Mixed Race Studies

CONCLUSIONS.

In the preceding pages, the author has endeavored to make plain the following propositions, and, as they are the very reverse of those laid down by the author of “Miscegenation,” he adopts the mode of that writer in summing up, in order the more successfully to present the contrast:

1. That as by the teachings of science, religion, and democracy the human family is composed of different races or species, distinct in color and other physical as well as mental peculiarities, it follows that there should be distinctions in political and social rights, corresponding with such physical and mental differences.
2. That the doctrine of human brotherhood should be accepted in its entirety in the United States, and that it implies the equality of all whom God has created equal, and the inequality of all whom He has made unequal.
3. That a solution of the negro problem will not have been reached in this country until public opinion universally sanctions negro Subgenation.
4. That, as the negro ought not to be driven out of the country or exterminated, and as for wise purposes he has been placed side by side with the white race, there should be severe laws passed punishing any sexual intercourse between the race.
5. That the mingling of diverse races, or Miscegenation, is a positive injury to the progeny, producing a weaker and a hybrid race, which rapidly perishes, as proved by the history of all nations, from that of Egypt to this day.
6. That, as the war has been caused by the Miscegenationists striving to force their revolting and disgusting doctrines on the people of the South, it follows that perfect peace and Union can soonest be restored to our country by the North adopting negro Subgenation at once, by each State amending its Constitution to that effect, and then accepting the Confederate Constitution as the basis of a Federal Government.
7. That it is the duty of Democrats everywhere to advocate Subgenation, or the normal relation of the races on this continent, as a great humanitarian reform.
8. That as the last Presidential election was carried by the Miscegenationists, and has brought four years of blood, suffering, and untold taxation upon the country, the next Presidential election should be carried by the Subgenationists, who will thus restore order, peace, and commercial prosperity.
9. That a society founded on Subgenation produces the highest type of mankind—the most consummate statesmen and generals, the highest type of womanhood, and the most exalted morality and virtue.
10. That the Millennial future is to be ushered in through a complete understanding of the laws of Subgenation, by which an equality of condition is to become universal—thus realizing the instinct of an equality of creation; and that whoever helps to achieve this result, helps to make the human family the sooner realize its great destiny.

John H. Van Evrie, Subgenation: The Theory of the Normal Relation of the Races; an Answer to “Miscegenation,” (New York: John Bradburn Publishing, 1864): 67-69.

Portuguese and Luso-Asian Legacies in Southeast Asia, 1511-2011, Volume 2: Culture and Identity in the Luso-Asian World: Tenacities & Plasticities

Institute of Southeast Asian Studies
2012
368 pages
Soft cover ISBN: 978-981-4345-50-7
See Volume 1 here.

Edited by:

Laura Jarnagin, Visiting Professorial Fellow
Institute of Southeast Asian Studies in Singapore
also Associate Professor Emerita in the Division of Liberal Arts and International Studies at Colorado School of Mines (Golden, Colorado)

“In 1511, a Portuguese expedition under the command of Afonso de Albuquerque arrived on the shores of Malacca, taking control of the prosperous Malayan port-city after a swift military campaign. Portugal, a peripheral but then technologically advanced country in southwestern Europe since the latter fifteenth century, had been in the process of establishing solid outposts all along Asia’s litoral in order to participate in the most active and profitable maritime trading routes of the day. As it turned out, the Portuguese presence and influence in the Malayan Peninsula and elsewhere in continental and insular Asia expanded far beyond the sphere of commerce and extended over time well into the twenty-first century.

Five hundred years later, a conference held in Singapore brought together a large group of scholars from widely different national, academic and disciplinary contexts, to analyse and discuss the intricate consequences of Portuguese interactions in Asia over the longue dure. The result of these discussions is a stimulating set of case studies that, as a rule, combine original archival and/or field research with innovative historiographical perspectives. Luso-Asian communities, real and imagined, and Luso-Asian heritage, material and symbolic, are studied with depth and insight. The range of thematic, chronological and geographic areas covered in these proceedings is truly remarkable, showing not only the extraordinary relevance of revisiting Luso-Asian interactions in the longer term, but also the surprising dynamism within an area of studies which seemed on the verge of exhaustion. After all, archives from all over the world, from Rio de Janeiro to London, from Lisbon to Rome, and from Goa to Macao, might still hold some secrets on the subject of Luso-Asian relations, when duly explored by resourceful scholars.”

—Rui M. Loureiro
Centro de Historia de Alem-Mar, Lisbon

“This two-volume set pulls together several interdisciplinary studies historicizing Portuguese ‘legacies’ across Asia over a period of approximately five centuries (ca. 1511-2011). It is especially recommended to readers interested in the broader aspects of the early European presence in Asia, and specifically on questions of politics, colonial administration, commerce, societal interaction, integration, identity, hybridity, religion and language.”

—Associate Professor Peter Borschberg
Department of History, National University of Singapore

Table of Contents

• Preliminary pages with Introduction
• PART I: CRAFTING IDENTITY IN THE LUSO-ASIAN WORLD
  • 1. Catholic Communities and their Festivities under the Portuguese Padroado in Early Modern Southeast Asia, by Tara Alberts
  • 2. A “Snapshot” of a Portuguese Community in Southeast Asia: The Bandel of Siam, 1684-86, by Rita Bernardes de Carvalho
  • 3. The Colonial Command of Ceremonial Language: Etiquette and Custom-Imitation in Nineteenth-Century East Timor, by Ricardo Roque
  • 4. Remembering the Portuguese Presence in Timor and Its Contribution to the Making of Timor’s National and Cultural Identity, by Vicente Paulino
• PART II: CULTURAL COMPONENTS: LANGUAGE, ARCHITECTURE AND MUSIC, by Alan Baxter
  • 5. The Creole-Portuguese Language of Malacca: A Delicate Ecology
  • 6. Oral Traditions of the Luso-Asian Communities: Local, Regional and Continental, by Hugo C. Cardoso
  • 7. Verb Markings in Makista: Continuity/Discontinuity and Accommodation, by Mario Pinharanda-Nunes
  • 8. From European-Asian Conflict to Cultural Hertiage: Identification of Portuguese and Spanish Forts on Ternate and Tidore Islands, by Manuel Lobato
  • 9. The Influence of Portuguese Musical Culture in Southeast Asia in the Sixteenth and Seventeenth Centuries, by Christian Storch
• PART III: ADVERSITY AND ACCOMMODATION, by Roderich Ptak
  • 10. Portugal and China: An Anatomy of Harmonious Coexistence (Sixteenth and Seventeenth Centuries)
  • 11. “Aocheng” or “Cidade do Nome de Deus”: The Nomenclature of Portuguese and Castilian Buildings of Old Macao from the “Reversed Gaze” of the Chinese, by Vincent Ho
  • 12. Enemies, Friends, and Relations: Portuguese Eurasians during Malacca’s Dutch Era and Beyond, by Dennis De Witt
• Appendix: Maps
• Bibliography
• Index

Local Filmmaker to Give Voice to Biracial Issues

News Release
Nashville, Tennessee
2012-10-10

Jefferey Martin
615-918-8688

James Southard, Director/Producer

Native Nashville, [Tennessee]  filmmaker, James Southard aims to tackle the subject of what it means to be biracial in his forth-coming documentary, “Half-Caste.” The documentary comes from a mixture of personal experience with being biracial, a desire to help other people tell their story, and a need to increase awareness on the subject.
 
Half-Caste will explore the poignant issues of people who come from multi-racial backgrounds throughout society. This documentary will tackle issues such as personal identity, social identity, basic desire to belong to one group, race identification, government classification, racism, stereotypes, family, dating, difficulties of interaction within races and many other issues specific to the loose multi-racial community.
 
Southard is currently filling new interviews and gathering footage even while in the midst of trying to raise money, using Kickerstarter.com. Southard is aiming to raise awareness on the subject and has set his sights on making an incredible film that will bring this subject into the Public’s focus.

Southard is available for interviews, and can be contacted at: 615-918-8688

For more infomation, click here.

The Métis

Métis National Council
Ottowa, Ontario, Canada
2011

Prior to Canada’s crystallization as a nation in west central North America, the Métis people emerged out of the relations of Indian women and European men. While the initial offspring of these Indian and European unions were individuals who possessed mixed ancestry, the gradual establishment of distinct Métis communities, outside of Indian and European cultures and settlements, as well as, the subsequent intermarriages between Métis women and Métis men, resulted in the genesis of a new Aboriginal people—the Métis.

Distinct Métis communities emerged, as an outgrowth of the fur trade, along part of the freighting waterways and Great Lakes of Ontario, throughout the Northwest and as far north as the McKenzie river…

Read the entire report here.

MASC’s Thomas Lopez Discusses Mixed Latina/o Identity

Mixed Race Radio
Wednesday, 2012-10-17, 16:00Z (12:00 EDT, 09:00 PDT, 17:00 BST)

Tiffany Rae Reid, Host

Thomas Lopez

Thomas Lopez continues to amaze me. He has held various positions with Multiracial Americans of Southern California (MASC), Los Angeles, CA since 1995 and continues to organize numerous conferences, workshops and events such as “Race In Medicine: A Dangerous Prescription” and “A Rx for the FDA: Ethical Dilemmas for Multiracial People in Race-Based Medicine” at the Critical Mixed Race Studies Conference, DePaul University, 2010.

Thomas is also a filmmaker, having produced, Mixed Mexican: Is Latino a Race? which was shown at the Mixed Roots Film and Literary Festival (2010), Readymade Film Festival (2010), and Hapapalooza Film Festival (2011)

On today’s episode of Mixed Race Radio, Thomas will announce the start of a new program by Multiracial Americans of Southern California (MASC) called: Latinas/os Of Mixed Ancestry (LOMA).

The purpose of the LOMA project is to:

• Provide space for expression of mixed Latina/o identity.
• Provide culturally relevant material to the mixed Latino community.
• Raise awareness of this community to society at large.

This will be accomplished by:

• The establishment of a website with blog and forum discussions.
• Social media campaign.
• Attendance at conferences.
• A public relations awareness campaign.
• MASC seeks to broaden self and public understanding of our interracial, multiethnic, and cross cultural society by facilitating interethnic dialogue and providing cultural, educational, and recreational activities. In 2009 MASC celebrated twenty years of incorporation.

As a part of our mission, MASC has always worked to raise awareness of the impact of multiracial identification. During the 1990’s, we successfully worked to revise the Census to allow multiple racial classifications.

For more information, click here.

Jazz, Race Collide With War In 1930s Europe

Tell Me More
National Public Radio
2012-03-26

Jacki Lyden, Host

The novel Half Blood Blues explores an often overlooked slice of history: black jazz musicians in Germany on the eve of World War II. The book moves from 1992 to 1939, from Baltimore to Berlin to Paris. It’s told by an elderly black jazz musician and his friend who survived the war. Guest host Jacki Lyden speaks with author Esi Edugyan.

Transcript:

This is TELL ME MORE from NPR News. I’m Jacki Lyden. Michel Martin is away this week. Now we’re going to take a trip back in time with the help of a prize-winning novelist.

The novel, “Half Blood Blues,” considers a slice of history that often gets overlooked: black jazz musicians and their fate in Germany just before World War II. The novel moves back and forth from 1992 to 1939, from Baltimore to Berlin, Berlin to Paris and it’s told through the eyes of an elderly Baltimore black jazz musician, Sid Griffiths, and his lifelong friend, Chippewa Jones, all in invented period slang.

The novel was short-listed for the Booker Prize this year and won the Giller Prize in Canada and its author, Esi Edugyan, joins us now from member station KUOW in Seattle. Welcome.

ESI EDUGYAN: Thank you.

LYDEN: Esi, just to establish, you are a Canadian author.

EDUGYAN: I am.

LYDEN: And you live in…

EDUGYAN: I was born and raised in Calgary.

LYDEN: Born and raised in Calgary, of Ghanaian parents and you live in Victoria?

EDUGYAN: Yes.

LYDEN: Well, please tell us about this novel, which has had so much success. Tell us about the men at the center of your story. They’re jazz musicians from a group called the Hot Time Swingers. We meet them in Paris. They already have escaped from Berlin. They’ve met Duke Ellington and at the center of the group is this really intriguing character you’ve invented called Hieronymus Falk. And he is eventually picked up by the Gestapo in June of 1940. Tell us about these fellows and Hieronymus.

EDUGYAN: Well, essentially, the novel is told in two parts and the first part centers around the Hot Time Swingers who, you know, are a jazz band who’s had quite a bit of success playing in Berlin. And, you know, now the Third Reich has been ushered in and they’re trying to decide exactly how to proceed now that they’ve been prohibited from playing in public.

And so the band consists of two African-American players, Sid and Chip from Baltimore, as well as the German players, Paul, who’s a pianist who has a Jewish background, and Ernst. And then Hieronymus Falk, who is an Afro-German, the child of a French colonial soldier and a German mother, and he’s the trumpet prodigy.

LYDEN: Hieronymus Falk really intrigued me, Esi Edugyan. He is, you say in the novel, the German word was mischling. He is of mixed race and there really were such Afro-Germans prior to the Nazis taking power…

Read the entire transcript here. Listen to the interview here. Download the interview here.

Children of the Occupation

NewSouth Publishing
2012-07-01

Walter Hamilton, Journalist and Author

Towards the end of an eventful life, George Budworth, who served with the Australian Army in Japan after the war, wrote an account describing the first time he saw his son, Peter. It was not in a hospital maternity ward but on the streets of Kure one chilly night in 1954:

In broken English, the woman said, ‘Please, you look my baby, he sick’. She turned her back to Quietly [George’s fictional alter ego]. The baby was tied on her back in a kind of carryall. Quietly reached down and flipped back the lid. Looking up at him was the pinched, undernourished white face of a very young baby. Quietly could see at a glance that the child was half Japanese ­– certainly not a full blood. ‘He now six weeks; he Goshu (Australian) baby-san,’ was all she said through her sobs.

George gave the woman all the money he was carrying. She later sought him out to return the change; they started a relationship; and George formed a close bond with the child, Hideki, whom he renamed Peter and formally adopted.

In 1956, as the British Commonwealth Forces Korea prepared to pull out of Japan, George was among a handful of soldiers and civilians seeking permission to take adopted children back to Australia. In the decade since the first Australian troops arrived in Occupied Japan, such a thing had never been allowed (though war brides were admitted after 1952). In George’s fictionalised memoir, Peter’s mother, Fusako, surrenders custody of her child because she fears for his future in Japan: ‘They could never go to school, never marry, or hold any job but as labourers, in other words a life worse than death was the best these children could expect’…

…Walter Hamilton’s book Children of the Occupation: Japan’s Untold Story will be published by NewSouth in June.

Read the entire article here.

“The Ineffaceable Curse of Cain”: Race, Miscegenation, and the Victorian Staging of Irishness

Victorian Literature and Culture
Volume 29, Number 2 (September 2001)
pages 383–396

Scott Boltwood, Associate Professor of English
Emory & Henry College, Emory, Virginia

THROUGHOUT THE NINETEENTH CENTURY both the English popular and scientific communities increasingly argued for a distinct racial difference between the Irish Celt and the English Saxon, which conceptually undermined the Victorian attempt to form a single kingdom from the two peoples. The ethnological discourse concerning Irish identity was dominated by English theorists who reflect their empire’s ideological necessity; thus, the Celt and Saxon were often described as racial siblings early in the nineteenth century when union seemed possible, while later descriptions of the Irish as members of a distant or degenerate race reflect the erosion of public sympathy caused by the era of violence following the failed revolt of 1848. Amid this deluge of scientific discourse, the Irish were treated as mute objects of analysis, lacking any opportunity for formal rejoinder; nonetheless, these essentially English discussions of racial identity and Irishness also entered into the Irish popular culture.

This paper will examine the dynamic resonance of English ethnography within Irish culture by using Victorian theories of Celtic racial character to inform a reading of a seminal dramatic portrayal of the Irish. The focus of my analysis will be the romantic melodrama The Colleen Bawn, written by the Irish dramatist Dion Boucicault in 1860. This work is the first of Boucicault’s several “Irish” melodramas: plays that celebrated Irish identity, enjoyed the fanatical devotion of Irish audiences well into the next century, and inspired a school of Boucicauldian nationalists at Belfast’s Queen’s Theatre at the turn of the century. Ultimately, though, the artistic impetus for The Colleen Bawn underscores Boucicault’s deep ambivalence over his homeland. Early in 1860, he began working on The Colleen Bawn following his completion of The Octoroon, a play in which he performed each night throughout the period of the Irish play’s composition and rehearsal. Both plays focus on a young landowner who is torn between his love for a poor, local beauty and his financial necessity to marry his wealthy neighbor. Moreover, in both plays the heroes inherit estates teetering on the brink of financial ruin, both intended brides are faithful and wealthy cousins, and both heroines are celebrated for their innocence and purity. Tellingly though, the first heroine is the mulatto freed-slave Zoe, while the second is the Irish peasant Eily O’Connor.

Although avowedly not intended to be an “Irish Octoroon,” The Colleen Bawn anticipates the racial conflation of Irish and African that the English ethnological imagination scientifically argued for beginning in the 1880s. Indeed, the creative genesis of this Irish romance in a melodrama of slavery and miscegenation aptly reveals the status of the Irish within the United Kingdom in spite of the promised equality supposedly conferred on the Irish by the Act of Union in 1800. Whereas the modern reader may argue that the play’s tension arises from the social, religious, and economic disparities between Hardress Cregan and Eily O’Connor, the widespread popularity of Victorian theories of racial identity would have predisposed the play’s audience to recognize the racial difference between Hardress and Eily as the fundamental impediment to their happiness…

Read the entire article here.

The Miscegenation of Richard Mentor Johnson as an Issue in the National Election Campaign of 1835-1836

Civil War History
Volume 39, Number 1, March 1993
pages 5-30
DOI: 10.1353/cwh.1993.0043

Thomas Brown

White American men of the antebellum era abhorred few, if any, things more than the danger of an “amalgamation” of their race with African Americans through interracial sexual relations. But their concerns about miscegenation between whites and blacks were usually not a major factor in national politics. However, in the election of 1836, the Democratic candidate for vice president was Representative Richard Mentor Johnson of Kentucky, who was revealed to be a “practical amalgamator.” The opposition to the Democrats—an assortment of Antimasons, Whigs, and disaffected Democrats supporting three presidential candidates in different parts of the country—exploited Johnson’s candidacy to make the menace of amalgamation into a national political issue. Its attacks compelled the Democrats, in turn, to deal with the issue of Johnson’s private life in a manner designed to minimize the damage to their party, and perhaps even make an asset of a liability. The positions taken in the controversy over Johnson’s miscegenation are of great value and interest, for the spokesmen of the opposing sides had to grapple with…

Barack X

The New Yorker
2012-10-08

Jelani Cobb, Associate Professor of History and Director of the Institute of African American Studies
University of Connecticut

1. It’s mid-March in Harlem and the streets are an improvised urban bazaar. Young men hawk umbrellas, vintage vinyl, and knit caps. The aromas of curry and fried plantains waft out from the Caribbean spot, and just ahead of me is a teen-ager so slight that I scarcely notice him at first. There’s a perfectly calibrated swagger in his stride. He’s swaddled in an oversized black leather jacket, his jeans cinched five inches below the waist, his footwear immaculate. I’ve nearly passed him before I notice something that makes me pause for a second and then snap a picture with my cell phone: stitched onto the back of the jacket, in dimensions broader than his back, is the seal of the President of the United States. He is standing on Malcolm X Boulevard, and a generation ago that jacket would’ve been emblazoned with a defiant X in homage to a man who defined radical black dissent. There are a dozen questions I could ask him—whether there are metal detectors in his school or when was the last time he was frisked by the N.Y.P.D., whether he sees his future as an amorphous blob of curtailed possibilities or if he has real plans. But I don’t have to ask how the most revered symbol of the American establishment came to adorn his jacket.

In the halcyon days after Barack Obama’s inauguration, newspapers ran stories marvelling at an Obama effect that seemed to lift black students beyond the achievement gap. Some openly hoped that his election would inspire increased numbers of black law-school applicants, the way that “C.S.I.” spawned a generation of forensic-science majors. In a poll taken just after the inauguration, some seventy per cent of respondents said that they expected his tenure to bring an improvement in race relations. Obama himself played to this dynamic early on, saying that in a crowded field of talented Democratic contenders the rationale for his campaign was that his election would tell every child in this country that anything was possible. And for a brief moment, it seemed that might actually be true.

Nearly four years later, the fickle-hearted arbiters of cool have migrated onward, finding new cultural pastures to stake out. There are no A-list rappers crafting themes in Obama’s honor, no catchy call-and-response phrases on par with “fired up and ready to go.” Yet here on Lenox Avenue is an Obama testimony in clashing motifs that underscores the complexity of the President’s current undertaking. A handful of men have been elected President and then become a symbol for an era, but very few beyond the current occupant of 1600 Pennsylvania Avenue have made the opposite transition. And it is for this reason that 2012 seems like so much anticlimax: a symbol ran for President four years ago; today a man is seeking to hold onto that position…

…2. The more onerous aspects of Jim Crow conspired to obscure a reality key to understanding Barack Obama’s complicated relationship to black America: simply put, the colored section was far more democratic than the ostensibly free segments of America because virtually any tincture of black ancestry was sufficient to gain admission. The boundaries of whiteness required vigilant policing and scrutiny, but black people were far more catholic in our self-perception.

In response, America conjured a usable mythology, one in which the product of interracial unions were uniformly doomed to suffer disproportionate woe. Fiction, folklore, and films like “Imitation of Life” cinched the concept of the tragic mulatto in American popular imagination. But the concept didn’t square with our own lived experience. There was nothing tragic about the trajectories of Frederick Douglass, Booker T. Washington, Mordecai Johnson, or any other biracial black person—aside from the burden of racial inequality they shouldered along with anyone else of African descent. The activist Walter White used his nearly white skin as a kind of camouflage that allowed him to investigate lynchings for the N.A.A.C.P. in the nineteen-twenties. Obama understood this history well enough to stand nearly outside of it. In 2008, Barack Obama authored a new archetype—a biracial man who was not so much tragic as ironic. Unlike the maligned mulattoes of old, Obama wasn’t passing for white—he was passing for mixed. For those with an eye to this history it was a masterful performance, a riff as adroit as anything conjured by Dizzy Gillespie or Sonny Rollins.

Early on, observers noted Obama’s Ebonic lapses when speaking to black audiences and saw in them a sly attempt to pander to African-American voters. But they had it precisely backward: to black audiences, his ability to speak in pulpit inflections one moment and concave Midwestern tones the next made him seem more black, not less. We saw him as no different than any African-American lawyer who speaks black English at home and another, entirely more formal language, in his professional environment.

Not surprisingly this has translated into confusion over who the President of the United States is. A 2010 Pew poll showed that fifty-three per cent of whites see the President as biracial while only a quarter see him as black. At the same time, fifty-five per cent of African-Americans see Obama as black while a third see him as mixed race. What the poll failed to ask, however, was whether African-Americans see those two categories as mutually exclusive. Slavery, coercion, and the randomness of social exchange conspired to ensure that virtually all of black America is biracial in some regard. Walter White had blonde hair, fair skin, and blue eyes—yet was black enough to serve as the N.A.A.C.P.’s chief executive for twenty-four years. What was known but left unsaid is that Obama was at least as black as any of the other forty million of us and biracial in the same sense that Douglass, Washington, and White were…

Read the entire article here.