Halfbreed

Posted in Autobiography, Books, Canada, Media Archive, Monographs, Native Americans/First Nation, Women on 2011-11-02 21:43Z by Steven

Halfbreed

University of Nebraska Press
1973
157 pages
Paperback ISBN: 978-0-8032-6311-6

Maria Campbell

“I write this for all of you, to tell you what it is like to be a Halfbreed woman in our country. I want to tell you about the joys and sorrows, the oppressing poverty, the frustration and the dreams. . . . I am not bitter. I have passed that stage. I only want to say: this is what it was like, this is what it is still like.”

For Maria Campbell, a Métis (“Halfbreed”) in Canada, the brutal realities of poverty, pain, and degradation intruded early and followed her every step. Her story is a harsh one, but it is told without bitterness or self-pity. It is a story that begins in 1940 in northern Saskatchewan and moves across Canada’s West, where Maria roamed in the rootless existence of day-to-day jobs, drug addiction, and alcoholism. Her path strayed ever near hospital doors and prison walls.

It was Cheechum, her Cree great-grandmother, whose indomitable spirit sustained Maria Campbell through her most desperate times. Cheechum’s stubborn dignity eventually led the author to take pride in her Métis heritage, and Cheechum’s image inspired her in her drive for her own life, dignity; and purpose.

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Melville J. Herskovits and the Racial Politics of Knowledge

Posted in Anthropology, Biography, Books, History, Media Archive, Monographs on 2011-11-02 21:35Z by Steven

Melville J. Herskovits and the Racial Politics of Knowledge

University of Nebraska Press
2004
357 pages
ISBN: 978-0-8032-2187-1

Jerry Gershenhorn, Professor of History
North Carolina Central University

Melville J. Herskovits and the Racial Politics of Knowledge is the first full-scale biography of the trailblazing anthropologist of African and African American cultures. Born into a world of racial hierarchy, Melville J. Herskovits (1895–1963) employed physical anthropology and ethnography to undermine racist and hierarchical ways of thinking about humanity and to underscore the value of cultural diversity. His research in West Africa, the West Indies, and South America documented the far-reaching influence of African cultures in the Americas. He founded the first major interdisciplinary American program in African studies in 1948 at Northwestern University, and his controversial classic The Myth of the Negro Past delineated African cultural influences on American blacks and showcased the vibrancy of African American culture. He also helped forge the concept of cultural relativism, particularly in his book Man and His Works. While Herskovits promoted African and African American studies, he criticized some activist black scholars, most notably Carter G. Woodson and W. E. B. Du Bois, whom he considered propagandists because of their social reform orientation.

After World War II, Herskovits became an outspoken public figure, advocating African independence and attacking American policymakers who treated Africa as an object of Cold War strategy. Drawing extensively on Herskovits’s private papers and published works, Jerry Gershenhorn’s biography recognizes Herskovits’s many contributions and discusses the complex consequences of his conclusions, methodologies, and relations with African American scholars.

Contents

  • List of Illustrations
  • Series Editors’ Introduction
  • Acknowledgments
  • Introduction
  • 1. The Making of an Anthropologist
  • 2. The Attack on Pseudoscientific Racism
  • 3. Transforming the Debate on Black Culture
  • 4. Subverting the Myth of the Negro Past
  • 5. Objectivity and the Development of Negro Studies
  • 6. The Postwar Expansion of African Studies
  • 7. Foreign Policy Critic
  • Epilogue
  • Notes
  • Bibliography
  • Index

Introduction

We begin the new century like we began the last, debating the proper approach toward social and political concerns relating to race and culture. Yet the terms and the nature of the debate have changed. At the beginning of the twentieth century, race and culture were generally framed in hierarchical terms, with white Anglo-Saxon Protestants at the top of the developmental scale. In the United States, as in much of the rest of the world, white men held powerful political and social sway; African Americans, in particular, were subjugated politically, economically, and socially. Abroad, Africans and Asians su√ered similarly under Western imperialism. Those who were nonwhite, non-Western, or female had little voice in global politics or in the academy. According to mainstream scholars, African culture was nonexistent, and black American culture was merely a distorted version of Anglo-American culture….

 …Herskovits sought to undermine racial and cultural hierarchy throughout his career. In his earliest work on the physical anthropology of American blacks—in the midst of 1920s modernist attacks on Victorian thought—he challenged the Victorians’ understanding of race as a biological concept. Using anthropometry, the tool that racist scholars had used to support the notion of a racial hierarchy, Herskovits refuted the dogma of race as an unchanging category, fixed in nature. In The American Negro (1928), Herskovits demonstrated that most American blacks had both African and European ancestry, but contrary to expectations, they exhibited very similar physical characteristics. This finding disproved the interpretation of traditional racial theorists, who assumed that the physical traits of individuals in mixed racial groups would be marked by great differences based on the definition of a race as a people with similar physical characteristics and a common racial ancestry. Herskovits’s finding that a mixed-race group was physically homogeneous rendered the biological definition of race untenable. Indeed, Herskovits maintained that American blacks, by virtue of their mixed heritage, were not really a race at all but a mixed population group. Further, he demonstrated the fallacy of the racist view that mulattoes could not reproduce. Consequently, Herskovits challenged the biological definition of race and helped steer scholars toward a more modern conception of race as a sociological category. By doing so, he undercut the notion that race determined behavior. Instead, he substituted environment and culture for race as the explanation for behavioral and intellectual differences between individuals. In this way he attacked racial hierarchy and demonstrated the falsity of intellectual rankings based on race…

Read the entire Introduction here.

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School for Tricksters: A Novel in Stories

Posted in Books, History, Identity Development/Psychology, Media Archive, Native Americans/First Nation, Novels, Passing, United States on 2011-11-02 04:11Z by Steven

School for Tricksters: A Novel in Stories

Texas A&M University Press Consortium (Southern Methodist University Press)
2011-01-11
248 pages
6×9
Cloth ISBN: 978-0-87074-563-8

Chris Gavaler, Visiting Assistant Professor of English
Washington & Lee University, Lexington, Virginia

This is a novel in stories depicting radical incidents of racial crossing in the early twentieth century. The alternating chapters are closely based on two real-life students, Ivy Miller, a semi-orphaned white girl seeking a free education, and Sylvester Long, a black youth escaping the Jim Crow South. Both passed illegally as Indians while attending the U.S. government’s most prestigious Indian boarding school.

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Leonard Darwin Scholarship of the Eugenics Society

Posted in Anthropology, Articles, New Media on 2011-11-02 03:58Z by Steven

Leonard Darwin Scholarship of the Eugenics Society

Nature
Volume 138, Number 3496 (1936-11-31)
page 756
DOI: 10.1038/138756a0

The Eugenics Society has established a second Leonard Darwin scholarship, which is to be devoted to the investigation of racial crossing. The first holder is J. C. Trevor, a graduate of Oxford in anthropology, who has spent the last two years studying mixtures of negro and white stocks in the United States, with the aid of a Commonwealth fellowship. He has collected ethnological material in the Virgin Islands and in East Africa, and with Dr. Dudley Buxton has made an investigation of English medieval skulls. He has also a collection of biometric material on West African and American negro crania. Mr. Trevor will devote a year to a survey of the literature on the subject of inter-racial crossing

Read or purchase the article here.

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Crimes of Performance

Posted in Articles, History, Literary/Artistic Criticism, Media Archive, Passing, Slavery, United States on 2011-11-02 03:34Z by Steven

Crimes of Performance

Souls: A Critical Journal of Black Politics, Culture and Society
Volume 13, Issue 1 (2011)
Special Issue: Black Critiques of Capital: Radicalism, Resistance, and Visions of Social Justice
pages 29-45
DOI: 10.1080/10999949.2011.551476

Uri McMillan, Assistant Professor of English
University of California, Los Angeles

In this article, I focus on the intersections between discourses of crime and illegality with modes of performance in the multiple impersonations staged by William and Ellen Craft, two married fugitive slaves who escaped from chattel slavery in the United States in 1848 through a complex set of layered performances. I begin illustrating the linkages between crime and performance by tracing the workings of a dynamic I term “fugitive transvestism” in an aesthetic representation of Ellen Craft, specifically an engraving she posed for in 1851 that was later published in The London Illustrated News. In doing so, I not only reveal the engraving as a site where we can witness Craft’s embodied performances, rather than a seemingly static document, but also focus on the crimes of “being” acted by Craft that surface in the engraving itself. In addition, I further reveal the performative and criminal acts committed by Ellen Craft, by later moving to a discussion of prosthetics, focusing attention on the mechanisms of Craft’s escape costume. Prosthetic performances, as I discuss them, were dramatic and tactical strategies employed by the Crafts that continue to reveal the suturing of crime and performance in Ellen Craft’s counterfeit embodiment of her alter-ego, while taking it further into yet another set of unlawful impersonations. Thus, this essay will evince how the Craft’s multiple crimes of performance enabled their mobility across 19th-century spatial sites and representational spheres.

Read or purchase the article here.

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