Mixed Race Studies

The Political Ontology of Race

Polity
2011-10-17
DOI: 10.1057/pol.2011.15

Michael Rabinder James, Associate Professor of Political Science
Bucknell University, Lewisburg, Pennsylvania
 
Race theory is dominated by two camps. Eliminativists rely on a biological ontology, which contends that the concept of race must be biologically grounded, in order to repudiate the very term, on grounds that it is epistemologically vacuous and normatively pernicious. Conservationists use a social ontology, in which race is based on social practices, in order to retain racial categories in remedial social policies, such as affirmative action and race-based political representation. This article attempts to reorient this debate in two ways. First, it challenges the idea that racial identity is entirely unchosen by defending a political ontology of race that, unlike the biological and social ontologies, affirms the role of non-white agency in determining the political salience of ascribed racial identity. It then transcends the normative impasse between eliminativism and conservationism by contending that all three ontologies are potentially valuable and dangerous, depending on where they are applied. The biological ontology is defensible for evolutionary and medical research, the social ontology for affirmative action and anti-discrimination policy, and the political ontology for political representation.

Read or purchase the article here.

Daniel Sharfstein, “The Invisible Line: Three American Families and the Secret Journey from Black to White” Penguin, 2011

New Books in African American Studies
Discussions with Scholars of African Americans about their New Books
2011-11-01

Vershawn Young, Associate Professor of English
University of Kentucky

Daniel Sharfstein’s The Invisible Line: Three American Families and the Secret Journey from Black to White (Penguin Press, 2011) is the latest and perhaps best book in the growing genre of neo-passing narratives. The Invisible Line easily rests between Philip Roth’s The Human Stain and Blis Broyard’s One Drop, though it is different and in ways richer than both. Part American history, part legal analysis (Sharfstein is a legal scholar), part ethnographic study, it is a wholly gripping and exquisitely written narrative that tracks the racial passing of three black families over several centuries, leading us right up to their living “white” descendents today. You will certainly learn a lot about the history of race in the United States from The Invisible Line and, if you’re like me, you won’t be able to put it down.

Download the interview here. (00:57:52.)

Escape into Whiteness

The New York Review of Books
2011-11-24

Brent Staples

Daniel J. Sharfstein. The Invisible Line: Three American Families and the Secret Journey from Black to White. New York: Penguin Press, 2011. 415 pp. Hardcover ISBN: 9781594202827.

Tickets to the dedication of the Lincoln Memorial were a hot item in the spring of 1922. Tens of thousands of people converged on the Mall for a day of celebration that included parades, music, and speeches by President Warren Harding and Supreme Court Chief Justice William Howard Taft, under whose presidency the memorial had been initiated.

One of the better-known black Washingtonians on hand that sunny Memorial Day was Whitefield McKinlay, former collector of customs at Georgetown and real estate manager to many of the city’s light-skinned mulatto elite. Nearing his seventieth birthday, McKinlay had lived through the best and the worst of what the post–Civil War world had to offer people of color. He had enrolled in the University of South Carolina during the heady days of Reconstruction and then been expelled when the Democrats rose to power there and created a particularly virulent form of the Jim Crow state. He had seen black politicians swept into office by newly enfranchised black voters and swept out again when the franchise was revoked.

Through this same process, Washington, D.C., had been transformed from what one of McKinlay’s more prominent real estate clients had termed “The Colored Man’s Paradise”—a place of considerable freedom and opportunity—into what the historian David Levering Lewis aptly describes as a “purgatory,” where Negroes were barred from hotels and restaurants, driven from federal jobs, and generally persecuted by Southerners in Congress who seemed intent on erasing the colored presence from the city. Though he does not deal at length with McKinlay, Daniel Sharfstein, an associate professor of law at Vanderbilt, brings this part of late-nineteenth- and early-twentieth-century Negro society vividly to life in his authoritative and elegantly written The Invisible Line: Three American Families and the Secret Journey from Black to White…

Read or purchase the book review here.

Playing in the dark/ playing in the light: Coloured identity in the novels of Zoë Wicomb

Current Writing: Text and Reception in Southern Africa
Volume 20, Issue 1, 2008
pages 1-15
DOI: 10.1080/1013929X.2008.9678286

J. U. Jacobs, Senior Professor of English and Fellow
University of KwaZulu-Natal, South Africa

Zoë Wicomb’s three fictional works—You Can’t Get Lost in Cape Town (1987), David’s Story (2000) and Playing in the Light (2006)—all engage with the question of a South African ‘coloured’ identity both under apartheid with its racialised discourse of black and white, and in the context of the post apartheid language of multiculturalism and creolisation. This essay examines the representation of ‘colouredness’ in Wicomb’s writing in terms of the two different conceptions of cultural identity that Stuart Hall has defined: an essential cultural identity based on a single, shared culture, and the recognition that cultural identity is based not only on points of similarity, but also on critical points of deep and significant difference and of separate histories of rupture and discontinuity. The politics of South African ‘coloured’ identity in Wicomb’s works reveals a tension between, on the one hand, acceptance of the complex discourse of colouredness with all its historical discontinuities, and, on the other, the desire for a more cohesive sense of cultural identity, drawn from a collective narrative of the past. In David’s Story the possibility of an essential cultural identity as an alternative to the unstable coloured one is considered with reference to the history of the Griqua ‘nation’ in the nineteenth century. And in Playing in the Light the alternative to colouredness is examined with reference to those coloured people under apartheid who were light enough to pass for white and crossed over, reinventing themselves as white South Africans. The essay approaches coloured identity through the lens of postcolonial diaspora theory, and more specifically, diasporic chaos theory.

Read or purchase the article here.

Brazil: Census “Reveals” Majority of Population is Black or Mixed Race

Global Voices
2011-11-29

Written by: Paula Góes

Translated by: Maisie Fitzpatrick