Mixed Race Studies

Crimes of Performance

Souls: A Critical Journal of Black Politics, Culture and Society
Volume 13, Issue 1 (2011)
Special Issue: Black Critiques of Capital: Radicalism, Resistance, and Visions of Social Justice
pages 29-45
DOI: 10.1080/10999949.2011.551476

Uri McMillan, Assistant Professor of English
University of California, Los Angeles

In this article, I focus on the intersections between discourses of crime and illegality with modes of performance in the multiple impersonations staged by William and Ellen Craft, two married fugitive slaves who escaped from chattel slavery in the United States in 1848 through a complex set of layered performances. I begin illustrating the linkages between crime and performance by tracing the workings of a dynamic I term “fugitive transvestism” in an aesthetic representation of Ellen Craft, specifically an engraving she posed for in 1851 that was later published in The London Illustrated News. In doing so, I not only reveal the engraving as a site where we can witness Craft’s embodied performances, rather than a seemingly static document, but also focus on the crimes of “being” acted by Craft that surface in the engraving itself. In addition, I further reveal the performative and criminal acts committed by Ellen Craft, by later moving to a discussion of prosthetics, focusing attention on the mechanisms of Craft’s escape costume. Prosthetic performances, as I discuss them, were dramatic and tactical strategies employed by the Crafts that continue to reveal the suturing of crime and performance in Ellen Craft’s counterfeit embodiment of her alter-ego, while taking it further into yet another set of unlawful impersonations. Thus, this essay will evince how the Craft’s multiple crimes of performance enabled their mobility across 19th-century spatial sites and representational spheres.

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Standing on Both Feet: Voices of Older Mixed-Race Americans

Paradigm Publishers
December 2011
208 pages
6×9
ISBN: 978-1-59451-982-6

Cathy J. Tashiro, PhD, RN, Associate Professor of Nursing
University of Washington, Tacoma

In the first book to focus on the experiences of older American of mixed race identity, Cathy Tashiro explores questions of identity and the significance of family experiences, aging and the life course, class, gender, and nationality. Including African American/White and Asian American/White individuals, the book highlights the poignant voices of people who were among the first generations to transgress the color line. Their very existence violated the deep cultural beliefs in the distinctiveness of the races at the time. Based on extensive interviews, the book offers a unique perspective on the social construction of race and racism in America.

Guess who’s coming to brunch? Dating and the hybrid subject

Race-Talk
2011-10-26

Adebe D. A., Race-Talk Cultural Editor

I don’t have enough hands to count how many times people have asked me if my parents are “still together” and upon hearing that yes, they have been together for over 25 years, expressed sincere surprise at this fact. Interracial marriages are apparently not supposed to work; the miscegenation taboo prevails. I guess whoever says race doesn’t exist is not only color-blind but sleep-walking.
 
I remember reading an article a while ago on how, according to higher education research, mixed-race people are perceived as “more attractive.” Conducted by Dr. Michael Lewis of Cardiff University’s School of Psychology, the research involved a collection of 1205 randomly-chosen black, white, and mixed-race faces (a limited choice of representative faces altogether). Each face was then rated for its perceived attractiveness, and it was found that mixed-race faces took the cake. The findings were then presented to the British Psychological Society…

…Contrary to popular opinion, I am not flattered by the fact that studies are interested in my face, because frankly, they don’t really see me at all. When mixed-race gets talked about in the media, it’s often automatically celebrated as a marker of socio-political progress, completely disconnected from the racial trauma of being deemed inauthentic by others, the wounds of self-questioning, and the reality of racialized violence and fetishization. I have been asked by previous partners if my hair, eyes, and even skin color were “real” as if I were a specimen to be poked and prodded at; as if my personhood were dependent upon the undressing of some enigma. The point was not if I colored my hair or if it were naturally this or that hue; the point lied in the question, the strange liberty people have found in dissecting what I am…

Read the entire article here.

Bettez to discuss experiences of mixed race women

The Southern Illinoisan
2011-10-28

Christi Mathis, Staff Writer
University Communications at SIU Carbondale

CARBONDALE – Silvia C. Bettez will present “But Don’t Call Me White: Mixed Race Women Exposing Nuances of Privilege and Oppression Politics” on Tuesday, Nov. 1, at Southern Illinois University, Carbondale.
 
The guest lecture in Wham Building, Room 219, is set for 3:30 to 5 p.m. and everyone is welcome to attend. Bettez is an assistant professor of cultural foundations of education in the University of North Carolina at Greensboro’s School of Education.
 
The basis of her presentation is her recently released book of the same title. Bettez extensively interviewed 16 women of mixed race, all having one white parent and one parent of color. She considers the women “secret agent insiders to cultural whiteness,” with the experiences and ability to offer unique insights and perspectives that they see in light of their lives as mixed race individuals. Bettez will discuss “the hidden dynamics of oppression and privilege along the lines of race, class, gender and sexuality.”…

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Multiracial Families: Counted But Still Misunderstood

Racialicious
2011-10-31

Jen Chau, Guest Contributor

In the past couple of years, I have noticed a certain complacency that I never noticed before, in my eleven years of leading Swirl. The same passion and the same excitement around building multiracial communities had faded a bit. In the one year leading up to the Presidential election, we launched five new chapters (the norm had been a chapter every year or every other year). People were excited by the energy created by Obama’s campaign, and they were motivated and eager to be a part of creating supportive and inclusive multiracial communities.

And then once Obama was firmly placed in the White House, something happened. It got quiet…

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Signifying the tragic mulatto: A semiotic analysis of Alex Haley’s Queen

Howard Journal of Communications
Volume 7, Issue 2 (1996)
pages 113-126
DOI: 10.1080/10646179609361718

Mark P. Orbe

Karen E. Strother

Employing a semiotic framework, this article explores the signification process of the lead character in Alex Haley’s Queen. This popular miniseries is significant because a bi‐ethnic person is the focal point of its storyline. However, instead of transcending the traditional stereotypes associated with bi‐ethnicity, the program does little more than portray Queen as a “tragic mulatto.”; Specifically, three signifiers are discussed: bi‐ethnicity as (a) beautiful, yet threatening, (b) inherently problematic, and (c) leading to insanity.

For three days in mid-February 1993, millions of television viewers watched Alex Haley’s Queen, the epic miniseries that follows the life of a woman born in the 1840s of a European master and an enslaved African (Fein, 1993). Promoted as the third and final project featuring the story of Alex Haley’s multi- generational family, Alex Haley’s Queen extends his earlier docudramas. Roots and Roots: The Next Generation (Zoglin, 1993). Described as “Big Event television” (Goldberg, 1993), the miniseries was lauded as compelling and “of uncommon passion and substance” (O’Connor, 1993, p. C34). Each of the three two-hour segments of Queen was rated among Nielsen’s top ten television programs for the week, and the epic garnered an Emmy nomination for best miniseries.

As with Haley’s earlier works, some controversy arose regarding the accuracy…

Read or purchase the article here.