Mixed Race Studies

Matters of the Heart: A History of Interracial Marriage in New Zealand

Auckland University Press
July 2013
312 pages approx
240 x 170 mm, illustrations
Paperback ISBN: 978-1-86940-731-5

Angela Wanhalla, Senior Lecturer in History
University of Otago, New Zealand

A history of the intimate relations between Māori and Pākehā, and the intersections of public policy and private life.

Philip Soutar died at Ypres in 1917. Before becoming a soldier, Soutar’s life revolved around his farm at Whakatāne, where he lived with his Māori wife Kathleen Pine in an ‘as-you-please marriage, uncelebrated by a clergyman’. Matters of the Heart introduces us to couples like Philip and Kathleen to unravel the long history of interracial relationships in New Zealand.

That history runs from whalers and traders marrying into Māori families in the early nineteenth century through to the growth of interracial marriages in the later twentieth. It stretches from common law marriages and Māori customary marriages to formal arrangements recognised by church and state. And that history runs the gamut of official reactions—from condemnation of interracial immorality or racial treason to celebration of New Zealand’s unique intermarriage patterns as a sign of us being ‘one people’ with the ‘best race relations in the world’.

In the history of intimate relations between Māori and Pākehā, public policy and private life were woven together. Matters of the Heart reveals much about how Māori and Pākehā have lived together in this country and our changing attitudes to race, marriage and intimacy.

The Race Talk: Multiracialism, White Hegemony, and Identity Politics

Information Age Publishing
2012-10-25
144 pages
Paperback ISBN: 978-1-61735-912-5
Hardcover ISBN: 978-1-61735-913-2
eBook ISBN: 978-1-61735-914-9

Pierre W. Orelus, Assistant Professor of Education
New Mexico State University

Drawing on critical race theory, this book critically examines race through a mosaic lens pointing out various issues directly connected to it, such as racial identity politics, racism, multiracialism, interracial relationships, and the hegemony of whiteness. This book goes further to analyze the manner in which socially constructed racial stereotypes contribute to and are used to justify the poor socio-economic situation and marginalization of People of Color, particularly the poor ones. Designed for a broad range of readers, this book aims to open up democratic spaces for genuine discussions about racial issues.

Contents

• Acknowledgments
• 1. The Race Talk
• 2. Asserting Multiracialism: Beyond the Hegemony of Whiteness
• 3. Racial Identity Politics and Class Divide in The Age of Obamerica
• 4. Unpacking [Inter] Racial Relationships between Whites and People of Color
• 5. Examining the Intricacies of Interracial Relationships
• 6. Being Blacks and Browns in the Twenty-First Century: Challenges and Possibilities
• 7. On Being a Professor of Color: Battling Invisibility and Microaggression
• 8. Black Skin Could Speak: Resistant Narratives for Racial Justice
• 9. The Sociopolitical Weight of Race: A Critical Analysis of President Obama, Professor Gates, and Sgt. Crowley’s Racial Controversy
• References
• About the Author
• Index

Equivocal Subjects: Between Italy and Africa—Constructions of Racial and National Identity in the Italian Cinema

Bloomsbury Continuum
2012-05-10
328 pages
Hardcover ISBN: 9781441190437

Shelleen Greene, Assistant Professor of Digital Studio Practice and Theory
University of Wisconsin, Milwaukee

A thorough study of the portrayal of race in Italian cinema, from the silent era to the present, illuminating issues in contemporary Italian society.

Equivocal Subjects puts forth an innovative reading of the Italian national cinema. Shelleen Greene argues that from the silent era to the present, the cinematic representation of the “mixed-race” or interracial subject has served as a means by which Italian racial and national identity have been negotiated and re-defined. She examines Italy’s colonial legacy, histories of immigration and emigration, and contemporary politics of multiculturalism through its cultural production, providing new insights into its traditional film canon.

Analysing the depiction of mixed-race subjects from the historical epics of the Italian silent “golden” era to the contemporary period, this enlightening book engages the history of Italian nationalism and colonialism through theories of subject formation, ideologies of race, and postcolonial theory. Greene’s approach also provides a novel interpretation of recent developments surrounding Italy’s status as a major passage for immigrants seeking to enter the European Union. This book provides an original theoretical approach to the Italian cinema that speaks to the nation’s current political and social climate.

Table of Contents

• Introduction
• Chapter 1: From “Making Italians” to Envisioning Postcolonial Italy
• Chapter 2: From Meticci and the “Challenging Realisms” of the Colonial Melodrama to a Postcolonial Consciousness
• Chapter 3: The Negotiation of Interracial Identity, Citizenship and Belonging in the Post-War Narrative Film and Beyond
• Chapter 4: Transatlantic Crossings: Re-encountering Blackness in the Cinema of the “Economic Miracle”
• Chapter 5: Zummurud in her Camera: Pier Paolo Pasolini and the Global South in Contemporary Italian Film
• Conclusion
• Filmography
• Bibliography
• Index

The New Southern-Latino Table: Recipes That Bring Together the Bold and Beloved Flavors of Latin America and the American South

University of North Carolina Press
September 2011
320 pages
7.625 x 8.375, 20 color illus., bibl., index
Cloth ISBN: 978-0-8078-3494-7

Sandra A. Gutierrez

In this splendid cookbook, bicultural cook Sandra Gutierrez blends ingredients, traditions, and culinary techniques, creatively marrying the diverse and delicious cuisines of more than twenty Latin American countries with the beloved food of the American South.

 The New Southern-Latino Table features 150 original and delightfully tasty recipes that combine the best of both culinary cultures. 

Gutierrez, who has taught thousands of people how to cook, highlights the surprising affinities between the foodways of the Latin and Southern regions—including a wide variety of ethnic roots in each tradition and many shared basic ingredients—while embracing their flavorful contrasts and fascinating histories.

These lively dishes—including Jalapeño Deviled Eggs, Cocktail Chiles Rellenos with Latin Pimiento Cheese, Two-Corn Summer Salad, Latin Fried Chicken with Smoky Ketchup, Macaroni con Queso, and Chile Chocolate Brownies—promise to spark the imaginations and the meals of home cooks, seasoned or novice, and of food lovers everywhere. Along with delectable appetizers, salads, entrées, side dishes, and desserts, Gutierrez also provides a handy glossary, a section on how to navigate a Latin tienda, and a guide to ingredient sources. The New Southern-Latino Table brings to your home innovative, vibrant dishes that meld Latin American and Southern palates.

Land of the Cosmic Race: Race Mixture, Racism, and Blackness in Mexico

Oxford University Press
January 2013
256 pages
2 photographs; 6-1/8 x 9-1/4
Hardback ISBN13: 978-0-19-992548-3; ISBN10: 0-19-992548-8
Paperback ISBN13: 978-0-19-992550-6; ISBN10: 0-19-992550-X

Christina A. Sue, Assistant Professor of Sociology
University of Colorado, Boulder

Land of the Cosmic Race is a richly-detailed ethnographic account of the powerful role that race and color play in organizing the lives and thoughts of ordinary Mexicans. It presents a previously untold story of how individuals in contemporary urban Mexico construct their identities, attitudes, and practices in the context of a dominant national belief system. The book centers around Mexicans’ engagement with three racialized pillars of Mexican national ideology – the promotion of race mixture, the assertion of an absence of racism in the country, and the marginalization of blackness in Mexico.

The subjects of this book are mestizos—the mixed-race people of Mexico who are of Indigenous, African, and European ancestry and the intended consumers of this national ideology. Land of the Cosmic Race illustrates how Mexican mestizos navigate the sea of contradictions that arise when their everyday lived experiences conflict with the national stance and how they manage these paradoxes in a way that upholds, protects, and reproduces the national ideology. Drawing on a year of participant observation, over 110 interviews, and focus-groups from Veracruz, Mexico, Christina A. Sue offers rich insight into the relationship between race-based national ideology and the attitudes and behaviors of mixed-race Mexicans. Most importantly, she theorizes as to why elite-based ideology not only survives but actually thrives within the popular understandings and discourse of those over whom it is designed to govern.

Features

• The first serious study to address how race functions among Mexican mestizos

Table of Contents

• Acknowledgements
• Chapter 1: Introduction
• Chapter 2: Mapping the Veracruz Race-Color Terminological Terrain
• Chapter 3: Beneath the Surface of Mixed-Race Identities
• Chapter 4: Mestizos’ Attitudes on Race Mixture
• Chapter 5: Inter-Color Couples and Mixed-Color Families in a Mixed-Race Society
• Chapter 6: Situating Blackness in a Mestizo Nation
• Chapter 7: Silencing and Explaining Away Racial Discrimination
• Chapter 8: What’s at Stake? Racial Common Sense and Securing a Mexican National Identity
• Epilogue: The Turn of the Twenty-First Century: An Ideological Shift?
• Appendix
• References
• Index

Chick

Bloodaxe Books
2013-01-24
64 pages
Paperback ISBN-10: 1852249609; ISBN-13: 978-1852249601

Hannah Lowe

Hannah Lowe’s first book of poems takes you on a journey round her father, a Chinese-black Jamaican migrant who disappeared at night to play cards or dice in London’s old East End to support his family, an unstable and dangerous existence that took its toll on his physical and mental health. ‘Chick’ was his gambling nickname. A shadowy figure in her childhood, Chick was only half known to her until she entered the night world of the old man as a young woman. The name is the key to poems concerned with Chick’s death, the secret history of his life in London, and her perceptions of him as a father. With London as their backdrop, Hannah Lowe’s deeply personal narrative poems are often filmic in effect and brimming with sensory detail in their evocations of childhood and coming-of-age, love and loss of love, grief and regret.