco network that turned their Creole past into a commercial asset. Yet the fragility of freedom and security became clear when, a century later, Rosalie’s great-great-granddaughter Marie-José was arrested by Nazi forces occupying Belgium.

Freedom Papers follows the Tinchants as each generation tries to use the power and legitimacy of documents to help secure freedom and respect. The strategies they used to overcome the constraints of slavery, war, and colonialism suggest the contours of the lives of people of color across the Atlantic world during this turbulent epoch.