Mixed Race Studies

Soledad O’Brien and three of the interview subjects from her docu discuss the fifth installment of CNN’s Black in America series

Starting Point with Soledad O’Brien
Cable News Network (CNN)
2012-12-10

Soledad O’Brien, Host

The fifth installment of CNN’s Black in America Series focused on the question, “Who is black in America?” That single, seemingly simple question unravels the complicated, densely packed issue of racial identity in this country. To continue this important conversation, three of the interview subjects from the documentary: Fmr. Editor, Essence Magazine Michaela Angela Davis, “(1)ne Drop Project” Artistic Director and a consulting producer for the documentary Yaba Blay and poet and mentor Perry “Vision” DiVirgilio join “Starting Point” this morning…

O’BRIEN: Joining us to continue this conversation three of the subjects in the documentary, Mikaela Angela Davis is the former editor of “Essence” magazine, Perry “Vision” Divirgilio, a poet and teacher, and Professor Yaba Blay is the artistic director of the One Drop Project and she was a consulting producer on our documentary.

It’s nice to have you all with us. So why do you think this touches such a nerve? I mean, all you do is sit for a minute on my Twitter feed timeline, and realize like people were angry, freaked out, emotional about this. Why?

YABA BLAY, CONSULTING PRODUCER, “BLACK IN AMERICA”: It touches on our lived experience. I think, you know, I don’t know that I’m biased, but I think of all of the black in America iterations, that this is one that everyone can relate to, whether it’s them personally, as a mother, father, grandmother.

All of the feedback I was getting online, always included a personal testimony, how this reminds me of my grandmother, this reminds me of this, I have a story, and I think it’s one of those things that people tap into on a personal level, and it’s — there is an emotion there.

O’BRIEN: The documentary focused on two young poets in your class. You mentor both of them. How unusual were their story? They grapple with racial identity. You picked two people who were the dysfunctional ones. Is that — is that the case or do you think their quest typical?

PERRY “VISION” DIVIRGILIO, POET AND MENTOR: I don’t think it’s dysfunctional. I think what they are doing is very normal for teenagers just brave enough to throw it out there, let the world know this is who I am, how I feel. You heard these lot during workshops. You know, folks look at that’s a young black man or young black woman, were checking other, were not wanting to identify with race at all. I’m a man, woman, I’m human.

O’BRIEN: Many people actually also, I mean, on Twitter, who knows who many is. Listen, kumbaya real progress would be when we don’t have to talk about race it all. We’re just Americans.

MICHAELA ANGELA DAVIS, FORMER EDITOR, “ESSENCE MAGAZINE”: Acting like it doesn’t exist doesn’t heal and this incredibly emotional response as Yaba said. America as a family this is our taboo issue. This brings up so much — triggers a lot of black girl pain.

It triggers a lot of secrets and bias. It triggers emotional things in life. Any family — when we go into our history and say this horrible thing created this characteristics, people don’t like to look at it. This is the road to healing. The only way we’ll feel hole, we talk about where we’re fractured.

O’BRIEN: So John Berman is our token white man on the panel this morning, John Berman, in all seriousness.

BERMAN: I am white, all seriousness.

O’BRIEN: This conversation, was it one that you were ever aware of?

BERMAN: I was just thinking what makes this so interesting, the minute you put a question mark on it, you know, who is black in America or what is black in America, it makes everyone ask a question of themselves…

Read the entire article and watch the video clip here. Read the transcript here.

“Starting Point with Soledad O’Brien” with Dr. Yaba Blay

Starting Point with Soledad O’Brien
Cable News Network (CNN)
Monday, 2012-12-10, 12:00-14:00Z (07:00-09:00 EST)

Soledad O’Brien, Host

Dr. Yaba Blay Professor, Scholar and Co-Producer of “Black in America 5” will appear.

Left of Black S2:E33 | Race, Writing and the Attack on Black Studies with Adam Mansbach and La TaSha Levy on Season Finale of Left of Black

Left of Black
John Hope Franklin Center
Duke University
2012-11-19

Mark Anthony Neal, Host and Professor of African & African American Studies
Duke University

Host and Duke University Professor Mark Anthony Neal is joined via Skype by writer Adam Mansbach, the author of several books including Angry Black White Boy (2005), The End of the Jews  (2008) and the New York Times Bestseller Go the Fuck to Sleep.  Mansbach discusses the inspiration for Macon Detornay—the protagonist of Angry Black White Boy—the surprise success of his “adult children’s book” and his new graphic novel Nature of the Beast.  Finally Neal and Mansbach discuss race in the Obama era and the legacy of the Beastie Boys…

Hapa: One Step at a Time [KQED Upcoming Broadcasts]

KQED: Public Media for Northern California
KQED World (Comcast 190, Digital 9.3)
2013-01-21, 07:30 and 13:30 PST (Local Time)

Race remains a powerful symbol in the US; it still is a shorthand notation for most Americans. This program speaks to how individuals of Asian and Pacific Islander descent are embracing their ethnic experiences as a symbol of change in an ever-evolving multicultural society. It is a thought-provoking exploration of what it means to be a mixed-race American today. The program is a first-person treatment of the struggles people of diverse cultural backgrounds and perspectives face. “Hapa” comes from the Hawaiian phrase hapa haole, which means half white/foreigner. Once considered a derogatory term, Hapa has come to be accepted as a way to describe a person of partial Asian ancestry. By Japanese American Midori Sperandeo, who provides a personal narrative about her evolution from a novice runner into a national class marathoner andshares the parallel path of her personal growth in searching for her racial identity.

For more information, click here.

Do 2 Halves Really Make a Whole?

Center for Asian American Media
1993
30 minutes
VHS

Martha Chono-Helsley, Producer/Director

This video features the diverse viewpoints of people with multiracial Asian heritages. African and Japanese American poet and playwright Velina Hasu Houston lives an “amalgamated existence” and encourages others to take pride in all that they are. Performance artist Dan Kwong constantly struggles with two strong and often conflicting Asian heritages – Japanese and Chinese American. Chinese-Japanese-Chicana-Scots storyteller, actress and performance artist Brenda Wong Aoki uses her unique ethnic mix to intersect social circles.

CNN’s Soledad O’Brien keeps own story under wraps while exploring colorism in “Who is Black in America?

Tampa Bay Times
The Feed
2012-12-07

Eric Deggans, TV/Media Critic

More than any other, one moment crystallizes the confusing, sometimes comically absurd contortions built up around racial identity unveiled in CNN’s latest documentary Who Is Black in America?
 
It’s not the 7-year-old, dark-skinned black girl who turns to her mother and insists light skin is pretty. It’s not the professor [William A. Darity, Jr.] who cites studies showing dark-skinned black men suffer a 10 to 12 percent income inequality compared to white men.
 
It’s when Becca Khalil, a Philadelphia-based high schooler who is the light-skinned child of Egyptian parents, feels compelled to identify herself as white on a college scholarship application.
 
Declaring to CNN’s cameras that she identifies as black personally, Khalil is nevertheless challenged by a friend born of African-American parents, who says she hasn’t had a “black experience.”…

…When most of the youths in CNN’s documentary talk about being black, they mean African American. But [Soledad] O’Brien, who also self-identifies as black, has her non-white roots in Cuba, a Hispanic-centered culture that’s different than the environment for black folks raised in Atlanta or Detroit.
 
And unlike some of the kids she profiles, O’Brien doesn’t believe anyone gets to choose their racial identity.
 
“This idea that someone gets to choose seems odd,” added the anchor. “I’m lighter-skinned than the president of the United States, but my mom is black, my brothers and sisters are black, my mom has a short afro. I never thought I had a choice about how I identified … My identity was given to me very early by my parents.”…

…O’Brien’s documentary also doesn’t mention the most famous person navigating issues of race and identity in modern times: President Barack Obama. And the reason Obama isn’t featured is the same reason O’Brien doesn’t tell her story, even though the details — she was raised as an Afro-Cuban/Irish child in an all-white neighborhood where she felt “people like me weren’t attractive” — seems the embodiment of the documentary’s spirit…

Read the entire article here.

The best evidence suggests there has yet to be a sea change in the proportion of Americans selecting a multiracial identity. Furthermore, practices of racial self-classification are much less likely to have any significant implications for the direction of social policies than practices of social classification—how people are perceived and categorized racially and ethnically by others. A person’s life chances are far more greatly influenced by how others see and situate them than by the individual’s personal selection of a racial classification. Indeed, an individual’s physical attributes and their interpretation by others often are the critical factors dictating how he or she is treated by others.

William Darity, Jr., “How might social policies change as more Americans identify themselves as ‘multiracial’?,” Good Question: An Exploration in Ethics series, The Kenan Institute for Ethics at Duke University, July 9, 2011. http://kenan.ethics.duke.edu/wp-content/uploads/2012/08/GQ-Darity.pdf

How might social policies change as more Americans identify themselves as “multiracial”?

The Kenan Institute for Ethics at Duke University
Good Question: An Exploration in Ethics series
2011-07-09

William Darity, Jr., Arts & Sciences Professor of Public Policy, African and African American Studies, and Economics
Duke University

QUESTION: How might social policies change as more Americans identify themselves as “multiracial”?

ANSWER: Are more Americans, in fact, identifying themselves as “multiracial”? Census 2000 provided respondents with the first opportunity to select more than one racial category. At the time, 2.4 percent of all respondents—or about 6.8 million people—actually selected two categories or more for their racial self-classification. While preliminary reports from Census 2010 indicate that the number of persons checking “two or more” racial categories has risen 35% since Census 2000, the overall proportion remains at less than 3% of all Census respondents.

The best evidence suggests there has yet to be a sea change in the proportion of Americans selecting a multiracial identity. Furthermore, practices of racial self-classification are much less likely to have any significant implications for the direction of social policies than practices of social classification—how people are perceived and categorized racially and ethnically by others. A person’s life chances are far more greatly influenced by how others see and situate them than by the individual’s personal selection of a racial classification. Indeed, an individual’s physical attributes and their interpretation by others often are the critical factors dictating how he or she is treated by others….

…With regard to the connection between racial classification and social policies, there has been substantial political pressure to move away from race-targeted policies that were designed to address economic disparities in the U.S. But that pressure is not attributable to the rise in persons choosing a multiracial identity. It is due, instead, to what I believe are strong anti-black sentiments. Black Americans continuously are portrayed as undeserving of social policy initiatives uniquely designed to address their condition, particularly via popular narratives that frame blacks’ subordinate economic condition as due to their own personal irresponsibility and bad behavior…

Read the entire article here.

A Beautiful Blend

Center for Asian American Media
2004
27 minutes
DVD

David Hosley, Producer
KVIE-TV

In the decades following the Supreme Court’s 1967 decision to end laws making interracial marriage illegal, the United States has witnessed a remarkable increase in the number of mixed-race couples and of the multi-ethnic children born to them. As these segments of the population continue to expand and gain presence, more efforts have been made to understand the quality of their daily lives and their psychological development. Through interviews with interracial couples and their children, A Beautiful Blend provides a forum for them to express their unique concerns regarding their multicultural backgrounds and their growing visibility in America.

A Beautiful Blend also includes Hapa (26 minutes) by Midori Sperandeo.

Hapa: One Step at a Time

Center for Asian American Media
2001
26 minutes
DVD

Midori Sperandeo, Producer
KVIE-TV

According to 2000 Census statistics, nearly 7 million Americans identify themselves as multi-racial, or ‘hapa.’ This engaging first-person documentary is about marathon runner and TV producer Midori Sperandeo’s struggles to come to terms with her hapa identity. Comparing her personal path toward self-awareness as a hapa to the challenges she faces training for long-distance running, Hapa touches upon a national history of anti-miscegenation laws, increasing rates of interracial marriages and additional census data to provide a context with which to better understand this rapidly growing demographic group. Interviews with individuals from diverse backgrounds call attention to the pressure many feel to “choose” between cultural heritages; their anxieties of feeling like outsiders in their parents’ communities; and the unique ways in which the hapa community is enriching the cultural fabric of our society.