Mixed Race Studies

English R1A: Keeping it Real?: Racial & Queer Passing in American Literature

University of California, Berkeley
Fall 2010

Rosa Marti­nez

“I had a literature rather than a personality, a set of fictions about myself.”
—Kafka Was the Rage by Anatole Broyard

This course intends to explore the “art” of racial passing and masquerade in American literature and culture through a diverse sample of American novels and short stories, such as traditional narratives of black-to-white passing, which is historically prevalent particularly in African-American literature, and other modes of passing, for instance gender and ethnic ambiguity as well as posing and the “closeting” of one’s sexuality. What are the connections or disjunctions between “closeting,” posing, and crossing the gender or color line? By focusing on the trope of the passing figure, we will ask how people and imagined characters negotiate their identity in various and varying social spaces and also, how authors disclose the frailty of social order regarding sexuality, race and the body to make alliances in unimagined ways. Venturing out of the closet as another and as they please, these passing figures are, indeed, queer. Yet what are the personal costs in relinquishing a disfavored identity for a favored one?

This course intends to hone your reading and writing skills, and will focus on helping you make thoughtful questioning and “interesting use of the texts you read in the essays you write.” Through a gradual process of outlining, rewriting and revising, you will produce 32 pages of written work (including brief response papers and three 3-4 page argumentative essays).

Book List

Álvar Núñez Cabeza de Vaca, Naufragios (1542); William and Ellen Craft, Running a Thousand Miles for Freedom (1860); Joseph Harris, Rewriting (2006); Nella Larsen, Passing (1929); Mark Twain, Pudd’nhead Wilson (1894); a course reader containing critical readings.

Spinning on Margins: An Analysis of Passing as Communicative Phenomenon

Queen: a journal of rhetoric and power
Special Issue: Rehtorics of identity: Place, Race, Sex and the Person (January 2005)
From the conference held from 2005-01-20 through 2005-01-22 at the University of Redlands
21 pages

Marcia Alesan Dawkins, Visiting Scholar
Brown University

Acts of black-to-white racial passing in the United States represent a struggle between self-identity and the social structures into which one is born. From a historical perspective, passing is a strategy of representation through which light-skinned black Americans attempt(ed) to reconcile “two unreconciled ideals:” their limited opportunities as black people in a segregated society with their idealized life goals as full American citizens in the pre-civil rights era (DuBois, 1903; Gandy, 1998). In other words, passing is a strategy employed by many light-skinned black Americans to resolve being excluded from the general white world of social activity by “the vast veil;” the physical, legal, psychological, and social obstacles structurally embedded between blacks and whites (DuBois, 1903).

This individual paper employs Structuration Theory, legal precedent, literature and rhetorical analysis to respond to the following specific interrogations: (1) is it possible to develop a vocabulary about “passing,” which is an activity based on nonverbal communication and physicality and enshrouded in a code of silence? And, in a broader sense, (2) how do acts of passing themselves become communicative behaviors that express identity?

This three-pronged analysis of the passing phenomenon will work to call the ideological and epistemological foundations of race itself into question. First, Giddens’s Structuration Theory will explain that passers note a contextual diversity/dissonance at the macro level between the general white world of social activity and the general black world of social activity. Second, a rhetorical analysis of legal precedent will highlight America’s investment in race as the basis for defining and partaking in social and material privileges that become routine and critical aspects of day-to-day life. Court cases such as Plessy v. Ferguson, Brown v. Board of Education, and People v. Dean are pivotal points in tracing whiteness from “color to race to status to property” (Harris, 1993, p. 1714). Additionally, these cases address the debate of social versus legal whiteness as the grounds for constituting full participation in society. Third, available literature, including narratives written by enslaved Africans along with novels, diaries, and memoirs from the Harlem Renaissance, recounts tales of passing and the emotional and social tolls paid in the process (Harris, 1993; Johnson, 1912; Hughes, 1933; Williams, 1991; Ifekwunigwe, 1999). Rhetorical analysis of this literature will uncover the tropes of a vocabulary of passing and reveal race as a “fantasy theme” and social resource that individuals who are not in the mainstream of white America utilize to attain economic, political, and personal fulfillment.

Read the entire article here.

From The Birth of a Nation to Havoc: The Evolution of Traditional Blackface to Modern Racial Passing in U.S. Cinema

Pennsylvania State University
August 2009
122 pages

Dorian Randall

A Thesis in Media Studies by Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts

Race is a complicated and debatable term in the United States today. Film is one venue in which the construction, deconstruction, and reconstruction of race is challenged, particularly with representations of minstrelsy and episodes of racial passing that also evolve into performance of class distinctions. Through textual and rhetorical analysis, I chronicled the evolution of minstrelsy as a form of racial passing through a cinematic lens and demonstrated how the racial/class performance creates multiracial identity in the films’ characters. The purpose of this research is to add to the continuing analysis and investigation of racial passing and minstrelsy by evaluating the construction of multiracial identity in monoracial characters that perform a race other than their own in the films under analysis. This study also reveals how the definition of race evolved through class performance as race and class are heavily related terms.

Table of Contents

• 1. Introduction
• 2. Literature Review Part I: A Brief History of Slavery
• 3. Literature Review Part II: Minstrelsy and Racial Passing
• 4. Burnt Cork Cinema: From Black and White to Color
• 5. Fade into White: Passing Films
• 6. Class Act: Race/Class Films
• 7. Conclusion
• Bibliography

Read the entire thesis here.

Off white

The Indian Express
New Delhi, India
2012-05-19

Census data confirms America’s enduring ability to bring the world home

The United States has crossed a demographic tipping point, driven by changes in immigration, fertility and mortality patterns. By now, more than half the babies born in the US belong to a racial or ethnic minority. The US Census Bureau has confirmed what was clear ever since the 2000 census, where 49.8 per cent of infants under one were members of a minority — more than a quarter was Hispanic, 13.6 per cent blacks and 4.2 per cent Asian. Almost one in 20 births was a mixed-race baby. Of course, this counting is complicated. For instance, many mixed-race people and Latinos consider themselves white. However, it is clear that the United States of America is set to look markedly different than it did a few decades ago…

Read the entire article here.

Rodney King juror: ‘My father was black’

Ventura County Star
Camarillo, California
2012-04-28

Gretchen Wenner, Staff Reporter

SQUAW VALLEY — Juror No. 8 from the Rodney King beating trial has always heard the 12-member panel described as either all white or as having no blacks.
 
Now, he wants the public to know that’s not the whole story: His father was a black man.
 
“Nobody’s ever guessed that I was black,” Henry King Jr. told The Star.
 
From the get-go, the media made a big thing about the jury having no blacks, said King, a 69-year-old retiree living in Fresno County.

“It made you feel like they didn’t think we could come out with a fair verdict because we were supposed to be an all-white jury,” he said…

…”There are a few things about me that people don’t know,” he initially said, then choked back tears before saying his father was black.
 
It’s something he didn’t share with other jurors during the trial and doesn’t recall sharing when they occasionally socialized afterward. Nor had he talked about it with a reporter.
 
“Forty years ago, you really didn’t say that you were part black,” said King. “Now, I’m proud of it.”
 
When he applied last year to be on the Fresno County Grand Jury, one of the first things he told them was that his father was black.
 
“They thought I was joking,” he said.
 
During interviews on the phone and at his home on 5 acres in the southern Sierra Nevada foothills, King shared family photos and thoughts on his background and the trial. Both of his parents have since died.
 
“I look pretty white,” said King, whose friends call him Hank. “If you looked at me, you wouldn’t know I had black blood in me.”
 
His eyes are blue; his skin is light.
 
King variously described himself as part black, as having black blood and occasionally as black or mixed-race.
 
“I don’t know if you would say mulatto or what,” he said at one point.
 
In his younger years, he didn’t often think about his racial background…

Read the entire article here.

‘Beautiful Hybrids’: Caroline Gurrey’s Photographs of Hawai‘i’s Mixed-race Children

History of Photography
Volume 36, Issue 2 (May 2012)
pages 184-198
DOI: 10.1080/03087298.2012.654947

Anne Maxwell, Associate Professor of English
University of Melbourne, Australia

In the early years of the twentieth century the Hawaiian-based American photographer Caroline Gurrey produced a much praised set of the photographs of Hawai‘i’s ‘mixed race’ children. Critics have noted that stylistically Gurrey’s photographs belong to the pictorialist school and possibly even to the high art style of the Photo-Seccessionists, however research into her background and life, and the contexts in which these photographs were produced and consumed, suggests that if we want a fuller understanding of both Gurrey’s intentions and these photographs’ historical importance, we should also take note of the part they played in the burgeoning eugenics movement and indigenous Hawaiians’ reactions to American imperialism.

According to Naomi Rosenblum, professional women photographers did not emerge until the 1880s, following a shift in attitudes concerning female education and employment opportunities. When this occurred, there was a veritable explosion of female interest in the medium so that bv the early twentieth century not only were there thousands of amateur women photographers but the numbers taking up photography (or professional and artistic reasons were also large. Historians of photography have investigated the achievements of these early women photographers, with the result that over the last decade a rough consensus as to who were the most important has emerged. Not surprisingly, most of those singled out are from the USA, Great Britain, France and Germany, where the technology and the professional and social networks supporting early photography were most advanced. Missing are the professional women photographers who lived and worked in the smaller western and non-western countries adjacent or peripheral to these larger ones. Although fewer in number, these women warrant historical and critical attention, if only because the limited institutional support available in these places meant they had to labour that much harder to achieve recognition.

One such is the Hawai‘i-based American photographer Caroline Gurrey (whose name before marriage was Haskins), who was active during the first two decades of the twentieth century. Gurrey gained limited critical acclaim while she was alive, but because of her Hawaiian location, and because she was obliged to abandon her artistic ambitions for photojournalism, her name has now virtually sunk into oblivion. Of the few contemporary critics who know of Gurrey’s achievements, most agree that her most important works are the artistic portraits of Hawai‘i’s…

Read or purchase the article here.

Passing and the Rise of the African American Novel

University of Illinois Press
2001
208 pages
6 x 9 in.
Paper ISBN: 978-0-252-07248-2

M. Giulia Fabi, Associate professor of American literature
University of Ferrara, Italy

Revealing the role of light-skinned black characters passing for white in African American literature

A CHOICE Outstanding Academic Title, 2003

Passing and the Rise of the African American Novel restores to its rightful place a body of American literature that has long been overlooked, dismissed, or misjudged. This insightful reconsideration of nineteenth-century African American fiction uncovers the literary artistry and ideological complexity of a body of work that laid the foundation for the Harlem Renaissance and changed the course of American letters.

Focusing on the trope of passing—black characters lightskinned enough to pass for white—M. Giulia Fabi shows how early African American authors such as William Wells Brown, Frank J. Webb, Charles W. Chesnutt, Sutton E. Griggs, Frances E. W. Harper, Edward A. Johnson, and James Weldon Johnson transformed traditional representations of blackness and moved beyond the tragic mulatto motif. Challenging the myths of racial purity and the color line, these authors used passing to celebrate a distinctive, African American history, culture, and worldview.

Fabi examines how early black writers adapted existing literary forms, including the sentimental romance, the domestic novel, and the utopian novel, to express their convictions and concerns about slavery, segregation, and racism. Chesnutt used passing as both a structural and a thematic element, while James Weldon Johnson innovated by parodying the earlier novels of passing and presenting the decision to pass as the result, rather than the cause, of cultural alienation. Fabi also gives a historical overview of the canon-making enterprises of African American critics from the 1850s to the 1990s and considers how their concerns about promoting the canonization of African American literature affected their perceptions of nineteenth-century black fiction.

Contemporary US multiple heritage couples, individuals, and families: Issues, concerns, and counseling implications

Counselling Psychology Quarterly
Volume 25, Issue 2, (June 2012)
Special Issue: Race, Culture, and Mental Health: Metissage, Mestizaje, Mixed “Race”, and Beyond
pages 99-112
DOI: 10.1080/09515070.2012.674682

Mark Kenney, Adjunct Professor
Kutztown University, Kutztown, Pennsylvania
Multicultural Education and Consulting, Sinking Spring, Pennsylvania

Kelley Kenney, Professor of Counseling & Human Services
Kutztown University, Kutztown, Pennsylvania
Multicultural Education and Consulting, Sinking Spring, Pennsylvania

This article introduces the special edition by providing an overview of how policies and attitudes have influenced the experience of multiple heritage couples, individuals, and families in the American context. This history is linked to the developmental tasks of multiracial individuals and families in contemporary context. This paper also discusses the counseling implications emphasizing the importance of delivering culturally competent and sensitive services.

Introduction

Multiple heritage couples and individuals historically have been the subject of controversy and scrutiny. Myths and stereotypes that pervade our society suggest that individuals who couple interracially are dysfunctional (Yancey, 2002); are attempting to make a statement (Root, 2001); or have ulterior motives for doing so (Wardle, 1992, 1999). Motives speculated upon include quests for the exotic, sexual curiosity and promiscuity, economic and social status or achievement, domination, potential citizenship, rebellion against society or family, low sell-esteem, or racial self-hatred (DaCosta, 2007; Karis, 2003: Root, 1992; Spickard, 1989; Yancey, 2002); that persons of color are more willing to accept children of interracial unions than are white people (Wardle, 1992, 1999); and that the difficulties faced by interracial individuals and families are based on race (Root, 2001: Wehrly, 1996). Myths and stereotypes about multiple heritage individuals suggest that they are doomed to a life of rejection, and confusion about who they are (Wardle, 1999; Yancey, 2002).

This paper examines contemporary multiple heritage couples, individuals, and families in the US; the salient issues and concerns that have historically confronted this population; and the counseling implications of which those working with this growing population need to be aware. In this article, we address multiple heritage individuals, couples, and families drawing on a literature that uses multiple terms to identify them “Interracial couples” are defined as partners, married or not, of a different racial background (Root, 1992; Spickard, 1989). “Multiracial individuals” are defined as individuals whose biological parents or whose lineage are of two or more different racial backgrounds (Funderburg, 1994; Gibbs, 1989; Root, 1992)…

Read or purchase the article here.

The Origins of Mixed Race Populations

New African
January 2005

Carina Ray, Associate Professor of African and Afro- American Studies
Brandeis University, Waltham, Massachusetts

While rape played a huge part in the origins of Africa and the Diaspora’s mixed race populations, it is wrong to attribute it all to rape, argues Carina Ray.

In the February 2004 issue of New African, the columnist Stella Orakwue threw the covers off one of the European empire’s dirtiest secrets–the widespread rape of black women by white men. Her expose, headlined “History’s Most Sordid Cover-Up” went on to declare that the historical origins of mixed race populations in Europe’s former colonies in North and South America, the Caribbean and Africa are located in this silenced history of rape.

In the following months, Orakwue’s pronouncement drew a lively response from several New African readers. Yet, each piece of writing in the thread left me with a distinct sense that the discussion had taken a wrong turn—or gotten off on the wrong foot to begin with, sweeping historical claims, such as the one made by Orakwue, are bound to be both true and false. Exceptions to the rule aside, her argument is valid for North America, particularly in the South during the era of slavery and to a decreasing extent through the period of Jim Crow segregation.

The origins of mixed race populations in South America and the Caribbean, however, fit less neatly into a single pattern of explanation. This should not be taken as a denial of the partial role that rape played in the development of mixed race populations in these regions, but to identify it as the predominant causal factor obscures the complicated history of race mixing in these areas.

Many countries in South America and the Caribbean are home to populations that are almost entirely mixed. Their numbers cannot be accounted for primarily by rape, but rather result in large part from complex patterns of inter-marriage, concubinage and consensual sex between indigenous peoples, Africans, Europeans and multi-racial people themselves. With respect to Europe’s former African colonies, the link between rape and the origins of mixed race people is strongest, although by no means definitive, in the settler colonies of Southern Africa, where rape often formed part of a regime of white domination. It also functioned in areas like the Cape Colony, in modern-day South Africa, as a violent form of slave labour reproduction, not unlike the American South during slavery. The paradigm of rape, however, is far less adequate for explaining the historical origins of mixed race people in other parts of Africa…

…One need only look at the lineage of many of Ghana’s Afro-European families, like the Bannerman, Brew, Wulff-Cochrane, Reindorf, casely-Hayford, Hutchison, Lutterodt, VanHein, Vroom and Van der Puije families, to name just a few, to know that their female progenitors were not enslaved women, but rather members of indigenous families who married European men.

Unions of this type, as well as less formal consensual relationships, were not unique to Ghana; rather they formed an important aspect in the development of many of West Africa’s coastal societies. This key facet of West African history is eclipsed when the history of mixed race people is collapsed inside the history of rape.

It is often forgotten that in many instances during the first 400 years of the colonial encounter, Europeans were at the mercy of their African hosts. One of the ways European men survived and even thrived during this period of the colonial encounter was by marrying or cohabiting with African women, who not only provided companionship, medical assistance and domestic services, but also valuable local connections.

Contrary to the notion that colonialism was a one-way street which led to the Europeanisation of Africans, European men were also Africanised—in large part through their relationships with African women. Marriage was used as a means of cementing alliances to advance the interests of both groups, particularly in coastal trade, and importantly such arrangements were made at the behest of Africans…

Read the entire article here.

Rewriting a slave’s journey

Trinidad and Tobago Newsday
2012-04-29

Corey Connelly

In his latest publication, Caribbean History from Pre-Colonial Origins to the Present, Dr Tony Martin recaps the many social, economic and political phenomena that have shaped world history over the centuries.

However, the renowned historian tackles the topics in an unapologetically fresh and detailed style, quite unlike the typical and often sedate material contained in survey history publications.

In what might be regarded as a major departure from current texts, contemporary developments such as the collapse of insurance giant Clico and the 2011 riots in the United Kingdom, have also been given space in the 366-page book, Martin’s 14th publication.

“This book has given me the opportunity to put my discontent to some positive purpose and it represents 30 to 40 years of research into Caribbean history and a variety of new perspectives,” Martin, Professor Emeritus of African Studies, Wellesley College, United States, said in a recent Sunday Newsday interview.
 
He was alluding to what he considered to be the downfall of many current history texts.

“What I have tried to do is practically re-write Caribbean history and so in every aspect of this book you will find information on new perspectives,” he said.

While most books have tended to focus on the period following Christopher Columbus’ conquering of the new world, Caribbean History from Pre-Colonial to the Present examines, in some detail, the fact that “Old World” peoples may very well have come to the Americas before Columbus…

…Martin lamented that history texts, have for the most part, dealt superficially with the sexual abuse of women. He observed, however, that the frequent abuse of women at that time has manifested itself in contemporary society through persons of mixed heritage.

He said, “All you have to do is look around anywhere in the Americas and you will see the percentage of African descendants who are mixed—in Brazil, Trinidad, US.

“Nowadays the racial mixing is voluntary and goes both ways. But for most of the period of our history that racial mixing was one way. It was the white man forcing himself on the African woman who had no rights and could not defend herself in any way.”

Asked why there has not been tremendous emphasis on slavery and the treatment of Africans by authors over the generations, Martin reasoned: “Non-Caribbean people wrote the books and they had a vested interest in not wanting to get the people vexed. I did not write this book to get anybody vexed, but at the same time it is hard to read the stuff and not get upset. As an historian, I feel I have an obligation to set the record straight and wherever the record takes us, I will go.” Martin, in the publication, also addressed the fact that some Africans, for fear of death, had conspired with the white slave masters to oppress their own people…

Read the entire article here.