Mixed Race Studies

Library of Congress Appoints Natasha Trethewey To Second Term as U.S. Poet Laureate

News from the Library of Congress
The Library of Congress
Washington, D.C.
2013-06-10

Trethewey Will Launch Project as Part of the PBS NewsHour Poetry Series

Librarian of Congress James H. Billington has appointed Natasha Trethewey to serve a second term as U.S. Poet Laureate Consultant in Poetry.

“The Library and the country are fortunate Natasha Trethewey will continue her work as Poet Laureate,” said Billington. “Natasha’s first term was a resounding success, and we could not be more thrilled with her plans for the coming year.”

Trethewey’s second term will begin in September. She will follow previous multiyear laureates—such as Kay Ryan, Ted Kooser, and Billy Collins—and undertake a signature project: a regular feature on the PBS NewsHour Poetry Series. Trethewey will join NewsHour Senior Correspondent Jeffrey Brown for a series of on-location reports in various cities across the United States to explore several large societal issues, through a focused lens offered by poetry and her own coming-to-the-art.

The Poetry Series, featured on the PBS NewsHour, engages a broad audience through thoughtful, in-depth reports on contemporary poets and poetry. Online, the NewsHour features weekly poems on its Art Beat blog as well as on a special page dedicated to poetry.

Ms. Trethewey’s first term as the 19th Poet Laureate Consultant in Poetry was noteworthy for her “Office Hours,” during which she met with the general public in the Library’s Poetry Room—harkening back to a tradition established by her predecessors in the post from 1937 to 1986. For her second year, Trethewey will move beyond the capital to seek out the many ways poetry lives in communities across the country and addresses issues and concerns of Americans.

In that pursuit, she will draw on her own life experiences as a guide—visiting places she feels a personal connection to, such as a domestic violence center, an inner-city school, a prison or juvenile detention center, a nursing home, or places that have suffered natural or man-made disasters. The specific locations will be determined closer to the start of the Poet Laureate’s second term. In her travels to cities and towns for the series, Trethewey also intends to hold “Office Hours on the Road”—meeting with members of the general public as she did in the Library…

Read the entire news release here.

Barack Obama’s “Slave” Ancestor and the Politics of Genealogy

George Mason University’s History News Network
2012-08-02

Honor Sachs, Assistant Professor of History
Western Carolina University, Cullowhee, North Carolina

On July 30, the New York Times broke a story about the Obama family’s ties to slavery. Not Michelle Obama. Her family connection to slavery has been extensively covered by the Times and documented in Rachel Swarn’s American Tapestry. Rather, the story revealed the history of Barack Obama’s ties to slavery through his mother’s side. The article announced that genealogists have traced the family history of Obama’s mother, Stanley Ann Dunham, to seventeenth-century Virginia, where they claim it is possible she may have descended from an African servant named John Punch. Using ancestral databases and DNA evidence, researchers have linked Dunham’s history to the “mixed-race Bunch line,” a family who became wealthy colonial landholders and were racially considered white despite their ties to Africans like John Punch.

The story of John Punch occupies an important place in the history of slavery in North America. When the English imported Punch to the Virginia colony in the mid-seventeenth century, he became an indentured servant. The primary source of labor in the Virginia colony for the better part of the seventeenth century was servitude. The colony imported workers from Europe to work in tobacco fields. They had little interest in utilizing African slaves. African imports were comparatively expensive next to the cheap imports they could scoop off the streets or out of the jails of London. At the time John Punch arrived in the English colony, he was one of a relatively small population of Africans.

But something happened to John Punch in 1640 that signaled a transition in the way colonial officials thought about race and slavery. In 1640, Punch ran away from his Virginia employer with two white servants, one a Scot and the other a Dutchman. They escaped to Maryland where they were apprehended and returned home for punishment. All three runaways were whipped. The two white servants were punished with extended terms of service, but Punch received a far harsher sentence: he was made a servant “for the term of his natural life.” It was the closest thing to a slave the colony had yet known. Virginians would not fully embrace a system of slave labor for at least another four decades, but the willingness of colonial officials to distinguish a lifetime of servitude for Punch and not for his European counterparts suggests the beginnings of racial thinking that would ultimately equate slavery with people of African descent…

Read the entire article here.

What’s it like to “come out” as a Third Culture Kid on stage? Elizabeth Liang tells all!

The Displaced Nation: A home for international creatives
2013-06-20

The Displaced Nation Team

As reported here last month, Elizabeth Liang spent the month of May performing, at a venue in Los Angeles, a one-woman show about being a Third Culture Kid, or TCK. As some readers may recall, Liang is a self-described Guatemalan-American business brat of Chinese-Spanish-Irish-French-German-English descent. She was brought up by peripatetic parents in Central America, North Africa, the Middle East, and Connecticut. Many of us were curious about not only how she could pack all of that personal history into a solo stage performance, but also how the (mostly American) audiences would respond. Today is the day we get to find out. Take it away, Elizabeth!

—ML Awanohara

I had no idea what to expect from audiences when I opened my solo show, Alien Citizen, in Hollywood, California, on May 3rd (it closed June 1st).

Since the show is about my upbringing as a dual citizen of mixed heritage in six countries, I assumed it would appeal mainly to Adult Third Culture Kids (ATCKs) and people of mixed heritage—the people I wrote it for, since we rarely see our stories portrayed on stage or screen.

I wanted the show to be funny, but wasn’t sure if the humor would translate.

And I wanted people to be moved by the story…

Read the entire article here.