Mixed Race Studies

Miss., US Poet Laureate Natasha Trethewey to read poetry at JSU

Clarion-Ledger
Jackson, Mississippi
2012-08-21

Special to The Clarion-Ledger
 
Pulitzer Prize winner and current Mississippi and United States Poet Laureate Natasha Trethewey will read her poetry at Jackson State University at 3 p.m. Sept. 20 in room 166/266 of the Dollye M.E. Robinson College of Liberal Arts Building.

This event will be hosted by the Margaret Walker Center at JSU and is free and open to the public.

In January, Trethewey was named the Mississippi Poet Laureate for a four-year term. Soon after, she was named the 19th U.S. Poet Laureate by the Library of Congress. Trethewey is the first person to serve simultaneously as a state and U.S. laureate.

Read the entire article here.

“No more kiyams”: Métis women break the silence of child sexual abuse

University of Victoria,  British Columbia, Canada
2004
146 pages

Lauralyn Houle

A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF SOCIAL WORK In the Faculty of Human and Social Development

“No more kiyams” Métis women break the silence of child sexual abuse, is a glimpse into the lives of four M&is women who were raised in an Aboriginal community and who speak to the effects and the obstacles of trying to heal from an abuse that affects not only them, but also their families and communities.

As Métis people, the women in this thesis bring to light, the generational abuses that affect the healing process. They give a picture of how healing is a very personal journey but at the same time a collective process. Rose, Betsy, Angela and Rena provide us with insight into why healing from child sexual abuse needs to address a cultural perspective. Rose became a victim of a respected elderly uncle. Betsy and Angela’s fathers were their abusers. For Rena it was her stepfather, grandfather, and cousins; how does one send all those significant people to jail? In addition, remain a ‘part’ of family and community. The Métis are raised to be very proud and loyal to family and community. We do not heal alone.

This work is about honouring individual strength and gifts in order to heal. It speaks to healing that is not in isolation from identity as a Métis or in isolation from one’s community. This thesis is about acknowledging the strengths of Métis women by giving voice to their stories, their dreams, and their lives.

Read the entire thesis here.

Henry Louis Rey, Spiritualism, and Creoles of Color in Nineteenth-Century New Orleans

University of New Orleans
2009-12-20
72 pages

Melissa Daggett

A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in History

This thesis is a biography of Henry Louis Rey (1831-1894), a member of one of New Orleans’ most prominent Creole of Color families. During the Civil War, Rey was a captain in both the Confederate and Union Native Guards. In postbellum years, he served as a member of the Louisiana House of Representative and in appointed city offices. Rey became heavily involved with spiritualism in the 1850s and established séance circles in New Orleans during the early 1870s. The voluminous transcripts of these séance circles have survived into the twenty-first century; however, scholarly use of these sources has been limited because most of the transcripts and all marginal annotations later written by René Grandjean are in French. The author’s translations of the spirit communications through their entire run reveal insight into the spiritual and material realms negotiated by New Orleans Black Creoles as they weathered declining political and economic fortunes.

Read the entire thesis here.

Thrall, Poems

Houghton Mifflin Harcourt
2012-08-28
96 pages
6 x 9
Hardcover ISBN-13/ EAN:9780547571607; ISBN-10:0547571607
E-Book ISBN-13/ EAN:9780547840420; ISBN-10:054784042X

Natasha Trethewey, Charles Howard Candler Professor of English and Creative Writing
Emory University

By unflinchingly charting the intersections of public and personal history, Thrall explores the historical, cultural, and social forces—across time and space—that determine the roles consigned to a mixed-race daughter and her white father. In a vivid series of poems about interracial marriage depicted in the Casta Paintings of Colonial Mexico, Trethewey investigates the philosophical assumptions that underpin Enlightenment notions of taxonomy and classification, exposing the way they encode ideas of race within our collective imagination. While tropes about captivity, bondage, inheritance, and enthrallment permeate the collection, Trethewey, by reflecting on a series of small estrangements from her poet father, comes to an understanding of how, as father and daughter, they are part of the ongoing history of race in America.

Thrall not only confirms that Natasha Trethewey is one of our most gifted and necessary poets but that she is also one of our most brilliant and fearless.