Mixed Race Studies

A Milestone Election

Weekend Reader
Hannah Arendt Center
Bard College
2012-11-09

Roger Berkowitz, Associate Professor of Political Studies, Human Rights, and Philosophy; Academic Director, Hannah Arendt Center
Bard College, Annandale-on-Hudson, New York

The re-election of Barack Obama is a milestone. Barack Obama will always be remembered as the first black President of the United States. He will now also be remembered as the first black two-term President, one who was re-elected in spite of nearly 8% unemployment and a feeling of deep unease in society. He is the black President who was re-elected because he seemed, to most Americans, more presidential, more trustworthy, and more likable than his opponent—a white, Mormon, representative of the business elite. Whatever you want to say about this election, it is difficult to deny that the racial politics of the United States have now changed.
 
President Obama’s re-election victory and his distinguished service have made the country a better place. The dream of America as a land of equality and the dream that our people will not be judged by the color of their skin but by the content of their character—these dreams, while not realized, are closer to being realized today because of Barack Obama’s presidency and his re-election.
 
There are some who don’t see it that way. There is a map going around comparing the 2012 electoral college vote to the civil war map. It is striking, and it shows with pictorial clarity, that the Republic strongholds today are nearly identically matched with the states of the Confederacy 150 years ago. For some, this is an indictment not only of the Republican Party, but also of the United States. The argument made on Facebook and beyond is that the country is still deeply divided racially; that this election brought out the deep-seated racism underlying the country…

Read the entire article here.

“Well, It Is Because He’s Black”: A Critical Analysis of the Black President in Film and Television

Bowling Green State University
August 2011
183 pages

Phillip Lamarr Cunningham

Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY

With the election of the United States’ first black president Barack Obama, scholars have begun to examine the myriad of ways Obama has been represented in popular culture. However, before Obama’s election, a black American president had already appeared in popular culture, especially in comedic and sci-fi/disaster films and television series. Thus far, scholars have tread lightly on fictional black presidents in popular culture; however, those who have tend to suggest that these presidents—and the apparent unimportance of their race in these films—are evidence of the post-racial nature of these texts.
 
However, this dissertation argues the contrary. This study’s contention is that, though the black president appears in films and televisions series in which his presidency is presented as evidence of a post-racial America, he actually fails to transcend race. Instead, these black cinematic presidents reaffirm race’s primacy in American culture through consistent portrayals and continued involvement in comedies and disasters. In order to support these assertions, this study first constructs a critical history of the fears of a black presidency, tracing those fears from this nation’s formative years to the present. This history is followed by textual analyses of those films and television series featuring a black president, with an emphasis on showing how the narratives and codes within these films reflect those historic fears.

TABLE OF CONTENTS

• INTRODUCTION
  • Filling the Void: Situating the Black President in Film Studies
• CHAPTER I: THE THING SO GREATLY FEARED: HISTORICIZING FEARS OF A BLACK PRESIDENCY
  • Harding, Jefferson, and Lincoln: White Presidents as the First “Black” Presidents
  • Fear of a Black Republic
  • From Impossible to Improbable
  • Jesse Jackson and the Changing Face of Politics
  • Powell for President
  • Return of the Black Cinematic President
• CHAPTER II: BEING BLACK MATTERS: A CRITICAL ANALYSIS OF THE MAN
  • The Man and the Apparently Declining Significance of Whiteness and Racism
  • Black Militancy as Barrier to Racial Harmony
  • Douglas Dilman: “A Well-Dressed Rebuttal to the Militants”
• CHAPTER III: THE END OF THE WORLD AS WE KNOW IT: BLACK CINEMATIC PRESIDENTS IN CRISIS
  • Fear of a Black President: The Birth of a Nation as Precursor
  • From Deep Impact to 2012: The Black President in Crisis
  • Modern Day Ben Camerons: White Heroes in Black Presidential Films
• CHAPTER IV: THIS COUNTRY IS UPSIDE DOWN! THE ABSURD BLACK CINEMATIC PRESIDENT
  • Not Exactly Ideal Presidents: Rufus Jones for President and Idiocracy
  • “That Ain’t Right”: Black Cinematic Presidents and the Act of “Laughing Mad”
• EPILOGUE: POLITICS AS USUAL: BLACK CINEMATIC PRESIDENTS IN THE OBAMA AGE
• WORKS CITED

Read the entire dissertation here.

From Kongo to Othello to Tango to Museum Shows

ARTnews
2012-10-25

Robin Cembalest

Jacopo da Pontormo (Jacopo Carucci), Portrait of Maria Salviati de’ Medici and Giulia de’ Medici, ca. 1539, oil on panel. THE WALTERS ART MUSEUM, BALTIMORE, ACQUIRED BY HENRY WALTERS WITH THE MASSARENTI COLLECTION, 1902 (37.596).

Artists and scholars are taking increasingly nuanced approaches to tracking the image—and influence—of Africans in Western art

In 1902 the Walters Art Museum acquired a Pontormo painting of an Italian noblewoman, Maria Salviati, dated ca. 1539. Back then it was considered a portrait of a woman whose hands were “in funny places,” as Gary Vikan, the museum’s director, puts it. Then in 1937, restorers removed some over-painting—and discovered a child was there. That child was assumed to be a portrait of Maria’s son, Cosimo de’ Medici.

And Then He Was a She
 
Now curators say the boy was a girl–Giulia de’ Medici. The daughter of Duke Alessandro de’ Medici, who was believed to be the son of a black female servant, Giulia is thought to have been the most prominent European woman of African descent at that time.

Darkness Visible
 
This discovery helped inspire “Revealing the African Presence in Renaissance Europe,” an inventive show at the Walters that enlists familiar faces of art history to spotlight lesser-known ones in social history. Focusing on the period between 1480 to 1610, an era of increased contact as trade routes expanded, diplomats traveled more widely, and Africans were imported to Europe en masse to serve as slaves, the show includes works by Dürer, Rubens, Pontormo, and Veronese, among many others, depicting Africans living in or visiting Europe. The museum describes the show as an effort to restore an identity to individuals who have been invisible–in various senses of the word.
 
The show uses representations of slaves in Europe to find out who they were, how they lived, and what their depictions say about Renaissance society. A Caracci portrait of a slave woman is a fragment of a double portrait of her owner, of whom a bit of veil remains. She is holding a clock, meant to announce her mistress’s Christian concern for the quick passage of time…

Read the entire article here.

Other Tongues: Mixed-Race Women Speak Out (review) [McKibbin]

University of Toronto Quarterly
Volume 81, Number 3, Summer 2012
pages 704-705
DOI: 10.1353/utq.2012.0140

Molly Littlewood McKibbin

Other Tongues: Mixed Race Women Speak Out by Adebe De Rango-Adem and Andrea Thompson, eds.(Inanna Publications, 2010)

DeRango-Adem and Thompson’s new collection of the artistic, autobiographical, and scholarly work of almost seventy women performs the important task of bridging the gap between late twentieth-century mixed-race writing and more contemporary work. Their text demonstrates the changes multiracial discourse has undergone and is undergoing. Other Tongues addresses the important concerns that dominated multiracial discourse in North America in the final decades of the twentieth century, which, as the contributions illustrate, are still quite relevant to the experiences of both older and younger multiracial women. Prominent recurring themes include belonging; racial inclusion and exclusion; identity formation; racism; physical appearance; the continuing prevalence of the ‘what are you/where are you from?’ question; the relationships between race, culture, and ethnicity; and the relationship of ‘colour’ to whiteness. Although some writers do not further these issues beyond what earlier collections have already done, others take them up in ways that renew older ideas with fresh perspectives. Many contributions touch on issues that are central to ongoing multiracial discourses, including gender, sexuality, class, migration, transracial adoption, single parenting, families consisting of multiracial parents, the rhetoric of ‘post-racialism,’ and the impact of Barack Obama as a public figure.

As Amber Jamilla Musser argues, race is ‘all about context,’ and this collection makes a concerted effort to include work arising out of many different contexts. Through contributors from a large variety of racial and ethnic backgrounds working in a range of genres – including autobiographical essays, narrative sketches, poetry, drama, scholarly essays, and visual art (unfortunately not printed in colour) – Other Tongues offers diverse voices that explore multiracial experience in North America (a necessarily limited geographical region, as the editors acknowledge). The exclusive engagement with women’s voices is, the editors explain, the result of a commitment to the goals of women’s studies. But while Carol Camper’s preface (itself rather troubling in its uncritical adoption of conventional notions of authenticity) signals DeRango-Adem and Thompson’s debt to her 1994 collection of women’s writing, Miscegenation Blues: Voices of Mixed Race Women, and while the desire to offer a forum in which women’s voices can be heard is clear, the absence of men’s experiences is at times a notable lack. Since multiracial discourse is in many ways a product of critical race theory and, consequently, is dependent on the ‘storytelling’ of racialized individuals as a way of approaching matters of race, the absence of male contributors seems limiting. While the editors’ choice is made explicit, the collection is presented in a way that suggests it is quite straightforwardly a text grappling with multiracialism that happens to include only women. Since contemporary North American multiracial theory, scholarship, and cultural production have never been dominated by men, there is no immediately apparent reason to focus on women to the exclusion of men.

However, the most significant feature of the volume is that it exhibits clearly the complicated set of variables that affect the experiences and identities of racialized figures, and several of the contributions are especially insightful. The blend of contributors of different ages and from different class, educational, regional, and cultural backgrounds aids the project of multiracial discourse, which is perhaps best defined by its heterogeneity. This collection is helpful since the importance of hearing a variety of voices is essential for resisting the homogenizing process of racialization in North American society. As Jackie Wang explains, ‘I write because I believe that it means something, because I have a story, although it is not the story,’ and, indeed, the multitude of ‘stories’ in Other Tongues demonstrates the differences within ‘mixed race’ even as it identifies similarities.

Although the content of the book does not really break new ground, the editors foster an unusual dialogue between their contributors that emphasizes the important links among ‘real life,’ art, politics, and the academy. A strength of the collection is that because it…

Colonial Proximities: Crossracial Encounters and Juridical Truths in British Columbia, 1871–1921 (review) [Allan Cho]

University of Toronto Quarterly
Volume 81, Number 3, Summer 2012
pages 690-691
DOI: 10.1353/utq.2012.0090

Allan Cho, Program Services Librarian
University of British Columbia

As part of a new collective at the University of British Columbia re-envisaging the landscape and boundaries of early Canada, Renisa Mawani’s Colonial Proximities exemplifies a new wave of scholarship on ‘Pacific Canada.’ Focusing on how migrants from Asia, Europe, and other parts of the Americas interacted with each other and with First Nations peoples historically, the important work of these scholars examines the parallels beyond the histories of French-English Canada and to larger histories in North America.

Situated in this intellectual context, Mawani argues that these early interracial encounters between aboriginal peoples, Chinese migrants, and other “racial enemies” provoked such deep concerns among colonial authorities that a production of a number of ‘juridical racial truths’ were needed to pave the way for modes of governance that eventually pervaded for the remaining century. As a contact zone saturated by interraciality, the colonial administrators sought a delicate balance of moral assimilation for its aboriginal populace and physical segregation of its Chinese settlers. Not only did fear of racial encounters promulgate accusations of either coerced or deliberate prostitution ever threatening to colonial morals, heterosexuality ultimately became a contested field among the colonial authorities that sought to regulate the social mores of its inhabitants.

Unfurling a bio-political conundrum, this settler colonialism produced a paradoxical blend of assimilation and segregation intersecting at one of the colony’s main economic engines, the salmon cannery industry. Could the economic fortunes that required an abundant supply of cheap labour from Chinese and aboriginal workers in the canneries justify the possibilities of this ‘contagion’ that would result from intimate contact between these races? Could the desire for racial purity within a racially mixed labour force even be possible?

Whereas aboriginal women were seen as an internal danger to the colony, Chinese women were racial enemies who threatened the racial balance of its white populace. Liquor provisions further worked to augment racial divisions and fortify existing power structures dominated by European colonialists. The illegal liquor trade served to underpin the hostility that exacerbated the accusation of Chinese selling liquor to aboriginals, which required an ‘interracial prevention.’ Matters became complicated, however, when mixed peoples, the ‘half breeds,’ challenged and defied colonial taxonomies, as colonial authorities could no longer easily pinpoint those that it needed to control.

Not surprisingly, these interracial exchanges among aboriginal peoples, European colonists, Chinese migrants, and mixed-race populations engendered racial anxieties that sustained colonial institutions run by the Indian agents, missionaries, and legal authorities who sought manifold ways to monitor these encounters through friendships, alliances, and even sexual relations. This legislation of race emerged as a common voice among the largely white administration. Lively debates and discussions eventually led to the creation of royal commissions, further solidifying colonial procedures and legislation that would systematically demarcate racial lines.

Colonial Proximities is an evolution of Mawani’s doctoral dissertation, showing a maturation of ideas. This fresh and more fluid understanding of early Canada is one that seeks to examine the role of trans-Pacific migration in multiple directions throughout the Pacific region, highlighting the history of racism and exploitation of migrants and displacement of First Nations people…

The Madonna of Excelsior: A Novel

Picador (an imprint of Macmillan)
March 2005
288 pages
5 1/2 x 8 1/4 inches
Paperback ISBN: 9780312423827; ISBN10: 0312423829

Zakes Mda, Professor of Creative Writing
Ohio University

In 1971, nineteen citizens of Excelsior in South Africa’s white-ruled Free State were charged with breaking apartheid’s Immorality Act, which forbade sex between blacks and whites. Taking this case as raw material for his alchemic imagination, Zakes Mda tells the story of one irrepressible fallen madonna, Niki, and her family, at the heart of the scandal.

Should people’s ethnicity matter in their medical treatment?

OnCentral
Southern California Public Radio
2012-10-24

José Martinez

Chances are, medical research has found that your ethnicity makes you more likely to have certain conditions or diseases.

For Latinos, it’s diabetes. For black folks, it’s high blood pressure. For white people, it’s cystic fibrosis. For Asian women, it’s osteoporosis.

But one scholar says race-based medical recommendations to patients potentially mislead them about their health risks – and reinforce harmful notions about race at the same time.

That scholar is Sean Valles, an assistant professor of philosophy at Michigan State University in a new paper appearing in Preventive Medicine.

In his paper, Valles agrees that some racial groups are, on average, more prone to certain diseases and conditions than other ethnic groups. But, he says, within each ethnic group are what he calls “islands” of lower risk that shouldn’t go unacknowledged.

He gave a couple of examples. The government recommends that black people eat less salt than other ethnic groups, due to their predisposition for high blood pressure. But Valles notes that foreign-born black people tend to have different lifestyles, and as such have substantially lower rates of heart disease, for which high blood pressure is a risk factor…

…It can be tempting, though, for medical professionals to use any information they have to get an edge on their patients’ ailments. But still, said Dr. Felix Aguilar, the chief medical officer at South Central Family Health Center, “we have to be careful when we use race.”

Aguilar said oftentimes, when people point to ethnicity as a factor in medicine, they’re often conflating it with socioeconomic status.

“Yes, there definitely are genetics involved in a lot of these procedures, but that’s not the whole story,” he said, adding that health providers should ask themselves: “Are we using [ethnicity] for the genetic aspects or are we using it for the socioeconomic aspects?”

If the answer is the latter, said Aguilar, then ethnicity probably doesn’t need to be part of the discussion.

“Our position in society many times tells us how long we’re going to live, how healthy we’re going to be and whether we have access to clean water, clean air and good food,” he said.

“Why do Latina women have the highest rate of cervical cancer in the U.S.?” Aguilar continued. “You can say, ‘Alright, it’s genetic.’ And maybe there’s a genetic element. But most likely it’s access to care.“…

Read the entire article here.

Parallels to country’s racist past haunt age of Obama

Cable News Network
In America: You define America. What defines you?
2012-11-01

John Blake, CNN

This is the second in an occasional series on issues of race, identity and politics ahead of Election Day, including a look at the optics of politics, a white Southern Democrat fighting for survival and a civil rights icon registering voters.

(CNN) – A tall, caramel-complexioned man marched across the steps of the U.S. Capitol to be sworn into office as a jubilant crowd watched history being made.
 
The man was an African-American of mixed-race heritage, an eloquent speaker whose election was hailed as a reminder of how far America had come.
 
But the man who placed his hand on the Bible that winter day in Washington wasn’t Barack Obama. He was Hiram Rhodes Revels, the first African-American elected to the U.S. Senate.
 
His election and that of many other African-Americans to public office triggered a white backlash that helped destroy Reconstruction, America’s first attempt to build an interracial democracy in the wake of the Civil War.
 
To some historians, Revels’ story offers sobering lessons for our time: that this year’s presidential election is about the past as well as the future. These historians say Obama isn’t a post-racial president but a “post-Reconstructionist” leader. They say his presidency has sparked a white backlash with parallels to a brutal period in U.S. history that began with dramatic racial progress.
 
Some of the biggest controversies of the 2012 contest could have been ripped from the headlines of that late 19th-century era, they say: Debates erupt over voting rights restrictions and racial preferences, a new federal health care act divides the country, an economic crisis sparks a small government movement. And then there’s a vocal minority accusing a national black political leader of not being a “legitimate” U.S. citizen.
 
All were major issues during Reconstruction, an attempt to bring the former Confederate states back into the national fold and create a new era of racial justice. And many of the same forces that destroyed Reconstruction may be converging again, some scholars and historians say…

…Obamacare, 19th century style
 
Beyond Revels, there are other parallels between today and the post-Reconstruction era, according to some historians.
 
The most commonly cited link revolves around the debate over voter ID laws. Since Obama’s election, 34 states have considered adopting legislation requiring photo ID for voters, according to the Brennan Center for Justice at New York University. Seven have passed such laws, which typically require voters to present a government-issued photo ID at the polls.
 
During the post-Reconstruction era, many white Southerners viewed the onset of black voting power in apocalyptic terms. They created a thicket of voting barriers – “poll taxes,” “literacy tests” and “understanding clauses” – to prevent blacks from voting, said Dray.
 
“The idea was to invalidate the black vote without directly challenging the 15th Amendment,” Dray said….

Many contemporary voter ID laws are following the same script, he said.
 
“It just goes on and on. They’ve never completely gone away. And now they’re back with a vengeance.”
 
Some opponents of the voter ID laws note that these measures disproportionately affect the elderly and the poor, regardless of race.
 
Supporters of voter ID laws say they’re not about race at all, but about common sense and preventing voter fraud.
 
“That is not a racial issue and it certainly isn’t a hardship issue,” said Deneen Borelli, author of “Blacklash,” which argues Obama is turning America into a welfare nation.
 
“When you try to purchase over-the-counter medication or buy liquor or travel, you present photo ID. This is a basic part of everyday transactions.”
 
Historians say there are other ways the post-Reconstruction script is being dusted off and that some of them appear to have nothing to do with race on the surface.
 
Consider the debate over “Obamacare,” the nation’s new health care law. The controversy would be familiar to many 19th-century Americans, said Jim Downs, author of “Sick from Freedom: African-American Illness and Suffering during the Civil War and Reconstruction.”
 
The notion that the federal government should help those who cannot help themselves wasn’t widely accepted before the Civil War. There were a few charities and municipal hospitals that took care of the sick, but most institutions ignored ordinary people who needed health care, said Downs, a Connecticut College history professor who studies the history of race and medicine in 19th-century America.
 
Reconstruction changed that. Post-Civil War America was marked by epidemics: yellow fever, smallpox and typhus. Freed slaves, who were often malnourished and had few clothes and little shelter, died by the “tens of thousands,” he said.
 
The federal government responded by creating the nation’s first-ever national health care system, directed at newly freed slaves. It was called the Medical Division of the Freedmen’s Bureau. The division built 40 hospitals and hired hundreds of doctors to treat more than a million former slaves from 1865 until it was shut down in 1870 after losing congressional funding, Downs said.
 
“It absolutely radicalized health care,” he said. “You can’t argue that government intervention in health is something new or a recent innovation. It originated in the mid-19th century in response to the suffering of freed slaves.”
 
Critics at the time said the new health care system was too radical. They said it would make blacks too reliant on government. The system was expanded to include other vulnerable Americans, such as the elderly, children and the disabled. Yet some still saw it as a black handout, Downs said.
 
“The whole notion of the modern day “welfare queen” can be traced to the post-Civil War period when people became very suspicious of the federal government providing relief to ex-slaves,” Downs said. “They feared this would create a dependent class of people.”…

Read the entire article here.

A Spectrum From Slaves to Saints (Art Review)

The New York Times
2012-11-08

Holland Carter, Staff Art Critic

“The Three Mulattoes of Esmereldas” (1599) is one of the works in “Revealing the African Presence in Renaissance Europe,” at the Walters Art Museum in Baltimore. More Photos

‘African Presence in Renaissance Europe,’ at Walters Museum

BALTIMORE — In a fall art season distinguished, so far, largely by a bland, no-brainer diet served up by Manhattan’s major museums, you have to hit the road for grittier fare. And the Walters Art Museum here is not too far to go to find it in a high-fiber, convention-rattling show with the unglamorous title of “Revealing the African Presence in Renaissance Europe.”

Visually the exhibition is a gift, with marvelous things by artists familiar and revered — Dürer, Rubens, Veronese — along with images most of us never knew existed. Together they map a history of art, politics and race that scholars have begun to pay attention to — notably through “The Image of the Black in Western Art,” a multivolume book project edited by David Bindman and Henry Louis Gates Jr. — but that few museums have addressed in full-dress style.

Like the best scholarship, the Walters show, organized by Joaneath Spicer, the museum’s curator of Renaissance and Baroque art, is as much about questions as answers, and makes no bones about that. Many wall labels begin with an interrogative, suggesting that a museum visitor’s reading of a particular image carries as much weight as the curator’s…

…Being a domestic slave in urban Europe was not necessarily a lifelong condition. (The situation was very different on New World plantations.) Slaves could be freed by owners and take up independent professions. The two black men, one young, one older, in a pair of fleet chalk drawings from around 1580 by Paolo Veronese might have worked as his assistants or apprentices, much as the former slave and mixed-race painter Juan de Pareja did in Velázquez’s studio in Madrid.

De Pareja went on to have a painting career of his own, though he is largely remembered as the subject of one of Velázquez’s most magnificent portraits. But in general the names of black sitters in Renaissance paintings — and, no doubt, of black artists — are lost.

Who is, or was, the slightly stunned-looking man wearing drop earrings, a gold chain and pearl-encrusted cap in “Portrait of a Wealthy African,” by an unknown 16th-century German or Flemish artist? Or the regal-looking personage, head swathed in a milk-white turban, in an oil sketch whipped up on a sheet of repurposed accounting paper by Peter Paul Rubens?

Rubens’s sitter is so attractive, we’d love to know his story. And we’d especially love to know the story — the true, gossip-free story — behind the sitter in an Agnolo Bronzino portrait whose name has survived. He’s Alessandro de’ Medici, who ruled Florence for seven years before being assassinated in 1537, and who is thought by historians to have been the illegitimate child of a pope-to-be, Clement VII, and a black or biracial woman.

Alessandro’s dark skin was remarked on by contemporaries, who nicknamed him Il Moro (the Moor), a generic term for African in 16th-century Italy. In Bronzino’s painting the subject’s complexion is inconclusively ruddy. But another portrait, this one of the ruler’s young daughter Giulia, has been cited by some scholars, who point to the child’s black facial features, as confirmation of Alessandro’s ethnic heritage.

Together these portraits probably attest to the reality of African DNA flowing through Medici blood, and through the very center of the European High Renaissance. But they are at least as interesting for the reactions they have provoked. Until recently art history has ignored, denied or at best tiptoed around their racial content, just as it has skimmed over the black presence in Europe as a whole. The Walters exhibition not only asserts that presence, but positions it as a contributing factor to a crucial moment in the forming of European cultural identity…

Read the entire article here.  View the slide show here.

MixedRaceStudies.org Reaches 5,000 Posts

MixedRaceStudies.org
2012-11-11

Steven F. Riley

MixedRaceStudies.org, called by a preeminent scholar, “the most comprehensive and objective clearinghouse for scholarly publications related to critical mixed-race theory,” and the recipient of other praise has reached its 5,000th post!

Created in May 2009 by Steven F. Riley, this free online resource consists of links to:

• 2,700 articles
• 900 books
• 500 dissertations, papers/presentations, reports, statements, and research requests
• 100 course offerings
• 200 audio/video items
• 300 events
• 200 quotes/excerpts
• 50 terms and definitions

My most recent activities/articles are:

• “Barack, Blackness, Borders and Beyond: Exploring Obama’s Racial Identity Today as a Means of Transcending Race Tomorrow,” paper delivered at the 2012 Critical Mixed Race Studies conference at DePaul University, Chicago, Illinois, November 1, 2012.
• “An Evening with Our New Poet Laureate,” MixedRaceStudies.org, September 16, 2012.
• “What is the Black German Experience? A Review of the Black German Cultural Society of New Jersey 2nd Annual Convention,” MixedRaceStudies.org, August 17, 2012.
• “Meet Steve Riley—Creator of Mixed Race Studies,” Mixed Race Radio with Host Tiffany Rae Reid, July 17, 2012.
• Advisory Board Appointment for forthcoming “2013-2014 Mixed Race Initiative and Fall 2013 Special Issue on Mixed Race,” Asian American Literary Review, June 28, 2012.
• “MixedRaceStudies.org” vendor table at the “Mixed Roots Film & Literary Festival,” Los Angeles, California, June 16-17, 2012.
• “Mixed Race Studies with Steve Riley,” Is That Your Child? with host Michelle McCrary, January 20, 2012.

I look forward to providing links to many more resources in the future.

Steve