White Without Soap: Philanthropy, Caste and Exclusion in Colonial Victoria 1835-1888, A Political Economy of Race

Posted in Anthropology, Books, History, Media Archive, Monographs, Oceania on 2013-04-29 03:39Z by Steven

White Without Soap: Philanthropy, Caste and Exclusion in Colonial Victoria 1835-1888, A Political Economy of Race

University of Melbourne Custom Book Centre
2010
318 pages
Paperback ISBN: 0980759420, 9780980759426

Marguerita Stephens

Explores the connections between nineteenth century imperial anthropology, racial ‘science’ and the imposition of colonising governance on the Aborigines of Port Phillip/Victoria between 1835 and 1888. Based on the dissertation of the same name.

Table of Contents

  • Acknowledgements
  • The View from Coranderrk
  • Note on Language
  • Map
  • Introduction: Imperial Economies of Race
  • Chapter One: From Philanthropy to Race 1835-1848
  • Chapter Two: Colonising the Body: Infanticide and Governance
  • Chapter Three: Colonising the Body: A Species Apart
  • Chapter Four: Citizens, Rebels and Ambiguous Identities in the Ethno-Zoo
  • Chapter Five: The Coranderrk Dormitory: Gender, Caste and Extinction
  • Chapter Six: ‘You can make them white here without soap’
  • Conclusion: ‘Yarra, my father’s country’
  • Bibliography

INTRODUCTION: Imperial Economies of Race

In the expansionary movements of the European nation stales in the nineteenth century, race and empire were mutually constituted. ‘It was’, wrote Catherine Hall, ‘colonial encounters which produced a new category, race’.1 The idea of race raised colonialism to a biological imperative. The idea of race, and the ability of individuals to perceive the marks and differentials of race, have a history of their own. What follows is a history of how Europeans in one colonial encounter came to think that race mattered and how they produced specific categories of race that gave scientific and moral warrant to their rapacious colonising. It is a political economy of race.

This study is concerned with the multilateral connections between developments in the science of race across the European imperial domain and the operations of colonial policy in one location, that of Port Phillip, later Victoria, in south-eastern Australia in the middle and late nineteenth century. Specifically, it is concerned with the interactions between anthropology and the practical management of the Victorian government’s Aboriginal station Coranderrk, onto which the Kulin people, on whose land the colonial settlement of Melbourne was established in 1835, were gathered in 1863. It is concerned with the prominence of the Australians, particularly those from the south-eastern comer of the continent, in the formulation of European concepts of race, and with the daily lives of those on whom the ethnological gaze fell so heavily. It is concerned with the circularities of colonial theory and colonizing practice which produced the extinguishing Aboriginal body and the imperial fantasy of terra nullius. Colonialism and anthropology formed an hermetic ideological coupling of power and knowledge in which European desire, be it sexual or territorial, was projected onto the colonised with such force and effect that it delivered them up as objects who entreated their own colonization. It is with the twists and turns in this multidirectional relationship between theories of race and the practical expressions of colonial power through the categories of race that this study is concerned.

In the following chapters I explore how anthropology projected imminent Aboriginal extinction as an effect of biology and culture, rather than as an effect, and an animating ambition, of colonial practice. I also explore the complicity of humanitarian philanthropists in the production of the ‘ideological dissimulations’ encapsulated in Gayatri Chakravorty Spivak’s provocative formula: ‘white men are saving brown women from brown men’ with its slippery and readily mutable verb. In south-eastern Australia, white men produced and reinforced colonizing power through the purported rescue of brown women, whose cthnologically-predicated ill-treatment by brown men provided the singular event that permitted the suspension of the letter of the law in order to impose ‘not only a civil but a good society’.

From the generalised rape, abuse and exploitation of the sexual labour of Aboriginal women and girls by colonists on the frontier in the late 1830s, to the emphasis laid by the Victorian Board for the Protection of Aborigines (BPA) on the seizure of Aboriginal girls from their kin in the 1860s and 1870s, to the Board’s determination in the 1880s to bring ‘finality’ to the Aboriginal ‘problem’ by steering young Aboriginal women into marriages with white men, the exercise of power over Aboriginal women was the most crucial vector of colonial power. In Victoria, as in so many other colonial sites, the control of female sexuality and reproduction was, as Anne McClintock argues, crucial to the ‘transmission of white, male power’.

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Interview: Nia King, “Bodies on the Line”

Posted in Articles, Arts, Gay & Lesbian, Interviews, Media Archive, Women on 2013-04-29 01:14Z by Steven

Interview: Nia King, “Bodies on the Line”

Mixed Reader: A blog of mixed race literature
2013-04-27

Tali Weinberg

Nia King is multimedia producer with a passion for social justice. She started out as a zinester writing about mixed-race identity, made a short film about searching for trans-friendly housing in the Bay Area, and has recently transitioned into journalism. Her ongoing projects include a web comic about her interracial relationship, and a podcast about queer and trans art activists of color. Feminist textile artist Tali Weinberg, an MFA student at California College of Art, recently interviewed Nia for part of her thesis on women art activists in the Bay Area. Below is an abridged transcript of the interview.

Do you consider yourself part of a certain activist or artistic lineage?

 As a queer, mixed-race woman of color who’s an ex-punk and an ex-anarchist I feel like there’s lots of different things that I draw from, some of which have nothing to do with my identity. Jaime Hernandez is definitely my biggest influence in terms of my comics. He and his brother do a series of comics called Love and Rockets. His branch of the Love and Rockets franchise is about these two young queer punk rockers growing up outside LA, I think one of them is Chicana and the other is Colombian and Scottish. For me as a young punk growing up in a white scene, seeing queer women of color represented in comics as actual people was a really amazing thing.

 I also really love the visual art. Every panel looks like something you could put up on a wall, which is not something you see with all comics. There’s a really strong graphic style with a lot of solid black and white shapes that are really sort of distinct visually and that’s something I also really draw from…

Read the entire interview here.

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